Kristine Narvida

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Kristine Narvida Paintings reflect states of mind like Reminiscence, Fear, and Curiosity, into a world of emotion.

Light pools across the surface, not as illumination but as a presence — a condition that makes what is fleeting felt as ...
13/10/2026

Light pools across the surface, not as illumination but as a presence — a condition that makes what is fleeting felt as stillness.

The oil on linen on linen (123 x 170 cm) holds its breath — each layer of pigment a sediment of thought, each edge a moment where the artist chose to stop, or to continue.

More from this series at www.narvida.com

𝗘𝗶𝗻𝘇𝗲𝗹𝗮𝘂𝘀𝘀𝘁𝗲𝗹𝗹𝘂𝗻𝗴 – „𝗦𝘁𝘂𝗱𝗶𝗲 𝗱𝗲𝗿 𝗭𝗲𝗶𝘁“Ich lade Sie herzlich zu meiner Einzelausstellung mit meiner neuen Ölmalerei-Werkgr...
14/09/2026

𝗘𝗶𝗻𝘇𝗲𝗹𝗮𝘂𝘀𝘀𝘁𝗲𝗹𝗹𝘂𝗻𝗴 – „𝗦𝘁𝘂𝗱𝗶𝗲 𝗱𝗲𝗿 𝗭𝗲𝗶𝘁“

Ich lade Sie herzlich zu meiner Einzelausstellung mit meiner neuen Ölmalerei-Werkgruppe „Studie der Zeit“ in der St. Nikolaikirche im Herzen Potsdams ein.

𝗭𝗲𝗶𝘁𝗿𝗮𝘂𝗺: 19. September – 19. Oktober 2026
𝗩𝗲𝗿𝗻𝗶𝘀𝘀𝗮𝗴𝗲: 19. September um 17:00 Uhr

𝗢̈𝗳𝗳𝗻𝘂𝗻𝗴𝘀𝘇𝗲𝗶𝘁𝗲𝗻:
Mo–Sa: 09:30–18:00 Uhr
So: 11:00–18:00 Uhr

𝗢𝗿𝘁:
St. Nikolaikirche Potsdam
Am Alten Markt
14467 Potsdam

———

𝗦𝗼𝗹𝗼 𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 – “𝗧𝗵𝗲 𝗦𝘁𝘂𝗱𝘆 𝗼𝗳 𝗧𝗶𝗺𝗲”

I warmly invite you to visit my solo exhibition featuring my new oil painting series “The Study of Time”, presented at the St. Nikolaikirche in the heart of Potsdam.

𝗗𝗮𝘁𝗲𝘀: 19 September – 19 October 2026
𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 19 September at 17:00

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗵𝗼𝘂𝗿𝘀:
Mon–Sat: 09:30–18:00
Sun: 11:00–18:00

𝗩𝗲𝗻𝘂𝗲:
St. Nikolaikirche Potsdam
Am Alten Markt
14467 Potsdam, Germany

𝗠𝗼𝗿𝗲 𝗶𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 / 𝗪𝗲𝗶𝘁𝗲𝗿𝗲 𝗜𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻𝗲𝗻:

https://www.evangelisch-in-potsdam.de/ausstellung-studie-der-zeit-oelmalerei-von-kristine-narvida

https://www.nikolaipotsdam.de/b/ausstellung-kristina-narvida

What appears as restraint in The Study of Time 8 is in fact a form of precision — every edge earned.In this work from th...
14/09/2026

What appears as restraint in The Study of Time 8 is in fact a form of precision — every edge earned.

In this work from the ‘The Study of Time’ series (2025, Oil on linen on linen, 40 x 40 cm), time is not depicted but enacted — the painting *is* the duration it took to make it.

Explore the full ‘The Study of Time’ series at www.narvida.com

A single gesture, repeated and varied, becomes a language in The Study of Time 7.The oil on linen on linen (80 x 100 cm)...
13/09/2026

A single gesture, repeated and varied, becomes a language in The Study of Time 7.

The oil on linen on linen (80 x 100 cm) holds its breath — each layer of pigment a sediment of thought, each edge a moment where the artist chose to stop, or to continue.

More from this series at www.narvida.com

Shadow and light negotiate their boundaries in The Study of Time 6, neither fully yielding.The painting asks nothing of ...
12/09/2026

Shadow and light negotiate their boundaries in The Study of Time 6, neither fully yielding.

The painting asks nothing of us but presence — a willingness to stand before it long enough for its quiet logic to disclose itself.

Follow the artist’s practice at www.narvida.com

The surface of The Study of Time 5 carries the weight of layered gestures — each one a decision made in silence.There is...
11/09/2026

The surface of The Study of Time 5 carries the weight of layered gestures — each one a decision made in silence.

There is no narrative here to decode, only the evidence of a hand moving deliberately across linen, building form from colour, presence from absence.

View the entire series at www.narvida.com

There is a particular hush in The Study of Time 4, the kind that settles between heartbeats.The composition refuses spec...
10/09/2026

There is a particular hush in The Study of Time 4, the kind that settles between heartbeats.

The composition refuses spectacle. Instead, it offers a field where attention can rest, where the eye learns to see slowness as a kind of intensity.

Discover the complete body of work at www.narvida.com

In The Study of Time 3, stillness holds a quiet tension, as if time itself paused to be witnessed.In this work from the ...
09/09/2026

In The Study of Time 3, stillness holds a quiet tension, as if time itself paused to be witnessed.

In this work from the ‘The Study of Time’ series (2025, Oil on linen on linen, 123 x 170 cm), time is not depicted but enacted — the painting *is* the duration it took to make it.

Explore the full ‘The Study of Time’ series at www.narvida.com

Light pools across the surface of The Study of Time 2 — not illuminating so much as revealing.The oil on linen on linen ...
08/09/2026

Light pools across the surface of The Study of Time 2 — not illuminating so much as revealing.

The oil on linen on linen (123 x 170 cm) holds its breath — each layer of pigment a sediment of thought, each edge a moment where the artist chose to stop, or to continue.

More from this series at www.narvida.com

Scale changes everything. At 100 × 120 cm, the vertical band becomes a threshold — you do not look at it, you stand befo...
31/08/2026

Scale changes everything. At 100 × 120 cm, the vertical band becomes a threshold — you do not look at it, you stand before it.

"Clarity 6" (2020), from Clarity — oil on canvas, 100 × 120 cm.

The same gesture, enlarged, transforms from mark to monument. The surface holds the memory of every layer beneath. Clarity, at this scale, is not simplification but accumulation — the visible record of decisions made and remade.

Experience the work at www.narvida.com

Adresse

R. 233, Dortustraße 46
Potsdam
14467

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