Art Laboratory Berlin

Art Laboratory Berlin visit our website: http://artlaboratory-berlin.org the exhibition series Art & Music, Art & Text, Art & Science, Art & Law).

Art Laboratory Berlin was founded in Autumn 2006 as Art Laboratory Berlin e.V, by an international team of art historians and artists. As a non-commercial art space, Art Laboratory Berlin was established as a platform for inter-disciplinary exhibition projects in an international context. Our main focus is the presentation of contemporary art in relation to other artistic and scholarly fields (e.g

. In the series Artists in Dialog two artistic positions with a common theme, motif or strategy formed the starting point for an exhibition. In 2011 Art Laboratory Berlin presented Sol Le Witt. Artist’s Books, an exhibition of the American conceptual artist’s complete artist books along with an international inter-disciplinary Sol Le Witt_Symposium. The project was an example of how Art Laboratory Berlin combines art and scholarship, as well as theory and practice in a multi-faceted set of exhibitions and events. Art Laboratory Berlin is also interested in supporting contact between artists and the public. To create a better understanding of emerging art and its interaction with other creative fields we present public discussions with artists and curators. Additionally our program includes lectures, film screenings, and workshops. Our recent series of exhibitions, performances and talks, Time and Technology, took as its theme the effects of the latest technology on our perception of time, and places this in the context of international artistic production. The technological developments of the last 25 years have considerably changed the way we live, work and communicate. How have these changes effected our sense(s) of time? In December 2012 Art Laboratory Berlin was awarded the first Prize for Art Project Spaces and Initiatives in the Field of Visual Arts by the Berlin Senate Office of Cultural Affairs. Currently Art Laboratory Berlin is presenting a series of four exhibitions and an inter-disciplinary conference on the theme of Synaesthesia. Art Laboratory Berlin is run by Christian de Lutz and Regine Rapp with the assistance of Olga Shmakova.

The Sonic Ecologies podcast series was initiated in 2023 in the framework of the Permeable Bodies series. Last year, we ...
10/01/2024

The Sonic Ecologies podcast series was initiated in 2023 in the framework of the Permeable Bodies series. Last year, we produced five episodes and the first episode welcomed Adriana Knouf. In this episode, she talks about her interest in outer space, trans bodies and likens.

The Sonic Ecologies podcast is available on various podcast listening platforms. Find us on Apple, Spotify, Amazon, Google, and Pocket Cast; click follow and start listening to our first episode!

https://open.spotify.com/episode/4xnImAyT8lWydrSn5HhM3I

Saša Spačal's exhibition, TERRA XENOBIOTICA, contains three interconnected artworks. Amidst a vast ocean of data and kno...
07/01/2024

Saša Spačal's exhibition, TERRA XENOBIOTICA, contains three interconnected artworks. Amidst a vast ocean of data and knowledge, a resonance emerges that defies mere quantification: the sonic chants of the land, produced through soil chromatograms. The Eternity Scanner, empowered by artificial intelligence, functions as a contemporary oracle, issuing a clarion call that announces the emergence of a new lineage of stewards. This scanner transcends its mechanical existence, becoming a chanting entity. Although its utterances are formulated by circuits and algorithms, they resonate with living, breathing landscapes.

The Gradients of Eternity soil chromatograms, tainted with PFAS, stimulate sound modulations deep within the Eternity Scanner. The scanner's chants extend beyond the auditory, acting as invocations that summon a generation to regard the land not as a dominion but as kin, encouraging them to rise and synchronize with its frequencies. The directive for these new stewards is clear and compelling; our only requisite action is to attune ourselves to the scanner's perpetual soundscapes. As the Eternity scanner scans, the neural network progressively learns the patterns of PFAS pollution on soil chromatograms, thereby enhancing the human species' ability to detect PFAS beyond the confines of a laboratory.

𝟮𝟬𝟮𝟯, 𝗜𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻, 𝗺𝗼𝗰𝗸-𝘂𝗽𝘀, 𝗺𝗼𝘁𝗼𝗿𝘀, 𝘀𝗰𝗮𝗻𝗻𝗲𝗿, 𝗰𝗼𝗺𝗽𝘂𝘁𝗲𝗿, 𝗻𝗲𝘂𝗿𝗮𝗹 𝗻𝗲𝘁𝘄𝗼𝗿𝗸

𝗗𝗔𝗧𝗘𝗦 𝗔𝗡𝗗 𝗢𝗣𝗘𝗡𝗜𝗡𝗚 𝗛𝗢𝗨𝗥𝗦
𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 𝟭𝟬 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟯, 𝟴 𝗽𝗺
𝗥𝘂𝗻𝗻𝗶𝗻𝗴 𝗧𝗶𝗺𝗲: 𝟭𝟭 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 – 𝟰 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮𝟬𝟮𝟰
(𝗖𝗹𝗼𝘀𝗲𝗱 𝟮𝟭 – 𝟯𝟭 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟯)
𝗧𝗵𝘂 – 𝗦𝘂𝗻, 𝟮 – 𝟲 𝗽𝗺

COOPERATION PARTNERS
Slowenisches Kulturzentrum – SKICA Berlin
Rillig Lab | Plant Ecologies, Institut für Biologie, Freie Universität Berlin
Technische Universität Berlin
Berlin Science Week

Scientific consulting: India Mansour
Storytelling: Alison Sperling
Film montage: Maja Andlovic
Installation: Dmitry Morozov
Assistance: Flore Wormskamp

Generously supported by the Berlin Senate.

𝟮𝟬𝟮𝟯, 𝗗𝗮𝘁𝗮𝗯𝗮𝘀𝗲 𝗼𝗳 𝘀𝗼𝗶𝗹 𝗰𝗵𝗿𝗼𝗺𝗮𝘁𝗼𝗴𝗿𝗮𝗺𝘀 𝘁𝗮𝗶𝗻𝘁𝗲𝗱 𝘄𝗶𝘁𝗵 𝗣𝗙𝗔𝗦Saša Spačal's exhibition, TERRA XENOBIOTICA, contains three interc...
06/01/2024

𝟮𝟬𝟮𝟯, 𝗗𝗮𝘁𝗮𝗯𝗮𝘀𝗲 𝗼𝗳 𝘀𝗼𝗶𝗹 𝗰𝗵𝗿𝗼𝗺𝗮𝘁𝗼𝗴𝗿𝗮𝗺𝘀 𝘁𝗮𝗶𝗻𝘁𝗲𝗱 𝘄𝗶𝘁𝗵 𝗣𝗙𝗔𝗦

Saša Spačal's exhibition, TERRA XENOBIOTICA, contains three interconnected artworks. Amidst a vast ocean of data and knowledge, a resonance emerges that defies mere quantification: the sonic chants of the land, produced through soil chromatograms. The Eternity Scanner, empowered by artificial intelligence, functions as a contemporary oracle, issuing a clarion call that announces the emergence of a new lineage of stewards. This scanner transcends its mechanical existence, becoming a chanting entity. Although its utterances are formulated by circuits and algorithms, they resonate with living, breathing landscapes.

The Gradients of Eternity soil chromatograms, tainted with PFAS, stimulate sound modulations deep within the Eternity Scanner. The scanner's chants extend beyond the auditory, acting as invocations that summon a generation to regard the land not as a dominion but as kin, encouraging them to rise and synchronize with its frequencies. The directive for these new stewards is clear and compelling; our only requisite action is to attune ourselves to the scanner's perpetual soundscapes. As the Eternity scanner scans, the neural network progressively learns the patterns of PFAS pollution on soil chromatograms, thereby enhancing the human species' ability to detect PFAS beyond the confines of a laboratory.

𝗗𝗔𝗧𝗘𝗦 𝗔𝗡𝗗 𝗢𝗣𝗘𝗡𝗜𝗡𝗚 𝗛𝗢𝗨𝗥𝗦
𝗢𝗽𝗲𝗻𝗶𝗻𝗴: 𝟭𝟬 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟯, 𝟴 𝗽𝗺
𝗥𝘂𝗻𝗻𝗶𝗻𝗴 𝗧𝗶𝗺𝗲: 𝟭𝟭 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 – 𝟰 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮𝟬𝟮𝟰
(𝗖𝗹𝗼𝘀𝗲𝗱 𝟮𝟭 – 𝟯𝟭 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟯)
𝗧𝗵𝘂 – 𝗦𝘂𝗻, 𝟮 – 𝟲 𝗽𝗺

COOPERATION PARTNERS
Slowenisches Kulturzentrum – SKICA Berlin
Rillig Lab | Plant Ecologies, Institut für Biologie, Freie Universität Berlin
Technische Universität Berlin
Berlin Science Week

Scientific consulting: India Mansour
Storytelling: Alison Sperling
Film montage: Maja Andlovic
Installation: Dmitry Morozov
Assistance: Flore Wormskamp

Generously supported by the Berlin Senate.

We are back from Christmas break! 𝗧𝗲𝗿𝗿𝗮 𝗫𝗲𝗻𝗼𝗯𝗶𝗼𝘁𝗶𝗰𝗮, 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗯𝘆 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹 is open Thursday to Sunday, 2-...
05/01/2024

We are back from Christmas break! 𝗧𝗲𝗿𝗿𝗮 𝗫𝗲𝗻𝗼𝗯𝗶𝗼𝘁𝗶𝗰𝗮, 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗯𝘆 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹 is open Thursday to Sunday, 2-6 pm, through 4 Feb, visit us!

𝗙𝗼𝗿 𝗺𝗼𝗿𝗲 𝗶𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗰𝗵𝗲𝗰𝗸 𝘁𝗵𝗲 𝗔𝗟𝗕 𝘄𝗲𝗯𝘀𝗶𝘁𝗲 𝗶𝗻 𝗼𝘂𝗿 𝗹𝗶𝗻𝗸𝘁𝗿𝗲𝗲!

𝗖𝗼𝗼𝗽𝗲𝗿𝗮𝘁𝗶𝗼𝗻 𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀:
Slowenisches Kulturzentrum – SKICA Berlin
Rillig Lab | Plant Ecologies, Institut für Biologie, Freie Universität Berlin
Technische Universität Berlin
Berlin Science Week

𝗩𝗲𝗻𝘂𝗲:
Art Laboratory Berlin
Prinzenallee 34, 13359 Berlin

𝗩𝗶𝘀𝗶𝘁 𝗧𝗲𝗿𝗿𝗮 𝗫𝗲𝗻𝗼𝗯𝗶𝗼𝘁𝗶𝗰𝗮, 𝗼𝘂𝗿 𝗼𝗻𝗴𝗼𝗶𝗻𝗴, 𝗮𝗿𝘁𝗶𝘀𝘁-𝗯𝗮𝘀𝗲𝗱 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗯𝘆 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹 𝗻𝗼𝘄 𝘀𝗵𝗼𝘄𝗶𝗻𝗴 𝗶𝗻 𝗼𝘂𝗿 𝘃𝗲𝗻𝘂𝗲! Humans...
04/01/2024

𝗩𝗶𝘀𝗶𝘁 𝗧𝗲𝗿𝗿𝗮 𝗫𝗲𝗻𝗼𝗯𝗶𝗼𝘁𝗶𝗰𝗮, 𝗼𝘂𝗿 𝗼𝗻𝗴𝗼𝗶𝗻𝗴, 𝗮𝗿𝘁𝗶𝘀𝘁-𝗯𝗮𝘀𝗲𝗱 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗯𝘆 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹 𝗻𝗼𝘄 𝘀𝗵𝗼𝘄𝗶𝗻𝗴 𝗶𝗻 𝗼𝘂𝗿 𝘃𝗲𝗻𝘂𝗲!

Humans have an ambiguous relationship to the ground, often identifying and personifying with the soil of their ‘homeland’, and depending on its fertility to survive – and yet, all too often, treating it as mere dirt. This neglect is more extreme in technological zones, not only in industrial areas, but in spaces of communication and transportation. In her new art project Terra Xenobiotica Saša Spačal explores soil life at airports. “Toxins are seeping into the ground, creating unfamiliar lands that call for different kinds of stewards – the ones who navigate and nurture, rather than gatekeep or extract” states Spačal. “As humanity remains locked in an ongoing cycle, a holding pattern of take-offs and landings, the notion of a final landing lurks in an unimaginable distant future.”

𝗙𝗼𝗿 𝗺𝗼𝗿𝗲 𝗶𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗰𝗵𝗲𝗰𝗸 𝘁𝗵𝗲 𝗔𝗟𝗕 𝘄𝗲𝗯𝘀𝗶𝘁𝗲 𝗶𝗻 𝗼𝘂𝗿 𝗹𝗶𝗻𝗸𝘁𝗿𝗲𝗲!

𝗖𝗼𝗼𝗽𝗲𝗿𝗮𝘁𝗶𝗼𝗻 𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀:
Slowenisches Kulturzentrum – SKICA Berlin
Rillig Lab | Plant Ecologies, Institut für Biologie, Freie Universität Berlin
Technische Universität Berlin
Berlin Science Week

𝗩𝗲𝗻𝘂𝗲:
Art Laboratory Berlin
Prinzenallee 34, 13359 Berlin

𝗗𝗮𝘁𝗲𝘀 𝗮𝗻𝗱 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗛𝗼𝘂𝗿𝘀:
Running through 4 February 2024
Thu – Sun, 2 – 6 pm

With the generous support of the Berlin Senate.

𝗦𝗼 𝗴𝗿𝗲𝗮𝘁𝗳𝘂𝗹 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗿𝗲𝘃𝗶𝗲𝘄 𝗶𝗻 𝗮𝗿𝘁-𝗶𝗻-𝗯𝗲𝗿𝗹𝗶𝗻 (𝟮𝟵 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 2023) 𝗮𝗯𝗼𝘂𝘁 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹’𝘀 𝗮𝗿𝘁 𝗽𝗿𝗼𝗷𝗲𝗰𝘁 𝗧𝗘𝗥𝗥𝗔 𝗫𝗘𝗡𝗢𝗕𝗜𝗢𝗧𝗜𝗖𝗔, 𝗻𝗲𝘄𝗹...
03/01/2024

𝗦𝗼 𝗴𝗿𝗲𝗮𝘁𝗳𝘂𝗹 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗿𝗲𝘃𝗶𝗲𝘄 𝗶𝗻 𝗮𝗿𝘁-𝗶𝗻-𝗯𝗲𝗿𝗹𝗶𝗻 (𝟮𝟵 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 2023) 𝗮𝗯𝗼𝘂𝘁 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹’𝘀 𝗮𝗿𝘁 𝗽𝗿𝗼𝗷𝗲𝗰𝘁 𝗧𝗘𝗥𝗥𝗔 𝗫𝗘𝗡𝗢𝗕𝗜𝗢𝗧𝗜𝗖𝗔, 𝗻𝗲𝘄𝗹𝘆 𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗱 𝗯𝘆 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗲𝗱 𝗮𝘁 𝗔𝗟𝗕:

"The Slovenian artist Saša Spačal presents her new work TERRA XENOBIOTICA in a comprehensive spatial installation at Art Laboratory Berlin. The work moves between a scientific investigation of the level of pollution on the Berlin airport floor and a poetic homage to our environment. Here the soil speaks to us and produces its own unique sounds [...] Spačal chose the ground of the unused Tempelhof airport for her study. Today a popular place for barbecues, parties, urban gardening and recreational sports. But the Tempelhofer Erde does not forget. “Toxins are seeping into the ground, creating unfamiliar lands that call for different kinds of stewards – the ones who navigate and nurture, rather than gatekeep or extract,” says the artist [...] The exhibition is a total work of art that gradually - in the truest sense of the word - brings us back to earth and at the same time presents us with an artistic model for responsibility towards our environment."

Thank you, Katja Hock for your interest in artistic research on ecology!
To read the online version check the link in our linktree!

𝗗𝗔𝗧𝗘𝗦 𝗔𝗡𝗗 𝗢𝗣𝗘𝗡𝗜𝗡𝗚 𝗛𝗢𝗨𝗥𝗦
𝗥𝘂𝗻𝗻𝗶𝗻𝗴 𝗧𝗶𝗺𝗲: 𝟭𝟭 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 – 𝟰 𝗙𝗲𝗯𝗿𝘂𝗮𝗿𝘆 𝟮𝟬𝟮𝟰
(𝗖𝗹𝗼𝘀𝗲𝗱 𝟮𝟭 – 𝟯𝟭 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟯)
𝗧𝗵𝘂 – 𝗦𝘂𝗻, 𝟮 – 𝟲 𝗽𝗺

𝗖𝗢𝗢𝗣𝗘𝗥𝗔𝗧𝗜𝗢𝗡 𝗣𝗔𝗥𝗧𝗡𝗘𝗥𝗦
𝗦𝗹𝗼𝘄𝗲𝗻𝗶𝘀𝗰𝗵𝗲𝘀 𝗞𝘂𝗹𝘁𝘂𝗿𝘇𝗲𝗻𝘁𝗿𝘂𝗺 – 𝗦𝗞𝗜𝗖𝗔 𝗕𝗲𝗿𝗹𝗶𝗻
𝗥𝗶𝗹𝗹𝗶𝗴 𝗟𝗮𝗯 | 𝗣𝗹𝗮𝗻𝘁 𝗘𝗰𝗼𝗹𝗼𝗴𝗶𝗲𝘀, 𝗜𝗻𝘀𝘁𝗶𝘁𝘂𝘁 𝗳𝘂̈𝗿 𝗕𝗶𝗼𝗹𝗼𝗴𝗶𝗲, 𝗙𝗿𝗲𝗶𝗲 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝗮̈𝘁 𝗕𝗲𝗿𝗹𝗶𝗻
𝗧𝗲𝗰𝗵𝗻𝗶𝘀𝗰𝗵𝗲 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝗮̈𝘁 𝗕𝗲𝗿𝗹𝗶𝗻
𝗕𝗲𝗿𝗹𝗶𝗻 𝗦𝗰𝗶𝗲𝗻𝗰𝗲 𝗪𝗲𝗲𝗸

Generously supported by the Berlin Senate.

Start off 2024 by visiting 𝗧𝗲𝗿𝗿𝗮 𝗫𝗲𝗻𝗼𝗯𝗶𝗼𝘁𝗶𝗰𝗮, 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗯𝘆 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹 open Thursday to Sunday, 2-6 pm, thro...
03/01/2024

Start off 2024 by visiting 𝗧𝗲𝗿𝗿𝗮 𝗫𝗲𝗻𝗼𝗯𝗶𝗼𝘁𝗶𝗰𝗮, 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗯𝘆 𝗦𝗮𝘀̌𝗮 𝗦𝗽𝗮𝗰̌𝗮𝗹 open Thursday to Sunday, 2-6 pm, through 4 Feb!

Humans have an ambiguous relationship to the ground, often identifying and personifying with the soil of their ‘homeland’, and depending on its fertility to survive – and yet, all too often, treating it as mere dirt. This neglect is more extreme in technological zones, not only in industrial areas, but in spaces of communication and transportation. In her new art project TERRA XENOBIOTICA Saša Spačal explores soil life at airports. “Toxins are seeping into the ground, creating unfamiliar lands that call for different kinds of stewards – the ones who navigate and nurture, rather than gatekeep or extract” states Spačal. “As humanity remains locked in an ongoing cycle, a holding pattern of take-offs and landings, the notion of a final landing lurks in an unimaginable distant future.”

𝗙𝗼𝗿 𝗺𝗼𝗿𝗲 𝗶𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗰𝗵𝗲𝗰𝗸 𝘁𝗵𝗲 𝗔𝗟𝗕 𝘄𝗲𝗯𝘀𝗶𝘁𝗲!

𝗖𝗼𝗼𝗽𝗲𝗿𝗮𝘁𝗶𝗼𝗻 𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀:
Slowenisches Kulturzentrum – SKICA Berlin
Rillig Lab | Plant Ecologies, Institut für Biologie, Freie Universität Berlin
Technische Universität Berlin
Berlin Science Week

𝗩𝗲𝗻𝘂𝗲:
Art Laboratory Berlin
Prinzenallee 34, 13359 Berlin

𝗗𝗮𝘁𝗲𝘀 𝗮𝗻𝗱 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗛𝗼𝘂𝗿𝘀:
Running Time: 11 November – 4 February 2024
(Closed 21 – 31 December 2023)
Thu – Sun, 2 – 6 pm

THANK YOU, everyone, in participating in Art Laboratory Berlin's dense program of 2023.WATCH OUR 4 min VIDEO - ALB in 20...
30/12/2023

THANK YOU, everyone, in participating in Art Laboratory Berlin's dense program of 2023.

WATCH OUR 4 min VIDEO - ALB in 2023!

*****

AND BIG GRATITUDE GOES TO.......

Many thanks to our ALB team:
Tim Deussen, Sueli Marsella, Sarah Hermanutz, Nina Szukała, Mariia Hermann, Lyndsey Walsh, Kristina Stallvik, Korhan Erel, Karolina Żyniewicz, Kaethe Wenzel, Julie Krejčí, Ina Mirzac, Giada Sarmenti, Eva Papanikolaou, Anne Hoelck, Alice Cavnana Cavanna, Alessia Sforza, Tuce Erel (curator), Juha Lee (guest curator), Christian de Lutz (co-director & curator) and Regine Rapp (co-director & curator).

Thanks to all exhibiting artists in 2023:
Saša Spačal, Hyung Jun Park, WhiteFeather Hunter, Lyndsey Walsh, Shulea Cheang, Ewen Chardronnet, Cammack Lindsey, Gülşah Mursaloğlu, and Sybille Neumeyer!

Thanks to all artists, researchers, and contributors of our series PERMEABLE BODIES:
Anindita Majumdar, Adriana Knouf, Aouefa Amoussouvi, Charlotte Roschka, Elizabeth Chloe, Ewen Chardronnet, Fara Peluso, Flo Rzx Razoux, Hanwen Zhang, India Mansour, Julie Roberts, Karolina Żyniewicz, Lyndsey Walsh, Margherita Pevere, Mary Maggic, Mooni Perry, Nicola Hochkeppel, Sarah Hermanutz, Shu Lea Cheang and active participants like Ali Sperling, and Cristin Millett.

Thanks also to our many international Berlin-based community of women/ FLINTA* in art, science and technology through the Research Network MATTER OF FLUX:
Yan Lin, WhiteFeather Hunter, Tuçe Erel, Theresa Schubert, Sybille Neumeyer, Susanne Jaschko, Susanne Schmitt, Sina Ribak, Selen Solak, Sarah Hermanutz, Regine Rapp, Park Hye-in, pamela varela, Nicola Maria Hochkeppel, Nicol Rivera, Yokoiki-Lab Lab Nayeli Vega, Mieko Suzuki, Mooni Perry, Marianna Szczygielska, Margherita Pevere, Lyndsey Walsh, Lucy Powell, Lisa Bell Weisdorf, Lena Reisner, Lena Fliessbach, Kristina Stallvik, Karolina Żyniewicz, Käthe Wenzel, Julia Degan, Jemma Woolmore, Jacky Hess, India Mansour, Hanwen Zhang, Hanne Pasdzior, Gülşah Mursaloğlu, Flo Razoux, Eva-Fiore Kovacovsky, Dalila Honorato, Constanza Piña Pardo, Chiara Garbellotto, Charmaine Poh, Cansu Tekin, Cammack Lindsey, Baldeep Kaur, Baby Vulture (a.k.a. Daniela Huerta), Aslı Dinç, Annika Haas, Anne Hölck, Alice Cannava, Alanna Lynch, as well as Louise Mackenzie, and Roberta Buiani, and many more visitors and participants.

Thanks to all wonderful speakers of our COLLOQUIUM sessions:
Cristin Millett, Cynthia Ma, Kathy High, Louise Mackenzie, Kristina Stallvik, Helena Nikonole, Lucy Ojomoko, Ekaterina Kormilitsyna and Tarsh Bates.

Thank you for inviting me to Singapore and Bangkok in March:
Henry Tan, Henri DeKlongsarn!
Thank you for your hospitality in Tokyo: Georg Tremmel and Hideo Iwasaki, Ryuta Aoki, Ai Hasegawa, Shiho Hasegawa and many more....

Our ALB 2023 programming was kindly supported by:
Stiftung Kunstfonds/ Neustart Kultur/ Die Beauftragte der Bundesregierung für Kultur und Medien, Slovenski kulturni center Berlin / Slowenisches Kulturzentrum Berlin, Förderband e.V., Erasmus+ EU programme for education, training, youth and sport, Senate Department for Culture and Social Cohesion, Arts Council Korea | Art & Tech, von Humboldt Stiftung

We thank our cooperation partners:
UrsuLaB, transmediale, SymbioticA, University of Western Australia, rosalux, Matthias Rillig Lab, Freie Universität Berlin, Culture, PA 58, okk/raum29 - Organ kritischer Kunst, Makery, Labomedia, FUTURE BABY Production, FEMeeting, Experimentelle Biophysik, Humboldt-Universität zu Berlin, Deutsches Zentrum für Neurodegenerative Erkrankungen - DZNE, Cultivamos Cultura, CTM, Bioart Society, ART2M, Antre-Peaux, Alpha nova & galerie futura, AFSAR

Thanks to our media partners:
CLOT Magazine and artinberlin

Our special gratitude to the generous support of the
Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt
..See you soon in 2024!

Enjoy our 4 min review of Art Laboratory Berlin's intense production in 2023: Art discussing current topics of ecologies, body politics, and artificial inte...

We invite you to look at our a review of 2023 at ALB (4 min video). THANK YOU VERY MUCH for taking part in our program a...
30/12/2023

We invite you to look at our a review of 2023 at ALB (4 min video).
THANK YOU VERY MUCH for taking part in our program and looking forward to seeing you in 2024!

Happy New Year!

https://www.youtube.com/watch?v=jzAfomG01l0

Enjoy our 4 min review of Art Laboratory Berlin's intense production in 2023: Art discussing current topics of ecologies, body politics, and artificial inte...

   MATTER OF FLUXArtistic ResearchWhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang and Ewen Chardronnet26 May - 9 Ju...
29/12/2023


MATTER OF FLUX
Artistic Research
WhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang and Ewen Chardronnet
26 May - 9 July 2023

The project The Witch in the Lab Coat (since 2019) by artist and researcher WhiteFeather Hunter is a PhD research-creation and scientific research project (in progress) that explores the intersection of feminist witchcraft and tissue engineering through the development of a body- and performance-based laboratory practice. It is a work in progress until mid-2023, currently conducted at SymbioticA International Centre of Excellence in Biological Art at the University of Western Australia. The Witch in the Lab Coat includes the sub-project, Mooncalf, original research by WhiteFeather, which is a scientific and cultural exploration of the development of menstrual fluid for use in tissue culture, as well as multipotent stem cell isolation from menstrual blood.

Supported by Stiftung Kunstfonds, Neustart Kultur, Die Beauftragte der Bundesregierung für Kultur und Medien and by Berliner Senatsverwaltung für Kultur und Europa

   MATTERMATTER  OF FLUXArtistic ResearchWhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang and Ewen Chardronnet26 May...
29/12/2023


MATTERMATTER OF FLUX
Artistic Research
WhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang and Ewen Chardronnet
26 May - 9 July 2023

Lyndsey Walsh’s project Self-Care explores the personal journey of the artist and reconciliation with their BRCA1 gene mutation diagnosis and the implications of preventative care measures on their sense of body image and notions of self-care. Self-Care is a device that imagines a reality where an individual can take on the caring responsibilities of their cancer, either before they have developed cancer or after it has been removed from their body. Through this device, the narrative of cancer as a bodily enemy is transformed into a narrative about caring systems. The individual/ wearer of the device is given an opportunity to learn about their cancer as an extension of their own self by adopting it with the use of a new technoscientific prosthesis. Self-Care is an artistic attempt to reckon with ruptures in identity caused by the rising use of genetic diagnostics in medicine. Using the artist’s own body, Self-Care weaves a narrative about health, gender, and identity that seeks to resist the confines of the medical gaze. The work features a specially designed chest binder housing living breast cancer cells, which allows the artist to take on the caring responsibilities of their cancer before it emerges in their body. Through this device, the artist explores caring systems and reclaims the potential violence done onto the breasts as liberation through nonbinary gender expression.

Image: Image: Lyndsey Walsh: Self-Care, 2021-ongoing, photo: Pavlina Belokrenitskaia

    MATTER OF FLUXArtistic ResearchWhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang and Ewen Chardronnet26 May - 9 J...
29/12/2023


MATTER OF FLUX
Artistic Research
WhiteFeather Hunter | Lyndsey Walsh | Shu Lea Cheang and Ewen Chardronnet
26 May - 9 July 2023

Shu Lea Cheang together with Ewen Chardronnet will show the project UNBORN0x9. The art project questions the development of foetuses in artificial wombs outside of the body (ectogenesis) and the cyborg future of parenting. The project explores the role of obstetric science in the increasingly technological experience of human reproduction, speculating on new types of bonding that may emerge with artificial wombs. Here, pregnancy is integrated into a high-tech vision of the body as a biological component of a cybernetic communication system. In collaboration with the echOpen fablab who engages in the development of open source and low cost echo-stethoscope with smartphone application, UNBORN0X9, forks the prototype of a creative tool and hacks the (for humans) inaudible ultrasonic waves in a sonic conversion that allows the interpretation of an audiovisual and ultrasonic emotional score by performers and musicians. UNBORN0x9 is a Future Baby Production, initiated by Shu Lea Cheang and Ewen Chardronnet along numerous collaborators, represents the common group effort to raise issues such as the possible impact of low cost echo-stethoscopy on Global Health issues, questions of access to healthcare and motherhood, ectogenesis and the technicization of reproduction, and the back-and-forth between science-fiction imaginary and science in the making at large.

Supported by Stiftung Kunstfonds, Neustart Kultur, Die Beauftragte der Bundesregierung für Kultur und Medien and by Berliner Senatsverwaltung für Kultur und Europa

Shu Lea Cheang/ Ewen Chardronnet: UNBORN0x9, Paris, 2022

𝗔𝘀 𝘁𝗵𝗲 𝗲𝗻𝗱 𝗼𝗳 𝘁𝗵𝗶𝘀 𝘆𝗲𝗮𝗿 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵𝗲𝘀 𝗹𝗲𝘁'𝘀 𝗹𝗼𝗼𝗸 𝗯𝗮𝗰𝗸 𝗼𝗻 𝟮𝟬𝟮𝟯 𝗶𝗻 𝗔𝗿𝘁 𝗟𝗮𝗯𝗼𝗿𝗮𝘁𝗼𝗿𝘆 𝗕𝗲𝗿𝗹𝗶𝗻. 𝗦𝗲𝗰𝗼𝗻𝗱 𝘀𝘁𝗼𝗽 𝗶𝗻 𝗼𝘂𝗿 𝗥𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲 𝗶𝘀...
29/12/2023

𝗔𝘀 𝘁𝗵𝗲 𝗲𝗻𝗱 𝗼𝗳 𝘁𝗵𝗶𝘀 𝘆𝗲𝗮𝗿 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵𝗲𝘀 𝗹𝗲𝘁'𝘀 𝗹𝗼𝗼𝗸 𝗯𝗮𝗰𝗸 𝗼𝗻 𝟮𝟬𝟮𝟯 𝗶𝗻 𝗔𝗿𝘁 𝗟𝗮𝗯𝗼𝗿𝗮𝘁𝗼𝗿𝘆 𝗕𝗲𝗿𝗹𝗶𝗻. 𝗦𝗲𝗰𝗼𝗻𝗱 𝘀𝘁𝗼𝗽 𝗶𝗻 𝗼𝘂𝗿 𝗥𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲 𝗶𝘀 𝘁𝗵𝗲 "𝗠𝗮𝘁𝘁𝗲𝗿 𝗼𝗳 𝗙𝗹𝘂𝘅 𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻", 𝗮𝗻 𝗔𝗿𝘁𝗶𝘀𝘁 𝗥𝗲𝘀𝗲𝗮𝗿𝗰𝗵 𝘄𝗶𝘁𝗵 𝗪𝗵𝗶𝘁𝗲𝗙𝗲𝗮𝘁𝗵𝗲𝗿 𝗛𝘂𝗻𝘁𝗲𝗿, 𝗟𝘆𝗻𝗱𝘀𝗲𝘆 𝗪𝗮𝗹𝘀𝗵, 𝗦𝗵𝘂 𝗟𝗲𝗮 𝗖𝗵𝗲𝗮𝗻𝗴 𝗮𝗻𝗱 𝗘𝘄𝗲𝗻 𝗖𝗵𝗮𝗿𝗱𝗿𝗼𝗻𝗻𝗲𝘁!

The group exhibition MATTER OF FLUX brings together three art projects by WhiteFeather Hunter, Lyndsey Walsh and Shu Lea Cheang with Ewen Chardronnet. The exhibited artworks critically reflect about nature, matter and health of female and nonbinary bodies through artistic and scientific research – exploring the use of menstrual serum for tissue culture, proposing new modes of care within the context of female and nonbinary health and discussing both traditional forms and new possibilities of reproduction.

The project The Witch in the Lab Coat (since 2019) by artist and researcher WhiteFeather Hunter is a PhD research-creation and scientific research project (in progress) that explores the intersection of feminist witchcraft and tissue engineering through the development of a body- and performance-based laboratory practice.

Lyndsey Walsh’s project Self-Care explores the personal journey of the artist and reconciliation with their BRCA1 gene mutation diagnosis and the implications of preventative care measures on their sense of body image and notions of self-care.

Shu Lea Cheang together with Ewen Chardronnet will show the project UNBORN0x9. The art project questions the development of foetuses in artificial wombs outside of the body (ectogenesis) and the cyborg future of parenting.

𝗥𝗲𝗮𝗱 𝗺𝗼𝗿𝗲 𝗮𝗯𝗼𝘂𝘁 "𝗠𝗮𝘁𝘁𝗲𝗿 𝗼𝗳 𝗙𝗹𝘂𝘅 𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻" 𝗶𝗻 𝗼𝘂𝗿 𝘄𝗲𝗯𝘀𝗶𝘁𝗲!

𝗣𝗘𝗥𝗠𝗘𝗔𝗕𝗟𝗘 𝗕𝗢𝗗𝗜𝗘𝗦 𝗣𝗥𝗢𝗚𝗥𝗔𝗠 𝗢𝗩𝗘𝗥𝗩𝗜𝗘𝗪Art Laboratory Berlin welcomes you to take a look at to our 2023 series Permeable Bodie...
28/12/2023

𝗣𝗘𝗥𝗠𝗘𝗔𝗕𝗟𝗘 𝗕𝗢𝗗𝗜𝗘𝗦 𝗣𝗥𝗢𝗚𝗥𝗔𝗠 𝗢𝗩𝗘𝗥𝗩𝗜𝗘𝗪
Art Laboratory Berlin welcomes you to take a look at to our 2023 series Permeable Bodies, until December 2023, with artistic and feminist explorations of embodiment and identity in flux, as well as an investigation of our interconnection and interaction with the environment around us. With reading groups, talks, workshops and podcasts we propose a net of narratives of permeability to encompass a poetic (post)natural history of being woman throughout 2023.

Many thanks to Adriana Knouf, Shu Lea Cheang and Ewen Chardronnet, Chloe Romanis, Lyndsey Walsh, Julie Roberts, Margherita Pevere, Sarah Hermanutz, Fara Peluso, India Mansour, Karolina Żyniewicz, Charlotte Roschka, Mooni Perry, Hanwen Zhang, Nicola Hochkeppel, Anindita Majumdar, Mary Maggic, Flo Razoux, Aouefa Amoussouvi and all the reading group and workshop participants!

𝗙𝗼𝗿 𝗳𝘂𝗿𝘁𝗵𝗲𝗿 𝗶𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻 𝗼𝗻 𝘁𝗵𝗲 𝗲𝘃𝗲𝗻𝘁𝘀 𝗰𝗵𝗲𝗰𝗸 𝘁𝗵𝗲 𝗔𝗿𝘁 𝗟𝗮𝗯𝗼𝗿𝗮𝘁𝗼𝗿𝘆 𝗕𝗲𝗿𝗹𝗶𝗻 𝘄𝗲𝗯𝘀𝗶𝘁𝗲, 𝗹𝗶𝗻𝗸 𝗶𝗻 𝗯𝗶𝗼!

Supported by the Berlin Senate Department of Culture and Social Cohesion.

   𝗔𝗥𝗧𝗜𝗙𝗜𝗖𝗜𝗔𝗟 𝗖𝗢𝗡𝗦𝗖𝗜𝗢𝗨𝗦𝗡𝗘𝗦𝗦𝗘𝘅𝗽𝗼𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝗜𝗻𝘃𝗶𝘀𝗶𝗯𝗹𝗲: 𝗗𝗮𝘁𝗮, 𝗥𝗲𝗻𝗱𝗲𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗖𝗼𝗱𝗲𝗛𝘆𝘂𝗻𝗴𝗝𝘂𝗻 𝗣𝗮𝗿𝗸  Opening: 1 September 2023, 8 p...
27/12/2023



𝗔𝗥𝗧𝗜𝗙𝗜𝗖𝗜𝗔𝗟 𝗖𝗢𝗡𝗦𝗖𝗜𝗢𝗨𝗦𝗡𝗘𝗦𝗦
𝗘𝘅𝗽𝗼𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝗜𝗻𝘃𝗶𝘀𝗶𝗯𝗹𝗲: 𝗗𝗮𝘁𝗮, 𝗥𝗲𝗻𝗱𝗲𝗿𝗶𝗻𝗴 𝗮𝗻𝗱 𝗖𝗼𝗱𝗲
𝗛𝘆𝘂𝗻𝗴𝗝𝘂𝗻 𝗣𝗮𝗿𝗸

Opening: 1 September 2023, 8 pm (with an hour long-performance)
Running Time: 2 September – 8 October 2023
Thu – Sun, 2 – 6 pm

HyungJun Park’s solo exhibition 𝘼𝙧𝙩𝙞𝙛𝙞𝙘𝙞𝙖𝙡 𝘾𝙤𝙣𝙨𝙘𝙞𝙤𝙪𝙨𝙣𝙚𝙨𝙨. 𝙀𝙭𝙥𝙤𝙨𝙞𝙣𝙜 𝙩𝙝𝙚 𝙄𝙣𝙫𝙞𝙨𝙞𝙗𝙡𝙚: 𝘿𝙖𝙩𝙖, 𝙍𝙚𝙣𝙙𝙚𝙧𝙞𝙣𝙜 𝙖𝙣𝙙 𝘾𝙤𝙙𝙚 brings together three artworks, created in the last fifteen years.

𝘚𝘰𝘮𝘯𝘪𝘭𝘰𝘲𝘶𝘺 is Park’s ongoing research and his Ph.D. project, focusing on human and machine dreaming. Park has been keeping dream diaries to explore human and machine consciousness. Within the hype of AI tools and their accessibility, machine learning tools have been used more often in the new media art scene in recent years. AI tools have been criticized as heavily biased – white, Eurocentric, homophobic and misogynist through the content it has learned from its users. In contrast, in his artistic research, Park delves into machine learning from a subjective point of view and creates a unique dataset based on the dreams and images he has collected over the years. Based on his dreams, the AI tool creates (or dreams) new, humorous and absurd narratives based on the text and image that has been fed by the artist.

   VICIOUS CYCLEArtistic Research on Climate CrisisCammack Lindsey | Gülşah Mursaloğlu | Sybille NeumeyerRunning Time: 4...
26/12/2023


VICIOUS CYCLE
Artistic Research on Climate Crisis
Cammack Lindsey | Gülşah Mursaloğlu | Sybille Neumeyer

Running Time: 4 March – 30 April 2023

In March 2022, scientific research revealed that microplastic pollution is now present in the human body. It moves around in the blood, lands in organs and passes to infants via breast milk. The exhibition title 𝙑𝙞𝙘𝙞𝙤𝙪𝙨 𝘾𝙮𝙘𝙡𝙚 is based on this closed cycle of human disturbance of the environment and its return to the human and nonhuman body. In the exhibition, the artists’ investigative and research-oriented works explore the problem of microplastics in soil, the impact of climate change and the effects of excessive agricultural activity on the water, soil, animals and wildlife.

Gülşah Mursaloğlu's 𝘿𝙚𝙫𝙤𝙪𝙧𝙞𝙣𝙜 𝙩𝙝𝙚 𝙀𝙖𝙧𝙩𝙝, 𝙞𝙣 𝙋𝙚𝙧𝙞𝙨𝙝𝙖𝙗𝙡𝙚 𝙌𝙪𝙖𝙣𝙩𝙞𝙩𝙞𝙚𝙨 is a body of work that contemplates the ways we devour the earth and the underground, both literally and metaphorically. Both human and nonhuman communities have indulged in practices of geophagia (eating dirt), at times as a means to receive particular minerals, at other times as a way to establish a connection with the land. These practices were deemed shameful over many centuries, however today eating clay, and other minerals have made a comeback as healing practices and a way to boost immunity.

Within the installation found and manufactured microplastics move around inside washing machine filters, creating an irregular yet continuous cycle of transformation. The work hosts various processes of leakage, amalgamation and digestion across different temporalities. It aims to underscore the entanglement within the acts of eating/ consuming/ devouring that is often promoted as choice-based as well as the points and practices of continuity between humans and other agencies.

Photo credit: Gülşah Mursaloğlu: Devouring the Earth, in Perishable Quantities, 2020-ongoing, aluminium, washing machine filters, Arduino uno, motor, industrial and found microplastics, photo: Kayhan Kaygusuz

   VICIOUS CYCLEArtistic Research on Climate CrisisCammack Lindsey | Gülşah Mursaloğlu | Sybille NeumeyerRunning Time: 4...
26/12/2023


VICIOUS CYCLE
Artistic Research on Climate Crisis
Cammack Lindsey | Gülşah Mursaloğlu | Sybille Neumeyer

Running Time: 4 March – 30 April 2023
Cammack Lindsey’s .kitty.mia Wem gehört die Welt? is a site-specific sound installation based on the artist’s ongoing research on Müggelsee Berlin that features Microcystis aeruginosa and Müggelsee water samples in amorph containers in a network in-
spired by colony formations of most commonly toxin producing cyanobacterium Microcystis. As water pollution persists due to agricultural fertilisers and industrial disposals, the growth of toxic, along with non-toxic, cyanobacteria (also known as blue-green algae) blooms contaminate bodies of water. From historical and scientific analysis, what is the relationship of the occurrence of cyanobacteria blooms in Müggelsee to the economics of water: its price, consumption and treatment? Deriving its title from the 1932 film Kuhle Wampe oder Wem gehört die Welt?, written by Bertolt Brecht, this project pieces together stories within the setting of the Müggelsee lake from a proletarian lens.

   VICIOUS CYCLEArtistic Research on Climate CrisisCammack Lindsey | Gülşah Mursaloğlu | Sybille NeumeyerRunning Time: 4...
26/12/2023


VICIOUS CYCLE
Artistic Research on Climate Crisis
Cammack Lindsey | Gülşah Mursaloğlu | Sybille Neumeyer

Running Time: 4 March – 30 April 2023

souvenirs entomologiques #1: odonata/ weathering data is a single-channel speculative video essay and installation by Sybille Neumeyer, that explores the entanglements of humans, weather and insects in a data-driven world in times of climate crisis. It follows dragonflies on multiple scales through time and space: from their geological past into uncertain futures, from ecosystems to museum collections, from embodied weather worlds into detached data clouds, while multiple insect identities are mediated, shaped and reshaped by co-evolving modes of mapping, monitoring and collecting. Although data-based ontologies promise measures of anticipating and controlling futures, the recollection of local eco–logical knowledge reframes observation as the practice of care

     2023 started off with this wonderful presentation Fara Peluso  and Sarah Hermanutz:   Art Laboratory Berlin is a re...
25/12/2023

2023 started off with this wonderful presentation Fara Peluso and Sarah Hermanutz:
Art Laboratory Berlin is a research platform for art, science and technology. DIY Hack the Panke, is one of the research projects we initiated together with artists and scientist. Two founding members of the group, Sarah Hermanutz and Fara Peluso were using Art Laboratory Berlin as their work space in the last months. It is time that they open up the doors to share their in-progress work, during the Vorspiel and Kolonie Wedding weekend.
Fara Peluso asks through her work: How can living machines influence the way we see the world? How can art, science and new technologies help to build a collective memory about landscape changes? She will share an in-progress prototype for her latest project Tecuitlatl, a collaboration with sound artist Hüma Utku. Tecuitlatl is a hybrid algae sound installation which focuses on how living machines can tell stories of the destruction caused by the current pace of industrialisation around water ecosystems, like the algae bloom that causes aquatic life forms to suffer. The aim is to create an alternative narrative dictated by algae organisms about anthropocentric activities destroying nature.

Sarah Hermanutz shares this interest in the narrative potentials emerging from living installations. In her performances and installation environments, she is interested in the messy intermingling of human performers, old and new technologies, living creatures, and materials such as mud and water. She will share notes, sketches, writings, and material fragments of her artistic practice, as well as documentations of past experimentations with water as potent source of movement, life, awe, and deep unease.

      At the Matter of Flux club night, on 16 June 2023, we started with OCTOPUSSYNTRIC live performance, following up w...
24/12/2023

At the Matter of Flux club night, on 16 June 2023, we started with OCTOPUSSYNTRIC live performance, following up with Baby Vulture and Mieko Suzuki Mieko DJ sets, for a FLINTA* only party .

Constanza Piña Pardo | Nicol Rivera Aro | Pamela Varela | Flo Razoux Baby Vulture

     We continue to explore the clusters presented at the 𝗠𝗔𝗧𝗧𝗘𝗥 𝗢𝗙 𝗙𝗟𝗨𝗫 festival!𝗖𝗥𝗜𝗧𝗜𝗖𝗔𝗟 𝗛𝗜𝗦𝗧𝗢𝗥𝗬 𝗢𝗙 𝗧𝗘𝗖𝗛𝗡𝗢𝗟𝗢𝗚𝗬 cluster...
24/12/2023


We continue to explore the clusters presented at the 𝗠𝗔𝗧𝗧𝗘𝗥 𝗢𝗙 𝗙𝗟𝗨𝗫 festival!
𝗖𝗥𝗜𝗧𝗜𝗖𝗔𝗟 𝗛𝗜𝗦𝗧𝗢𝗥𝗬 𝗢𝗙 𝗧𝗘𝗖𝗛𝗡𝗢𝗟𝗢𝗚𝗬 cluster facilitated a 𝗭𝗶𝗻𝗲 𝗠𝗮𝗸𝗶𝗻𝗴 𝗪𝗼𝗿𝗸𝘀𝗵𝗼𝗽 on 15th of June.
In this workshop, we delved into the concept of "material biographies" by examining how technology has shaped our lives and the stories we tell about ourselves throughout history. We took a critical and reflective approach, acknowledging the ways in which societal norms and cultural expectations influence our interactions with technology. A critical feminist approach to plasticity considers how gender, power, and social structures intersect with the concept of plasticity. Held by Selen Solak, Marianna


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