A cosmopolitan place for contemporary arts | Tickets: 030 – 39 78 7175 Wie können die Migrationsgesellschaften von morgen aussehen? Dr. Bernd M.
Das Haus der Kulturen der Welt (HKW) schafft ein Forum für die zeitgenössischen Künste und kritische Debatten. Inmitten tiefgreifender globaler und planetarer Transformationsprozesse erkundet das HKW künstlerische Positionen, wissenschaftliche Konzepte und politische Handlungsfelder neu: Wie lassen sich die Gegenwart, wie ihre beschleunigten technologischen Umwälzungen fassen? Und welche Aufgabe ü
bernehmen hierbei die Künste und die Wissenschaften? Das Haus der Kulturen der Welt entwickelt und inszeniert ein in Europa einzigartiges Programm in einer Verbindung aus Diskurs, Ausstellungen, Konzerten und Performance, aus Forschung, Vermittlungsangeboten und Publikationen. Seine Projekte initiieren Denkprozesse und entwerfen neue Bezugssysteme. Dabei begreift das HKW Geschichte als Ressource für alternative Erzählungen. In einer außergewöhnlichen Kongress-Architektur der Moderne ermöglicht das HKW neuartige Formen des Zusammenkommens und öffnet Erfahrungsräume zwischen Kunst und Diskurs. Gemeinsam mit Künstler*innen, Wissenschaftler*innen, Expert*innen des Alltags und Partner*innen weltweit erkundet es Ideen, die im Entstehen begriffen sind, und teilt diese mit dem internationalen Publikum Berlins und der digitalen Öffentlichkeit. www.hkw.de
www.hkw.de/netiquette
Das Haus der Kulturen der Welt ist ein Geschäftsbereich der Kulturveranstaltungen des Bundes in Berlin GmbH ( www.kbb.eu)
Geschäftsführung:
Prof. Scherer (Intendant Haus der Kulturen der Welt)
Mariette Rissenbeek (Intendantin Internationale Filmfestspiele Berlin)
Charlotte Sieben (Kaufmännische Geschäftsführerin)
Vorsitzende des Aufsichtsrats
Claudia Roth MdB
Staatsministerin für Kultur und Medien
Registergericht
Amtsgericht Charlottenburg
Registernummer
96 HRB 29357
Umsatzsteuer-Identifikationsnummer gemäß § 27 a Umsatzsteuergesetz
DE 136 78 27 46
+++In English+++
Haus der Kulturen der Welt (HKW) creates a forum for the contemporary arts and critical debates. In the midst of profound global and planetary transformation processes, HKW re-explores artistic positions, scientific concepts, and spheres of political activity, asking: How do we grasp the present and its accelerated technological upheavals? What will tomorrow’s diversified societies look like? And what responsibilities will the arts and sciences assume in this process? HKW develops and stages a program that is unique in Europe, blending discourse, exhibitions, concerts and performances, research, education programs and publications. Its projects initiate reflection processes and devise new frames of reference. In its work, HKW understands history as a resource for alternate narratives. In its extraordinary, modernist congress-hall architecture, HKW enables new forms of encounter and opens up experiential spaces between art and discourse. Together with artists, academics, everyday experts, and partners across the globe, it explores ideas in the making and shares them with Berlin’s international audience and the digital public. www.hkw.de/en
www.hkw.de/en/netiquette
Don't miss the lectures & performances this week! More information: hkw.de/ceremony
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓Sat, Dec 17,
3–6 pm: Lectures, performances: "This Is Not a Burial, It's a Resurrection"
________
Images:
Lemohang Jeremiah Mosese, This Is Not a Burial, It's a Resurrection, 2020, Filmstills, Courtesy the artist and Memento Film International
How can doors embody a failure of the social order?
The exhibition THREE DOORS presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.
Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh? The research network Forensic Architecture/Forensis and others investigate the experiences of survivors, relatives and supporters.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Saturday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 17: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Elinor Lazar & Miguel Brusch / HKW
Join us this Saturday for more lectures & performances!
On shamanism, ecstasy and inquisition: Using his microhistory method, historian Carlo Ginzburg traces the persecution of witches in the European Middle Ages and that of other marginalized groups in society. Erhard Schüttpelz discusses the connections to shamanism. Dorothy Zinn seeks alternative social models in a rereading of Ernesto de Martino’s The End of the World.
With lectures and performances by Alberico Larato, Erhard Schüttpelz, Carlo Ginzburg, Dorothy Zinn, Ulrich van Loyen, Giulia Damiani and Anselm Franke
🔗 hkw.de/ceremony
🗓Sat, Dec 10, 1–6 pm: Lectures, performances: "Storia notturna and the End of the World"
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
Free Admission
________
Images:
1 Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist
2 & 3 Exhibition views, Studio Bowie / HKW
-capitalism
Unfolding a study towards a political imaginary today...
The exhibition metabolizes archival material of the life, thought, writings and relationships of the Black feminist, anthropologist and African-American photographer . Departing from her friendship with the German-Jewish Marxist philosopher and their encounters in East Berlin in 1963, the curatorial study asks: What if their exchange had been the framework for a seminar to come? The exhibition and set of conversations unfold the unfinished political aspirations of Robeson and Loeser and suggest an imaginary of anti-fascism, and .
A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.
The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”
🗓 Exhibition until Dec 30, 2022
Last chance!
🗓 Installation: Dec 21–30, 2022
Free admission
Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .
🔗 http://hkw.de/missedseminar
_______
Images: Installation Views/ Kolja Tinkova, Timo Ohler & HKW
Recounting the struggles of Black feminist Eslanda Robeson...
Departing the anthropologist, writer and photographer's friendship with the German-Jewish Marxist philosopher Franz Loeser and their encounters in East Berlin in 1963, the curatorial study of the The Missed Seminar exhibition asks: What if their exchange had been the framework for a seminar to come?
A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.
More information on: hkw.de/missedseminar
The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”
🗓 Exhibition until Dec 30, 2022
🗓 Installation: Oct 27–31, Nov 17–21, Dec 21–30, 2022
Free admission
Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .
_______
Images:
Installation Views/ Kolja Tinkova & Elinor Lazar/ HKW
Learn more about THREE DOORS this Sunday!
The exhibition THREE DOORS reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.
In Hanau, it is the locked emergency exit door of the Arena Bar and the front door of the perpetrator’s house through which the police failed to pursue him. In Dessau, it is the door of the police cell in which Oury burnt to death. Closed when they needed to be broken through, open when they needed to be shut and locked when they needed to be unlocked, these doors embody a failure of the social order; to understand how, these investigations reconstruct the larger context around them, illuminating long-lasting and troubling relationships between racist perpetrators and state agencies in Germany.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 11: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW
Join us this Saturday for more lectures & performances! More information on hkw.de/ceremony
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓Sat, Dec 10, 1–6 pm: Lectures, performances: "Storia notturna and the End of the World"
______
Images:
Installation Views/ Elinor Lazar & Studio Bowie / HKW
Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪
The exhibition reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.
Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW
Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪
The exhibition reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.
Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch / HKW
Don't miss one of our last programs this year: A long weekend of Ceremonies, lectures, performances and screenings.
The program calls on the writings of Sylvia Wynter to envision different futures proceeding from the ruins of a capitalist present.
Admission is free.
What if Sylvia Wynter's Ceremony was an actual ceremony? The program Ceremonies on Friday brings the ceremony back in Wynter's Ceremony or, rather, continues to look for it. Caribbean carnivals and African-diasporic musical traditions run wide and wild with Le Mardi Gras Listening Collective's lecture performance while the contemporary ramifications of the millennial-old genre of processional performance are addressed in the works of William Kentridge and Peter Minshall.
🗓 Dec 2, 4-9 pm Ceremonies
Lectures, performances, conversations by Aaron Kamugisha, John Cowley, Stefano Harney, Ronald Rose-Antoinette, Leora Maltz-Leca, Peter Minshall, Claire Tancons
🗓 Dec 3, 1–8.30pm Capitalism in Cosmological Terms
Lectures, performance, DJ set
With Denise Ryner, Richard Drayton, Bedour Alagraa, Wendy Meryem Shaw, Fumi Okiji, Elif Sarican, Bue Rübner Hansen, Ben Ratskoff, Christopher Bracken, Brenna Bhandar
& DJ set in HKW’s restaurant Weltwirtschaft
🗓 Sun, Dec 4, 1–9 pm: Q***r Ancient Ways / Ceremony of Souls
Lectures and performances by Denise Ryner, Anthony Bogues, Honor Ford-Smith, Danielle Bainbridge, Zairong Xiang, Ife Day, Vir Andres Hera, Belinda Zhawi, Zoé Samudzi, Eric I. Karchmer, Lai Lili, Judith Farquhar, keyon gaskin, Joshua Chambers-Letson, Tina Post
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🔗hkw.de/ceremony
________
Images:
1 Peter Minshall. Scene from the mas performance work Callaloo, featuring “The Seven Deadly Sins,” Trinidad Carnival, 1984. Photo by Derek Gay, courtesy The Callaloo Company.
2 Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist
Unfolding a study towards a political imaginary today...
The exhibition The Missed Seminar metabolizes archival material of the life, thought, writings and relationships of the Black feminist, anthropologist and African-American photographer . Departing from her friendship with the German-Jewish Marxist philosopher and their encounters in East Berlin in 1963, the curatorial study asks: What if their exchange had been the framework for a seminar to come? The exhibition and set of conversations unfold the unfinished political aspirations of Robeson and Loeser and suggest an imaginary of anti-fascism, and .
A monument to the threat of U.S. anti-communism, ’s installation shows 12 hours and 54 minutes of scrolling over thousands of digitized files the FBI collected on Eslanda Robeson.
More information on: hkw.de/missedseminar
The Missed Seminar
After Eslanda Robeson. In Conversation with Steve McQueen’s “End Credits”
🗓 Exhibition until Dec 30, 2022
🗓 Installation: Oct 27–31, Nov 17–21, Dec 21–30, 2022
Free admission
Conceptualized by Doreen Mende in conversation with Avery F. Gordon, Lama El Khatib, Aarti Sunder and Katharina Warda. Part of .
_______
Images:
Installation Views/ Kolja Tinkova & Elinor Lazar / HKW
Three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany 🚪
The exhibition THREE DOORS reveals where the state failed in the attacks in Hanau and the death of Oury Jalloh.
Since its first presentation at the Frankfurter Kunstverein, has directly influenced the ongoing responses to the Hanau terror attack in politics, society and the media. The exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Dec 4, 3pm: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Elinor Lazar & Karen Khurana / HKW
Join us for a CEREMONY weekend!
If it is currently easier to imagine the end of the world than the end of capitalism, Sylvia Wynter’s call for a “counter-cosmogony” provides a far-reaching proposition to break out of such closure. Wynter asks: how does an order have to be known in order for its reproduction to be interrupted? Significant systemic and social change must always entail an unsettling and redrafting of origin stories, and that is particularly true for the origin stories of the modern world.
Lectures, performances and screenings curated by Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons, Zairong Xiang
🔗 hkw.de/ceremony
🗓 Dec 1, 6–8.30 pm Opening: Calling (on) Wynter – A Few Responses
Lectures by Demetrius Eudell, Jon Solomon, Che Gossett
🗓 Dec 2, 4-9 pm Ceremonies
Lectures, performances, conversations by Aaron Kamugisha, John Cowley, Stefano Harney, Ronald Rose-Antoinette, Leora Maltz-Leca, Peter Minshall, Claire Tancons
🗓 Dec 3, 1–8.30pm Capitalism in Cosmological Terms
Lectures, performance, DJ set
With Denise Ryner, Richard Drayton, Bedour Alagraa, Wendy Meryem Shaw, Fumi Okiji, Elif Sarican, Bue Rübner Hansen, Ben Ratskoff, Christopher Bracken, Brenna Bhandar & DJ set in HKW’s restaurant Weltwirtschaft
🗓 Sun, Dec 4, 1–9 pm: Q***r Ancient Ways / Ceremony of Souls
Lectures and performances by Denise Ryner, Anthony Bogues, Honor Ford-Smith, Danielle Bainbridge, Zairong Xiang, Ife Day, Vir Andres Hera, Belinda Zhawi, Zoé Samudzi, Eric I. Karchmer, Lai Lili, Judith Farquhar, keyon gaskin, Joshua Chambers-Letson, Tina Post
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
________
Image: Mariana Castillo Deball, Coatlicue, 2010, courtesy the artist
HKW empfiehlt: Book Launch “Radical Proximity” am Montag 28.11 um 18:30 Uhr.
“Radical Proximity” ist eine dreiteilige Buchreihe zum 20-jährigen Bestehen vom PACT Zollverein. Über drei Bände bringt die Reihe wesentliche Impulse des transdisziplinären Programmes von PACT zusammen.
Durch die Veranstaltung führen Ayşe Güleç und HKW-Intendant Bernd Scherer im Gespräch mit Herausgeberin Esther Boldt.
Die Veranstaltung findet in den Räumen des DISTANZ Verlags in Berlin statt:
DISTANZ Verlag
Hallesches Ufer 78
10963 Berlin
Für weitere Informationen: https://www.pact-zollverein.de/programm/book-launch-radical-proximity
Join us tonight for Chucho Valdés in concert 🎼 Get the last tickets on: hkw.de/tickets
A suite for big band, Afro-Cuban percussion and vocals: Chucho Valdés tells the story of "The Creation" according to Regla de Ocha, the Afro-Cuban religion known as Santería.
Musically, in his new work, Valdés uses a sonic palette that includes elements of Santería ritual music, African music, the blues, and what he describes as ”an atmosphere in the style of Miles Davis' Bi***es Brew. ”This work is very significant to me,” Valdes states, ”I think it's my masterpiece – so far."
Chucho Valdés “The Creation”
with the Yoruban Orchestra | Hilario Durán & John Beasley, Musical Directors | The extraordinary summation of an extraordinary career
🗓 Fri, Nov 25, 8 pm
Auditorium
Tickets: 32€/26€
🔗 More information on hkw.de
_________________
Chucho Valdés, Philharmonie 2021
What would a new world without humans look like?
Using different drawing techniques, the participants of the comic workshop "Mythical Creatures Gallop Across the Asphalt" with Ali Fitzgerald create a world full of new creatures. What would this different future look like in which humans and animals come closer together as a species?
The exhibition brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication.
Learn more about the exhibition in a guided tour by curators Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons & Zairong Xiang.
🔗 More information: hkw.de/ceremony
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓 Sun, Nov 27, 2–4.30 pm: Comic Workshop
🗓 Sun, Nov 27, 3.30 pm: Curator-led tour
🗓 Thur, Dec 1 – Sun, Dec 4:
Lectures, Talks, Screenings, Performances
With contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer & Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, , Léon Ferrari, Jermay Michael Gabriel, Luigi Di Gianni, Yervant Gianikian & Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, , Will Kwan, Mary Reid Kelley & Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, , Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub & Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun and many more.
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Images: Silke Briel, Elinor Lazar & Karen Khurana / HKW
Don't miss Chucho Valdés this Friday at HKW 🎹 Get the last tickets on: hkw.de/tickets
Thematically, in "La Creación", the pianist and composer Valdés delves into concerns he has explored in works such as Irakere’s "La Misa Negra" (1987), an early milestone in his career, and "Canto a Dios" (2011), a more recent composition in which he fused jazz with symphonic music.
The beliefs of the Catholic religion and the Regla de Ocha have coexisted in Cuba for centuries. Whether it was a survival strategy or a simple adaptation to a new context, the Orishas, the Afro-diasporic deities, assumed early on the identities of Catholic saints.
”Canto a Dios looks at certain themes from the point of view of the Catholic faith,” says Valdes. ”La Creación focuses on Olodumare, the Creator, God in the Yoruba universe. It's the other part of my roots, of my family, and my history.”
Chucho Valdés “The Creation”
with the Yoruban Orchestra | Hilario Durán & John Beasley, Musical Directors | The extraordinary summation of an extraordinary career
🗓 Fri, Nov 25, 8 pm
Auditorium
Tickets: 32€/26€
🔗 More information on hkw.de
_________________
Chucho Valdés, Philharmonie 2021
Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh?
Separating and connecting different domains – state, public and private – doors are physical objects but also social contracts. The exhibition presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Nov 27, 3pm: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch & HKW
Where and why did the state fail in the terrorist attack in Hanau and the death of Oury Jalloh?
Separating and connecting different domains – state, public and private – doors are physical objects but also social contracts. The exhibition THREE DOORS presents three investigations, each concerned with a door, unraveling different aspects of racist violence in Germany.
Visitors are invited to learn more about the exhibition in a guided tour with the Initiative 19. Februar Hanau, Forensic Architecture, family members and survivors this coming Sunday.
Registration via [email protected]
THREE DOORS by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh
🗓 Exhibition until Dec 30, 2022
🗓 Nov 27, 3pm: Guided exhibition tour
The exhibition was co-produced with Frankfurter Kunstverein.
_______
Images:
Miguel Brusch, Elinor Lazar & Karen Khurana / HKW
What would a new world without humans look like?
Using different drawing techniques, the participants of the comic workshop "Mythical Creatures Gallop Across the Asphalt" with Ali Fitzgerald create a world full of new creatures. What would this different future look like in which humans and animals come closer together as a species?
The exhibition Ceremony (Burial of an Undead World) brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication.
Learn more about the exhibition in a guided tour by curators Anselm Franke, Elisa Giuliano, Denise Ryner, Claire Tancons & Zairong Xiang.
More information about the exhibition: hkw.de/ceremony
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓 Sun, Nov 27, 2–4.30 pm: Comic Workshop
🗓 Sun, Nov 27, 3.30 pm Curator-led tour
With contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer & Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, , Léon Ferrari, Jermay Michael Gabriel, Luigi Di Gianni, Yervant Gianikian & Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, , Will Kwan, Mary Reid Kelley & Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, , Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub & Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun and many more.
______
Images:
Installation Views/ Studio Bowie & HKW
Hier treffen sich die 🦊🐰🐦
Die Vielfalt von Tieren, die sich im Laufe der Zeit um das HKW herum angesiedelt haben, lassen lokal erfahrbar werden, was sonst abstrakt erscheinen mag – die Grenzen von Natur und Kultur sind längst aufgelöst. Seit 2013 untersucht das HKW in zahlreichen Formaten, das sogenannte Anthropozän – ein neues, von menschlichen Eingriffen in die Natur bestimmtes Erdzeitalter.
In einem Rundgang durch und um das Haus sprechen Christopher Wierling und Corinna Wilms sowohl über die Architektur und Baugeschichte der Kongresshalle, als auch über seine Funktion als Ort der Versammlung – von Menschen, Füchsen, Bienen und Spatzenbanden.
“Haus, Park, Fluss”
- Architekturführung durch das HKW
🗓 20.11.2022, 14h
Auf Deutsch
Tickets: 5€/3,50€ (hkw.de/tickets)
______________
Krähe vorm HKW: Elinor Lazar / HKW
Fuchs-Bilder: Mathias Zeiske / HKW
How do we develop new futures from the ruins of the capitalist present?
The exhibition brings together works of various genres and time-periods as well as historical documents with multiple interlocutors. It also includes an extensive program of live events and a publication. Every Monday and Saturday, the offer exhibition visitors the opportunity to exchange ideas with art educators at .
🔗 More information: hkw.de/ceremony
Ceremony (Burial of an Undead World)
🗓 Exhibition until Dec 30
🗓 Sat & Mon, 2–6 pm: Art Dialogues in German and English
Free admission
With contributions by Leo Asemota, Shuvinai Ashoona, Richard Bell, Raymond Boisjoly, Gaëlle Choisne, Pauline Curnier Jardin, Alice Creischer & Andreas Siekmann, Mario Cresci, Abraham Cruzvillegas, Mariana Castillo Deball, Stan Douglas, , Léon Ferrari, Jermay Michael Gabriel, Luigi Di Gianni, Yervant Gianikian & Angela Ricci Lucchi, Leah Gordon, Nicolás Guillén, Ho Rui An, James T. Hong, Dapper Bruce Lafitte, Carlo Levi, Jane Jin Kaisen, , Will Kwan, Mary Reid Kelley & Patrick Kelley, Titina Maselli, Cecilia Mangini, Guadalupe Maravilla, Peter Minshall, Lemohang Jeremiah Mosese, Ernest Nash, Le Nemesiache, Rachel O’Reilly, István Orosz, Huang Yong Ping, Rosa von Praunheim, , Elza Soares, Karlheinz Stockhausen, Jean-Marie Straub & Danièle Huillet, Kidlat Tahimik, Rosemarie Trockel, Joyce Wieland, Tania Willard, David Wojnarowicz, Xiyadie, Lawrence Paul Yuxweluptun and many more.
______
Images:
Installation Views/ Studio Bowie & HKW
John-Foster-Dulles-Allee 10
Berlin
10557
Haus der Kulturen der Welt, John-Foster-Dulles-Allee 10, 10557 Berlin, Germany Getting there:S-Bahn Hauptbahnhof (S3, S5, S7, S9, S75), U-Bahn Bundestag (U 55), Bus 100 and Bus M 85
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THREE DOORS opens tonight - an exhibition by Forensic Architecture/Forensis, Initiative 19. Februar Hanau & Initiative in Gedenken an Oury Jalloh 🚪 🗓 Exhibition at HKW: Nov 5 – Dec 30, 2022 🗓 Opening: Nov 4, 6 pm The exhibition #ThreeDoors presents three investigations, each concerned with a door, unravelling different aspects of racist violence in Germany. It is nearly three years since nine people were murdered in a racist terror attack in #Hanau. It is nearly eighteen years since #OuryJalloh was burnt to death in a police cell in Dessau. The victims’ families, friends, and the survivors are still struggling for accountability. Separating and connecting different domains – state, public and private – doors are physical objects but also social contracts. In Hanau, it is the locked emergency exit door of the Arena Bar, and the front door of the perpetrator’s house through which the police failed to pursue him. In Dessau, the door of the police cell in which Oury burnt to death. Since its first presentation at the Frankfurter Kunstverein, “Three Doors” has directly influenced the ongoing responses to the Hanau terror attack in politics, society, and the media. Now, the exhibition, along with guided tours and a public program, draws upon the experiences of relatives, survivors, and supporters to give visibility to their continuing struggle – and to shed light on deeply entrenched racist structures within Germany – just a stone’s throw from the German federal parliament. The exhibition was co-produced with Frankfurter Kunstverein. _____ Video: © Forensic Architecture & Forensis
Join us for the last two #AlphabetReadings tonight, November 2 at 6.30pm at HKW: For the Live Audio Play MANUEL OR A HINT OF EVIL by and with Armin Lorenz Gerold, with Hanne Lippard and a live performance of the audio series SCHLECHTE WÖRTER / BAD WORDS writers, musicians, artists, readers and listeners come together. More information: hkw.de/alphabetreadings MANUEL OR A HINT OF EVIL Live Audio Play by and with Armin Lorenz Gerold, with Hanne Lippard 🗓 Wed, Nov 2, 7 pm Free admission SCHLECHTE WÖRTER / BAD WORDS – LIVE 🗓 Wed, Nov 2, 8.30 pm HKW Auditorium Free admission Performance with Don Mee Choi, Sophia Eisenhut, Athena Farrokhzad, Joshua Groß, Lama El Khatib, Hanne Lippard, Enis Maci, Thuy-Han Nguyen-Chi, Wouter Rentema, Tanasgol Sabbagh, Fabian Saul, Miriam Stoney, Karosh Taha, Senthuran Varatharajah, Uljana Wolf and with texts by Ilse Aichinger and Etel Adnan. Based on the audio series by Fabian Saul in cooperation with Mathias Zeiske.
Bleibt heute Nacht wach und hört SCHLECHTE WÖRTER 💙 „Dichtung ist eine verwundete Sprache, die aus ihrem Verhältnis zur unverwundeten Sprache entsteht.“ Im Nachtzug von Istanbul nach Sofia, schlaflos am Rhein oder im Fluchtlicht einer Straßenkreuzung: Eine neue Episode der Audioserie #SchlechteWörter begibt sich in die dunklen Schreibräume zwischen Nacht, Tag und den Toten der Geschichte. Save the Date: Die Live-Performance der Audioserie im HKW nächsten Monat (SCHLECHTE WÖRTER / BAD WORDS - LIVE) verbindet Gespräche, Lesungen sowie Field Recordings und sucht nach neuen Räumen für ein anderes Sprechen. An diesem Abend wird der Raum u.a. das HKW-Auditorium sein, wo alle beteiligten Autor*innen und Musiker*innen zusammenkommen. Die Verabredung lautet: Wir gehen von einem Text aus, damit ein anderer Text beginnen kann. SCHLECHTE WÖRTER / BAD WORDS - LIVE 🗓 Mi 2.11, 20.30h Performance auf Deutsch & Englisch Eintritt frei Mehr Informationen zur Veranstaltung & alle sechs Folgen der Audioserie gibt es auf: hkw.de/schlechtewoerter oder hkw.de/badwords Eine Audioserie von Fabian Saul, in Zusammenarbeit mit Mathias Zeiske. Mit Beiträgen von Marica Bodrožić, Don Mee Choi, Sophia Eisenhut, Lama El Khatib, Haytham El Wardany, Merve Emre, Athena Farrokhzad, Joshua Groß, Hanne Lippard, Enis Maci, Nalan, Thuy-Han Nguyen-Chi, Tanasgol Sabbagh, Miriam Stoney, Karosh Taha, Senthuran Varatharajah, Uljana Wolf sowie Texten von Ilse Aichinger und Etel Adnan. ______ Design: Studio Yukiko
»Do you remember how we used to train our thinking? We usually started with a dream…« - Le livre d’image Saying goodbye to Jean-Luc Godard, one of the most influential filmmakers of his generation and key figure of the French new wave. We are deeply grateful and lucky to have witnessed the greatness of his work this year in our exhibition "Sentiments, Signes, Passions" - a presention of Godard's political film poem "Le livre d’image" as a dynamic projection, curated by Fabrice Aragno in collaboration with Jean-Luc Godard. Thank you, Godard, you will be greatly missed. hkw.de/godard
Wir feiern Pride 🌈 Anlässlich der heutigen CSD und Pride Proteste wollen wir wichtige Vorreiter*innen der trans Community feiern und vorstellen! Der neue HKW Guide PORTRAITS OF A LAD*Y zeigt Momentaufnahmen aus fünf Menschenleben – mal zärtlich und persönlich, mal gefiltert durch den pathologisierenden und sensationsgierigen Blick von Öffentlichkeiten des 20. Jahrhunderts. Aus dem Lili-Elbe-Archiv in Berlin hat dessen Gründerin Niki Trauthwein eine Auswahl an Zeitungsartikel mit handschriftlichen Notizen, historischen Pressefotos und privaten Schnappschüssen zusammengestellt. 🔗 Findet alle fünf Geschichten auf guide.hkw.de/portraits Die Auseinandersetzung mit Materialien aus dem Archiv sind auch der Ausgangspunkt für Eliza Steinbocks Essay” t4t: Liebesbeweise im Archiv”, das 2021 im Band “Re_Visionen des Körpers” der HKW-Publikationsreihe #DasNeueAlphabet erschienen ist. Alle Bände findet ihr auf: hkw.de/DNApublikationen Das Projekt HKW.Guides wurde entwickelt im Rahmen von dive in. Programm für digitale Interaktionen der @kulturstiftungdesbundes, gefördert durch die Beauftragte der Bundesregierung für Kultur und Medien (BKM) im Programm NEUSTART KULTUR. ____ Screencapture mit Foto 1: Angie Stardust auf dem Sozius eines Motorrads, unbekannter Fahrer, signiert und gewidmet für eine Martina, privates Foto ohne weitere Kennzeichnung Foto 2: 3. März 1970, April Ashley bei ihrer Restauranteröffnung in London Foto 3: Dawn Langley Simmons mit ihrem zukünftigen Eheman John Paul Simmons, 16. Dezember 1968. Foto 4: Gert Christian Südel mit Holly White Foto 5: Vittorio Alvaro zusammen mit seiner Ehefrau Serafina am 30.06.1958
“Water Ritual is a beginning point in my quest to create cathartic experiences for myself and my community...” - Barbara McCullough Inspired by a friend’s mental breakdown and working in collaboration with performer Yolanda Vidato, filmmaker Barbara McCullough explores the possibilities of transformation through the cleansing of the environment and of the self. The work “Water Ritual #1: An Urban Rite of Purification” was filmed in an area of the Watts neighborhood of Los Angeles that had been razed to make way for the construction of the Interstate 105 highway but was then left abandoned. Bridging the fields of documentary and artists’ film, the exhibition No Master Territories: Feminist Worldmaking and the Moving Image assembles a plurality of practices to offer an expansive, intersectional account of underappreciated encounters between feminism and the moving image. Across a polycentric, global geography, it maps how artists and filmmakers have explored the nexus of gender and power and charts sites at which feminism connects to other struggles for justice. More about the exhibition program, tickets, cinema & podcast: hkw.de/NoMaster #NoMasterTerritories - Feminist Worldmaking and the Moving Image Exhibition, Cinema, Online Cinema, Book, Podcast 🗓 Exhibition until Aug 28, 2022 Daily, except Tue, 12 noon–8 pm Tickets: 7€/5€, second visit included Free admission: Mondays and for visitors under age 18 __________________ Film extract from: Barbara McCullough, Water Ritual 1: An Urban Rite of Purification (1979), film still, courtesy Third World Newsreel
💬 In 2022, HKW has been devoting itself to in-depth examinations of our era of permanent crisis. The Haus instigates conversations on the structuring forces of this moment of danger. The questions that need asking are unsettling and pressing: hence we call them Zivilisationsfragen: https://www.hkw.de/en/programm/projekte/zivilisationsfragen.php How do we make sense of the transformations in the earth system? How do we liberate our ability to imagine possible forms of social organization from the current deadlock? Why is it therefore necessary to rewrite the history of humanity? How can power be dismantled by a feminist gaze? Do NFTs Dream of Living Pokémon? What are the common elements structuring the multitude of human cosmologies and what makes them different? Which practices for collaboration could maintain a habitable planet? Rewatch this year’s keynote speeches, lectures and debates, as well as podcasts of readings and discussions in our mediathek and find the program for the rest of this year on www.hkw.de ______ Design: NODE Berlin Oslo
Join us for the opening weekend of No Master Territories: Feminist Worldmaking and the Moving Image! The exhibition shows documentary and essay films, activist videos and personal testimonies by more than eighty artists and collectives from the 1970s to the 1990s. On Sunday, curators Erika Balsom and Hila Peleg guide visitors through the exhibition. In the European premiere of the restored version, Shai Heredia and director Lizzie Borden present their experimental documentary “Regrouping”. More about the opening program and tickets: hkw.de/NoMaster #NoMasterTerritories Feminist Worldmaking and the Moving Image 🗓 Exhibition: June 19–Aug 28, 2022 🗓 Opening: June 18, 6 pm, free admission 🗓 Sun, Jun 19 3.30 pm Curator-guided tour with Erika Balsom & Hila Peleg, in English 9 pm “Regrouping” (D: Lizzie Borden, USA 1976, 74 min, original English version), screening in the presence of the director 🗓 Mon, Jun 20, 2-6 pm Art Dialogues in German and English, free admission
The Unearthing the Present program continues today from 12pm! As part of the "Clashing the Presents" panel at 3pm, Matthew C. Wilson will show his film "Geological Evidences". It address the current uncertainty about the position and future of humans in relation to the earth and climate change. More information about the program: hkw.de/en/uneathing _______ Extract from "Geological Evidences" by Matthew C. Wilson
🎧 BAD WORDS - Season 2 is out now! After the first season took Ilse Aichinger’s titular essay #BadWords and its resistant poetics as its point of departure, Etel Adnan’s #Night takes us into the darkness. Between the revolutionary potential of staying awake and the shrouding qualities of night, the second season negotiates language as a means of silence and the night as a place of the living dead. Give it a listen on hkw.de/badwords SCHLECHTE WÖRTER / BAD WORDS An audio series by Fabian Saul, in collaboration with Mathias Zeiske. Season 2 with contributions by Thuy-Han Nguyen-Chi, Nalan, Miriam Stoney, Tanasgol Sabbagh, Enis Maci, Haytham El Wardany & Lama El Khatib.
„Was denkst du, an was du dich erinnern wirst später?” Vom Jetzt erzählen: „1000 junge Gegenwarten” ist ein interdisziplinärer Workshop. Zusammen mit den Schriftsteller*innen Hieu Hoang und Olivia Wenzel erforschen junge Menschen an mehreren Wochenenden die eigenen Lebenswelten mit künstlerischen Methoden. Mehr Informationen unter: hkw.de/1kgegenwart 1000 JUNGE GEGENWARTEN ⛸ Interdisziplinäre Schreibwerkstatt für 16- bis 23-Jährige mit Hieu Hoang & Olivia Wenzel 🗓 Mai–November 2022 kostenfrei Anmeldung bis 5.5 per DM auf Instagram @1kgegenwart oder per Email an [email protected]
Defending Indigenous Rights... In 1990, members of the Mohawk nation protested the increasing expansion of the city of Oka into their territory. The local Canadian police reacted violently to the blockade. Filmmaker Alanis Obomsawin followed the so-called Oka crisis – called the Kanehsatà:ke resistance by many Indigenous people – on film. The documentary became Obomsawin’s best-known film and can be seen in the exhibition dedicated to her life’s work at HKW and its online cinema. The Children Have to Hear Another Story – Alanis Obomsawin 🗓 Exhibition until Apr 18, 2022 🎞 Online Cinema: https://anotherstory.hkw.de/de/ More about the exhibition, program & publication: hkw.de/anotherstory ______ Video: Kanehsatake: 270 Years of Resistance (1993), 16 mm, color, sound, 119 min | Courtesy National Film Board of Canada
Accompanying the exhibition The Children Have to Hear Another Story – Alanis Obomsawin, a selection of Obomsawin’s films is now available online 🎞 Visit the film program via https://anotherstory.hkw.de/ or come see the films live in our exhibition, both on view until April 18! More information about the exhibition, program & publication: hkw.de/anotherstory Video Extract from: Amisk (1977), Courtesy NFB National Film Board of Canada
What do shamanic sound experiments in 1980s Moscow and post-Soviet cosmism raves have to do with the music of Missy Elliott and Moor Mother? In the new #OnMusic podcast episode, musicologists Giada Dalla Bontà and Holger Schulze are guided by Kodwo Eshun’s concept of sonic fiction. In the March edition of the event series How to Do Things with Sound: An Evening on Sonic Fiction in the Arts and Activism, they talk with artist Ayesha Hameed. Composer and performer Marcela Lucatelli presents a new work. More information: hkw.de/onmusic
Visit the “Cinema Tree” of Godard’s “Le livre d’image” 📽🌳 The exhibition “Sentiments, Signes, Passions” by Fabrice Aragno stages Jean-Luc Godard’s small editing room as a walk-in film space allowing the visitors’ pace to define the course of the film. Spanning 40 screens, they become the time-giving cursor of a dynamic, dreamlike projection. More information: hkw.de/godard An audio tour in German language by curator Fabrice Aragno takes visitors on a journey inside Jean-Luc Godard’s film: https://bit.ly/3s4TUmn
Zum Ende des Jahres empfehlen wir euch nochmal einen Blick in die Internationaler Literaturpreis Shortlist 2021! Es sind Bücher, die es mit der Gegenwart aufnehmen, die Grenzen zwischen Ich und Welt verschieben und scheinbar Unvereinbares vereinen. Mehr Informationen allen sechs Titeln & dem Preis unter: hkw.de/literaturpreis ILP Gewinnerbuch 2021: DIE JÜNGSTE TOCHTER von Fatima Daas aus dem Französischen von Sina de Malafosse Claassen Ullstein Buchverlage 2021 Shortlist Titel 2021: NACH DER SONNE von Jonas Eika aus dem Dänischen von Ursel Allenstein Hanser Literaturverlage 2020 WETTER von Jenny Offill aus dem Englischen von Melanie Walz Piper Verlag 2021 AN DAS WILDE GLAUBEN von Nastassja Martin aus dem Französischen von Claudia Kalscheuer Matthes & Seitz Berlin 2021 IM DÜSTERN WALD WERDEN UNSRE LEIBER HÄNGEN von Ava Farmehri aus dem Englischen von Sonja Finck Edition Nautilus 2020 WEICHES BEGRÄBNIS von Fang Fang aus dem Chinesischen von Michael Kahn-Ackermann Hoffmann und Campe Verlag 2021 Vorhang auf: Es lesen Zeynep Bozbay, Benjamin Radjaipour, Banafshe Hourmazdi, Niels Bormann, Nastassja Martin, Tina Pfurr und Irina Sulaver aus den Büchern der Shortlist 2021. Die Jury bestand in diesem Jahr aus Michael Götting, Dominique Haensell, Annika Reich, Heike Geissler, Robin Detje, Verena Lueken & Elisabeth Ruge. _____ Video: BFF | best films forever, Musik aus „Radio Pristina EP“ von Wirefoxterrier
🎧 SCHLECHTE WÖRTER Folge 3 ist draußen! „Is this a remix of German Sprachkritik?“ In der neuen Folge #SchlechteWörter suchen die Autor*innen Don Mee Choi, Sophia Eisenhut, Senthuran Varatharajah, Fabian Saul, Hanne Lippard, Tanasgol Sabbagh, Uljana Wolf & Karosh Taha Antworten auf Sprachlosigkeit und erkunden dabei u.a. FOMO als Antrieb zum Schreiben. Die ersten drei Folgen der Audioserie findet ihr online auf hkw.de/schlechtewoerter oder hkw.de/badwords sowie bei Apple Podcasts, Spotify, Stitcher & Soundcloud! Ausgehend von Ilse Aichingers Essay öffnet die Audioserie einen vielstimmigen Raum für ein anderes Sprechen. Wie lassen sich Machtverhältnisse unterlaufen? SCHLECHTE WÖRTER/ BAD WORDS Eine Audioserie von Fabian Saul, in Zusammenarbeit mit Mathias Zeiske. Mit Beiträgen von Don Mee Choi, Sophia Eisenhut, Merve Emre, Hanne Lippard, Tanasgol Sabbagh, Karosh Taha, Senthuran Varatharajah, Uljana Wolf und anderen. Im Rahmen von #DasNeueAlphabet.
How can communities stand up together for guaranteed rights? Join us for a new edition of the New Alphabet School #CommunityBuilding and listen to lectures by Tania Bruguera, Chantal Mouffe, Saskia Sassen and Richard Sennett, moderated by Juliana Rabelo and Olga Schubert. More information: hkw.de/community
Es wird Zeit für neue Sprachen. 🔮📖 Der Internationale Literaturpreis sucht auch 2022 nach Autor*innen und Übersetzer*innen, die gegen das „Weiter so“ anschreiben und das unendliche Potenzial von Übersetzung erkennen. Alle Informationen zur Ausschreibung: hkw.de/literaturpreis
Explore new modes of learning in the Anthropocene with the new AC Courses! The AC Courses offer curated pathways by invited teachers and learners, theorists and practitioners through existing material and newly commissioned research, using a collectively produced, multi-pathway approach. The inaugural Anthropocene Curriculum course, ON CURRICULA, invites readers to consider what it means to develop a curriculum in or for the Anthropocene: Should we question the contexts in which knowledge is produced and how they shape its form and value? 0 ON CURRICULA with Jamie Allen, Joe Underhill, Ego Ahaiwe Sowinski and the Anthropocene Curriculum⎢HKW Team 🔗 Dive into the courses and find more information on: anthropocene-curriculum.org/courses #HKW #HausDerKulturenDerWelt #Anthropocene #AnthropoceneCurriculum #Learning #Knowledge #Online #DigitalLearning #Collective #OnlineCourses #EgoAhaiweSowinski #JamieAllen #JoeUnderhill
Last chance to visit our exhibition Illiberal Arts! On its final weekend, curators Anselm Franke & Kerstin Stakemeier offer two more guided tours of the exhibition, performers MYSTI & Lisa Jeschke use a workshop to expose workshops as a neoliberal educational model and Danny Hayward & Marina Vishmidt examine anti-liberal aesthetics as the beginning of anti-fascism. More about the exhibition, program & registration: hkw.de/illiberalarts 🗓 Saturday, Nov 20 5:30 pm–6:30 pm Curator-led tour in German with Anselm Franke and Kerstin Stakemeier 🗓 Sun, Nov 21 1 pm–2 pm Curator-led tour in German 3 pm “Liberal Discomfort Zone”- Workshop in English 6 pm “Materialities Shaped by Divisions” - Workshop in English All workshops free admission, with registration. ____ Video: Martin Gajc / HKW
Last chance to visit our exhibition Illiberal Arts! On its final weekend, curators Anselm Franke & Kerstin Stakemeier offer two more guided tours of the exhibition, performers MYSTI & Lisa Jeschke use a workshop to expose workshops as a neoliberal educational model and Danny Hayward & Marina Vishmidt examine anti-liberal aesthetics as the beginning of anti-fascism. More about the exhibition, program & registration: hkw.de/illiberalarts 🗓 Saturday, Nov 20 5:30 pm–6:30 pm Curator-led tour in German with Anselm Franke and Kerstin Stakemeier 🗓 Sun, Nov 21 1 pm–2 pm Curator-led tour in German 3 pm “Liberal Discomfort Zone”- Workshop in English 6 pm “Materialities Shaped by Divisions” - Workshop in English All workshops free admission, with registration. ____ Video: Martin Gajc / HKW
🎧 SCHLECHTE WÖRTER Folge 2 ist draußen! Die ersten zwei Folgen der Audioserie findet ihr online auf hkw.de/schlechtewoerter oder hkw.de/badwords sowie bei Apple Podcasts, Spotify, Stitcher & Soundcloud! Sind die schwächeren Ausdrücke die Rettung? Ausgehend von Ilse Aichingers Text, schafft die Audioserie #SchlechteWörter einen Ort für ein anderes Sprechen über Sprache und Literatur, für die Annäherung an ein neues Sprachgefühl. Aus Gesprächen, Lesungen, Sprachnachrichten, Field Recordings und Musik entsteht mit wechselnden Gästen ein begehbarer, vielstimmiger Raum. Die Verabredung lautet: Wir gehen von einem Text aus, damit ein anderer Text beginnen kann. SCHLECHTE WÖRTER/ BAD WORDS Eine Audioserie von Fabian Saul, in Zusammenarbeit mit Mathias Zeiske. Mit Beiträgen von Sophia Eisenhut, Merve Emre, Hanne Lippard, Tanasgol Sabbagh, Karosh Taha, Senthuran Varatharajah, Uljana Wolf und anderen. Im Rahmen von #DasNeueAlphabet. _____ Design: Studio Yukiko
Ein Schiff wird kommen! Wie lassen sich die Beziehungen zwischen den energiehungrigen Städten und den ausgebeuteten Landschaften am Ende des fossilen Zeitalters neu denken, verhandeln und gestalten? Die Spree als natürliche Verbindung zum Lausitzer Kohlerevier ist der ideale Ort, um diese Fragen in Berlin in Szene zu setzen. "Stadtflussland Berlin" mit Bernadette La Hengst & dem Chor der Statistik lädt angesichts der Herausforderungen des Anthropozäns zum notwendigen Perspektivwechsel ein. Stadtflussland - Landschaftstheater, 05.-07. November 5. bis 7. November, jeweils 16:00 bis 21:00 Uhr. Eintritt frei! 16:00 Uhr Anlegestation 1: Mercedes Platz / Mühlenstraße 18:00 Uhr Anlegestation 2: Dom-Aquarée / Karl-Liebknecht-Brücke 19:30 Uhr Anlegestation 3: Haus der Kulturen der Welt Mehr Informationen: https://rausgegangen.de/events/stadtflussland-berlin-ein-landschaftstheater-1/ ______ Video: Martin Gajc / HKW
How can sound overcome borders? What effect does perspective have on the perception of music? Join us this week for The Sound of Distance with live performances, concerts, lectures, sound walks and sonic installations – open air on the roof terrace and within the different resonance chambers of HKW. More information & tickets: hkw.de/soundofdistance
What does HKW sound like? Find out this week at "The Sound of Distance" festival that takes place in the expanded resonance chambers of HKW with concerts, performances, talks and sonic activations, indoors and outdoors, in a radius that includes the carillon in the neighboring bell tower and the echo of the surrounding government buildings. More information & tickets for the evening concerts: hkw.de/soundofdistance The Sound of Distance: New conceptions of music, space and architecture 2021, Oct 21, Thu — 2021, Oct 24, Sun Curated by Jan St. Werner (Mouse on Mars) and HKW, with Stephen O’Malley & Oren Ambarchi, Dirk Rothbrust & Jan St. Werner, Anthea Caddy/, Zwerm; Werner Durand, Sam Dunscombe/, Andi Toma, Hani Mojtahedy, David Grubbs, L. Chude-Sokei, David Grubbs, Andrea Belfi, crys cole, Maurice de Martin, Hani Mojtahedy&Andi Toma/. ________ Rehearsal "Annea Lockwood: bayou-borne, for Pauline" (2016) with crys cole, Oren Ambarchi, Michiko Ogawa, Werner Durand, Emilio Gordoa & Sam Dunscombe Video: Martin Gajc / HKW@
🎧 SCHLECHTE WÖRTER/ BAD WORDS 🎧 Eine Audioserie von Fabian Saul, in Zusammenarbeit mit Mathias Zeiske. Mit Beiträgen von Sophia Eisenhut, Merve Emre, Hanne Lippard, Tanasgol Sabbagh, Karosh Taha, Senthuran Varatharajah, Uljana Wolf und anderen. Im Rahmen von #DasNeueAlphabet. Die erste Folge der Audioserie findet ihr ab sofort online auf www.hkw.de/schlechtewoerter oder www.hkw.de/badwords, sowie bei Apple Podcasts, Spotify, Stitcher & Soundcloud! „Ich gebrauche jetzt die besseren Wörter nicht mehr.“ So beginnt Ilse Aichinger ihren kurzen Essay "Schlechte Wörter" und die gleichnamige Textsammlung, in der sie ihre widerständige Poetik entwickelt. Ausgehend von Aichingers Text, schafft die Audioserie "Schlechte Wörter" einen Ort für ein anderes Sprechen über Sprache und Literatur, für die Annäherung an ein neues Sprachgefühl. Aus Gesprächen, Lesungen, Sprachnachrichten, Field Recordings und Musik entsteht mit wechselnden Gästen ein begehbarer, vielstimmiger Raum. Die Verabredung lautet: Wir gehen von einem Text aus, damit ein anderer Text beginnen kann.
Complicated spaces and architectures of time: Join us for the Opening program of the retrospective Counter Gravity: The Films of Heinz Emigholz with new films being premiered and discussions with Galia Bar Or, Arno Brandlhuber, Ines Weizman and others together with director Heinz Emigholz. More information & tickets: hkw.de/en/countergravity
Archiv der Flucht Thementage, 30.9.–3.10. Mehr zum Programm: www.hkw.de/ArchivDerFlucht
Musikinstrumenten-Museum Berlin
TiergartenstraßeMémorial aux Juifs assassinés d'Europe
Cora-Berliner-Straße
allgirls international berlin art
There And
Museum für Kommunikation Berlin
Leipziger Straße
Freunde des Museums für Islamische Kunst im P
Geschwister-Scholl-Straße
Museum of Franchise in Affirmative Media Art
Schleiermacherstraße
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