S0MA

Huge thanks to our amazing participants! We had an amazing time at the “Collective Echoes: Group Improvisation with Repurposed Waste” workshop! Thank you to everyone who joined us, coming together from diverse backgrounds to create beautiful music from discarded items. Special thanks to Hye Young Sin for leading this inspiring session. 🤖 The workshop is part of the extensive 2-year “Becoming Future” project, dedicated to Berlin’s technology-driven art domain, curated by Nabi Nara and supported by the Senate Department for Culture and Social Cohesion. #CollectiveEchoes #EcoMusic #SustainableArt #GroupImprovisation #HyeYoungSin #SOMAArtBerlin #MixedReality #DagmarSchürrer #MetaQuest3 #BecomingFuture #HyeYoungSin #CollectiveEchoes #EcoMusic #UnityProjects #ArtAndTech #BerlinArt

𝙒𝙝𝙚𝙧𝙚 𝙋𝙡𝙖𝙨𝙩𝙞𝙘 𝙋𝙡𝙖𝙣𝙩𝙨 𝘽𝙡𝙤𝙤𝙢 𝙖𝙣𝙙 𝙊𝙣𝙞𝙤𝙣𝙨 𝙉𝙚𝙫𝙚𝙧 𝘾𝙧𝙮 𝗛𝘆𝗲 𝗬𝗼𝘂𝗻𝗴 𝗦𝗶𝗻 ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀs: 𝟸𝟶.𝟶𝟽.–𝟷𝟽.𝟶𝟾.𝟸𝟶𝟸𝟺 ᴡᴇᴅ.-sᴀᴛ. 𝟸-𝟼ᴘᴍ sᴏᴍᴀ ᴀʀᴛ ʙᴇʀʟɪɴ ᴇʏʟᴀᴜᴇʀ sᴛʀ. 𝟿 𝟷𝟶𝟿𝟼𝟻 ʙᴇʀʟɪɴ ᴡʜᴀᴛ ᴍᴀᴋᴇs ᴀ ɢᴀʀᴅᴇɴ? ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ “ᴡʜᴇʀᴇ ᴘʟᴀsᴛɪᴄ ᴘʟᴀɴᴛs ʙʟᴏᴏᴍ ᴀɴᴅ ᴏɴɪᴏɴs ɴᴇᴠᴇʀ ᴄʀʏ” ʙʏ ᴋᴏʀᴇᴀɴ ᴀʀᴛɪsᴛ ʜʏᴇ ʏᴏᴜɴɢ sɪɴ ᴅᴇʟᴠᴇs ɪɴᴛᴏ ᴛʜɪs ғᴜɴᴅᴀᴍᴇɴᴛᴀʟ ǫᴜᴇsᴛɪᴏɴ. ɪs ᴀ ɢᴀʀᴅᴇɴ ᴅᴇғɪɴᴇᴅ ʙʏ ʟɪᴠɪɴɢ ʙᴇɪɴɢs, ɴᴜʀᴛᴜʀɪɴɢ ᴀᴄᴛs, ᴄᴜʟᴛɪᴠᴀᴛɪᴏɴ ᴘʀᴏᴄᴇssᴇs, sᴛᴇᴡᴀʀᴅsʜɪᴘ ʀᴏʟᴇs, sʏᴍʙɪᴏᴛɪᴄ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘs, ᴘʜʏsɪᴄᴀʟ ʙᴏᴜɴᴅᴀʀɪᴇs, ᴜɴɪǫᴜᴇ ғᴏʀᴍs, sᴘɪʀɪᴛᴜᴀʟ ᴇssᴇɴᴄᴇs, ʟᴇᴠᴇʟs ᴏғ ᴄᴏɴᴛʀᴏʟ, ᴏʀ ᴛʜᴇ ᴇxᴄʜᴀɴɢᴇs ɪᴛ ғᴀᴄɪʟɪᴛᴀᴛᴇs? “ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ” ᴄʜᴀʟʟᴇɴɢᴇs ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴘᴇʀᴄᴇᴘᴛɪᴏɴs ʙʏ ᴍᴀɴɪғᴇsᴛɪɴɢ ᴀs ᴀɴ ᴀᴜᴛʜᴇɴᴛɪᴄ ɢᴀʀᴅᴇɴ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ sᴘᴀᴄᴇ, ᴅᴇsᴘɪᴛᴇ ʙᴇɪɴɢ ᴄᴏᴍᴘᴏsᴇᴅ ᴏғ ᴀʀᴛɪғɪᴄɪᴀʟ ᴍᴀᴛᴇʀɪᴀʟs. ᴛʜɪs ɪɴsᴛᴀʟʟᴀᴛɪᴏɴ ɪɴᴄʟᴜᴅᴇs ᴅᴇᴛᴀɪʟᴇᴅ ɪɴsᴛʀᴜᴄᴛɪᴏɴs ғᴏʀ ᴛʜᴇ ᴄᴀʀᴇᴛᴀᴋᴇʀs ᴏɴ ᴍᴀɪɴᴛᴀɪɴɪɴɢ ᴛʜᴇ ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ. ʜʏᴇ ʏᴏᴜɴɢ sɪɴ, ᴏʀɪɢɪɴᴀʟʟʏ ғʀᴏᴍ sᴇᴏᴜʟ ᴀɴᴅ ɴᴏᴡ ʀᴇsɪᴅɪɴɢ ɪɴ ʙᴇʀʟɪ

𝙲𝚊𝚕𝚕𝚒𝚗𝚐 𝙰𝚕𝚕 𝙲𝚛𝚎𝚊𝚝𝚒𝚟𝚎𝚜! 𝙹𝚘𝚒𝚗 𝚄𝚜 𝚏𝚘𝚛 “𝙲𝚘𝚕𝚕𝚎𝚌𝚝𝚒𝚟𝚎 𝙴𝚌𝚑𝚘𝚎𝚜: 𝙶𝚛𝚘𝚞𝚙 𝙸𝚖𝚙𝚛𝚘𝚟𝚒𝚜𝚊𝚝𝚒𝚘𝚗 𝚠𝚒𝚝𝚑 𝚁𝚎𝚙𝚞𝚛𝚙𝚘𝚜𝚎𝚍 𝚆𝚊𝚜𝚝𝚎” ℍ𝕪𝕖 𝕐𝕠𝕦𝕟𝕘 𝕊𝕚𝕟 𝕊𝔸𝕋 𝟘𝟛/𝟠/𝟚𝟘𝟚𝟜, 𝟚-𝟜 ℙ𝕄 𝗧𝗿𝗮𝗻𝘀𝗳𝗼𝗿𝗺 𝗱𝗶𝘀𝗰𝗮𝗿𝗱𝗲𝗱 𝗶𝘁𝗲𝗺𝘀 𝗶𝗻𝘁𝗼 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝗶𝗻𝘀𝘁𝗿𝘂𝗺𝗲𝗻𝘁𝘀 𝗮𝗻𝗱 𝗲𝗻𝗴𝗮𝗴𝗲 𝗶𝗻 𝗰𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝘃𝗲 𝗶𝗺𝗽𝗿𝗼𝘃𝗶𝘀𝗮𝘁𝗶𝗼𝗻. 𝗜𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗯𝘆 𝗦𝗶𝗻’𝘀 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲𝘀, 𝘄𝗲’𝗹𝗹 𝘂𝘀𝗲 𝘀𝗲𝗹𝗳-𝗯𝘂𝗶𝗹𝘁 𝗺𝗼𝘁𝗼𝗿 𝘀𝗲𝘁𝘀 𝘁𝗼 𝗯𝗿𝗶𝗻𝗴 𝗲𝘃𝗲𝗿𝘆𝗱𝗮𝘆 𝘄𝗮𝘀𝘁𝗲 𝘁𝗼 𝗹𝗶𝗳𝗲. 𝗘𝗮𝗰𝗵 𝗽𝗶𝗲𝗰𝗲 𝘁𝗲𝗹𝗹𝘀 𝗮 𝘀𝘁𝗼𝗿𝘆, 𝗿𝗲𝗳𝗹𝗲𝗰𝘁𝗶𝗻𝗴 𝗼𝘂𝗿 𝗰𝗼𝗻𝘀𝘂𝗺𝗽𝘁𝗶𝗼𝗻 𝗵𝗮𝗯𝗶𝘁𝘀 𝗮𝗻𝗱 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁𝗮𝗹 𝗶𝗺𝗽𝗮𝗰𝘁.𝗟𝗶𝗺𝗶𝘁𝗲𝗱 𝘁𝗼 𝗷𝘂𝘀𝘁 𝟭𝟬 𝗽𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝗻𝘁𝘀—𝘀𝗲𝗰𝘂𝗿𝗲 𝘆𝗼𝘂𝗿 𝘀𝗽𝗼𝘁 𝗻𝗼𝘄! 𝗦𝗶𝗴𝗻 𝘂𝗽 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝘁𝗵𝗲 𝗹𝗶𝗻𝗸 𝗶𝗻 𝗼𝘂𝗿 𝗯𝗶𝗼. 𝗪𝗼𝗿𝗸𝘀𝗵𝗼𝗽 𝗛𝗶𝗴𝗵𝗹𝗶𝗴𝗵𝘁𝘀: 𝗧𝘂𝗿𝗻 𝘄𝗮𝘀𝘁𝗲 𝗶𝗻𝘁𝗼 𝗺𝘂𝘀𝗶𝗰𝗮𝗹 𝗶𝗻𝘀𝘁𝗿𝘂𝗺𝗲𝗻𝘁𝘀 𝗘𝗻𝗴𝗮𝗴𝗲 𝗶𝗻 𝗴𝗿𝗼𝘂𝗽 𝗶𝗺

𝙒𝙝𝙚𝙧𝙚 𝙋𝙡𝙖𝙨𝙩𝙞𝙘 𝙋𝙡𝙖𝙣𝙩𝙨 𝘽𝙡𝙤𝙤𝙢 𝙖𝙣𝙙 𝙊𝙣𝙞𝙤𝙣𝙨 𝙉𝙚𝙫𝙚𝙧 𝘾𝙧𝙮 𝗛𝘆𝗲 𝗬𝗼𝘂𝗻𝗴 𝗦𝗶𝗻 ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀs: 𝟸𝟶.𝟶𝟽.–𝟷𝟽.𝟶𝟾.𝟸𝟶𝟸𝟺 ᴡᴇᴅ.-sᴀᴛ. 𝟸-𝟼ᴘᴍ sᴏᴍᴀ ᴀʀᴛ ʙᴇʀʟɪɴ ᴇʏʟᴀᴜᴇʀ sᴛʀ. 𝟿 𝟷𝟶𝟿𝟼𝟻 ʙᴇʀʟɪɴ ᴡʜᴀᴛ ᴍᴀᴋᴇs ᴀ ɢᴀʀᴅᴇɴ? ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ „ᴡʜᴇʀᴇ ᴘʟᴀsᴛɪᴄ ᴘʟᴀɴᴛs ʙʟᴏᴏᴍ ᴀɴᴅ ᴏɴɪᴏɴs ɴᴇᴠᴇʀ ᴄʀʏ“ ʙʏ ᴋᴏʀᴇᴀɴ ᴀʀᴛɪsᴛ ʜʏᴇ ʏᴏᴜɴɢ sɪɴ ᴅᴇʟᴠᴇs ɪɴᴛᴏ ᴛʜɪs ғᴜɴᴅᴀᴍᴇɴᴛᴀʟ ǫᴜᴇsᴛɪᴏɴ. ɪs ᴀ ɢᴀʀᴅᴇɴ ᴅᴇғɪɴᴇᴅ ʙʏ ʟɪᴠɪɴɢ ʙᴇɪɴɢs, ɴᴜʀᴛᴜʀɪɴɢ ᴀᴄᴛs, ᴄᴜʟᴛɪᴠᴀᴛɪᴏɴ ᴘʀᴏᴄᴇssᴇs, sᴛᴇᴡᴀʀᴅsʜɪᴘ ʀᴏʟᴇs, sʏᴍʙɪᴏᴛɪᴄ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘs, ᴘʜʏsɪᴄᴀʟ ʙᴏᴜɴᴅᴀʀɪᴇs, ᴜɴɪǫᴜᴇ ғᴏʀᴍs, sᴘɪʀɪᴛᴜᴀʟ ᴇssᴇɴᴄᴇs, ʟᴇᴠᴇʟs ᴏғ ᴄᴏɴᴛʀᴏʟ, ᴏʀ ᴛʜᴇ ᴇxᴄʜᴀɴɢᴇs ɪᴛ ғᴀᴄɪʟɪᴛᴀᴛᴇs? „ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ“ ᴄʜᴀʟʟᴇɴɢᴇs ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴘᴇʀᴄᴇᴘᴛɪᴏɴs ʙʏ ᴍᴀɴɪғᴇsᴛɪɴɢ ᴀs ᴀɴ ᴀᴜᴛʜᴇɴᴛɪᴄ ɢᴀʀᴅᴇɴ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ sᴘᴀᴄᴇ, ᴅᴇsᴘɪᴛᴇ ʙᴇɪɴɢ ᴄᴏᴍᴘᴏsᴇᴅ ᴏғ ᴀʀᴛɪғɪᴄɪᴀʟ ᴍᴀᴛᴇʀɪᴀʟs. ᴛʜɪs ɪɴsᴛᴀʟʟᴀᴛɪᴏɴ ɪɴᴄʟᴜᴅᴇs ᴅᴇᴛᴀɪʟᴇᴅ ɪɴsᴛʀᴜᴄᴛɪᴏɴs ғᴏʀ ᴛʜᴇ ᴄᴀʀᴇᴛᴀᴋᴇʀs ᴏɴ ᴍᴀɪɴᴛᴀɪɴɪɴɢ ᴛʜᴇ ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ. ʜʏᴇ ʏᴏᴜɴɢ sɪɴ, ᴏʀɪɢɪɴᴀʟʟʏ ғʀᴏᴍ sᴇᴏᴜʟ ᴀɴᴅ ɴᴏᴡ ʀᴇsɪᴅɪɴɢ ɪɴ ʙᴇʀʟɪ

Thank you for the great opening and for coming. 𝚆𝚑𝚎𝚛𝚎 𝙿𝚕𝚊𝚜𝚝𝚒𝚌 𝙿𝚕𝚊𝚗𝚝𝚜 𝙱𝚕𝚘𝚘𝚖 𝚊𝚗𝚍 𝙾𝚗𝚒𝚘𝚗𝚜 𝙽𝚎𝚟𝚎𝚛 𝙲𝚛𝚢 𝙷𝚢𝚎 𝚈𝚘𝚞𝚗𝚐 𝚂𝚒𝚗 ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀs: 𝟸𝟶.𝟶𝟽.–𝟷𝟽.𝟶𝟾.𝟸𝟶𝟸𝟺 ᴡᴇᴅ.-sᴀᴛ. 𝟸-𝟼ᴘᴍ ᴡʜᴀᴛ ᴍᴀᴋᴇs ᴀ ɢᴀʀᴅᴇɴ? ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ „ᴡʜᴇʀᴇ ᴘʟᴀsᴛɪᴄ ᴘʟᴀɴᴛs ʙʟᴏᴏᴍ ᴀɴᴅ ᴏɴɪᴏɴs ɴᴇᴠᴇʀ ᴄʀʏ“ ʙʏ ᴋᴏʀᴇᴀɴ ᴀʀᴛɪsᴛ ʜʏᴇ ʏᴏᴜɴɢ sɪɴ ᴅᴇʟᴠᴇs ɪɴᴛᴏ ᴛʜɪs ғᴜɴᴅᴀᴍᴇɴᴛᴀʟ ǫᴜᴇsᴛɪᴏɴ. ɪs ᴀ ɢᴀʀᴅᴇɴ ᴅᴇғɪɴᴇᴅ ʙʏ ʟɪᴠɪɴɢ ʙᴇɪɴɢs, ɴᴜʀᴛᴜʀɪɴɢ ᴀᴄᴛs, ᴄᴜʟᴛɪᴠᴀᴛɪᴏɴ ᴘʀᴏᴄᴇssᴇs, sᴛᴇᴡᴀʀᴅsʜɪᴘ ʀᴏʟᴇs, sʏᴍʙɪᴏᴛɪᴄ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘs, ᴘʜʏsɪᴄᴀʟ ʙᴏᴜɴᴅᴀʀɪᴇs, ᴜɴɪǫᴜᴇ ғᴏʀᴍs, sᴘɪʀɪᴛᴜᴀʟ ᴇssᴇɴᴄᴇs, ʟᴇᴠᴇʟs ᴏғ ᴄᴏɴᴛʀᴏʟ, ᴏʀ ᴛʜᴇ ᴇxᴄʜᴀɴɢᴇs ɪᴛ ғᴀᴄɪʟɪᴛᴀᴛᴇs? „ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ“ ᴄʜᴀʟʟᴇɴɢᴇs ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴘᴇʀᴄᴇᴘᴛɪᴏɴs ʙʏ ᴍᴀɴɪғᴇsᴛɪɴɢ ᴀs ᴀɴ ᴀᴜᴛʜᴇɴᴛɪᴄ ɢᴀʀᴅᴇɴ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ sᴘᴀᴄᴇ, ᴅᴇsᴘɪᴛᴇ ʙᴇɪɴɢ ᴄᴏᴍᴘᴏsᴇᴅ ᴏғ ᴀʀᴛɪғɪᴄɪᴀʟ ᴍᴀᴛᴇʀɪᴀʟs. ᴛʜɪs ɪɴsᴛᴀʟʟᴀᴛɪᴏɴ ɪɴᴄʟᴜᴅᴇs ᴅᴇᴛᴀɪʟᴇᴅ ɪɴsᴛʀᴜᴄᴛɪᴏɴs ғᴏʀ ᴛʜᴇ ᴄᴀʀᴇᴛᴀᴋᴇʀs ᴏɴ ᴍᴀɪɴᴛᴀɪɴɪɴɢ ᴛʜᴇ ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ. ʜʏᴇ ʏᴏᴜɴɢ sɪɴ, ᴏʀɪɢɪɴᴀʟʟʏ ғʀᴏᴍ sᴇᴏᴜʟ ᴀɴᴅ ɴᴏᴡ ʀᴇsɪᴅɪɴɢ ɪɴ ʙᴇʀʟɪɴ, ɢᴇʀᴍᴀɴʏ, ғᴏᴄᴜsᴇs ᴏɴ ʀᴇ

𝙒𝙝𝙚𝙧𝙚 𝙋𝙡𝙖𝙨𝙩𝙞𝙘 𝙋𝙡𝙖𝙣𝙩𝙨 𝘽𝙡𝙤𝙤𝙢 𝙖𝙣𝙙 𝙊𝙣𝙞𝙤𝙣𝙨 𝙉𝙚𝙫𝙚𝙧 𝘾𝙧𝙮 𝗛𝘆𝗲 𝗬𝗼𝘂𝗻𝗴 𝗦𝗶𝗻 𝐎ρ𝖾𐓣𝗂𐓣𝗀: 7-10𝐏𝐌 19.07.2024 sᴏᴍᴀ ᴀʀᴛ ʙᴇʀʟɪɴ ᴇʏʟᴀᴜᴇʀ sᴛʀ. 𝟿 𝟷𝟶𝟿𝟼𝟻 ʙᴇʀʟɪɴ ᴡʜᴀᴛ ᴍᴀᴋᴇs ᴀ ɢᴀʀᴅᴇɴ? ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ „ᴡʜᴇʀᴇ ᴘʟᴀsᴛɪᴄ ᴘʟᴀɴᴛs ʙʟᴏᴏᴍ ᴀɴᴅ ᴏɴɪᴏɴs ɴᴇᴠᴇʀ ᴄʀʏ“ ʙʏ ᴋᴏʀᴇᴀɴ ᴀʀᴛɪsᴛ ʜʏᴇ ʏᴏᴜɴɢ sɪɴ ᴅᴇʟᴠᴇs ɪɴᴛᴏ ᴛʜɪs ғᴜɴᴅᴀᴍᴇɴᴛᴀʟ ǫᴜᴇsᴛɪᴏɴ. ɪs ᴀ ɢᴀʀᴅᴇɴ ᴅᴇғɪɴᴇᴅ ʙʏ ʟɪᴠɪɴɢ ʙᴇɪɴɢs, ɴᴜʀᴛᴜʀɪɴɢ ᴀᴄᴛs, ᴄᴜʟᴛɪᴠᴀᴛɪᴏɴ ᴘʀᴏᴄᴇssᴇs, sᴛᴇᴡᴀʀᴅsʜɪᴘ ʀᴏʟᴇs, sʏᴍʙɪᴏᴛɪᴄ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘs, ᴘʜʏsɪᴄᴀʟ ʙᴏᴜɴᴅᴀʀɪᴇs, ᴜɴɪǫᴜᴇ ғᴏʀᴍs, sᴘɪʀɪᴛᴜᴀʟ ᴇssᴇɴᴄᴇs, ʟᴇᴠᴇʟs ᴏғ ᴄᴏɴᴛʀᴏʟ, ᴏʀ ᴛʜᴇ ᴇxᴄʜᴀɴɢᴇs ɪᴛ ғᴀᴄɪʟɪᴛᴀᴛᴇs? „ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ“ ᴄʜᴀʟʟᴇɴɢᴇs ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴘᴇʀᴄᴇᴘᴛɪᴏɴs ʙʏ ᴍᴀɴɪғᴇsᴛɪɴɢ ᴀs ᴀɴ ᴀᴜᴛʜᴇɴᴛɪᴄ ɢᴀʀᴅᴇɴ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ sᴘᴀᴄᴇ, ᴅᴇsᴘɪᴛᴇ ʙᴇɪɴɢ ᴄᴏᴍᴘᴏsᴇᴅ ᴏғ ᴀʀᴛɪғɪᴄɪᴀʟ ᴍᴀᴛᴇʀɪᴀʟs. ᴛʜɪs ɪɴsᴛᴀʟʟᴀᴛɪᴏɴ ɪɴᴄʟᴜᴅᴇs ᴅᴇᴛᴀɪʟᴇᴅ ɪɴsᴛʀᴜᴄᴛɪᴏɴs ғᴏʀ ᴛʜᴇ ᴄᴀʀᴇᴛᴀᴋᴇʀs ᴏɴ ᴍᴀɪɴᴛᴀɪɴɪɴɢ ᴛʜᴇ ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ. ʜʏᴇ ʏᴏᴜɴɢ sɪɴ, ᴏʀɪɢɪɴᴀʟʟʏ ғʀᴏᴍ sᴇᴏᴜʟ ᴀɴᴅ ɴᴏᴡ ʀᴇsɪᴅɪɴɢ ɪɴ ʙᴇʀʟɪɴ, ɢᴇʀᴍᴀɴʏ, ғᴏᴄᴜsᴇs ᴏɴ ʀᴇᴇᴠᴀʟᴜᴀᴛ

𝙒𝙝𝙚𝙧𝙚 𝙋𝙡𝙖𝙨𝙩𝙞𝙘 𝙋𝙡𝙖𝙣𝙩𝙨 𝘽𝙡𝙤𝙤𝙢 𝙖𝙣𝙙 𝙊𝙣𝙞𝙤𝙣𝙨 𝙉𝙚𝙫𝙚𝙧 𝘾𝙧𝙮 𝗛𝘆𝗲 𝗬𝗼𝘂𝗻𝗴 𝗦𝗶𝗻 | @hye.young.sin 𝐎ρ𝖾𐓣𝗂𐓣𝗀: 7-10𝐏𝐌 19.07.2024 sᴏᴍᴀ ᴀʀᴛ ʙᴇʀʟɪɴ ᴇʏʟᴀᴜᴇʀ sᴛʀ. 𝟿 𝟷𝟶𝟿𝟼𝟻 ʙᴇʀʟɪɴ ᴡʜᴀᴛ ᴍᴀᴋᴇs ᴀ ɢᴀʀᴅᴇɴ? ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ „ᴡʜᴇʀᴇ ᴘʟᴀsᴛɪᴄ ᴘʟᴀɴᴛs ʙʟᴏᴏᴍ ᴀɴᴅ ᴏɴɪᴏɴs ɴᴇᴠᴇʀ ᴄʀʏ“ ʙʏ ᴋᴏʀᴇᴀɴ ᴀʀᴛɪsᴛ ʜʏᴇ ʏᴏᴜɴɢ sɪɴ ᴅᴇʟᴠᴇs ɪɴᴛᴏ ᴛʜɪs ғᴜɴᴅᴀᴍᴇɴᴛᴀʟ ǫᴜᴇsᴛɪᴏɴ. ɪs ᴀ ɢᴀʀᴅᴇɴ ᴅᴇғɪɴᴇᴅ ʙʏ ʟɪᴠɪɴɢ ʙᴇɪɴɢs, ɴᴜʀᴛᴜʀɪɴɢ ᴀᴄᴛs, ᴄᴜʟᴛɪᴠᴀᴛɪᴏɴ ᴘʀᴏᴄᴇssᴇs, sᴛᴇᴡᴀʀᴅsʜɪᴘ ʀᴏʟᴇs, sʏᴍʙɪᴏᴛɪᴄ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘs, ᴘʜʏsɪᴄᴀʟ ʙᴏᴜɴᴅᴀʀɪᴇs, ᴜɴɪǫᴜᴇ ғᴏʀᴍs, sᴘɪʀɪᴛᴜᴀʟ ᴇssᴇɴᴄᴇs, ʟᴇᴠᴇʟs ᴏғ ᴄᴏɴᴛʀᴏʟ, ᴏʀ ᴛʜᴇ ᴇxᴄʜᴀɴɢᴇs ɪᴛ ғᴀᴄɪʟɪᴛᴀᴛᴇs? „ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ“ ᴄʜᴀʟʟᴇɴɢᴇs ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴘᴇʀᴄᴇᴘᴛɪᴏɴs ʙʏ ᴍᴀɴɪғᴇsᴛɪɴɢ ᴀs ᴀɴ ᴀᴜᴛʜᴇɴᴛɪᴄ ɢᴀʀᴅᴇɴ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴇxʜɪʙɪᴛɪᴏɴ sᴘᴀᴄᴇ, ᴅᴇsᴘɪᴛᴇ ʙᴇɪɴɢ ᴄᴏᴍᴘᴏsᴇᴅ ᴏғ ᴀʀᴛɪғɪᴄɪᴀʟ ᴍᴀᴛᴇʀɪᴀʟs. ᴛʜɪs ɪɴsᴛᴀʟʟᴀᴛɪᴏɴ ɪɴᴄʟᴜᴅᴇs ᴅᴇᴛᴀɪʟᴇᴅ ɪɴsᴛʀᴜᴄᴛɪᴏɴs ғᴏʀ ᴛʜᴇ ᴄᴀʀᴇᴛᴀᴋᴇʀs ᴏɴ ᴍᴀɪɴᴛᴀɪɴɪɴɢ ᴛʜᴇ ᴘʟᴀsᴛɪᴄ ɢᴀʀᴅᴇɴ. ʜʏᴇ ʏᴏᴜɴɢ sɪɴ, ᴏʀɪɢɪɴᴀʟʟʏ ғʀᴏᴍ sᴇᴏᴜʟ ᴀɴᴅ ɴᴏᴡ ʀᴇsɪᴅɪɴɢ ɪɴ ʙᴇʀʟɪɴ, ɢᴇʀᴍᴀɴʏ, ғᴏᴄᴜsᴇs ᴏɴ ʀᴇ

𝙏𝙝𝙚𝙧𝙚 𝙞𝙨 𝙉𝙤 𝙎𝙪𝙘𝙝 𝙏𝙝𝙞𝙣𝙜 𝙖𝙨 𝙖 𝘽𝙡𝙪𝙚 𝘽𝙞𝙧𝙙 ɢʀᴏᴜᴘ ᴇxʜɪʙɪᴛɪᴏɴ ᴡɪᴛʜ ʙᴇʀʟɪɴ-ʟᴏꜱ ᴀɴɢᴇʟᴇꜱ-ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀꜱ ᴡᴇᴅ.-ꜱᴀᴛ. 2-6ᴘᴍ - 13.07. 2024 B-LA-M art exchange with Vernacular Institute (Mexico City) and Central Server Works (L.A.) Vernacular Institute showcases Val Lee’s dual film installation, I May Doze for Millions of Years and Buenos días mujeres, offering an alternative perspective on the concept of ‘blue bird’ as an idiosyncratic and unconventional aspect of our lived experience. Lee’s films delve into her exploration of contemporary societal oppression, particularly through the lens of experimental documentary, focusing on the sociological investigation of violence and complex political situations. Val Lee explores the psychological state of perpetrators within the theoretical framework of total institutions, examining their spatial and psychological characteristics. This concept is rooted in the thesis of sociologist Erving Goffman, who explored environments where large numbers of individuals are isolated from wider society for extended periods and live under strict administrative control. These two films involve interdisciplinary collaborations with filmmakers, artists, and participants from diverse backgrounds spanning locations in Mexico City, including a security company, a producer of queer pornography, and a marginal family engaged in street performance. ᴄᴜʀᴀᴛᴏʀ ᴊᴏ ʏɪɴɢ ᴘᴇɴɢ - ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴘᴀʀᴛɴᴇʀꜱ: ᴍᴇxɪᴄᴏ ᴄɪᴛʏ: ᴠᴇʀɴᴀᴄᴜʟᴀʀ ɪɴꜱᴛɪᴛᴜᴛᴇ @ᴠᴇʀɴᴀᴄᴜʟᴀʀ.ɪɴꜱᴛɪᴛᴜᴛᴇ @b_la_m_

𝙏𝙝𝙚𝙧𝙚 𝙞𝙨 𝙉𝙤 𝙎𝙪𝙘𝙝 𝙏𝙝𝙞𝙣𝙜 𝙖𝙨 𝙖 𝘽𝙡𝙪𝙚 𝘽𝙞𝙧𝙙 ///. last week. /// ɢʀᴏᴜᴘ ᴇxʜɪʙɪᴛɪᴏɴ ᴡɪᴛʜ ʙᴇʀʟɪɴ-ʟᴏꜱ ᴀɴɢᴇʟᴇꜱ-ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀꜱ ᴡᴇᴅ.-ꜱᴀᴛ. 2-6ᴘᴍ - 13.07. 2024 𝘼𝙧𝙩𝙞𝙨𝙩𝙨 𝘝𝘢𝘭 𝘓𝘦𝘦 𝘚𝘦𝘢𝘯 𝘚𝘩𝘪𝘮-𝘉𝘰𝘺𝘭𝘦 𝘛𝘰𝘣𝘪𝘢𝘴 𝘎𝘳𝘰𝘰𝘵 𝘔𝘢𝘳𝘪𝘢 𝘒𝘰𝘣𝘺𝘭𝘦𝘯𝘬𝘰 𝘑𝘰𝘩𝘢𝘯𝘯𝘦𝘴 𝘛𝘩𝘪𝘦𝘭 𝘏𝘢𝘯𝘯𝘢𝘩 𝘎𝘳𝘦𝘪𝘧𝘦𝘯𝘴𝘵𝘦𝘪𝘯 𝘔𝘢𝘳𝘭𝘰𝘯 𝘕𝘪𝘤𝘰𝘭𝘢𝘪𝘴𝘦𝘯 Vogelfedern, die blau erscheinen, sind nicht aufgrund von Pigmenten blau. Ihre strukturelle Farbe existiert virtuell und wird (durch Interferenz) aktiviert, wenn weißes Licht auf die Federn trifft. In der Ausstellung „There is No Such Thing as a Blue Bird“ werden Werke aus der Vergangenheit, der Gegenwart und der Zukunft dreier Städte - Los Angeles, Berlin und Mexiko-Stadt - gezeigt, die sich mit dem Spannungsfeld zwischen Natur und Technologie, Hoffnung und dem schwer zu fassenden blauen Vogel beschäftigen. Die Ausstellung findet als begleitende Veranstaltung des künstlerischen Austauschs B_LA_M (Berlin-Los Angeles-Mexiko City) statt. @vilerraak @tobias.groot @synthezia @marlon.nicolaisen @zionkoenig @johannesthl ᴀʀᴛɪꜱᴛɪᴄ ᴅɪʀᴇᴄᴛᴏʀ ɴᴀʙɪ ɴᴀʀᴀ ᴄᴜʀᴀᴛᴏʀ ᴊᴏ ʏɪɴɢ ᴘᴇɴɢ - ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴄᴀʀᴏ ɢʀᴇɪꜰᴇɴꜱᴛᴇɪɴ - ʙᴇʀʟɪɴ ᴊᴏꜱʜᴜᴀ ᴏᴅᴜɢᴀ - ʟ.ᴀ. ᴘᴀʀᴛɴᴇʀꜱ: ᴍᴇxɪᴄᴏ ᴄɪᴛʏ: ᴠᴇʀɴᴀᴄᴜʟᴀʀ ɪɴꜱᴛɪᴛᴜᴛᴇ @ᴠᴇʀɴᴀᴄᴜʟᴀʀ.ɪɴꜱᴛɪᴛᴜᴛᴇ ʟ.ᴀ.: ᴄᴇɴᴛʀᴀʟ ꜱᴇʀᴠᴇʀ ᴡᴏʀᴋꜱ @ᴄᴇɴᴛʀᴀʟꜱᴇʀᴠᴇʀ

𝙏𝙝𝙚𝙧𝙚 𝙞𝙨 𝙉𝙤 𝙎𝙪𝙘𝙝 𝙏𝙝𝙞𝙣𝙜 𝙖𝙨 𝙖 𝘽𝙡𝙪𝙚 𝘽𝙞𝙧𝙙 ɢʀᴏᴜᴘ ᴇxʜɪʙɪᴛɪᴏɴ ᴡɪᴛʜ ʙᴇʀʟɪɴ-ʟᴏꜱ ᴀɴɢᴇʟᴇꜱ-ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀꜱ ᴡᴇᴅ.-ꜱᴀᴛ. 2-6ᴘᴍ - 13.07. 2024 𝘼𝙧𝙩𝙞𝙨𝙩𝙨 𝘝𝘢𝘭 𝘓𝘦𝘦 𝘚𝘦𝘢𝘯 𝘚𝘩𝘪𝘮-𝘉𝘰𝘺𝘭𝘦 𝘛𝘰𝘣𝘪𝘢𝘴 𝘎𝘳𝘰𝘰𝘵 𝘔𝘢𝘳𝘪𝘢 𝘒𝘰𝘣𝘺𝘭𝘦𝘯𝘬𝘰 𝘑𝘰𝘩𝘢𝘯𝘯𝘦𝘴 𝘛𝘩𝘪𝘦𝘭 𝘏𝘢𝘯𝘯𝘢𝘩 𝘎𝘳𝘦𝘪𝘧𝘦𝘯𝘴𝘵𝘦𝘪𝘯 𝘔𝘢𝘳𝘭𝘰𝘯 𝘕𝘪𝘤𝘰𝘭𝘢𝘪𝘴𝘦𝘯 Vogelfedern, die blau erscheinen, sind nicht aufgrund von Pigmenten blau. Ihre strukturelle Farbe existiert virtuell und wird (durch Interferenz) aktiviert, wenn weißes Licht auf die Federn trifft. In der Ausstellung „There is No Such Thing as a Blue Bird“ werden Werke aus der Vergangenheit, der Gegenwart und der Zukunft dreier Städte - Los Angeles, Berlin und Mexiko-Stadt - gezeigt, die sich mit dem Spannungsfeld zwischen Natur und Technologie, Hoffnung und dem schwer zu fassenden blauen Vogel beschäftigen. Die Ausstellung findet als begleitende Veranstaltung des künstlerischen Austauschs B_LA_M (Berlin-Los Angeles-Mexiko City) statt. ᴀʀᴛɪꜱᴛɪᴄ ᴅɪʀᴇᴄᴛᴏʀ ɴᴀʙɪ ɴᴀʀᴀ ᴄᴜʀᴀᴛᴏʀ ᴊᴏ ʏɪɴɢ ᴘᴇɴɢ - ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴄᴀʀᴏ ɢʀᴇɪꜰᴇɴꜱᴛᴇɪɴ - ʙᴇʀʟɪɴ ᴊᴏꜱʜᴜᴀ ᴏᴅᴜɢᴀ - ʟ.ᴀ. #somaartberlin ᴘᴀʀᴛɴᴇʀꜱ: ᴍᴇxɪᴄᴏ ᴄɪᴛʏ: ᴠᴇʀɴᴀᴄᴜʟᴀʀ ɪɴꜱᴛɪᴛᴜᴛᴇ @ᴠᴇʀɴᴀᴄᴜʟᴀʀ.ɪɴꜱᴛɪᴛᴜᴛᴇ ʟ.ᴀ.: ᴄᴇɴᴛʀᴀʟ ꜱᴇʀᴠᴇʀ ᴡᴏʀᴋꜱ @ᴄᴇɴᴛʀᴀʟꜱᴇʀᴠᴇʀᴡᴏʀᴋꜱ

ᴛʜᴀɴᴋ ʏᴏᴜ ᴛᴏ ᴇᴠᴇʀʏᴏɴᴇ ᴡʜᴏ ᴄᴀᴍᴇ ᴛᴏ ᴛʜᴇ ᴏᴘᴇɴɪɴɢ! 🪽ʙɪɢ ꜱʜᴏᴜᴛᴏᴜᴛ ᴛᴏ ʙ ʟᴀ ᴍ ᴀʀᴛ ꜰᴏʀ ᴀɴ ɪɴᴄʀᴇᴅɪʙʟᴇ ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴ, ꜱʜᴏᴡᴄᴀꜱɪɴɢ ᴛʜᴇ ʀɪᴄʜ ᴇxᴄʜᴀɴɢᴇ ʙᴇᴛᴡᴇᴇɴ three ᴄᴏᴜɴᴛʀɪᴇꜱ. 🪽 𝒯𝒽𝑒𝓇𝑒 𝒾𝓈 𝒩𝑜 𝒮𝓊𝒸𝒽 𝒯𝒽𝒾𝓃𝑔 𝒶𝓈 𝒶 𝐵𝓁𝓊𝑒 𝐵𝒾𝓇𝒹 🪽 ᴏᴘᴇɴɪɴɢ ʜᴏᴜʀꜱ ᴡᴇᴅ.-ꜱᴀᴛ. 2-6ᴘᴍ - 13.07. 2024 ɢʀᴏᴜᴘ ᴇxʜɪʙɪᴛɪᴏɴ ᴡɪᴛʜ ʙᴇʀʟɪɴ-ʟᴏꜱ ᴀɴɢᴇʟᴇꜱ-ᴍᴇxɪᴄᴏ ᴄɪᴛʏ 𝘼𝙧𝙩𝙞𝙨𝙩𝙨 @vilerraak @tobias.groot @synthezia @marlon.nicolaisen @zionkoenig @johannesthl Bird feathers that appear blue do not do so because of pigment. Their structural color exists virtually and is activated (through interference) when white light hits the feathers. As we present works from the past, present, and future of three cities—Los Angeles, Berlin, and Mexico City—“There is No Such Thing as a Blue Bird” brings together artists whose works explore the field of tension between nature and technology, dealing with hope and the elusive blue bird. The exhibition takes place as a collateral event of the Art Space exchange B_LA_M (Berlin-Los Angeles-Mexico City). ᴀʀᴛɪꜱᴛɪᴄ ᴅɪʀᴇᴄᴛᴏʀ ɴᴀʙɪ ɴᴀʀᴀ ᴄᴜʀᴀᴛᴏʀ ᴊᴏ ʏɪɴɢ ᴘᴇɴɢ - ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴄᴀʀᴏ ɢʀᴇɪꜰᴇɴꜱᴛᴇɪɴ - ʙᴇʀʟɪɴ ᴊᴏꜱʜᴜᴀ ᴏᴅᴜɢᴀ - ʟ.ᴀ. ᴘᴀʀᴛɴᴇʀꜱ: ᴍᴇxɪᴄᴏ ᴄɪᴛʏ: ᴠᴇʀɴᴀᴄᴜʟᴀʀ ɪɴꜱᴛɪᴛᴜᴛᴇ @ᴠᴇʀɴᴀᴄᴜʟᴀʀ.ɪɴꜱᴛɪᴛᴜᴛᴇ ʟ.ᴀ.: ᴄᴇɴᴛʀᴀʟ ꜱᴇʀᴠᴇʀ ᴡᴏʀᴋꜱ @ᴄᴇɴᴛʀᴀʟꜱᴇʀᴠᴇʀᴡᴏʀᴋꜱ

𝘛𝘩𝘦𝘳𝘦 𝘪𝘴 𝘕𝘰 𝘚𝘶𝘤𝘩 𝘛𝘩𝘪𝘯𝘨 𝘢𝘴 𝘢 𝘉𝘭𝘶𝘦 𝘉𝘪𝘳𝘥 ɢʀᴏᴜᴘ ᴇxʜɪʙɪᴛɪᴏɴ : ʙᴇʀʟɪɴ-ʟᴏꜱ ᴀɴɢᴇʟᴇꜱ-ᴍᴇxɪᴄᴏ ᴄɪᴛʏ 𝘖𝘗𝘌𝘕𝘐𝘕𝘎 𝘚𝘈𝘛. 29.06.2024, 6-9 𝘗𝘔 Bird feathers that appear blue do not do so because of pigment. Their structural color exists virtually and is activated (through interference) when white light hits the feathers. As we present works from the past, present, and future of three cities—Los Angeles, Berlin, and Mexico City—„There is No Such Thing as a Blue Bird“ brings together artists whose works explore the field of tension between nature and technology, dealing with hope and the elusive blue bird. The exhibition takes place as a collateral event of the Art Space exchange B_LA_M (Berlin-Los Angeles-Mexico City). 𝘼𝙧𝙩𝙞𝙨𝙩𝙨 𝘝𝘢𝘭 𝘓𝘦𝘦 𝘚𝘌𝘈𝘕 𝘚𝘏𝘐𝘔-𝘉𝘖𝘠𝘓𝘌 𝘛𝘰𝘣𝘪𝘢𝘴 𝘎𝘳𝘰𝘰𝘵 𝘔𝘢𝘴𝘤𝘩𝘢 𝘑𝘰𝘩𝘢𝘯𝘯𝘦𝘴 𝘛𝘩𝘪𝘦𝘭 𝘏𝘢𝘯𝘯𝘢𝘩 𝘎𝘳𝘦𝘪𝘧𝘦𝘯𝘴𝘵𝘦𝘪𝘯 𝘔𝘢𝘳𝘭𝘰𝘯 𝘕𝘪𝘤𝘰𝘭𝘢𝘪𝘴𝘦𝘯 @tobias.groot @synthezia @marlon.nicolaisen @zionkoenig @johannesthl ᴀʀᴛɪꜱᴛɪᴄ ᴅɪʀᴇᴄᴛᴏʀ ɴᴀʙɪ ɴᴀʀᴀ ᴄᴜʀᴀᴛᴏʀ ᴊᴏ ʏɪɴɢ ᴘᴇɴɢ - ᴍᴇxɪᴄᴏ ᴄɪᴛʏ ᴄᴀʀᴏ ɢʀᴇɪꜰᴇɴꜱᴛᴇɪɴ - ʙᴇʀʟɪɴ ᴊᴏꜱʜᴜᴀ ᴏᴅᴜɢᴀ - ʟ.ᴀ. ᴘᴀʀᴛɴᴇʀꜱ: ᴍᴇxɪᴄᴏ ᴄɪᴛʏ: ᴠᴇʀɴᴀᴄᴜʟᴀʀ ɪɴꜱᴛɪᴛᴜᴛᴇ @ᴠᴇʀɴᴀᴄᴜʟᴀʀ.ɪɴꜱᴛɪᴛᴜᴛᴇ ʟ.ᴀ.: ᴄᴇɴᴛʀᴀʟ ꜱᴇʀᴠᴇʀ ᴡᴏʀᴋꜱ @ᴄᴇɴᴛʀᴀʟꜱᴇʀᴠᴇʀᴡᴏʀᴋꜱ @b_la_m_ DE/ Vogelfedern, die blau erscheinen, sind nicht aufgrund von Pigmenten blau. Ihre strukturelle Farbe existiert

We were so happy to host, under our ongoing long-term initiative project “Blue Urgency,” the UDK Berlin “La Mer Blessée.” We really appreciated everyone coming to the exhibition and thank the UDK Moving Image Design class for sharing their awareness on ocean conservation. Your support helped amplify the urgent message of protecting our oceans. 𝖑𝖆 𝖒𝖊𝖗 𝖇𝖑𝖊𝖘𝖘é𝖊 𝕾𝖈𝖗𝖊𝖊𝖓𝖎𝖓𝖌 𝖚𝖓𝖉 𝕬𝖚𝖘𝖘𝖙𝖊𝖑𝖑𝖚𝖓𝖌 In 2020, the @udkberlin declared a climate emergency, joining demands and initiatives at the university to support climate justice projects. “La Mer Blessée,” in cooperation with @sea_shepherd_germany, an international non-profit marine conservation organization, aims to expand our knowledge of the sea—the largest ecosystem in the world—and implement effective measures to protect endangered species and habitats. The Moving Image Design class participated in the “Baltic Sea Campaign 2023,” focusing on species protection and climate change. @bewegtbildklasse GProf. Manja Ebert @manjaebert @eniluap.saryp @nabinaraberlin @somaart.berlin #oceancurator #ᴏᴄᴇᴀɴᴄᴏɴꜱᴇʀᴠᴀᴛɪᴏɴ

𝖑𝖆 𝖒𝖊𝖗 𝖇𝖑𝖊𝖘𝖘é𝖊 𝕾𝖈𝖗𝖊𝖊𝖓𝖎𝖓𝖌 𝖚𝖓𝖉 𝕬𝖚𝖘𝖘𝖙𝖊𝖑𝖑𝖚𝖓𝖌 We are so happy to host, under our ongoing long-term initiative project “Blue Urgency,” the UDK Berlin “La Mer Blessée.” In 2020, the @udkberlin declared a climate emergency, joining demands and initiatives at the university to support climate justice projects. “La Mer Blessée,” in cooperation with @sea_shepherd_germany, an international non-profit marine conservation organization, aims to expand our knowledge of the sea—the largest ecosystem in the world—and implement effective measures to protect endangered species and habitats. The Moving Image Design class participated in the “Baltic Sea Campaign 2023,” focusing on species protection and climate change. Thank you all for attending this event. Special thanks to our cooperation partners: @udkberlin, @bewegtbildklasse @sea_shepherd_germany. Your support and collaboration are invaluable to our mission of ocean conservation and climate justice. #climatejustice #seashepherd #udkberlin #somaartberlin #manjaebert #nabinara #ocean #oceanlover #oceanconservation #ᴏᴄᴇᴀɴᴄᴏɴꜱᴇʀᴠᴀᴛɪᴏɴ #ᴄᴏʀᴀʟᴘʀᴏᴛᴇᴄᴛɪᴏɴ #ᴍᴀʀɪɴᴇʙɪᴏᴅɪᴠᴇʀꜱɪᴛʏ #ꜱᴜꜱᴛᴀɪɴᴀʙʟᴇᴏᴄᴇᴀɴꜱ #ᴄᴏɴꜱᴇʀᴠᴀᴛɪᴏɴᴅᴀɪᴠᴇʀ #ᴄᴏʀᴀʟᴘʀᴇꜱᴇʀᴠᴀᴛɪᴏɴ #ᴜɴᴅᴇʀᴡᴀᴛᴇʀᴡᴏɴᴅᴇʀ #ᴇᴄᴏꜰʀɪᴇɴᴅʟʏʟɪᴠɪɴɢ #ʙʟᴜᴇᴘʟᴀɴᴇᴛ #ɴᴀᴛᴜʀᴇʟᴏᴠᴇʀꜱ #oceancurator

𝖑𝖆 𝖒𝖊𝖗 𝖇𝖑𝖊𝖘𝖘é𝖊 ꜱᴄʀᴇᴇɴɪɴɢ | ᴀᴜꜱꜱᴛᴇʟʟᴜɴɢ ꜱᴀ, 22.06.2024 3 - 10 pm Exhibition with films and installations 7 pm Screening with Q&A We are so happy to host, under our ongoing long-term initiative project “Blue Urgency,” the UDK Berlin “La Mer Blessée.” In 2020, the @udkberlin declared a climate emergency, joining demands and initiatives at the university to support climate justice projects. “La Mer Blessée,” in cooperation with @sea_shepherd_germany, an international non-profit marine conservation organization, aims to expand our knowledge of the sea—the largest ecosystem in the world—and implement effective measures to protect endangered species and habitats. The Moving Image Design class participated in the “Baltic Sea Campaign 2023,” focusing on species protection and climate change. The aim of the project was to shed innovative light on the threats to the sea through film and to create artistic works, animations, films or videos using the possibilities of the moving image. The focus was not only on environmental destruction, but above all on the relationship between humans and the environment, the slow processes of change (‘shifting baseline syndrome’) and the lack of a reference system for our actions. The works pursue a documentary or experimental approach -narrative/non-narrative/anti-narrative. In any case, they are independent, artistic works that transport the students’ personal thoughts uncompromisingly into society. with works by Alina Abberger, Ezra Alvarez, Vincent Carter, Paulina Höfner, Stella Horta, Agata Hörttrich, Raviva Nsiama, Pauline Pyras, Yael Rathjens, Johanna Rohr, Felix Schirmer, Moana Schorlermer Filipe, Tim Stürze, Tristan Wheeler Klasse Gestaltung des bewegten Bildes, SoSe 2023 Prof. Kathi Kæppel @kathikaeppel, Manja Ebert @manjaebert @bewegtbildklasse @manjaebert @sea_shepherd_germany #seashepherd #udk #bewegtbildklasse #me

Don’t miss out! This Saturday is the final day of our interactive art exhibition. Saturday we are open 2-8pm @dagschu @pixel_peggy @nabinaraberlin

In 2014, SOMA Art Berlin was born from a belief in the transformative power of art and collective intelligence. We’ve seen a growing desire to blend art and technology, creating a space where art isn’t just observed but lived. Last week, under this vision, digital artist Dagmar Schürrer led an inspiring workshop. We explored Mixed Reality with the Meta Quest 3, seamlessly merging digital and real worlds. Participants collaborated on Unity projects, showcasing the power of collective creativity. Huge thanks to our amazing participants! 𝘛𝘩𝘦 𝘸𝘰𝘳𝘬𝘴𝘩𝘰𝘱 𝘪𝘴 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘷𝘦 2-𝘺𝘦𝘢𝘳 »𝘉𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘍𝘶𝘵𝘶𝘳𝘦« 𝘱𝘳𝘰𝘫𝘦𝘤𝘵, 𝘥𝘦𝘥𝘪𝘤𝘢𝘵𝘦𝘥 𝘵𝘰 𝘉𝘦𝘳𝘭𝘪𝘯’𝘴 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺-𝘥𝘳𝘪𝘷𝘦𝘯 𝘢𝘳𝘵 𝘥𝘰𝘮𝘢𝘪𝘯, 𝘤𝘶𝘳𝘢𝘵𝘦𝘥 𝘣𝘺 𝘕𝘢𝘣𝘪 𝘕𝘢𝘳𝘢 𝘢𝘯𝘥 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘚𝘦𝘯𝘢𝘵𝘦 𝘋𝘦𝘱𝘢𝘳𝘵𝘮𝘦𝘯𝘵 𝘧𝘰𝘳 𝘊𝘶𝘭𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘚𝘰𝘤𝘪𝘢𝘭 𝘊𝘰𝘩𝘦𝘴𝘪𝘰𝘯. @senkultgz #SOMAArtBerlin #CollectiveIntelligence #MixedReality #Unity3D #MetaQuest3 #DigitalArt #Workshop #ArtAndTech @dagschu @nabinaraberlin

We are immensely grateful to Universität Wien, Österreichisches Kulturforum Berlin, and Palais de Tokyo Paris for visiting and supporting our exhibition. We warmly welcome everyone to come and experience it with us! @acf_berlin @diegraphische @palaisdetokyo 𝗦𝗬𝗠𝗕𝗜𝗢𝗧𝗜𝗖 𝗦𝗬𝗡𝗖𝗛𝗥𝗢𝗡𝗬 𝙳𝚊𝚐𝚖𝚊𝚛 𝚂𝚌𝚑ü𝚛𝚛𝚎𝚛 11.05.–16.6.2024 𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙃𝙤𝙪𝙧𝙨: 𝙒𝙚𝙙.-𝙎𝙖𝙩. 2-6𝙥𝙢 𝘛𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘪𝘴 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘷𝘦 2-𝘺𝘦𝘢𝘳 »𝘉𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘍𝘶𝘵𝘶𝘳𝘦« 𝘱𝘳𝘰𝘫𝘦𝘤𝘵, 𝘥𝘦𝘥𝘪𝘤𝘢𝘵𝘦𝘥 𝘵𝘰 𝘉𝘦𝘳𝘭𝘪𝘯’𝘴 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺-𝘥𝘳𝘪𝘷𝘦𝘯 𝘢𝘳𝘵 𝘥𝘰𝘮𝘢𝘪𝘯, 𝘤𝘶𝘳𝘢𝘵𝘦𝘥 𝘣𝘺 𝘕𝘢𝘣𝘪 𝘕𝘢𝘳𝘢 𝘢𝘯𝘥 𝘴𝘶𝘱𝘱𝘰𝘳𝘵𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘚𝘦𝘯𝘢𝘵𝘦 𝘋𝘦𝘱𝘢𝘳𝘵𝘮𝘦𝘯𝘵 𝘧𝘰𝘳 𝘊𝘶𝘭𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘚𝘰𝘤𝘪𝘢𝘭 𝘊𝘰𝘩𝘦𝘴𝘪𝘰𝘯. 𝗦𝗬𝗠𝗕𝗜𝗢𝗧𝗜𝗖 𝗦𝗬𝗡𝗖𝗛𝗥𝗢𝗡𝗬 is kindly supported by Austrian Cultural Forum Berlin. @acf_berlin Curator: @pixel_peggy