Galerie Kuckei + Kuckei

08/06/2024

We are happy to present the works by Peter K. Koch and Barbara Probst at the Summer Arts Lounge of the Althafen Foundation, Berlin.
Exclusively for the Summer Arts Lounge Berlin artist Peter K. Koch has developed a site-specific, sculptural-architectural work.
Additionally Barbara Probst’s Exposure #36: Munich studio, 09.26.05, 2:34 p.m., 2005 is installed.
The works come beautifully togeher and open up a dialogue with the viewers.

On view at Summer Arts Lounge, AHF (Riverside Showcase Space)
Mühlenstraße 63, 10243 Berlin.
Daily from 11 am - 8 pm.

photos: /64

31/03/2024

21/03/2024

Exposure #114 by Barbara Probst in the exhibition „Barbara Probst Subjective Evidence“ at Kunstmuseum Luzern.
The retrospective with around 40 works by Barbara Probst is on view until 16 June.
It is is fantastic and definitely worth seeing!

19/03/2024

Berlin photographer JÖRN VANHÖFEN, born in 1961, has vividly expressed his artistic and social position with his extensive work AFTERMATH and the book of the same name.
Twelve years after the first presentation of the AFTERMATH series in our gallery, we are now showing new works from recent years on the subject.
Like his other works from AFTERMATH, the current pictures again contain the discrepancy between beauty and horror, a theme that runs like a red thread through his entire photographic oeuvre. Images of the eternal cycle of creation and decay, enticing in their aesthetic beauty, frightening because of the content lurking behind them, are the subject of his interest. The structures of the surface and its colourful texture seduce and impress. The narrative quality of his early works recedes. Beauty and fright continue to be the irritating poles that make up the fascination of his works.

The exhibition is on view until April 13. The gallery will be closed from 28 March to 9 April for Easter holidays.

Jörn Vanhöfen
Zugspitze #269, 2024
c-print
125 x 219 cm
Edition 5 + 2 AP

Jörn Vanhöfen
King Gagik Church Ani #2855, 2014
c-print
127 x 152 cm
Edition 5 + 2 AP

Jörn Vanhöfen
Grande Dixence # 413, 2013
c-print
127 x 152 cm
Edition 5 + 2 AP

Jörn Vanhöfen
Rhonegletscher #8259, 2023
c-print
125 x 165 cm
Edition 5 + 2 AP

Jörn Vanhöfen
Carrara #943, 2024
c-print
125 x 165 cm
Edition 5 + 2 AP

25/02/2024

BARBARA PROBST
SUBJECTIVE EVIDENCE

KUNSTMUSEUM LUZERN
24.02. - 16.06.2024

The exhibition title Subjective Evidence already points to the basic theme: Where do you stand? What do you see? Where are you coming from? What are you looking at? Barbara Probst (*1964) never shows a single photograph, but always multi-perspectival series. Her smallest work groups consist of two images. In her double portraits the artist shows two people each in two photographs. Looked at casually, the photographs could be regarded as identical. But this is not so: in the left image, one person looks at the camera, the other looks past it; in the right image, the persons behave the other way round. This minimal shift intrigues us, causing us to pause for thought and making us aware of sight as a conscious process. In thematic chapters entitled “Performance”, “Landscape”, “Still Life” or “Fashion”, Barbara Probst shows work groups from over 20 years. Many photographs are being shown in Lucerne for the first time. What is more, the artist has realized a new work in the empty exhibition rooms of the Kunstmuseum Luzern.

The exhibition will also be shown in slightly different forms at the Contemporary Arts Center, Cincinnati (29. September 2024 - 9 February 2025) and the Sprengel Museum, Hanover (11 December 2024 - 9 March 2025)

A new book is out: Barbara Probst_Subjective Evidence published by

08/02/2024

VLAD YURASHKO

„WATERCOLOUR HONEY“

10. Februar - 23. März 2024

The Ukrainian painter Vlad Yurashko, born in Poltava in 1970, has often made reference to military structures and the actions associated with them in his earlier works. In particular, he has dealt intensively with his own time as a conscript, back in the days of the Soviet Union. His works were characterized by autobiographical and diary-like situations. They were impressive paintings, which he created in rather dark colors.

The current works in this exhibition, entitled „Watercolour Honey“, are characterized by the ongoing war in his home country. Now, however, in contrast to his earlier works, Yurashko uses a new, colorful and cheerful palette. This series of watercolours depicts fabulously idealized and dreamlike situations that seem to spring from a fantasy world. In this way, the artist attempts to counter the current situation of permanent crises with a new narrative that avoids the imprint of repetitive war reports and fatalistic depictions of the crisis. In this way, Yurashko says he is trying to express everyone’s desire for peace and happiness.

The opening will take place on Friday, February 9th at 6 pm

Kuckei + Kuckei

Showroom Palma
Carrer de Pou, 33
07013 Palma

16/01/2024

We are very excited and can’t wait for Barbara Probst’s retrospective at the KUNSTMUSEUM LUZERN. The opening is on February 23 at 6 pm. The new book „Barbara Probst - Subjective Evidence“ was printed yesterday at the DZA Druckerei in Altenburg. .druck Published by

15/12/2023

German painter Michael Laube (*1955 in Coburg) studied Painting at the HdK Berlin and graduated in 1994 from the master class of Georg Baselitz. Already in the 90s he has created a painting technique on acrylic glass to extend his works into space. Michael Laube unites the qualities of a traditional concept of painting with a desire to dissolve the medium’s boundaries. His artistic development is based on painting in a formal, conventional sense, as far as his treatment of colour, its application and its technique are concerned. Quite early on, how­ever, he developed an ambition to go beyond this approach and extend the familiar boundaries of the painterly level. For Michael Laube this means, above all, de­parting from the classical foundation of painting – the canvas – and turning to acrylic glass as his carrier medium. Emancipating the medium in this way gives him the freedom to choose more radical forms when he explores the themes of light, move­ment, colour and space. One of Michael Laube’s central concerns is to transcend the external pictorial boundary and thus the distinct boundary between the image and the observer, too. In this way, he strives to open immediate intimacy and complexity to experience. The colours, with their miscellaneous arrangements, move along various levels, entering the observational space.He succeeds in creating colour-light-situations in which “in front of and behind” and “inside and outside” merge to become one.
He lives and works in Berlin. His works are found in numerous private and public collections around the world.

The exhibition is on view until December 21.

photos:

08/12/2023

Ben
December 1 - 21, 2023

Ingmar Alge, Oliver van den Berg, Anne Berning, Joe Biel, Jenny Brillhart, Hlynur Hallsson, Peter K. Koch, Michael Laube, Lilly Lulay, Anja Nitz, Barbara Probst, Nikola Röthemeyer, Miguel Rothschild, Fiene Scharp, Guillermo Srodek-Hart, Guy Tillim, Jörn Vanhöfen, Matten Vogel, Gerhard Winkler, Vlad Yurashko

Ben Kuckei's entire social environment was deeply affected by his sudden death. In addition to his immediate family, this also affected the part of the family that could be described as his family of choice, the artists represented by him and the gallery.

The loss of expertise, perseverance, dedication and curiosity - in short, the loss of an important point of reference both inside and outside the gallery - continues to weigh heavily. During the official memorial service in the summer, the wish arose to create this exhibition in Ben's honor. The initiative for this came from the participating artists and represents the desire to commemorate Ben together in the spirit of art.

In addition to the artists currently represented by the gallery, Anja Nitz, Matten Vogel and Anne Berning, three artists who are closely associated with the gallery, are also represented.

The exhibition is on view until December 21. We are looking forward to welcome you at the gallery.

photos@thomasbrunsphotography

09/11/2023

Thankyou so much for visiting our booth at Paris Photo
We are more than happy for all the wonderful encounters.
Come by and visit us at booth C26, the fair will be open until sunday, Nov 12

08/11/2023

At this year`s Paris Photo we are showing works by Barbara Probst and Guy Tillim.

We are very much looking forward to welcome you at our booth C26.

Paris Photo is taking place at GRAND PALAIS ÉPHÉMÈRE.

29/10/2023

PARIS PHOTO 2023

09.11. - 12.11.2023

We are pleased to announce our participation in this year’s edition of PARIS PHOTO, taking place at GRAND PALAIS ÉPHÉMÈRE, 2 Pl. Joffre, 75007 Paris.

We would be very happy to welcome you at Booth C 26 where we will show works by Barbara Probst and Guy Tillim.

BARBARA PROBST, Exposure #180, Munich, Nederlingerstrasse 68, 09.11.22, 3:40 p.m., 2022, Ultrachrome ink on cotton paper, 3 parts: each 66 x 44 inches / 168 x 112 cm.

23/09/2023

JUNO ROTHAUG
Kannst Du mich abholen

The exhibition is on view until 21 October. We are looking forward to seeing you!

Kannst du mich abholen, 2023, Oil on canvas, 150 x 120 cm

Auf der Rückbank sitzen, 2023, Oil on canvas, 130 x 100 cm

Work Dinner Work, 2023, Oil on canvas, 180 x 160 cm

Songs I’m Trying to Remember, 2023, Oil on canvas, 180 x 140 cm

23/09/2023

JUNO ROTHAUG
Kannst Du mich abholen

The exhibition is on view until 21 October. We are looking forward to seeing you!

Fallen am Strand, 2023, Oil on canvas, 150 x 170 cm

Emme Aittam und Margariten, 2023, Oil on canvas, 150 x 190 cm

Sticker an meinen Füssen, 2023, Oil on canvas, 150 x 180 cm

21/09/2023

Congratulations to Fiene Scharp for receiving the art award 'Kunstpreis Haus am Kleistpark 2023' for her work
"Greetings from ...“ , 2016 - 2023, papercut into postcards!
It was selected out of 472 applications for the art award.

Currently exhibited :
Punctum
1.September - 1.Oktober 2023
Haus am Kleistpark, Grunewaldstraße 6-7, 10823 Berlin

Fotos: Amelie Losier


Award speech by Julia Rosenbaum:

„……..Seit 2016 sammelt die Künstlerin alte Postkarten von ehemaligen touristischen Ansichten, z.B. aus Nigeria, Pakistan, Afghanistan, Irak, Jemen, Syrien oder der Ukraine. Sie zeigen uns Wahrzeichen, Urlaubs- und Vergnügungsorte in Friedenszeiten, wo heute Kriege, bewaffnete Konflikte, Umweltkatastrophen oder Hungersnöte herrschen. Mit Skalpell wird ein Raster in die Ansichtskarten geschnitten, wodurch sich langsam Zwischenräume herauslösen. Dabei hat uns zum einen fasziniert, dass trotz der großen Präzision, kein Schnitt, kein Raster dem anderen gleicht. Um zu begreifen, müssen wir also genau hinschauen. Zum anderen bleiben im Prozess des Schneidens einige Elemente hängen, andere gehen verloren. Architekturen und Panoramen werden analog dekonstruiert und in Pixel und Leerstellen zerlegt. Die fragilen Gitternetze lassen nur Fragmente der frühere Postkartenmotive erahnen, manchmal droht das Motiv ganz zu verschwinden. Durch das Auflösen von Bildzusammenhängen wird auf sehr subtile Art auch das Verblassen oder gar Auslöschen von Erinnerung, Geschichte und Identität thematisiert. Dass Gesellschaften Kontinuität und den Bezug zur Vergangenheit brauchen und nur so sich gesellschaftlicher Zusammenhalt bewahren lässt, wird vielfach in diesen Tagen diskutiert. Wie sehr auch der westliche Blick auf diese Länder nicht selten Lücken oder Fehlstellen aufweist, gibt uns diese Arbeit zu denken."

15/09/2023

JUNO ROTHAUG
Kannst Du mich abholen

09. September - 21. Oktober 2023

We are happy to present Juno Rothaug in her first solo exhibition in Berlin.
Juno Rothaug (*1999) lives and works in Hamburg.
She is currently studying with Anselm Reyle at HfbK Hamburg.
This exhibition ist a cooperation with Andrea von Goetz / COLLECTORS ROOM Hamburg.

We are looking forward to seeing you!

photos

10/09/2023

What a wonderful opening! Thank you to everyone who joined us last night.
The show with works by JUNO ROTHAUG is now on view until October 21. We are very much looking forward to seeing you!
Fotos: © IJ.Biermann

23/08/2023

Ready for Enter Art Fair in Copenhagen. Please find us at Booth 16. We are very much looking forward to seeing you!

27/07/2023

Tief bestürzt können wir es nicht fassen, dass 🖤Ben Kuckei🖤 am 7.Juli so völlig unerwartet aus diesem Leben gerissen wurde und seine lange letzte Reise angetreten hat.
So eine unglaublich traurige Nachricht!

Unsere Gedanken sind bei seiner trauernden Familie, seiner Frau Clementine und seinen beiden Kindern, Carlos und Vincent, und seinem Bruder und Galeriepartner Hannes Kuckei mit Familie!

Herzliches Beileid und viel Kraft für die kommende Zeit!!

Galerie Kuckei + Kuckei

24/07/2023

Tagesspiegel. 23. Juli 2023
Thank you 🙏

15/05/2023

KUCKEI + KUCKEI

Today, 30 years ago, on May 15 1993, Kuckei + Kuckei Gallery was founded by Ben and Hannes Kuckei.

since 1993

170 exhibitions

83 art fairs in Europe and the US

Amsterdam, Bad Gastein, Berlin, Basel, Bologna, Brussels, Cologne, Düsseldorf, Frankfurt, Istanbul, London, Madrid, Miami, Moscow, New York, Palm Beach, Paris, Seattle, Zurich

works by 124 artists in solo and group exhibitions

Ingmar Alge, Dave Allen, Birgir Andrésson, Ásmundur Ásmundsson, Unnar Örn Auðarson, Avant Car Guard, Viktor Baltus, David Barbarino, Anne Berning, Nelleke Beltjens, Joe Biel, Rolf Bier, Yang Shao Bin, Zhang Bin, Margrét H. Blöndal, Karlotta Blöndal, Zander Blom, Stefan Bohnenberger, Madeleine Boschan, Jenny Brillhart, Ralf Brueck, Libia Castro & Ólafur Ólafsson, Aristarkh Chernyshev, Lenka Clayton, Edwin David, Frank Dömer, Liu Xiao D**g, Cécile Dupaquier, Knut Eckstein, Karin Fisslthaler, Hreinn Friðfinnsson, Peter Friedl, Zhang Xiao Gang, Ingo Gerken, Paul-Armand Gette, Tamara Grcic, Kristján Gudmundsson, Sigurdur Gudmundsson, Zhang Gong, Jóna Hlíf Halldórsdóttir, Hlynur Hallsson, Alex Hanimann, Roni Horn, Pieter Hugo, Ráðhildur Ingadóttir, Gudny Rósa Ingimarsdóttir, Guo Jin, Haraldur Jónsson, Peter K. Koch, Bettina Krieg, Peter Kuckei, Ralph Künzler, Astrid Küver, Jörg Lange, Claudia Larcher, Michael Laube, Jón Laxdal, Martin Liebscher, Maik & Dirk Löbbert, Qi Zhi Long, Lilly Lulay, Michael MacGarry, Denis Maehne, Bernhard Martin, Adolph Menzel, Nanne Meyer, Matthias Meyer, Sabelo Mlangeni, Nandipha Mntambo, Jonathan Monk, Anja Nitz, Clement Page, Benedikt Partenheimer, Manfred Peckl, Michael M. Pisk, Barbara Probst, Claus Prokop, Thomas Ravens, Abigail Reynolds, Lois Renner, Marie Rief, Nikola Röthemeyer, Gösta Röver, Dieter Roth, Miguel Rothschild, Wolfram Sachs, Karin Sander, Salah Saouli, Fiene Scharp, Manfred Schluderbacher, Thomas Sharpe, Ross Sinclair, Thomas Skiba, Wang Jin Song, Karina Spechter, Guillermo Srodek-Hart, Alexander Steig, Peter Stückenschneider, Mikhael Subotzky, Guy Tillim, Claire Trotignon, Piotr Uklanski, Timm Ulrichs, Pablo Valbuena, Oliver van den Berg, Jörn Vanhöfen, Lolo Veleko, Matten Vogel, Medi Wangen, Guo Wei, Liu Wei, Lawrence Weiner, Albert Weis, Sinta Werner, Gerhard Winkler, Ulrich Wulff, Mai Jin Yao, Wang Guang Yi, Yue Min Yun, Vlad Yurashko, Zeng Fan Zhi, Xin Hai Zhou

Many thanks to all of you!

Kuckei + Kuckei
__________________________

Linienstr. 158
D - 10115 Berlin

Linienstr. 107/108
D - 10115 Berlin
__________________________

phone: +49 (30) 883 43 54
fax: +49 (30) 886 83 244

www.kuckei-kuckei.de
__________________________

Current show:

MIGUEL ROTHSCHILD
Die Ewigkeit der Nacht

28.04. - 17.06.2023
__________________________

Showroom Palma
__________________________

Carrer de Pou 33
07013 Palma

__________________________

Current show:

MICHAEL LAUBE

01.04. - 03.06.2023

13/05/2023

MIGUEL ROTHSCHILD
Die Ewigkeit der Nacht

28. April - 17. June 2023

The Eternity of the Night
How to represent the infinite, the inexplicable, the mystery of the night? In his fifth exhibition at Galerie Kuckei + Kuckei, Miguel Rothschild (b. 1963) seeks to explore these questions. Distributed around the darkened exhibition space are three sculptures made of safety glass, whose forms, illuminated by spotlights, are evocative of sacred architecture. Miguel Rothschild used a hammer to create a number of visible, star-shaped fractures in the glass of the sculptures. The focused lighting illuminates these “stars,” which are reflected in myriad ways in the interior of the sculptures. The sculptures jut upwards while their reflections draw the eye downward into the depths. Poetry and tragedy are thus united in all three sculptures. As in his earlier works Revelation (2011) or Absolution (2010), Rothschild forges a connection in this new series of works between the sacred and the profane, the divine and the earthly.
Smaller framed pictures form a dialogue with the sculptures. Installed on the wall, they act like windows in the room. Presented are photographs of starry skies framed with safety glass. Here, too, Rothschild processed, cut, and broke the glass. Created are drawings in the glass that allude to the vaults of various monasteries and cathedrals. While observing the works, it’s almost as if a view into the heavens is opened from the interiors of these religious spaces.
The exhibition operates between the natural and the supernatural, between the visibility of the works and the invisibility of the spiritual order, offering viewers the possibility to ascend into the eternity of the night.

photos: Thomas Bruns; Berlin

21/04/2023

Fiene Scharp
Untitled, 2021
Papercut, 2 layers
62,2 x 46,2 cm

This work is currently on view at our space in Berlin.

Kuckei+Kuckei
Linienstrasse 107/108
10115 Berlin

FIENE SCHARP
destrukt konstrukt
March 10 - April 22, 2023

21/04/2023

Today and tomorrow are the final days of Fiene Scharp’s solo exhibition „destrukt konstrukt“ at our space in Berlin. We are looking forward to seeing you! photos

24/03/2023

Dear friends of the gallery,

we are pleased to invite you to the opening of the solo exhibition by MICHAEL LAUBE at our SHOWROOM PALMA.

Michael Laube

1. April - 3. June 2023
Eröffnung // Opening 1. April | 18h

Showroom Palma
Carrer de Pou, 33
07013 Palma

Der deutsche Maler Michael Laube (*1955 in Coburg) studierte Malerei an der HdK Berlin und schloss sein Studium 1994 als Meisterschüler von Georg Baselitz ab.
Bereits in den 90er Jahren hat er eine Maltechnik auf Acrylglas entwickelt, um seine Werke in den Raum zu erweitern. Michael Laube vereint die Qualität eines traditionellen Malereibegriffs mit dem Streben nach der Entgrenzung des Mediums. Grundlage seiner künstlerischen Entwicklung ist die Malerei, in einem formal konventionellen Sinn, was den Umgang mit Farbe, Auftrag und Technik betrifft. Doch schon früh entwickelt er die Ambition, diesen Ansatz zu überschreiten und die bekannten Grenzen des Malerischen auszuweiten. Für ihn bedeutet dies in erster Linie den Abschied von dem klassischen Malgrund Leinwand und die Hinwendung zum Acrylglas als Trägermedium. Diese Befreiung des Mediums erlaubt ihm radikalere Formen in seinen Untersuchungen zu den Themen Licht, Bewegung, Farbe und Raum. Ein zentrales Anliegen Michael Laubes ist es, die äußere Bildgrenze und damit die klare Abgrenzung von Bild und Betrachter aufzuheben. Er möchte damit die unmittelbare Nähe und Vielschichtigkeit erfahrbar machen. Die Farben bewegen sich auf den verschiedenen Ebenen mit ihren unterschiedlichen Anordnungen in den Betrachtungsraum hinein. Er schafft Farb-Licht-Situationen bei denen Verknüpfungen von „Davor und Dahinter“ und „Innen und Außen“ miteinander verschmelzen. In seinen Werken interagieren farbliche Strukturen in Streifen- oder Ringsequenzen miteinander. Dabei entstehen Arbeiten, die sich einer soliden Farbigkeit bedienen, welche sich mit Wechsel des Betrachterstandpunktes teilweise radikal verändern. Hierbei vereint jeder Streifen eine konkrete Farbigkeit mit Referenzen von Struktur, gestischem Ausdruck und Perspektive. Es mischen sich jedoch auch immer wieder Arbeiten dazwischen, deren organischere Formen - oder wie in letzter Zeit - starker gestischer Farbauftrag nur von vereinzelten Streifensequenzen zusammengehalten werden.

Michael Laube lebt und arbeitet in Berlin. Seine Werke befinden sich in zahlreichen privaten und öffentlichen Sammlungen auf der ganzen Welt.

German painter Michael Laube (*1955 in Coburg) studied Painting at the HdK Berlin and graduated in 1994 from the master class of Georg Baselitz. Already in the 90s he has created a painting technique on acrylic glass to extend his works into space. Michael Laube unites the qualities of a traditional concept of painting with a desire to dissolve the medium’s boundaries. His artistic development is based on painting in a formal, conventional sense, as far as his treatment of colour, its application and its technique are concerned. Quite early on, how­ever, he developed an ambition to go beyond this approach and extend the familiar boundaries of the painterly level. For Michael Laube this means, above all, de­parting from the classical foundation of painting – the canvas – and turning to acrylic glass as his carrier medium. Emancipating the medium in this way gives him the freedom to choose more radical forms when he explores the themes of light, move­ment, colour and space. One of Michael Laube’s central concerns is to transcend the external pictorial boundary and thus the distinct boundary between the image and the observer, too. In this way, he strives to open immediate intimacy and complexity to experience. The colours, with their miscellaneous arrangements, move along various levels, entering the observational space.
He succeeds in creating colour-light-situations in which “in front of and behind” and “inside and outside” merge to become one. In his works, colourful structures interact with one another in sequences of stripes and rings. In this way, works arise that avail themselves of a sound chromaticity which, to some degree, changes radically in line with the standpoint of the observer. In the process, each strip combines a concrete colourfulness displaying references of structure, gestural expression and perspective. Time and again, however, works become mixed in among them, whose more organic forms – or, as has recently been the case – whose more powerful gestural applications of paint, are held together only by isolated sequences of strips.

He lives and works in Berlin.His works are found in numerous private and public collections around the world.

We are looking forward to seeing you in Palma!

15/03/2023

Until the beginning of June, the fantastic retrospective of OLIVER VAN DEN BERG can be seen at KUNSTHALLE NÜRNBERG.

Oliver van den Berg (*1967) became known for his sculptures and installations based on technical instruments such as flight recorders, radars and star projectors. He translates these into sculptures with a technoid feel. His models from various fields of technology, space and aviation, as well as warfare, are robbed of their function and materiality. He often uses softwoods for his sculptures. Oliver van den Berg’s works are always quotations and variations of existing objects; his sculptural work revolves around the themes of reproduction, repetition and imitation. At the same time, however, his sculptures will always represent his own formal creations, since they are undiminished appropriations and individual reinterpretations.

With the exhibition OLIVER VAN DEN BERG. STOWAWAYS, Kunsthalle Nürnberg is presenting a wide selection of his works from the past two decades.
SNOECK Verlag has published the monograph.
photos: Thomas Bruns, Berlin

04/03/2023

Grandiose Retrospektive von Oliver van den Berg in der Kunsthalle Nürnberg! Must see!

Oliver van den Berg
Blinde Passagiere

Kunsthalle Nürnberg
04.03.-04.06.2023

12/02/2023

Dear friends,

we are very pleased to draw your attention to the solo exhibition of Oliver van den Berg at Kunsthalle Nürnberg, and we would be very happy to see you there for the opening on March 3, starting at 7 p.m.

Eröffnung /Opening _ Fr, 3. März 2023, 19 Uhr / Fri, 3rd March 2023, 7 p.m.

Begrüßung/Welcome _ Michael Bader_Direktor/Director KunstKulturQuartier

Einführung/Introduction _ Dr. Harriet Zilch_Leiterin Kunsthalle Nürnberg und Kuratorin der Ausstellung Director Kunsthalle Nürnberg and curator of the exhibition

02/02/2023

Heute in der Mallorca Zeitung