KERA Gallery

KERA Gallery KERA Gallery is a contemporary art gallery founded in 2022 based in Tbilisi, Georgia

23/04/2026

Mako Lomadze — House of Soft Resistance

A project rooted in a place that shaped her early perception of the world.

In Samegrelo, at a family home where she spent her childhood summers, Mako Lomadze encountered nature for the first time — a place of reading, listening, and imagining.

In the early 1990s, during the civil unrest in Georgia, this landscape became a form of shelter. Like many families, they sought refuge here — under trees, within nature itself.

This experience remained not only as memory, but as a subconscious foundation.
Her sensitivity to form, her visual language, and her deep connection to green all emerge from this environment.

Nearby, an abandoned estate carries another layer of history — once belonging to the Dadiani family. After the arrival of the Red Army, the prince took his own life in its courtyard.

Yet despite this tragic past, the place remains, for the artist, a space of unexpected synthesis — where personal memory, history, and landscape coexist.

Polina Orlova is a Ukrainian-born artist based in Tbilisi. Working primarily with textile techniques — embroidery, weavi...
22/07/2025

Polina Orlova is a Ukrainian-born artist based in Tbilisi. Working primarily with textile techniques — embroidery, weaving, dyeing, and thread-based installations — she explores questions of identity, transformation, and perception through materiality.

Her practice is rooted in the idea that fabric holds memory. Thread, for Orlova, becomes a structural language — one that carries moments, shifts, and stories that resist verbal definition.

In Choir, the act of communication becomes visual. Spray-painted images of open mouths are layered onto a curtain of vertical threads, creating a ghost-like chorus. The installation moves with air and light, making the presence of sound visible but unstable — something always just beyond reach.

In Shape of a Human, she constructs fragmented figures using embroidery, mesh, and gold-plated frames. These bodies are not defined by fixed identity but imagine a future of fluid transformation — forms that can evolve through thought and experience, rather than through physical norms.

Her outdoor installation Under the Skin of the Garden, created during a residency in Umbria, stretches fine threads between olive branches and the earth. The work becomes a quiet mapping of energy, connecting landscape and viewer through subtle gestures. The threads evoke rain or light — delicate elements that signal presence without claiming attention.

Throughout her work, Orlova allows materials to speak on their own terms. Her pieces do not impose meaning, but invite reflection — on what it means to be human, to be in transition, and to feel one’s place in a fragile, ever-shifting world.

Images: 'Choir', 'Shape of a Human', 'Under the Skin of the Garden'

In Only Shooters, Tedo Rekhviashvili draws from a familiar world — the architecture and logic of Counter-Strike 1.6 — to...
18/07/2025

In Only Shooters, Tedo Rekhviashvili draws from a familiar world — the architecture and logic of Counter-Strike 1.6 — to build imagined scenes that feel both surreal and strangely intimate.

These paintings are not about the game itself, but what lingers from it:
gesture, tension, repetition, and the visual memory of spaces designed for constant readiness.

Figures rest, pose, and inhabit these territories as if time has paused.
Weapons are held with no urgency. A rooftop becomes a lounge. A loading dock, a swimming pool.
In this universe, play and threat coexist — flattened, stylized, and reassembled.

Tedo Rekhviashvili’s solo exhibition draws from the artist’s personal geography, merging abstraction with emotion. These...
13/07/2025

Tedo Rekhviashvili’s solo exhibition draws from the artist’s personal geography, merging abstraction with emotion. These works carry the layered memories of his upbringing in Samtskhe-Javakheti — hills, lakes, storms, and sky — all transformed into color and silence.

Each composition becomes a visual echo of places that shaped the artist — not as they are, but as they feel in memory.

Curated by: Sopio Kolkhidashvili
Venue: Bentley Tbilisi, 129 David Aghmashenebeli Highway
On view until 23 July 2025

Images: 'Paravani lake', 'Didi Abuli', 'The second Triala', 'Paravani lake', 'Our fields', 'Sahamo lake', 'Summer in Mokhe', 'Kvabliani valley', 'Waiting for the storm'

Softness can seduce — but it can also resist.In this ongoing series, Mako Lomadze explores the silent tension between te...
10/07/2025

Softness can seduce — but it can also resist.
In this ongoing series, Mako Lomadze explores the silent tension between textures and meaning.
Pink and black latex, silver and silk — each surface plays a role, each shade carries weight.

These paintings embody characters made of touch: delicate but decisive, sensual yet sharp.
They invite us to witness the friction between softness and strength, to feel how materials mirror the psyche — and how vulnerability might be its own form of armor.

Images: 'Sense' triptych, 'Silver silk', 'Pink vinyl', 'Pink silk / black latex' diptych, 'Green silk'.

Let the Water Taketh Away opens today at GÜ Gallery, Tallinn.If you’re in the city — don’t miss this powerful exhibition...
01/07/2025

Let the Water Taketh Away opens today at GÜ Gallery, Tallinn.
If you’re in the city — don’t miss this powerful exhibition by artist duo Anna-Liisa Sääsk and Irakli Toklikishvili.

Rooted in the tense geopolitical atmosphere of their shared home, Georgia, the exhibition reflects on how to find hope, refuge, and strength in uncertain times. The title comes from a Georgian saying — a wish for pain to be washed away by nature — echoing the Estonian way of turning to wind or rain for healing.

Through a combination of graphic works and installations, the artists explore the emotional weight of the present moment and ask: where do we go when everything feels too heavy?

🗓 July 1–19
📍 GÜ Gallery, Tallinn
Curated by: Kerly Ritval
Supported by: Cultural Endowment of Estonia, Ilia State University, Punch Club

Anna-Liisa Sääsk present a series of Glass Castles.A fragile architecture of memory and longing, printed through the met...
30/06/2025

Anna-Liisa Sääsk present a series of Glass Castles.
A fragile architecture of memory and longing, printed through the meticulous technique of collagraphy.
These poetic works reflect the vulnerability of our inner worlds—delicate yet enduring, like castles made of glass.
Now part of Let the Water Taketh Away, opening July 1st at GÜ Gallery.
On view until July 19
📍 GÜ Gallery, Tallinn
Curated by: Kerly Ritval
Supported by: Cultural Endowment of Estonia, Ilia State University, Punch Club

Glass Castles I
Collagraphy
34 × 41 cm
Edition 1/3
2025

Glass Castles II
Collagraphy
32 × 36 cm
Edition 1/3
2025

Glass Castles III
Collagraphy
33 × 43 cm
Edition 1/4
2025

Irakli Toklikishvili presents a series of mezzotints that capture the stillness of departure, the solitude of wandering,...
29/06/2025

Irakli Toklikishvili presents a series of mezzotints that capture the stillness of departure, the solitude of wandering, and the quiet presence of nature in uncertain times.

Now part of Let the Water Taketh Away, opening July 1st at GÜ Gallery.
On view until July 19
📍 GÜ Gallery, Tallinn
Curated by: Kerly Ritval
Supported by: Cultural Endowment of Estonia, Ilia State University, Punch Club

Wandering I
Mezzotint, 16.5 × 20.3 cm
2025

Wandering II
Mezzotint, 16 × 16 cm
2025

Departures
Mezzotint, 23 × 24.5 cm
2025

The Sheep and the Shepherds
Mezzotint, 15 × 15 cm
2024

Let the Water Takes It Away
Mezzotint, 15 × 15 cm
2024

Smoke, Woods and Fog
Mezzotint, 21 × 21 cm
2024

MEGA ART FAIR starts today!Join us in Milan from April 2–6 at Via Orobia 26, where KERA Gallery presents Encoded Emotion...
02/04/2025

MEGA ART FAIR starts today!

Join us in Milan from April 2–6 at Via Orobia 26, where KERA Gallery presents Encoded Emotions: The Future of Form — featuring works by Tedo Rekhviashvili, Mako Lomadze, and Lina Condes.
Come feel and connect.

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