Marc Bibiloni

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13/10/2026

In “Dance Club - One Step at a Time”, Jaime Urdiales considers patience not as passivity, but as a form of awareness: a way of inhabiting the interval between intention and action.

A vintage car remains motionless before the club; a paper plane lies on the road, suspended before flight. Above, a dancing couple introduces another register of movement, one dependent on rhythm, attention and mutual response. Across these elements, Urdiales constructs a scene in which movement is never immediate, but negotiated, shaped by timing, anticipation and the possibility of choosing when to act.

The work belongs to Urdiales’ ongoing Amulets series, in which the artist reflects on the symbolic charge we project onto objects and images. Rather than offering certainty, these works operate as contemporary amulets: vessels for belief, reflection and psychological orientation.

Here, patience becomes the amulet itself, a reminder that progress can also emerge through restraint, and that knowing when to wait may be as significant as knowing when to move.

Featured:
Jaime Urdiales
Dance Club - One Step at a Time, 2026
Oil on canvas
39 × 33 cm

For inquiries: [email protected]

09/10/2026

A first glimpse of one of the central works from Íñigo Navarro’s forthcoming exhibition, opening in April 2027.

“La conjura de los susurros” explores different ways of taking flight. At its highest point lies the experience of falling in love; just beneath it, art. In Freudian terms, art becomes an act of sublimation, a way of transforming desire and instinct into creative experience, into what he understood as a higher form of satisfaction.

Here, a group of children escape towards the wild, returning home not as a place of safety, but as a territory of adventure: beautiful, unknown and potentially dangerous. This tension between escape and return, desire and risk, becomes one of the central threads running through Navarro’s new body of work.

Featured:
La conjura de los susurros, 2026
Oil on canvas
146 × 114 cm

Inquiries: [email protected]

06/10/2026

We are delighted to return to Mallorca with A MATTER OF TASTE (Mallorca Edition), a satellite presentation of Martin Parr’s exhibition currently on view in Madrid, hosted at El Terreno Barrio Hotel, Palma de Mallorca.

On Thursday, October 15, the evening will begin with a special screening of the documentary “I AM MARTIN PARR” (18-19h), followed by the exhibition opening and cocktail (19-21:30h), and conclude with an exclusive afterparty at 2 Rombos (22-2:00h).

THURSDAY, OCTOBER 15

18:00–19:00
I AM MARTIN PARR
Documentary screening
El Terreno Cinema
Limited capacity: 40 seats
RSVP: [email protected]

19:00–22:00
A MATTER OF TASTE (Mallorca Edition)
Exhibition Opening & Cocktail
El Terreno Barrio Hotel
Avenida Joan Miró 73, Palma

22:00–02:00
AFTERPARTY — 2 ROMBOS
Silvia Mas — 22:00–00:00
Romo — 00:00–02:00
Guest list only
RSVP: [email protected]

SECOND DOCUMENTARY SCREENING
Friday, October 16
18:00–19:00
El Terreno Cinema
Limited capacity: 40 seats
RSVP: [email protected]

We look forward to welcoming you in Mallorca.

02/10/2026

Miju Lee creates a surreal, dreamlike universe where reality and imagination intertwine. Moving between painting and sculpture, she brings imaginary beings and symbolic landscapes to life, exploring the subconscious and the mystical world of dreams.

In Mina, Lee transforms life’s challenges into a poetic metaphor. A character, seemingly crushed beneath the weight of a massive rock, refuses to surrender. Instead, it becomes the rock itself, with only its feet revealing its hidden presence. At the top, a tiny mushroom emerges as a symbol of resilience, rebirth and the awakening of new ideas. A recurring element in Lee’s universe, mushrooms evoke growth, transformation and a connection to the mystical world of dreams and imagination.

Featured works:

Miju Lee
Mina larga, 2026
Paint on FRP
48 x 45 x 65 cm

Miju Lee
Stranger on the Board, 2026
Acrylic on canvas
30 x 59 x 2 cm

For inquires: [email protected]

01/10/2026

Manu García (Oviedo, 1994) develops a deeply autobiographical practice in which painting, sculpture and installation operate as an open diary, images where intimacy, humour, desire, contradiction and references to art history coexist.

In “Tocar el blanco del pecho del cisne y acercarlo al mío”, García begins with a line he encountered years ago in the writings of Edvard Munch:

“I felt that my hands could touch the white of its breast and bring it close to mine. The water around it was full of mud.”

The image stayed with him, noted down in one of his sketchbooks: the desire to reach something beautiful, pure and almost impossible in the midst of the mud. Alongside it appears another image he had long wanted to paint: the swan from a work by Jan Asselijn.

Yet in García’s work, this pursuit is never entirely innocent. The artist returns to a recurring iconography in his practice: the race, competition and constant pressure to move forward within the art world.

Two figures, riding a strange wheeled dog-like creature, rush ahead while seemingly fighting, embracing and dragging the swan along with them.

Between ambition and affection, speed and desire, absurdity and beauty, one question remains: what happens to the things we want to preserve when we are too busy trying to get somewhere?

Manu García
Tocar el blanco del pecho del cisne y acercarlo al mío, 2026
Oil on canvas
180 × 180 cm

For inquires: [email protected]

27/09/2026

On November 5, we will have the pleasure of presenting a new group exhibition at the gallery, curated by Domenico de Chirico a project that has been taking shape over the course of the past year.

Throughout this period, eight artists have spent time at our residency in Gistel, using the space as a place for research, experimentation and the development of new bodies of work.

The exhibition will bring together the works produced through these individual periods of residency, creating a collective presentation shaped by a year of encounters, conversations and artistic processes.

Featuring works by Adam Bilardi, Johannes Bosisio, Joe Cheetham, Henri Haake, Emma Stern, Jaime Urdiales, Théo Viardin, Shoshana Walfish.

Adam Bilardi
Johannes Bosisio

Henri Haake
emma stern
Jaime Urdiales
Théo Viardin
Shoshana Walfish

Opening November 5.

25/09/2026

On view until October 31.

Through his iconic use of direct flash in broad daylight, Martin Parr transformed ordinary gestures, objects and social rituals into a precise and often comic study of contemporary life.

In the first room of A Matter of Taste, works from seminal series such as The Last Resort and Common Sense reveal the visual language through which Parr examined leisure, class, consumption, national identity and the everyday customs that shape the way we live.

MARTIN PARR
A Matter of Taste

For inquiries: [email protected]

20/09/2026

In the Dearworths series, Eetu Sihvonen brings together reclaimed materials and digital fabrication to create sculptural objects that seem to resist their original function. Developed during a residency at PADA in Portugal, the works are constructed from reclaimed wood, including old window frames and cabinet doors, which Sihvonen carves by hand and combines with dyed, 3D-printed resin reliefs. By giving these works legs, the artist allows them to metaphorically rebel against their expected position on the wall, transforming familiar domestic structures into autonomous characters.

This tension between traditional craftsmanship and contemporary technologies is central to Sihvonen’s practice. Eetu Sihvonen (b. 1994, Finland) is a Helsinki-based sculptor whose work combines hand-carved wood and digital fabrication within an ongoing process of world-building, where objects become carriers of belonging, transformation and constructed histories.

Featured:
Dayred II, 2023
wood, linseed oil, resin, dye
37x20x16cm

Dayrim (Dearworth Duo) II, 2023
Wood, linseed oil, resin, dye
32 × 23 × 10 cm

Dayred I, 2023
wood, linseed oil, resin, dye
37x20x16cm

For inquiries: [email protected]

18/09/2026

Birds have long been a source of fascination for Bianca Barandun, their movements, their plumage, the rhythm of their flight, the way they inhabit space, and even the architecture of their nests.

For Hollow Bones, Barandun studied different species and their distinct ways of moving: hovering, gliding, hopping, ascending and descending. From this research, she develops her own visual language, translating these observations into suspended forms that seem to float, gravitate and move through the gallery.

Rather than depicting birds, Barandun evokes their presence, transforming movement, rhythm and sound into a kind of visual music.

Featured:
Anser Anser I
2025
20 x 20 x 28 cm
Glass wax, liquid ceramics and pigment.

Anser Anser IV
2025
21 x 22 x 28 cm
Liquid ceramics and pigment.

Anser Anser VI
2025
21 x 22 x 28 cm
Liquid ceramics and pigment.

Anser Anser V
2025
21 x 22 x 28 cm
Liquid ceramics and pigment.

Anser Anser III
2025
20 x 20 x 30 cm
Wild cherry wood, liquid ceramics and pigment.

For inquiries: [email protected]

16/09/2026

At the heart of A Matter of Taste lies one of the central tensions of Martin Parr’s practice: his ability to transform the excessive, the ordinary and the seemingly trivial into images of remarkable visual and cultural precision.

The exhibition includes two works from the Common Sense series, developed between 1995 and 1999. In this body of work, Parr brought his camera even closer to bodies and objects, focusing on mass-produced food, painted lips, jewellery, polished nails, sunbaked skin and cheap souvenirs. Through saturated colour, fragmentary framing and harsh flash, these seemingly insignificant details become precise observations on desire, leisure and consumer culture, reflecting the habits and contradictions of an increasingly globalised society.

It is precisely this ability to construct a visual language from the overlooked and the familiar that made Parr one of the defining figures of contemporary documentary photography.

His work is held in major public collections worldwide, including Tate, The Museum of Modern Art, New York, Victoria and Albert Museum, J. Paul Getty Museum, San Francisco Museum of Modern Art and M+ Hong Kong.

MARTIN PARR
A Matter of Taste
On view until 31 October

For inquiries: [email protected]

Dirección

Calle Divino Vallés, 12
Madrid
28045

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http://www.marcbibiloni.com/

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