Wie sind die Öffnungszeiten?

Dienstag 12:00 - 18:00 Mittwoch 12:00 - 18:00 Donnerstag 12:00 - 18:00 Freitag 12:00 - 18:00 Samstag 12:00 - 18:00

Was ist die Webseite?

http://www.hua-international.com/

Hua International, Postdamer Str. 81 B, Berlin (2024)

14/11/2024

Meal Yourself by F***y Gicquel
2024.11.16 - 2025.1.28
A26 Space, 751D•Park, Chaoyang District, Beijing

Join us for an exploration of the deep ties between food, identity, and connection. Through sculptures that evoke care, listening, and attention, Meal Yourself invites us to “cook” ourselves—nourishing personal growth and social ties.

🎉 Opening on 16.11.2024
Come celebrate France-Chinese culinary fusion and engage with sculptures that foster reflection, connection, and sensory experience.

***yGicquel

12/11/2024

Hua International is pleased to present Green Go Home, a collaborative project by Rirkrit Tiravanija and Tomas Vu, on November 21st from 5–8 pm at our Berlin location.

This one-night event invites visitors to participate in a unique t-shirt printing experience, where selected slogans and icons by the artists are silkscreened onto cotton tees by performers. Green Go Home explores the intersections of art, social action, and cultural commentary, creating a dynamic dialogue between politics, identity, and everyday fashion. Join us for this engaging exploration of art as a tool for social change.

Location 📍: Potsdamer Straße 81B, 10785 Berlin

08/11/2024

Hua International is pleased to present a partial reinstallation of the exhibition produced by CFGNY for Japan Society, New York, at ART021 Shanghai. This installation draws on the archives of Japan Society, exploring the institution’s pivotal role in shaping American perceptions of Japanese-ness and, more broadly, Asian-ness.

11.07 - 11.10 2024
D02

Location📍: Shanghai Exhibition Center

Picture by Hao Yang

08/11/2024

Hua International is pleased to present “A Talk” at the West Bund Art Fair, Hall A Booth A207, showcasing works by artists Lea von Wintzingerode, Gordon Hall ( ), Tong Kunniao ( ), F***y Gicquel ( .gicquel ), CFGNY ( ), Jankin van Zyl ( ), Rafael Domenech, Paul DD Smith ( .dd.smith ), Alfredo Aceto ( ), and Chen Dandizi ( ). Presenting a range of works by artists from China, Europe, and South America, the booth represents the gallery’s diverse interests and international awareness.

07.11.24 - 10.11.24
Hall A Booth A207

The booth features a wooden bar, suggesting an indoor setting and thus initiating “A Talk.” In an increasingly isolated, anti-globalization era, the talk incessantly discusses inclusivity and diversity, as well as the fluidity of gender and identity. Making their first appearance at the gallery’s West Bund booth, Lea von Wintzingerode’s paintings present performative bodies and suggest the fluidity of gender with her idiosyncratic flowing brushstrokes; CFGNY, on the other hand, focuses on the intersection of fashion, art, and identity, exploring the concept of vaguely Asian. The installation works by artists such as Gordon Hall, F***y Gicquel, and Chen Dandizi act as the polyphonic voices of this conversation, continuously asserting their respective positions.

Location📍: West Bund Art Center Hall A Booth A207
No. 2555 Longteng Avenue, Xuhui District

05/11/2024

Hua International is pleased to present a partial reinstallation of the exhibition produced by CFGNY ( ) for Japan Society, New York, at ART021 Shanghai. This installation draws on the archives of Japan Society, exploring the institution’s pivotal role in shaping American perceptions of Japanese-ness and, more broadly, Asian-ness.

11.07 - 11.10 2024
D02

We look forward to sharing this compelling dialogue at ART021 Shanghai.

Location📍: Shanghai Exhibition Center

Picture : CFGNY
Installation view, Refashioning: CFGNY & Wataru Tominaga, 2024, Hammer Museum, Los Angeles, California, USA. Photo by Jeff McLane.

01/11/2024

Hua International is pleased to announce the extension of Lea von Wintzingerode’s solo exhibition, “Our Eyes Felt Like Canyons,” now on view until November 23, 2024.

This exhibition features von Wintzingerode’s latest paintings and sound installations, inviting visitors to explore the intricate interplay between visual and auditory experiences. Through a site-specific sound installation and her evocative paintings, the artist intertwines the internal human experience with the external social and natural environments.

Location📍: D08-3, 798 East Road, 798 Art District, Beijing, China

15/10/2024

Performance Lecture: by at
Sat, Oct 19, 2024
1–2pm

This Saturday, New York- based artist Gordon Hall engages the sculptures in Scott Burton: Shape Shift and the museum’s architecture, transforming the space into a dynamic stage. This lecture-performance shifts the audience’s focus through a blend of text, projection, and movement, exploring the often-overlooked experience of waiting—a state where time becomes palpable through inactivity. Situated somewhere between an academic lecture and a dance, Hall engages Burton’s practice and legacy, highlighting the potential of focusing on passive objects of support. Through their concept of the “politics of the chair,” Hall reveals waiting as a space filled with the pains and pleasures of interdependence.

Location 📍: 3716 Washington Boulevard St. Louis, MO 63108

02/10/2024

Hua International is honored to present the first solo exhibition of German artist Lea von Wintzingerode (b. 1990) in China, titled “Our Eyes Felt Like Canyons”. The exhibition will feature her latest paintings and sound installations, where visual and auditory awareness will connect; in this synesthetic experience, the internal world of humans and the external social and natural environments will intertwine, reflecting and influencing each other.

Opening : September 20th, 5pm - 8pm Beijing time

« Our Eyes Felt Like Canyons” centers around a sound installation bearing the same name as the exhibition, surrounded by paintings, declaring two of von Wintzingerode’s most important identities: sound artist and painter. The site-specific sound installation blends synthesized and field-recorded sounds, juxtaposing electronic and natural sounds that permeate the surrounding space. The paintings, some depicting live music scenes (especially “my deep listening fantasy I, red”), place the viewers alongside the figures in the artworks as participants of the exhibition. Here, our ears become their ears, and our eyes become their eyes. The crossing of mediums bridges auditory and visual awareness.

Location 📍: D08-3, 798 East Road, 798 Art District, Beijing, China

01/10/2024

Talk with this Saturday at
Notes in the Margins: “Why I Don’t Talk About ‘The Body’”
October 05, 2024
2:00 pm - 3:30 pm

📍Museum of Contemporary Art Chicago  220 E Chicago Ave  Chicago, IL 60611

Artists Gordon Hall, B. Ingrid Olson, and Aliza Shvarts collaborate with MCA Associate Curator Jadine Collingwood and visiting curator Mariana Fernández on an expanded performance-lecture drawing from themes in Descending the Staircase. In a departure from the standard form of the public lecture, participants engage in a live response to issues around visibility and difference prompted by Hall’s 2020 essay “Why I Don’t Talk About ‘The Body’: A Polemic.” Hall shares their original text with interruptions and interjections from the respondents, treating the essay as an invitation for collaborative thinking around uses of “the body” in contemporary art.
This talk is organized by visiting curator Mariana Fernández as part of the MCA DNA Research Initiative, which supports new short-term research projects examining the MCA Collection.

21/09/2024

‘Faces of Francis’ by 13.09.24-07.12.24

📍MLIS, Villeurbanne, Biennale de Lyon résonance

‘Faces of Francis’ is the title of Alfredo Aceto’s exhibition at the Maison du livre, de l’image et du son. Sounds great right? Like the title of a spy novel that keeps you on the edge of your seat all summer long or the name of a board game where you exchange counterfeit banknotes. Repeated several times in a row it becomes difficult to pronounce as if it were an exercise used by speech therapists. In truth, Faces of Francis is the name of the artist’s perfume. One could say that this title, which so easily excites the imagination, was revealed to him in his bathroom. The images and objects created by Alfredo Aceto are derived from things and signs that are within reach or just happened to be there. Their rearrangement, even by a simple movement, triggers possible fictions and sketch out suspicious situations. We’re surrounded by innuendo! Through his work he criticizes dominant representations and cults of power: masculine, economic, creative...

Text by Julie Portier

Image 1 : ‘Hanging Eggplants’, 2024, Polyurethane hard foam, casted resin, acrylic paint, plywood, screws, steel cable 70 x 45 x 60 cm
Image 2 : ‘Magma’, 2021, Inkjet print, ink, salicyclic acid, rhubarb, artist frame 38.5 x 61.5 cm
Image 3 : ‘Wäscherei Leo’, 2024, Inkjet print on cotton paper, frame 116 x 100 cm
Image 4 : ‘Fabian Marti IV’, 2020, Inkjet print on cotton paper, frame 57 x 68 cm
Image 5 : ‘Hanging Eggplants’, 2024, Polyurethane hard foam, casted resin, acrylic paint, plywood, screws, steel cable 70 x 45 x 60 cm

18/09/2024

Hua International is honored to present the first solo exhibition of German artist Lea von Wintzingerode (b. 1990) in China, titled “Our Eyes Felt Like Canyons”. The exhibition will feature her latest paintings and sound installations, where visual and auditory awareness will connect; in this synesthetic experience, the internal world of humans and the external social and natural environments will intertwine, reflecting and influencing each other.

Opening : September 20th, 5pm - 8pm Beijing time

« Our Eyes Felt Like Canyons” centers around a sound installation bearing the same name as the exhibition, surrounded by paintings, declaring two of von Wintzingerode’s most important identities: sound artist and painter. The site-specific sound installation blends synthesized and field-recorded sounds, juxtaposing electronic and natural sounds that permeate the surrounding space. The paintings, some depicting live music scenes (especially “my deep listening fantasy I, red”), place the viewers alongside the figures in the artworks as participants of the exhibition. Here, our ears become their ears, and our eyes become their eyes. The crossing of mediums bridges auditory and visual awareness.

Location 📍: D08-3, 798 East Road, 798 Art District, Beijing, China

Image : Lea von Wintzingerode
Piero della francesca at my age (sinte / floor of the forest / carla), 2024
Oil on canvas
3 Pieces à 90 x 80 cm or: 90 x 240 cm

Location 📍: D08-3, 798 East Road, 798 Art District, Beijing, China

17/09/2024

‘Dizzying Effect’
13.09-02.11.2024
Green Go Home, CFGNY ( ), Tirdad Hashemi and Soufia Erfanian( ), Yinping Hu ( ), Cole Lu ( ), Sung Tieu ( ), Stewart Uoo ( .uoo ), Isaac Chong Wai ( )

Opening Friday September 13th, 5pm.

Hua International is pleased to announce ‘Dizzying Effect’, a group exhibition featuring works by two Asian art collectives, CFGNY and Green Go Home (initiated by Thomas Vu and Rirkrit Tiravanija). ´Dizzying Effect´, which draws its title from the writings of cultural critic Rey Chow, examines the profound impact of globalization on artistic expression. It highlights the balance between global influences and cultural identity, navigating the nuances of identity politics and universality. Chow’s use of the term “dizzying effect” refers to how these overlapping identities are not static, but dynamic and diverse, resonating with CFGNY’s overarching project of articulating the “vaguely Asian”— a term that navigates diverse migration histories, racialized associations, and asynchronous connections—and Green Go Home’s context responsive format, which seeks to build bridges and generate relationships between local collaborators to foster an expansive, ever-evolving sense of “home.”

New Location 📍 : Potsdamer Straße 81B, 3rd Floor (German 2. OG), 10785, Berlin

Picture : .photo

03/09/2024

‘Dizzying Effect’
13.09-02.11.2024
Green Go Home, CFGNY ( ), Tirdad Hashemi ( ), Yinping Hu ( ), Cole Lu ( ), Sung Tieu ( ), Stewart Uoo ( .uoo ), Isaac Chong Wai ( )

Hua International is pleased to announce ‘Dizzying Effect’, a group exhibition featuring works by two Asian art collectives, CFGNY and Green Go Home (initiated by Thomas Vu and Rirkrit Tiravanija). ´Dizzying Effect´, which draws its title from the writings of cultural critic Rey Chow, examines the profound impact of globalization on artistic expression. It highlights the balance between global influences and cultural identity, navigating the nuances of identity politics and universality. Chow’s use of the term “dizzying effect” refers to how these overlapping identities are not static, but dynamic and diverse, resonating with CFGNY’s overarching project of articulating the “vaguely Asian”— a term that navigates diverse migration histories, racialized associations, and asynchronous connections—and Green Go Home’s context responsive format, which seeks to build bridges and generate relationships between local collaborators to foster an expansive, ever-evolving sense of “home.”

New Location 📍 : Potsdamer Straße 81B, 3rd Floor (German 2. OG), 10785, Berlin

Image : CFGNY
Family Portrait VIII (Toyo Miyatake
Studio, shot by Alan), 2024
Inkjet print on Hahnemühle paper
28 x 36
2 + 1AP