Hua International

Hua International Founded in 2018, the gallery champions a cosmopolitan program across its Berlin and Beijing spaces, f
(8)

   West Bund Art & Design 2023,Shanghai.  Booth B319Vivian CaccuriChen DandiziRafael DomenechF***y GicquelDorothea Reese...
10/11/2023

West Bund Art & Design 2023,Shanghai. Booth B319

Vivian Caccuri
Chen Dandizi
Rafael Domenech
F***y Gicquel
Dorothea Reese-Heim
Tomas Vu

VIP Preview
11.09 Thu. 13:00 - 19:00
11.10 Fri. 12:00 - 13:00

Public Hours
11.10 Fri. 13:00 - 18:00
11.11 Sat. 12:00 - 18:00
11.12 Sun. 12:00 - 18:00

West Bund Art Center Hall B
No. 2555 Longteng Avenue, Xuhui District

At the West Bund Art & Design 2023, Hua International is honored to present the works of six artists, under the theme of "In Between", the booth presents the artistic search between the strong and the soft, and between the human and the natural world.

  „Lace Under Top Loop Once“  Lace Under Top Loop OnceGordon Hall9.15-11.18.2023Hua International BerlinHua Internationa...
31/10/2023

„Lace Under Top Loop Once“

Lace Under Top Loop Once
Gordon Hall
9.15-11.18.2023
Hua International Berlin

Hua International is pleased to present Lace Under Top Loop Once, Gordon Hall’s first solo exhibition at the gallery following their solo booth in the Statements section of Art Basel. Hall’s works recreate and “unmake” objects that typically recede into the background, recasting commonplace yet peripheral things in ways that compel those who witness them to consider the poetics of the everyday. Their sculptural works draw our attention to the performative capacity of objects, and how motionless things might nonetheless possess a choreographic language. Hall’s works move beyond the so-called “universal” discourses of minimalism and abstraction to foster a mode of looking and relating that is intimate and variable, gesturing towards the many lives lived with and through objects.

Lace Under Top Loop Once is accompanied by a suite of performances made in collaboration with Leah Katz, Mickey Mahar, and Michelle Moura and performed over two days in the gallery with Gordon Hall. This movement originates from the sculptures and takes place on, with, and around them, responding to the desires of this group of objects as they are arranged in this specific space. Consisting of ten short pieces— four solos, three duets, two trios, and one quartet—the performances of Lace Under Top Loop Once occur at unannounced times during their three-hour presentations and take place regardless of whether there is an audience present to see them. Viewers may find themselves arriving to an otherwise empty gallery to find a performance already underway, or waiting with the sculptures for one to begin. These ephemeral, intimate, and introverted occurrences remain part of this body of work after their disappearance, reminding us of the many lives of objects beyond our human demands.

Image:
Gordon Hall, Lace Under Top Loop Once, 2023, Hua International Berlin, photos Joe Clark.

    「Stairway to Seven」Vivian CaccuriStairway to SevenVivian Caccuri04.11.2023-03.02.2024STAIRWAY TO SEVEN is Vivian Cac...
18/10/2023

「Stairway to Seven」Vivian Caccuri

Stairway to Seven
Vivian Caccuri
04.11.2023-03.02.2024

STAIRWAY TO SEVEN is Vivian Caccuri’s first solo show in China, at HUA International in Beijing. The show is a multimedia exhibition where the artist debates how music inflates desires of transcendence, creates material ground for impossible dreams, and creates an artificial and complex rehearsal of societal utopia.

image: Chahal Shooting Star, 2023, Vivian Caccuri, paint on embroidered mosquito mesh.

  A Curtain, that is a room on UranusAlfredo Aceto&Jenkin van Zyl23.09-21.10.2023Hua International BeijingHua Internatio...
08/10/2023



A Curtain, that is a room on Uranus
Alfredo Aceto&Jenkin van Zyl
23.09-21.10.2023
Hua International Beijing

Hua International is pleased to present A Curtain, that is a room on Uranus by Alfredo Aceto and Jenkin van Zyl. The exhibition draws inspiration from the writings of Paul B. Preciado and José Esteban Munoz. In his canonical An Apartment on Uranus text, Preciado chronicles a metaphorical journey to an alien and distant place, symbolizing the radical departure from normative understandings of identity and society. A curtain, that is a room on Uranus transplants Preciado’s fictitious apartment on Uranus into the gallery’s exhibition spaces in Beijing, imagining an affective architecture that foments spaces of fluidity, multiplicity, and desire—feeling q***rness, as Esteban Munoz writes, as “the warm illumination of a horizon imbued with potentiality […] a mode of desiring that allows us to see and feel beyond the quagmire of the present.”

#798

  „Lace Under Top Loop Once“  Lace Under Top Loop OnceGordon Hall9.15-11.18.2023Hua International BerlinHua Internationa...
26/09/2023

„Lace Under Top Loop Once“

Lace Under Top Loop Once
Gordon Hall
9.15-11.18.2023
Hua International Berlin

Hua International is pleased to present Lace Under Top Loop Once, Gordon Hall’s first solo exhibition at the gallery following their solo booth in the Statements section of Art Basel. Hall’s works recreate and “unmake” objects that typically recede into the background, recasting commonplace yet peripheral things in ways that compel those who witness them to consider the poetics of the everyday. Their sculptural works draw our attention to the performative capacity of objects, and how motionless things might nonetheless possess a choreographic language. Hall’s works move beyond the so-called “universal” discourses of minimalism and abstraction to foster a mode of looking and relating that is intimate and variable, gesturing towards the many lives lived with and through objects.

Image:
Gordon Hall, Lace Under Top Loop Once, 2023, Hua International Berlin, photos Joe Clark.

Hua International is pleased to announce the representation of Alfredo Aceto, who joins the gallery with an inaugural so...
13/09/2023

Hua International is pleased to announce the representation of Alfredo Aceto, who joins the gallery with an inaugural solo exhibition in December 2023 at the Berlin location.

Alfredo Aceto (b. 1991, Turin, Italy) is a multidisciplinary artist based in Geneva, Switzerland whose practice includes film, installation, photography, text, and sculpture, and is mainly concerned with the body and his own biography. Using among others sculpture, film, and sound, he creates spaces suspended between fiction and reality. His environments are places to live, in which one can find a sort of melancholy, artificial time alteration, and image saturation. The objects he produces are traces, functional elements for the construction of the space where the blurred boundaries between his personal timeline and the collective one express the way chronology can be manipulated.

Curator Cédric Fauq has stated “The timeline – more than time itself – is precisely Alfredo Aceto’s primary obsession. Concerned with the way stories are narrated, his exhibitions are always finding a way to tell a story without telling one.”

Aceto attended the Fine Arts at ECAL (École Cantonale d’Art de Lausanne) and MSA^, The Mountain School of Arts, Los Angeles. His work has been exhibited in many international surveys, including DOC!, Paris, Museo Pietro Canonica, Rome, Museo del 900, Milan, Centre d’Art Contemporain de Genève, Geneva, Kunst Halle Sankt Gallen, St. Gallen or Kunsthaus Glarus, Glarus. Aceto is currently teaching at ECAL in Lausanne. In 2019 he was the recipient of the prestigious Leenaards Culture Grant from the Fondation Leenaards. In 2022 he was nominated for Swiss Art Awards in Basel.

In the frame of Si He Yuan a new platform place of Hua International, the gallery is pleased to present in its Berlin sp...
08/04/2023

In the frame of Si He Yuan a new platform place of Hua International, the gallery is pleased to present in its Berlin spaces “My eyes like shovels” a group show curated by Gigiotto del Vecchio featuring the works of Liz Craft, Augustin Katz, Franziska Lantz, Zoe Metra, Josip Novosel, Ola Vasiljeva.

My eyes like shovels
Curated by Gigiotto Del Vecchio
featuring the works of Liz Craft, Augustin Katz, Franziska Lantz, Zoe Metra, Josip Novosel, Ola Vasiljeva. 
Opening: 28th April 2023, Friday, 5-8 pm 
28.04-15.07.2023
Hua International Berlin



Like a necessary overlapping of elements that inspired a liberating path of research and affirmation, this group show brings together, personal, intimate, exaggerated, chaotic, dissimilar, mystifying traces. The Si He Yuan (in Chinese means courtyard) of Hua International itself becomes a visual experiment through an excessive, almost redundant figurative presence; a multitude of elements that tell of a continuity between generations and poetic needs that are only apparently different. Almost harsh in its differences and in its attempt to re-establish a common scenario, the project interprets a personal parameter of relationship with art and the sensations deriving from it: its inevitable inexhaustibility, its inescapable beauty, its concrete presence. The show articulates between the allusive figurative sculptures by Liz Craft, the obscure drawing drafts by Augustin Katz, the river Thames found objects turned into mobiles by artist and thechno producer Franziska Lantz, Zoe Metra ́s intimacy through the lens of medias approach expressed in romantic – pop objects and video installations, the pictorial humour of Josip Novosel ́s characters, the new wave shapes and forms of Ola Vasiljeva ́s installations and objects.  

“My eyes like shovels” is a show that attempts to trace a different range of universes and poetical gestures, trying to immerse and surprise the viewer. 

image: work by Liz Craft

Opening today! March 10th, 6 - 8 pmAtlas of Affinities: Vol. 2, Scores for MovementDi Bu, Vivian Caccuri, Musquiqui Chih...
10/03/2023

Opening today! March 10th, 6 - 8 pm

Atlas of Affinities: Vol. 2, Scores for Movement
Di Bu, Vivian Caccuri, Musquiqui Chihying, Leelee Chan, Zhou Chen, Cian Dayrit, Shiwei Ding, Di Fang, Guan Xiao, Ni Hao, Wei Hu, Lisa Chang Lee, Han Shen, Trevor Yeung, Ran Zhang, Lu Yang, Yingying Zhu.



10th March - 8th April, 2023
Hua International
Potsdamer Str. 81B, Berin

Hua International is delighted to invite you to the opening of the group exhibition, "ATLAS OF AFFINITIES: VOL. 2, SCORES FOR MOVEMENT," at our Berlin gallery on Friday, March 10th. This exhibition showcases a diverse range of works from contemporary artists, exploring the designations of relational proximities. The past years have been marked by the fundamental issues related to movement, the everyday routines and exchanges that are part of a bi-local existence with our galleries in Germany and China. This exhibition presents the opportunity for exchange on the occasion of the reopening of China after the end of the Zero-Covid policies. These widespread Government enacted restrictions deeply altered the modern history of China and their end signals a landmark moment. Several Asian voices join together with other artists (including the broader Global South) in expanding the ideas of what an artistic score can be across cultures and borders. Join us to celebrate the opening of the continuation of the ATLAS OF AFFINITIES series.

image: Guan Xiao 关小, Dark eyes as dark as the eyes, 2021, stainless steel, ceramic, 70 x 108 x 23 cm27; 1/2 x 42 1/2 x 9 1/8 in. Courtesy the artist and K-T Z, Berlin

Booth 9A22 ARCO Madrid 2023  22-26 Feb 2023For the 2023 edition of ARCO, Hua International proposes to exhibit a booth w...
22/02/2023

Booth 9A22 ARCO Madrid 2023

22-26 Feb 2023

For the 2023 edition of ARCO, Hua International proposes to exhibit a booth with new works by Alfredo Aceto, Rafael Domenech, F***y Gicquel, Gordon Hall and Tong Kunniao. .gicquel

The artists in the presentation share an impulse to“de-center”and “destabilize” the art object: to take it down from its pedestal or off the wall and open it to transformation and flux. According to such an approach, artworks are not simply objects to behold—to look at—but instead something to be with, thereby transforming the object into a field of relation.   

Para la edición 2023 de ARCO, la propuesta de Hua International es un stand con nuevas obras de Alfredo Aceto, Rafael Domenech, F***y Gicquel, Gordon Hall y Tong Kunniao. Los artistas en la presentación comparten un impulso por “descentrar” y “desestabilizar ” el objeto de arte: bajarlo de su pedestal o de la pared y abrirlo a la transformación y al flujo. De acuerdo con este enfoque, las obras de arte no son simplemente objetos para contemplar o mirar, sino algo con lo que estar; transformando así el objeto en un campo de relación.

images:
Gordon Hall, graphite covered leg, 2020, cast concrete, graphite, 5.4 × 21.6 × 69.8 cm;
F***y Gicquel, flux et reflux, 2022, glass, 72×46×35 cm;
Rafael Domenech, Social Factory (Chair Chorus), 2022, plywood, paint, collage, laser-cut felt, variable dimensions;
Tong Kunniao, The Scene inside of the Flea 2, 2022, acrylic on wood panel, sealing wax, metal framed, 60 x 50 × 5 cm;
Alfredo Aceto, Tongue-Twister VI, 2022, Inkjet print on cotton paper, frame, print 17 × 25.5 cm, framed 31 x 39.5 cm, edition 1/3 + 2AP; courtesy of the artists and Hua International.

 in  Check out the exhibition review of Tong Kunniao’s solo project Wiltopia at  and Hua International Berlin by  in the...
16/02/2023

in

Check out the exhibition review of Tong Kunniao’s solo project Wiltopia at and Hua International Berlin by in the issue 287 of

Opening tonight, a new project by Hua International!Siheyuan is a para-curatorial project by Hua International. Located ...
27/01/2023

Opening tonight, a new project by Hua International!

Siheyuan is a para-curatorial project by Hua International. Located on the second floor of the gallery’s Berlin location, Siheyuan understands itself as a platform for activities that fall outside of the parameters of the gallery’s program: a space of experimentation, of exchange, and spending time together. Regular talks, screenings, and discussions will take place here that expand and enrich but do not directly relate to our exhibitions, as well as pop-up shows organized by represented artists and curated by Hua International’s international network of friends and collaborators. The name Siheyuan is a Chinese term designating a structure surrounded by courtyards, an architectural form typical of our second home-base in Beijing and resonating with our gallery’s Berlin location in the Mercator Höfe. Drawing upon the rich, interactive spirit of the courtyard, Hua International’s Siheyuan project will provide an informal, dialogically driven space to encounter art and ideas.

The first exhibition of the project Siheyuan, The Texture of My Memory, an exhibition of Emmy-award-winning filmmaker and artist Dennis Scholl, will open tonight with a public reception (6-8 PM), and remaining on view until March 18.

The exhibition, invited by gallery artist Rafael Domenech, introduces the artist’s hybridized visual arts practice of collection and creation, remapping the porous boundary between art-making and authorship, and inviting a conversation on individual and collective memory, the relationship between value and context, and what it means to create and keep.


(Images: Getty Images)

Hua International wishes you happy holidays and a joyful and peaceful 2023!Our Berlin space will be closed for the winte...
22/12/2022

Hua International wishes you happy holidays and a joyful and peaceful 2023!

Our Berlin space will be closed for the winter break until January 10th, we look forward to seeing you next year!

Wiltopia
Tong Kunniao
On view until the 4th February, 2023

One of the most celebrated young artists working in China today, Tong Kunniao has built a reputation for creating immersive worlds that bristle with dark humor. He uses found materials and freely samples aesthetic impulses from Chinese and Western art histories to articulate idiosyncratic, highly personal multimedia reflections upon our current state of social, ecological, and political crisis.

In his new exhibition with Hua International, Kunniao creates an immersive universe entitled “wiltopia,” a fantastical world—perhaps not so unlike our near future—in which human beings are increasingly divided, segregated, and controlled while their impact on nature begins to bite back. Although Kunniao does not explicitly identify as a “political” artist, his work nonetheless grapples with systems of repressive social control, the quantification and mechanization of human experience, and the fragility of all life in the Anthropocene.

 Rafael Domenechthe other square with no cornersVenue: Passerelle Centre d’art contemporain, Brest, France  Date: Octobe...
21/12/2022


Rafael Domenech
the other square with no corners
Venue: Passerelle Centre d’art contemporain, Brest, France
Date: October 14, 2022 – January 14, 2023

Rafael Domenech (born in 1989) has chosen Passerelle Centre d’Art Contemporain for his first exhibition in France. A few years ago he moved to New York after first leaving his home island of Cuba for Miami. He finished his studies at Columbia University, and was deeply influenced by the teaching of his art teacher and friend, Rirkrit Tiravanija, a champion of Relational Aesthetics. This concept does not refer to a specific group of artists but to a way of creating art in relation to others. Domenech became part of this way of thinking about participatory art that engaged the public. His works are therefore architecture to live in or sculptures to handle and are interested in the social fabric and history of a place.

Rafael Domenech, the other square with no corners, 2022, exhibition view, Passerelle Centre d’art contemporain, Brest © photo: Aurélien Mole

Join us today  Booth N26 with Tong Kunniao  Hua International is pleased to present a solo booth at Art Cologne 2022 by ...
16/11/2022

Join us today Booth N26 with Tong Kunniao

Hua International is pleased to present a solo booth at Art Cologne 2022 by Tong Kunniao.
One of the most celebrated young artists working in China today, Kunniao has built a reputation for creating immersive worlds that bristle with dark humor. He uses found materials and freely samples aesthetic impulses from Chinese and Western art histories to articulate idiosyncratic, highly personal multimedia reflections upon our current state of social, ecological, and political crisis. You will find us at BOOTH N26, part of the section Neumarkt.

VIP Preview
16th November, 12 - 8 pm
17th November, 12 - 7 pm

Performance by Tong Kunniao
16th-17th November

Public Days
18th-19th November, 12 - 7 pm
20th November, 12 - 6 pm

At Art Cologne, Tong Kunniao presents paintings from a new body of multi-media works that explore what he calls the “alternative natural person”—quasi-bionic hybrid figures that fuse together human, machine, and animal characteristics. Such figures are the protagonists of “wiltopia,” a fantastical universe—perhaps not so unlike our near future—in which human beings are increasingly divided, segregated, and controlled while their impact on nature begins to bite back. Although Kunniao does not explicitly identify as a “political” artist, his work nonetheless intensively grapples with systems of repressive social control, the quantification and mechanization of human experience, and the fragility of all life in the Anthropocene.

photos by Alistair Overbruck

West Bund Art & Design, Shanghai⁣BOOTH B128F***y Gicquel, Rafael Domenech, Dorothea Reese-Heimgicquel    ⁣⁣⁣⁣⁣⁣⁣⁣⁣VIP Pr...
11/11/2022

West Bund Art & Design, Shanghai⁣
BOOTH B128
F***y Gicquel, Rafael Domenech, Dorothea Reese-Heim
gicquel
⁣⁣⁣⁣⁣⁣⁣⁣⁣
VIP Preview⁣
West Bund Art Center⁣
10 November 1 to 7 p.m.⁣
11 November 12 to 1 p.m.⁣

Public Hours⁣
West Bund Art Center⁣
11 November 1 to 6 p.m.⁣
12 November 12 to 6 p.m.⁣
13 November 12 to 6 p.m.⁣
⁣⁣⁣
We are looking forward to seeing you at West Bund Art & Design 2022.

Join us at Booth B128, Hall B , Shanghai, November 10 – 13Hua International is pleased to announce the participation of ...
07/11/2022

Join us at Booth B128, Hall B
, Shanghai, November 10 – 13

Hua International is pleased to announce the participation of the West Bund Art&Design this year with the works by F***y Gicquel, Dorothea Reese-Heim and Rafael Domenech. .gicquel

F***y Gicquel
Elle rentre la tête dans sa cage (H.G), 2022
glasses
46 cm x 53 cm

Rafael Domenech
The elliptical hour, 2021
Laser-print on paper,vinyl,plywood,archival adhesive abs book-cloth
Close 46x27x5cm Open 112x178cm

Dorothea Reese-Heim
ChiffrierungLesemaschinenSatzcollage, 2001
Book blocks, newspaper, wood, wood glue
11x34x24cm







F***y Gicquel, the winner of the Frac Bretagne-Art Norac Award 2022!The prize, open to all artists under the age of 40 l...
03/11/2022

F***y Gicquel, the winner of the Frac Bretagne-Art Norac Award 2022!

The prize, open to all artists under the age of 40 living and working in Brittany, aims to support them towards an international experience to promote the professionalization of their career.

With this award, the Regional Contemporary Art Fund and the patron Art Norac, which for several years organized the contemporary art biennial, offer the young artist the opportunity to exhibit in an international partner structure.

 “My medium is installation, I work in relation to the body and its suggested or activated movement.” F***y Gicquel is currently presenting a piece at the Frac Bretagne, around glass, metal... like a contemplative landscape around objects that will occasionally be manipulated by a performer, a student of the TNB school (Théâtre national de Bretagne).

laloreleï, 2022, F***y Gicquel, installation, variables dimensions

Performer: Ramo Jalil
Photos by F***y Gicquel & Aurélien Mole






Come and check out our current exhibition in Berlin today!Due to organizational reasons, the current exhibition "Soft Ma...
26/10/2022

Come and check out our current exhibition in Berlin today!

Due to organizational reasons, the current exhibition "Soft Machines" will end on today, Oct 26th at 6pm.

Soft Machines
Alfredo Aceto, Haris Epaminonda and Daniel Gustav Cramer, F***y Gicquel, Gordon Hall, Jason Hendrik Hansma, terra0, Franz Erhard Walther at Hua International Berlin

The works included in Soft Machine propose myriad zones of transformation: between the human and object, organic and inorganic, old and new, digital and physical. They continually draw attention towards moments of contingency, accident, collaboration, and surprise— proposing a mingling with the world that mingles within you, a body composed of many bodies that extends beyond your skin.

Photos by



Opening tonight  The other square with no corners The other square with no corners Rafael Domenech Curated by   14 Oct 2...
13/10/2022

Opening tonight The other square with no corners


The other square with no corners
Rafael Domenech
Curated by

14 Oct 2022 — 14 Jan 2023

First day! Booth H26  Focus Section at Frieze London 2022  Rafael DomenechSocial Factory (Chair Chorus), 2022plywood, pa...
12/10/2022

First day! Booth H26 Focus Section at Frieze London 2022

Rafael Domenech
Social Factory (Chair Chorus), 2022
plywood, paint, collage, laser-cut felt, hardware, and workshop

Frieze London | Focus Section
Hua International Booth H26
12.10-16.10.2022

For Frieze Focus 2022, Rafael Domenech has created an installation Social Factory (Chair Chorus) that radically empowers visitors with the agency to carry a message, and become authors, readers, furniture makers, painting contemplators, and workers when they enter this ever-changing field of artworks; turning the fair booth from a cite of passive reception of consumption into an active site of production. Made from 12 black and white photo collages, each work is composed of three modular plywood squares and one square laser-cut felt that appears to be only two things– a chair and a cushion. The work is triangulated between radical art object, functional (teaching) device and the pictorial language of painting.





now, and thenSolo exhibition by .gicquel extended until 22.10.2022at Hua International Beijingwith the performance by F*...
04/10/2022

now, and then
Solo exhibition by .gicquel
extended until 22.10.2022
at Hua International Beijing

with the performance by F***y Gicquel
co-choreographer: Mengfan Wang
dancers: Shuyi Liao, Dan Qian, Sihan Cai, Ryotaro Harada
composer: Delawhere

Since its creation in 2018, the Best Exhibition Award has been an integral part of GWBJ each year. As a prize available exclusively to the galleries participating in GWBJ’s Main Sector, it was established in order to reward galleries’ efforts to present the most striking exhibition of the year and to promote improvements in the overall quality of the featured exhibitions and contemporary art.

F***y Gicquel primarily works in sculpture and installation, typically incorporating her artworks into non-hierarchal choreographed performances that address ephemerality, fragility, and the inherent plurality of the self. A kind of porosity between the self and the other, interior and exterior, human and non-human has come to define Gicquel’s work, which imagines the world less as a space of discrete, partitioned entities than as a dynamic constellation of interminglings, crossovers, and interferences. In now, and then, Gicquel’s second exhibition with Hua International and her first in China, she presents a series of new sculptural works and performances amidst a soundscape composed by the musician Delawhere, which was composed in close dialogue and resonance with Gicquel’s sculptures. Sourced from recordings he made in public space, the sounds are transformed through processes of slowing down, layering, and multiplying to create an autonomous environment in perfect harmony with Gicquel’s sculptures.

 the 58th Carnegie International is now officially open!  Dividing an edge from an ever (pavilion for Sarduy), 2022local...
24/09/2022

the 58th Carnegie International is now officially open!

Dividing an edge from an ever (pavilion for Sarduy), 2022
locally rented scaffolding, laser-cut construction mesh, plywood, paint, hardware, and workshops.
Courtesy of the artist and Carnegie Museum of Art; photo: Sean Eaton

For the 58th Carnegie International, Rafael Domenech has been commissioned to create a pavilion for the Sculpture Court at Carnegie Museum of Art. The ellipsis- shaped pavilion is comprised of an inner and outer layer made from locally sourced temporary. scaffolding and laser-cut construction mesh along-side modular furniture. Such materials are used in everyday urban environments, marking the ways cities are continually constructed and deconstructed, obfuscating the site of development--at times, dividing existing walkways, neighborhoods, and communities in the process. In his art practice, Domenech transforms materials used to separate or create barriers and instead uses them to create sites supportive of existing publics and activities to show how we can change the familiar and use these materials to other ends.

For the 58th Carnegie International, Rafael Domenech has been commissioned to create a pavilion for the Sculpture Court at the Carnegie Museum of Art. The ellipsis-shaped pavilion is comprised of an inner and outer layer made from locally sourced temporary. scaffolding and laser-cut construction mesh alongside modular furniture. Such materials are used in everyday urban environments, marking the ways cities are continually constructed and deconstructed, obfuscating the site of development--at times, dividing existing walkways, neighborhoods, and communities in the process. In his art practice, Domenech transforms materials used to separate or create barriers and instead uses them to create sites supportive of existing publics and activities to show how we can change the familiar and use these materials to other ends.



Performance today from 1 to 8 pm  Hallen  #3 - REINICKENDORF RULESPerformance Ataraxia: 17 Sep, 1-8pm (with breaks in be...
17/09/2022

Performance today from 1 to 8 pm
Hallen #3 - REINICKENDORF RULES

Performance Ataraxia: 17 Sep, 1-8pm (with breaks in between)
with Ariel Gaba & Noam Gil Shuster .um
Soundscape by Anchoress
Costume: JNBY & .studio

On the occasion of Berlin Art Week 2022, Wilhelm Hallen invites you to Hallen #3, an art event with an extensive program from 10–18 September 2022 under the motto ‘Reinickendorf Rules’. One of the highlights of the program is the group exhibition K60, the 15 Berlin galleries Alexander Levy, Carlier | Gebauer, ChertLüdde,Efremidis, Esther Schipper, Klosterfelde Edition, HUA International, Klemm‘s,Mehdi Chouakri, neugerriemschneider, NOME, PSM, Soy Capitán, Sprüth Magers and Sweetwater are participating in an extensive show of works.

Hua International will present the works from the artist Isabella Fürnkäs, The focal point is a durational performance and sound work that unfolds around two, large metal sculptures: dome-like constructions that resemble rudimentary dwellings. With their cage-like structures, these forms emphasize a fluidity between interior and exterior space, permeability and interiority, shelter and confinement. Entitled Ataraxia, the performance takes its name from a Greek philosophical term that means a “state of serene calmness” or “an untroubled and tranquil state of the soul.” The performers activate the sculptures—which are sheathed in thin layers of fabric and projected upon—with actions that imply moments of inhabitation, formation, and deconstruction. Their constant movements in and around the sculptures, as well as the essentially nomadic nature of these objects, gesture toward the impermanence, transience, and variability of all things—towards finding freedom in flux.

Isabella Fürnkäs, Ataraxia, 2022, intallation view at K60 Hallen #3, photo by courtesy of the artist and Hua International.

.de

Adresse

Postdamer Str. 81 B
Berlin
10785

Öffnungszeiten

Dienstag 12:00 - 18:00
Mittwoch 12:00 - 18:00
Donnerstag 12:00 - 18:00
Freitag 12:00 - 18:00
Samstag 12:00 - 18:00

Telefon

+493025792410

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Hua International erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Das Museum Kontaktieren

Nachricht an Hua International senden:

Videos

Teilen

Kategorie

Museen in der Nähe


Andere Kunstgalerie in Berlin

Alles Anzeigen