29/09/2026
Paris. / “Flowing
This artwork is a testimony of a past interaction.
«The water, have been tinted beforehand by
nine submerged pieces, it was not the subject yet;
it was the medium for a previous production one year ago.
Since then, it could have become static and died,
but that is not the case; the movement persists.»”
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“A slow, precise, and repetitive technique, with unpredictable results, is at the heart of his approach. Using a box cutter, he slices thousands of thin strips of dyed blotting paper and adheres them contiguously on a frame.
By choosing this medium of the past, he opts for a base that is essentially accessory, a base which, unlike creation itself, functions primarily to absorb an overflow of ink.
Persistent ink fills the space as the artist arranges the void in a frame. The blotting paper, an unstable and fragile medium, is thus ennobled. It gives a dynamic nature to each of his works, affected by light, air, and time. And that is for the best, because it is, above all, a work about the imperfection that the artist seeks by inviting in the unknown, even up to his choice of colors, and their potential instability.”
