Haus der Kulturen der Welt

Haus der Kulturen der Welt A cosmopolitan place for contemporary arts | Tickets: 030 – 39 78 7175 Wie können die Migrationsgesellschaften von morgen aussehen? Dr. Bernd M.

Das Haus der Kulturen der Welt (HKW) schafft ein Forum für die zeitgenössischen Künste und kritische Debatten. Inmitten tiefgreifender globaler und planetarer Transformationsprozesse erkundet das HKW künstlerische Positionen, wissenschaftliche Konzepte und politische Handlungsfelder neu: Wie lassen sich die Gegenwart, wie ihre beschleunigten technologischen Umwälzungen fassen? Und welche Aufgabe ü

bernehmen hierbei die Künste und die Wissenschaften? Das Haus der Kulturen der Welt entwickelt und inszeniert ein in Europa einzigartiges Programm in einer Verbindung aus Diskurs, Ausstellungen, Konzerten und Performance, aus Forschung, Vermittlungsangeboten und Publikationen. Seine Projekte initiieren Denkprozesse und entwerfen neue Bezugssysteme. Dabei begreift das HKW Geschichte als Ressource für alternative Erzählungen. In einer außergewöhnlichen Kongress-Architektur der Moderne ermöglicht das HKW neuartige Formen des Zusammenkommens und öffnet Erfahrungsräume zwischen Kunst und Diskurs. Gemeinsam mit Künstler*innen, Wissenschaftler*innen, Expert*innen des Alltags und Partner*innen weltweit erkundet es Ideen, die im Entstehen begriffen sind, und teilt diese mit dem internationalen Publikum Berlins und der digitalen Öffentlichkeit. www.hkw.de

www.hkw.de/netiquette

Das Haus der Kulturen der Welt ist ein Geschäftsbereich der Kulturveranstaltungen des Bundes in Berlin GmbH ( www.kbb.eu)

Geschäftsführung:
Prof. Scherer (Intendant Haus der Kulturen der Welt)
Mariette Rissenbeek (Intendantin Internationale Filmfestspiele Berlin)
Charlotte Sieben (Kaufmännische Geschäftsführerin)

Vorsitzende des Aufsichtsrats
Claudia Roth MdB
Staatsministerin für Kultur und Medien

Registergericht
Amtsgericht Charlottenburg

Registernummer
96 HRB 29357

Umsatzsteuer-Identifikationsnummer gemäß § 27 a Umsatzsteuergesetz
DE 136 78 27 46

+++In English+++

Haus der Kulturen der Welt (HKW) creates a forum for the contemporary arts and critical debates. In the midst of profound global and planetary transformation processes, HKW re-explores artistic positions, scientific concepts, and spheres of political activity, asking: How do we grasp the present and its accelerated technological upheavals? What will tomorrow’s diversified societies look like? And what responsibilities will the arts and sciences assume in this process? HKW develops and stages a program that is unique in Europe, blending discourse, exhibitions, concerts and performances, research, education programs and publications. Its projects initiate reflection processes and devise new frames of reference. In its work, HKW understands history as a resource for alternate narratives. In its extraordinary, modernist congress-hall architecture, HKW enables new forms of encounter and opens up experiential spaces between art and discourse. Together with artists, academics, everyday experts, and partners across the globe, it explores ideas in the making and shares them with Berlin’s international audience and the digital public. www.hkw.de/en

www.hkw.de/en/netiquette

Don't miss the   lectures & performances this week! More information: hkw.de/ceremony Ceremony (Burial of an Undead Worl...
13/12/2022

Don't miss the lectures & performances this week! More information: hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

🗓Sat, Dec 17,
3–6 pm: Lectures, performances: "This Is Not a Burial, It's a Resurrection"
________
Images:
Lemohang Jeremiah Mosese, This Is Not a Burial, It's a Resurrection, 2020, Filmstills, Courtesy the artist and Memento Film International

How can doors embody a failure of the social order?The exhibition THREE DOORS presents three investigations, each concer...
12/12/2022

How can doors embody a failure of the social order?

The exhibition THREE DOORS presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.

Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh? The research network Forensic Architecture/Forensis and others investigate the experiences of survivors, relatives and supporters.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Saturday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 17: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Elinor Lazar & Miguel Brusch / HKW

Join us this Saturday for more   lectures & performances! On shamanism, ecstasy and inquisition: Using his microhistory ...
08/12/2022

Join us this Saturday for more lectures & performances!

On shamanism, ecstasy and inquisition: Using his microhistory method, historian Carlo Ginzburg traces the persecution of witches in the European Middle Ages and that of other marginalized groups in society. Erhard Schüttpelz discusses the connections to shamanism. Dorothy Zinn seeks alternative social models in a rereading of Ernesto de Martino’s The End of the World.

With lectures and performances by Alberico Larato, Erhard Schüttpelz, Carlo Ginzburg, Dorothy Zinn, Ulrich van Loyen, Giulia Damiani and Anselm Franke

🔗 hkw.de/ceremony

🗓Sat, Dec 10, 1–6 pm: Lectures, performances: "Storia notturna and the End of the World"

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

Free Admission

________
Images:
1 Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist
2 & 3 Exhibition views, Studio Bowie / HKW

-capitalism

Unfolding a study towards a political imaginary today...The exhibition   metabolizes archival material of the life, thou...
07/12/2022

Unfolding a study towards a political imaginary today...

The exhibition metabolizes archival material of the life, thought, writings and relationships of the Black feminist, anthropologist and African-American photographer . Departing from her friendship with the German-Jewish Marxist philosopher and their encounters in East Berlin in 1963, the curatorial study asks: What if their exchange had been the framework for a seminar to come? The exhibition and set of conversations unfold the unfinished political aspirations of Robeson and Loeser and suggest an imaginary of anti-fascism, and .

A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.

The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”

🗓 Exhibition until Dec 30, 2022

Last chance!
🗓 Installation: Dec 21–30, 2022

Free admission

Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .

🔗 http://hkw.de/missedseminar
_______
Images: Installation Views/ Kolja Tinkova, Timo Ohler & HKW

Recounting the struggles of Black feminist Eslanda Robeson... Departing the anthropologist, writer and photographer's fr...
07/12/2022

Recounting the struggles of Black feminist Eslanda Robeson...

Departing the anthropologist, writer and photographer's friendship with the German-Jewish Marxist philosopher Franz Loeser and their encounters in East Berlin in 1963, the curatorial study of the The Missed Seminar exhibition asks: What if their exchange had been the framework for a seminar to come?

A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.

More information on: hkw.de/missedseminar

The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”
🗓 Exhibition until Dec 30, 2022

🗓 Installation: Oct 27–31, Nov 17–21, Dec 21–30, 2022
Free admission

Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .
_______
Images:
Installation Views/ Kolja Tinkova & Elinor Lazar/ HKW

Learn more about THREE DOORS this Sunday! The exhibition THREE DOORS reveals where the state failed in the attacks in Ha...
06/12/2022

Learn more about THREE DOORS this Sunday!

The exhibition THREE DOORS reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

In Hanau, it is the locked emergency exit door of the Arena Bar and the front door of the perpetrator’s house through which the police failed to pursue him. In Dessau, it is the door of the police cell in which Oury burnt to death. Closed when they needed to be broken through, open when they needed to be shut and locked when they needed to be unlocked, these doors embody a failure of the social order; to understand how, these investigations reconstruct the larger context around them, illuminating long-lasting and troubling relationships between racist perpetrators and state agencies in Germany.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 11: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW

Join us this Saturday for more   lectures & performances! More information on hkw.de/ceremony Ceremony (Burial of an Und...
05/12/2022

Join us this Saturday for more lectures & performances! More information on hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

🗓Sat, Dec 10, 1–6 pm: Lectures, performances: "Storia notturna and the End of the World"
______
Images:
Installation Views/ Elinor Lazar & Studio Bowie / HKW

Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪The exhibi...
02/12/2022

Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪

The exhibition reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW


Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪The exhibi...
02/12/2022

Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪

The exhibition reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch / HKW



Don't miss one of our last programs this year: A long weekend of Ceremonies, lectures, performances and screenings.The p...
01/12/2022

Don't miss one of our last programs this year: A long weekend of Ceremonies, lectures, performances and screenings.

The program calls on the writings of Sylvia Wynter to envision different futures proceeding from the ruins of a capitalist present.

Admission is free.

What if Sylvia Wynter's Ceremony was an actual ceremony? The program Ceremonies on Friday brings the ceremony back in Wynter's Ceremony or, rather, continues to look for it. Caribbean carnivals and African-diasporic musical traditions run wide and wild with Le Mardi Gras Listening Collective's lecture performance while the contemporary ramifications of the millennial-old genre of processional performance are addressed in the works of William Kentridge and Peter Minshall.

🗓 Dec 2, 4-9 pm Ceremonies
Lectures, performances, conversations by Aaron Kamugisha, John Cowley, Stefano Harney, Ronald Rose-Antoinette, Leora Maltz-Leca, Peter Minshall, Claire Tancons

🗓 Dec 3, 1–8.30pm Capitalism in Cosmological Terms
Lectures, performance, DJ set
With Denise Ryner, Richard Drayton, Bedour Alagraa, Wendy Meryem Shaw, Fumi Okiji, Elif Sarican, Bue Rübner Hansen, Ben Ratskoff, Christopher Bracken, Brenna Bhandar
 & DJ set in HKW’s restaurant Weltwirtschaft

🗓 Sun, Dec 4, 1–9 pm: Q***r Ancient Ways / Ceremony of Souls
Lectures and performances by Denise Ryner, Anthony Bogues, Honor Ford-Smith, Danielle Bainbridge, Zairong Xiang, Ife Day, Vir Andres Hera, Belinda Zhawi,  Zoé Samudzi, Eric I. Karchmer, Lai Lili, Judith Farquhar, keyon gaskin, Joshua Chambers-Letson, Tina Post

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

🔗hkw.de/ceremony 

________
Images:
1 Peter Minshall. Scene from the mas performance work Callaloo, featuring “The Seven Deadly Sins,” Trinidad Carnival, 1984. Photo by Derek Gay, courtesy The Callaloo Company.
2 Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist

Unfolding a study towards a political imaginary today...The exhibition The Missed Seminar metabolizes archival material ...
30/11/2022

Unfolding a study towards a political imaginary today...

The exhibition The Missed Seminar metabolizes archival material of the life, thought, writings and relationships of the Black feminist, anthropologist and African-American photographer . Departing from her friendship with the German-Jewish Marxist philosopher and their encounters in East Berlin in 1963, the curatorial study asks: What if their exchange had been the framework for a seminar to come? The exhibition and set of conversations unfold the unfinished political aspirations of Robeson and Loeser and suggest an imaginary of anti-fascism, and .

A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.

More information on: hkw.de/missedseminar

The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”
🗓 Exhibition until Dec 30, 2022

🗓 Installation: Oct 27–31, Nov 17–21, Dec 21–30, 2022
Free admission

Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .
_______
Images:
Installation Views/ Kolja Tinkova & Elinor Lazar / HKW

Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪The exhibi...
29/11/2022

Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪

The exhibition THREE DOORS reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Elinor Lazar & Karen Khurana / HKW

Join us for a CEREMONY weekend!If it is currently easier to imagine the end of the world than the end of capitalism, Syl...
28/11/2022

Join us for a CEREMONY weekend!

If it is currently easier to imagine the end of the world than the end of capitalism, Sylvia Wynter’s call for a “counter-cosmogony” provides a far-reaching proposition to break out of such closure. Wynter asks: how does an order have to be known in order for its reproduction to be interrupted? Significant systemic and social change must always entail an unsettling and redrafting of origin stories, and that is particularly true for the origin stories of the modern world.

Lectures, performances and screenings curated by Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons, Zairong Xiang
🔗 hkw.de/ceremony 

🗓 Dec 1, 6–8.30 pm Opening: Calling (on) Wynter – A Few Responses
Lectures by Demetrius Eudell, Jon Solomon, Che Gossett

🗓 Dec 2, 4-9 pm Ceremonies
Lectures, performances, conversations by Aaron Kamugisha, John Cowley, Stefano Harney, Ronald Rose-Antoinette, Leora Maltz-Leca, Peter Minshall, Claire Tancons

🗓 Dec 3, 1–8.30pm Capitalism in Cosmological Terms
Lectures, performance, DJ set
With Denise Ryner, Richard Drayton, Bedour Alagraa, Wendy Meryem Shaw, Fumi Okiji, Elif Sarican, Bue Rübner Hansen, Ben Ratskoff, Christopher Bracken, Brenna Bhandar & DJ set in HKW’s restaurant Weltwirtschaft

🗓 Sun, Dec 4, 1–9 pm: Q***r Ancient Ways / Ceremony of Souls
Lectures and performances by Denise Ryner, Anthony Bogues, Honor Ford-Smith, Danielle Bainbridge, Zairong Xiang, Ife Day, Vir Andres Hera, Belinda Zhawi,  Zoé Samudzi, Eric I. Karchmer, Lai Lili, Judith Farquhar, keyon gaskin, Joshua Chambers-Letson, Tina Post

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

________
Image: Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist

HKW empfiehlt: Book Launch “Radical Proximity” am Montag 28.11 um 18:30 Uhr.“Radical Proximity” ist eine dreiteilige Buc...
28/11/2022

HKW empfiehlt: Book Launch “Radical Proximity” am Montag 28.11 um 18:30 Uhr.

“Radical Proximity” ist eine dreiteilige Buchreihe zum 20-jährigen Bestehen vom PACT Zollverein. Über drei Bände bringt die Reihe wesentliche Impulse des transdisziplinären Programmes von PACT zusammen.

Durch die Veranstaltung führen Ayşe Güleç und HKW-Intendant Bernd Scherer im Gespräch mit Herausgeberin Esther Boldt.

Die Veranstaltung findet in den Räumen des DISTANZ Verlags in Berlin statt:
DISTANZ Verlag
Hallesches Ufer 78
10963 Berlin

Für weitere Informationen: https://www.pact-zollverein.de/programm/book-launch-radical-proximity

25/11/2022
Join us tonight for Chucho Valdés in concert 🎼

Join us tonight for Chucho Valdés in concert 🎼 Get the last tickets on: hkw.de/tickets

A suite for big band, Afro-Cuban percussion and vocals: Chucho Valdés tells the story of "The Creation" according to Regla de Ocha, the Afro-Cuban religion known as Santería.

Musically, in his new work, Valdés uses a sonic palette that includes elements of Santería ritual music, African music, the blues, and what he describes as ”an atmosphere in the style of Miles Davis' Bi***es Brew. ”This work is very significant to me,” Valdes states, ”I think it's my masterpiece – so far."

Chucho Valdés “The Creation”
with the Yoruban Orchestra | Hilario Durán & John Beasley, Musical Directors | The extraordinary summation of an extraordinary career

🗓 Fri, Nov 25, 8 pm
Auditorium
Tickets: 32€/26€

🔗 More information on hkw.de
_________________
Chucho Valdés, Philharmonie 2021

What would a new world without humans look like? Using different drawing techniques, the participants of the comic works...
24/11/2022

What would a new world without humans look like?
Using different drawing techniques, the participants of the comic workshop "Mythical Creatures Gallop Across the Asphalt" with Ali Fitzgerald create a world full of new creatures. What would this different future look like in which humans and animals come closer together as a species?

The exhibition brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication.

Learn more about the exhibition in a guided tour by curators Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons & Zairong Xiang.

🔗 More information: hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓 Sun, Nov 27, 2–4.30 pm: Comic Workshop
🗓 Sun, Nov 27, 3.30 pm: Curator-led tour
🗓 Thur, Dec 1 – Sun, Dec 4:
Lectures, Talks, Screenings, Performances

With contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer & Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, , Léon Ferrari, Jermay Michael Gabriel, Luigi Di Gianni, Yervant Gianikian & Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, , Will Kwan, Mary Reid Kelley & Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, , Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub & Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun and many more.
______
Images: Silke Briel, Elinor Lazar & Karen Khurana / HKW

23/11/2022
Don't miss Chucho Valdés this Friday at HKW 🎹

Don't miss Chucho Valdés this Friday at HKW 🎹 Get the last tickets on: hkw.de/tickets

Thematically, in "La Creación", the pianist and composer Valdés delves into concerns he has explored in works such as Irakere’s "La Misa Negra" (1987), an early milestone in his career, and "Canto a Dios" (2011), a more recent composition in which he fused jazz with symphonic music.

The beliefs of the Catholic religion and the Regla de Ocha have coexisted in Cuba for centuries. Whether it was a survival strategy or a simple adaptation to a new context, the Orishas, the Afro-diasporic deities, assumed early on the identities of Catholic saints.

”Canto a Dios looks at certain themes from the point of view of the Catholic faith,” says Valdes. ”La Creación focuses on Olodumare, the Creator, God in the Yoruba universe. It's the other part of my roots, of my family, and my history.”

Chucho Valdés “The Creation”
with the Yoruban Orchestra | Hilario Durán & John Beasley, Musical Directors | The extraordinary summation of an extraordinary career

🗓 Fri, Nov 25, 8 pm
Auditorium
Tickets: 32€/26€

🔗 More information on hkw.de
_________________
Chucho Valdés, Philharmonie 2021

Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh? Separating and connectin...
22/11/2022

Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh?

Separating and connecting different domains – state, public and private – doors are physical objects but also social contracts. The exhibition presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Nov 27, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW

Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh? Separating and connectin...
22/11/2022

Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh?

Separating and connecting different domains – state, public and private – doors are physical objects but also social contracts. The exhibition THREE DOORS presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Nov 27, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch, Elinor Lazar & Karen Khurana / HKW

What would a new world without humans look like? Using different drawing techniques, the participants of the comic works...
21/11/2022

What would a new world without humans look like?

Using different drawing techniques, the participants of the comic workshop "Mythical Creatures Gallop Across the Asphalt" with Ali Fitzgerald create a world full of new creatures. What would this different future look like in which humans and animals come closer together as a species?

The exhibition Ceremony (Burial of an Undead World) brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication.

Learn more about the exhibition in a guided tour by curators Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons & Zairong Xiang.

More information about the exhibition: hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓 Sun, Nov 27, 2–4.30 pm: Comic Workshop
🗓 Sun, Nov 27, 3.30 pm Curator-led tour

With contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer & Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, , Léon Ferrari, Jermay Michael Gabriel, Luigi Di Gianni, Yervant Gianikian & Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, , Will Kwan, Mary Reid Kelley & Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, , Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub & Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun and many more.
______
Images:
Installation Views/ Studio Bowie & HKW

Hier treffen sich die 🦊🐰🐦Die Vielfalt von Tieren, die sich im Laufe der Zeit um das HKW herum angesiedelt haben, lassen ...
18/11/2022

Hier treffen sich die 🦊🐰🐦

Die Vielfalt von Tieren, die sich im Laufe der Zeit um das HKW herum angesiedelt haben, lassen lokal erfahrbar werden, was sonst abstrakt erscheinen mag – die Grenzen von Natur und Kultur sind längst aufgelöst. Seit 2013 untersucht das HKW in zahlreichen Formaten, das sogenannte Anthropozän – ein neues, von menschlichen Eingriffen in die Natur bestimmtes Erdzeitalter.

In einem Rundgang durch und um das Haus sprechen Christopher Wierling und Corinna Wilms sowohl über die Architektur und Baugeschichte der Kongresshalle, als auch über seine Funktion als Ort der Versammlung – von Menschen, Füchsen, Bienen und Spatzenbanden.

“Haus, Park, Fluss”
- Architekturführung durch das HKW
🗓 20.11.2022, 14h
Auf Deutsch
Tickets: 5€/3,50€ (hkw.de/tickets)
______________
Krähe vorm HKW: Elinor Lazar / HKW
Fuchs-Bilder: Mathias Zeiske / HKW

How do we develop new futures from the ruins of the capitalist present?The exhibition   brings together works of various...
18/11/2022

How do we develop new futures from the ruins of the capitalist present?

The exhibition brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication. Every Monday and Saturday, the offer exhibition visitors the opportunity to exchange ideas with art educators at .

🔗 More information: hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓 Sat & Mon, 2–6 pm: Art Dialogues in German and English
Free admission

With contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer & Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, , Léon Ferrari, Jermay Michael Gabriel, Luigi Di Gianni, Yervant Gianikian & Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, , Will Kwan, Mary Reid Kelley & Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, , Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub & Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun and many more.
______
Images:
Installation Views/ Studio Bowie & HKW

Adresse

John-Foster-Dulles-Allee 10
Berlin
10557

Haus der Kulturen der Welt, John-Foster-Dulles-Allee 10, 10557 Berlin, Germany Getting there:S-Bahn Hauptbahnhof (S3, S5, S7, S9, S75), U-Bahn Bundestag (U 55), Bus 100 and Bus M 85

Telefon

+4930397870

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Haus der Kulturen der Welt erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Das Museum Kontaktieren

Nachricht an Haus der Kulturen der Welt senden:

Videos

Teilen

Kategorie


Andere Museen in Berlin

Alles Anzeigen

Bemerkungen

Don't miss the lectures & performances this week! More information: hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

🗓Sat, Dec 17,
3–6 pm: Lectures, performances: "This Is Not a Burial, It's a Resurrection"
________
Images:
Lemohang Jeremiah Mosese, This Is Not a Burial, It's a Resurrection, 2020, Filmstills, Courtesy the artist and Memento Film International
How can doors embody a failure of the social order?

The exhibition THREE DOORS presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.

Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh? The research network Forensic Architecture/Forensis and others investigate the experiences of survivors, relatives and supporters.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Saturday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 17: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Elinor Lazar & Miguel Brusch / HKW
Join us this Saturday for more lectures & performances!

On shamanism, ecstasy and inquisition: Using his microhistory method, historian Carlo Ginzburg traces the persecution of witches in the European Middle Ages and that of other marginalized groups in society. Erhard Schüttpelz discusses the connections to shamanism. Dorothy Zinn seeks alternative social models in a rereading of Ernesto de Martino’s The End of the World.

With lectures and performances by Alberico Larato, Erhard Schüttpelz, Carlo Ginzburg, Dorothy Zinn, Ulrich van Loyen, Giulia Damiani and Anselm Franke

🔗 hkw.de/ceremony

🗓Sat, Dec 10, 1–6 pm: Lectures, performances: "Storia notturna and the End of the World"

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

Free Admission

________
Images:
1 Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist
2 & 3 Exhibition views, Studio Bowie / HKW

-capitalism
Unfolding a study towards a political imaginary today...

The exhibition metabolizes archival material of the life, thought, writings and relationships of the Black feminist, anthropologist and African-American photographer . Departing from her friendship with the German-Jewish Marxist philosopher and their encounters in East Berlin in 1963, the curatorial study asks: What if their exchange had been the framework for a seminar to come? The exhibition and set of conversations unfold the unfinished political aspirations of Robeson and Loeser and suggest an imaginary of anti-fascism, and .

A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.

The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”

🗓 Exhibition until Dec 30, 2022

Last chance!
🗓 Installation: Dec 21–30, 2022

Free admission

Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .

🔗 http://hkw.de/missedseminar
_______
Images: Installation Views/ Kolja Tinkova, Timo Ohler & HKW

Recounting the struggles of Black feminist Eslanda Robeson...

Departing the anthropologist, writer and photographer's friendship with the German-Jewish Marxist philosopher Franz Loeser and their encounters in East Berlin in 1963, the curatorial study of the The Missed Seminar exhibition asks: What if their exchange had been the framework for a seminar to come?

A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.

More information on: hkw.de/missedseminar

The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”
🗓 Exhibition until Dec 30, 2022

🗓 Installation: Oct 27–31, Nov 17–21, Dec 21–30, 2022
Free admission

Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .
_______
Images:
Installation Views/ Kolja Tinkova & Elinor Lazar/ HKW
Learn more about THREE DOORS this Sunday!

The exhibition THREE DOORS reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

In Hanau, it is the locked emergency exit door of the Arena Bar and the front door of the perpetrator’s house through which the police failed to pursue him. In Dessau, it is the door of the police cell in which Oury burnt to death. Closed when they needed to be broken through, open when they needed to be shut and locked when they needed to be unlocked, these doors embody a failure of the social order; to understand how, these investigations reconstruct the larger context around them, illuminating long-lasting and troubling relationships between racist perpetrators and state agencies in Germany.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 11: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW
Join us this Saturday for more lectures & performances! More information on hkw.de/ceremony

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

🗓Sat, Dec 10, 1–6 pm: Lectures, performances: "Storia notturna and the End of the World"
______
Images:
Installation Views/ Elinor Lazar & Studio Bowie / HKW
Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪

The exhibition reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW


Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪

The exhibition reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.

Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.

Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.

Registration via [email protected]

THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour

The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch / HKW



Don't miss one of our last programs this year: A long weekend of Ceremonies, lectures, performances and screenings.

The program calls on the writings of Sylvia Wynter to envision different futures proceeding from the ruins of a capitalist present.

Admission is free.

What if Sylvia Wynter's Ceremony was an actual ceremony? The program Ceremonies on Friday brings the ceremony back in Wynter's Ceremony or, rather, continues to look for it. Caribbean carnivals and African-diasporic musical traditions run wide and wild with Le Mardi Gras Listening Collective's lecture performance while the contemporary ramifications of the millennial-old genre of processional performance are addressed in the works of William Kentridge and Peter Minshall.

🗓 Dec 2, 4-9 pm Ceremonies
Lectures, performances, conversations by Aaron Kamugisha, John Cowley, Stefano Harney, Ronald Rose-Antoinette, Leora Maltz-Leca, Peter Minshall, Claire Tancons

🗓 Dec 3, 1–8.30pm Capitalism in Cosmological Terms
Lectures, performance, DJ set
With Denise Ryner, Richard Drayton, Bedour Alagraa, Wendy Meryem Shaw, Fumi Okiji, Elif Sarican, Bue Rübner Hansen, Ben Ratskoff, Christopher Bracken, Brenna Bhandar
 & DJ set in HKW’s restaurant Weltwirtschaft

🗓 Sun, Dec 4, 1–9 pm: Q***r Ancient Ways / Ceremony of Souls
Lectures and performances by Denise Ryner, Anthony Bogues, Honor Ford-Smith, Danielle Bainbridge, Zairong Xiang, Ife Day, Vir Andres Hera, Belinda Zhawi,  Zoé Samudzi, Eric I. Karchmer, Lai Lili, Judith Farquhar, keyon gaskin, Joshua Chambers-Letson, Tina Post

Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30

🔗hkw.de/ceremony 

________
Images:
1 Peter Minshall. Scene from the mas performance work Callaloo, featuring “The Seven Deadly Sins,” Trinidad Carnival, 1984. Photo by Derek Gay, courtesy The Callaloo Company.
2 Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist
#}