panke.gallery

panke.gallery a dialogue between established and emerging artists whose work deals with digital and net-based art

[EN] Founded in 2016, panke.gallery seeks to open up a local and international dialogue between established and emerging artists. The presented works derive from the connection between digital or net-based art and club culture, reflecting in particular the recent history of Berlin. Lectures, performances and screenings as well as an edition complete the exhibition programme. Our activities receive

d press reviews in a variety of print and online media such as Neural Magazin, Berliner Zeitung, taz and Vice (see below). Over the past years, we collaborated with local and international initiatives such as PAF performing art festival 2018, Zwei Tage Wedding festival 2017/2018, The Wrong Digital Biennale or transmediale/CTM Vorspiel 2017–2019. Our activities were supported by Berliner Senatsverwaltung für Kultur und Europa (Spartenoffene Förderung), Lotto Stiftung Berlin and Bezirksamt Mitte von Berlin. https://www.panke.gallery

Curator: Sakrowski
Program coordinator: Noemi Garay
Design, consulting: Larissa Wunderlich
Text, consulting: Alex Scrimgeour, Tabea Rossol
Social media coordinator: Igor Štromajer
Administration: Erika Siekstelyte
Institutional support: Panke e.V. Further supporters:
Photo, video: Hannah Rumstedt, Galya Feierman, Visvaldas Morkevicius
Infrastructure: !Mediengruppe Bitnik, Brendan Howell

Code of Conduct:
http://downloads.panke.gallery/info/CodeOfConducts.pdf

[DE] panke.gallery sucht den Dialog zu fördern zwischen den jungen und alten Generationen, den lokalen und den internationalen Künstlern. Dabei steht besonders die Verbindung zwischen digitalen und netzbasierten und den mit Klang/Sound/Poesie arbeitenden und mit der Klubkultur verbundenen Künsten im Zentrum.

Tomorrow ➠ Meme (Piñata) Reading Club – Activation with Fabiola Larioshttps://panke.gallery/event/meme-pinata-reading-cl...
24/06/2026

Tomorrow ➠ Meme (Piñata) Reading Club – Activation with Fabiola Larios
https://panke.gallery/event/meme-pinata-reading-club

📍panke.gallery, Thursday, 25 June 2026 at 19:00

The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club, a format created by Damjanski.

For Meme Piñata, participants submit memes that are layered onto and stuffed inside a pink heart-shaped piñata, replacing the traditional paper-maché. Part sculpture, part meme dump, part time capsule, it becomes a collective archive of internet humour and cultural commentary.

The activation starts with a brief presentation by Fabiola Larios about her artistic practice, including her ongoing research into internet culture, surveillance, self-representation, and the aesthetics of digital life. After the presentation, participants will break the piñata and gather in a circle to read, share and discuss the memes together.

Somewhere between a group chat, a book club, and a birthday party, the activation invites participants to think about what memes reveal about our shared online consciousness.

Send us your meme before the event to: [email protected]



Fabiola Larios (b. 1986) is a Mexican interdisciplinary artist based in Miami, currently in residence at Bakehouse Art Complex. Her work explores the aesthetics and politics of surveillance, self-representation, and obsolescence in the digital age. Through installations that fuse e-waste, piñatas. glitter, electronics, and bedazzled surveillance cameras. Her projects often move between humor and critique, using the visual language of memes, Web 1.0 nostalgia, catholic omnipresence, and pop culture to reflect on contemporary forms of visibility, control, and collective digital life.
https://fabiola.io

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlivespanke.gal...
22/06/2026

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives

panke.gallery, Tuesday, 30 June 2026 from 19:00 to 21:00

📥 RSVP: https://panke.gallery/event/dead-link-club-1
or write to us at [email protected] to register

Part of the research project and event series Damnatio Memoriae by Tommaso Cappelletti & Noemi Garay.

Meme (Piñata) Reading Club – Activation with Fabiola Larioshttps://panke.gallery/event/meme-pinata-reading-club📍panke.ga...
21/06/2026

Meme (Piñata) Reading Club – Activation with Fabiola Larios
https://panke.gallery/event/meme-pinata-reading-club

📍panke.gallery, Thursday, 25 June 2026 at 19:00

The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club, a format created by Damjanski.

For Meme Piñata, participants submit memes that are layered onto and stuffed inside a pink heart-shaped piñata, replacing the traditional paper-maché. Part sculpture, part meme dump, part time capsule, it becomes a collective archive of internet humour and cultural commentary.

The activation starts with a brief presentation by Fabiola Larios about her artistic practice, including her ongoing research into internet culture, surveillance, self-representation, and the aesthetics of digital life. After the presentation, participants will break the piñata and gather in a circle to read, share and discuss the memes together.

Somewhere between a group chat, a book club, and a birthday party, the activation invites participants to think about what memes reveal about our shared online consciousness.

Send us your meme before the event to: [email protected]



Fabiola Larios (b. 1986) is a Mexican interdisciplinary artist based in Miami, currently in residence at Bakehouse Art Complex. Her work explores the aesthetics and politics of surveillance, self-representation, and obsolescence in the digital age. Through installations that fuse e-waste, piñatas. glitter, electronics, and bedazzled surveillance cameras. Her projects often move between humor and critique, using the visual language of memes, Web 1.0 nostalgia, catholic omnipresence, and pop culture to reflect on contemporary forms of visibility, control, and collective digital life.
https://fabiola.io

text ~ image ~ sound / Project Space Festival Berlin 2026https://panke.gallery/event/text-image-sound📍 panke.gallery, 17...
18/06/2026

text ~ image ~ sound / Project Space Festival Berlin 2026
https://panke.gallery/event/text-image-sound

📍 panke.gallery, 17 June 2026

📷 Galya Feierman

panke.gallery's participation at the Project Space Festival was an experimental evening following the tradition of Sound Nights at panke.gallery. The title points to the three elements the program brings into relation, focusing on how they influence and reshape each other in real time. The event was structured as two live performances by Berlin-based sound and performance artists Alma Alloro and Alexandra Cardenas presented alongside netart pieces by international artists Amanda E. Metzger and Julianne Aguilar.

https://projectspacefestival.berlin/en/kalender/text-image-sound-2026-06-17

Amanda E. Metzger an Artist-in-Residence at transmediale and will be presenting her current research project at the Open Studio event on 24 June 2026.

↓↓↓

Alma Alloro is a Berlin-based multi-skilled artist. After studying at the Midrasha School of Art in Tel Aviv, she completed an MFA in Art in Public Space at Bauhaus University, Weimar, and has since exhibited her work in solo and group exhibitions internationally. Growing up in the punk scene, rave, and computer art, she developed a long-standing admiration for the craftsmanship and attitude of nerd culture. Her work explores the mechanisms of patterns and texture, and how they transform across sound and image. She works across both physical and digital craft, with a practice spanning drawing, painting, textile art, patchwork quilting, code, and animation. In recent years, she has developed a VJ show based on self-developed animation creation software.

Alexandra Cardenas is a composer, live coder, and sound artist based in Berlin. Her work focuses on algorithmic composition and real-time performance, using code as a medium to generate music live. Working with open-source tools, she develops performances where sound emerges directly from live coding, often sharing the code as part of the piece. Her practice moves between experimental electronic music, audiovisual performance, installations, and artistic research. Her work sits between concert space and club context, engaging with the cultures of live coding and Algorave while maintaining a strong connection to contemporary composition. Alongside her artistic work, she teaches and builds formats for collective learning around sound, code, and open technologies.

Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. Her interests lie in how memories are made, measured, shared and reconstructed, and how to create a multi-bodied common consciousness. Working across disciplines with a focus on digital media, her work has been exhibited at the House of Electronic Arts, Basel; MU Hybrid Art House, Eindhoven; Fondazione Pastificio Cerere, Rome; Kunsthalle and Kunstmuseum Luzern; and Pilar Brussels. She has done the Connect Residency at CERN in Geneva and has been selected for the Digital Arts Residency by transmediale in Berlin for 2026. She is based in Basel, Berlin and Brussels.

Julianne Aguilar is an artist and writer. Her art practice consists of turning w**d smoke into silly little websites. She’s inspired by HTML1, websites she loved as a kid but can’t remember the URL of, jpeg artifacts, Star Trek: Deep Space Nine, clear plastic electronics, the 1999 Nine Inch Nails masterpiece The Fragile, the Gateway Computers cow box, the empty world of Vana’diel, the groundbreaking 1996 first-person shooter Quake, the Buffalo Bills’ four consecutive Super Bowl losses, Usagi Tsukino’s tears, and her cat Toki. She has an MFA from the University of New Mexico, and has shown and published work in a variety of traditional and non-traditional spaces and platforms. She lives in Albuquerque, New Mexico, USA.

Meme (Piñata) Reading Club - Activation with Fabiola Larioshttps://panke.gallery/event/meme-pinata-reading-clubpanke.gal...
17/06/2026

Meme (Piñata) Reading Club - Activation with Fabiola Larios
https://panke.gallery/event/meme-pinata-reading-club

panke.gallery, Thursday, 25 June 2026 at 19:00

The event mashes up Mexican artist Fabiola Larios's Meme Piñata with a session of the Meme Reading Club, a format created by Damjanski.

For Meme Piñata, participants submit memes that are layered onto and stuffed inside a pink heart-shaped piñata, replacing the traditional paper-maché. Part sculpture, part meme dump, part time capsule, it becomes a collective archive of internet humour and cultural commentary.

The activation starts with a brief presentation by Fabiola Larios about her artistic practice, including her ongoing research into internet culture, surveillance, self-representation, and the aesthetics of digital life. After the presentation, participants will break the piñata and gather in a circle to read, share and discuss the memes together.

Somewhere between a group chat, a book club, and a birthday party, the activation invites participants to think about what memes reveal about our shared online consciousness.

Send us your meme before the event to: [email protected]



Fabiola Larios (b. 1986) is a Mexican interdisciplinary artist based in Miami, currently in residence at Bakehouse Art Complex. Her work explores the aesthetics and politics of surveillance, self-representation, and obsolescence in the digital age. Through installations that fuse e-waste, piñatas. glitter, electronics, and bedazzled surveillance cameras. Her projects often move between humor and critique, using the visual language of memes, Web 1.0 nostalgia, catholic omnipresence, and pop culture to reflect on contemporary forms of visibility, control, and collective digital life.
https://fabiola.io

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026https://panke.gallery/event/text-image-s...
16/06/2026

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026
https://panke.gallery/event/text-image-sound

📍 panke.gallery, Gerichtstr. 23, Hof 5, 13347 Berlin
🗓️ Wednesday, 17 June 2026, 7–11 PM

panke.gallery's participation at the Project Space Festival Berlin is an experimental evening following the tradition of Sound Nights at panke.gallery. The title points to the three elements the program brings into relation, focusing on how they influence and reshape each other in real time. event is structured as two live performances by Berlin-based sound and performance artists Alma Alloro and Alexandra Cardenas presented alongside netart pieces by international artists Amanda E. Metzger and Julianne Aguilar.

https://projectspacefestival.berlin/en/kalender/text-image-sound-2026-06-17

The program explores how text, images, and data streams are translated into sound – and how sound, in turn, generates structure, image, and language. Through multimodal practices such as live coding, net art, and browser-based algorithmic compositions, the program examines computational processes as compositional frameworks. Text operates simultaneously as notation, instrument, and performance environment, structuring temporal development and interaction. In net art, (hyper)text as code is used to create deeply personal works. These pieces thrive on the open—and now largely forgotten—web, where the website itself serves as the artistic medium. Reimagined for the gallery setting, these works transition from their original, intimate viewing contexts into a shared physical space. Here, the website is transformed into an interactive screen, inviting the audience to navigate the digital landscape in a collective environment.

Rather than treating media translation as metaphor, the event approaches it as a material procedure: text is treated not only as language but also as code, dataset, instruction set, and symbolic input subject to algorithmic transformation. These artistic practices are embedded within computational and networked infrastructures, highlighting the interplay between technical protocols, ongoing processes, and individual subjectivity.

➠ images: Alma Alloro

↓↓↓

Alma Alloro is a Berlin-based multi-skilled artist. After studying at the Midrasha School of Art in Tel Aviv, she completed an MFA in Art in Public Space at Bauhaus University, Weimar, and has since exhibited her work in solo and group exhibitions internationally. Growing up in the punk scene, rave, and computer art, she developed a long-standing admiration for the craftsmanship and attitude of nerd culture. Her work explores the mechanisms of patterns and texture, and how they transform across sound and image. She works across both physical and digital craft, with a practice spanning drawing, painting, textile art, patchwork quilting, code, and animation. In recent years, she has developed a VJ show based on self-developed animation creation software.

Alexandra Cardenas is a composer, live coder, and sound artist based in Berlin. Her work focuses on algorithmic composition and real-time performance, using code as a medium to generate music live. Working with open-source tools, she develops performances where sound emerges directly from live coding, often sharing the code as part of the piece. Her practice moves between experimental electronic music, audiovisual performance, installations, and artistic research. Her work sits between concert space and club context, engaging with the cultures of live coding and Algorave while maintaining a strong connection to contemporary composition. Alongside her artistic work, she teaches and builds formats for collective learning around sound, code, and open technologies.

Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. Her interests lie in how memories are made, measured, shared and reconstructed, and how to create a multi-bodied common consciousness. Working across disciplines with a focus on digital media, her work has been exhibited at the House of Electronic Arts, Basel; MU Hybrid Art House, Eindhoven; Fondazione Pastificio Cerere, Rome; Kunsthalle and Kunstmuseum Luzern; and Pilar Brussels. She has done the Connect Residency at CERN in Geneva and has been selected for the Digital Arts Residency by transmediale in Berlin for 2026. She is based in Basel, Berlin and Brussels.

Julianne Aguilar is an artist and writer. Her art practice consists of turning w**d smoke into silly little websites. She’s inspired by HTML1, websites she loved as a kid but can’t remember the URL of, jpeg artifacts, Star Trek: Deep Space Nine, clear plastic electronics, the 1999 Nine Inch Nails masterpiece The Fragile, the Gateway Computers cow box, the empty world of Vana’diel, the groundbreaking 1996 first-person shooter Quake, the Buffalo Bills’ four consecutive Super Bowl losses, Usagi Tsukino’s tears, and her cat Toki. She has an MFA from the University of New Mexico, and has shown and published work in a variety of traditional and non-traditional spaces and platforms. She lives in Albuquerque, New Mexico, USA.

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026https://panke.gallery/event/text-image-s...
12/06/2026

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026
https://panke.gallery/event/text-image-sound

📍 panke.gallery, Gerichtstr. 23, Hof 5, 13347 Berlin
🗓️ Wednesday, 17 June 2026, 7–11 PM

panke.gallery's participation at the Project Space Festival Berlin is an experimental evening following the tradition of Sound Nights at panke.gallery. The title points to the three elements the program brings into relation, focusing on how they influence and reshape each other in real time. event is structured as two live performances by Berlin-based sound and performance artists Alma Alloro and Alexandra Cardenas presented alongside netart pieces by international artists Amanda E. Metzger and Julianne Aguilar.

https://projectspacefestival.berlin/en/kalender/text-image-sound-2026-06-17

The program explores how text, images, and data streams are translated into sound – and how sound, in turn, generates structure, image, and language. Through multimodal practices such as live coding, net art, and browser-based algorithmic compositions, the program examines computational processes as compositional frameworks. Text operates simultaneously as notation, instrument, and performance environment, structuring temporal development and interaction. In net art, (hyper)text as code is used to create deeply personal works. These pieces thrive on the open—and now largely forgotten—web, where the website itself serves as the artistic medium. Reimagined for the gallery setting, these works transition from their original, intimate viewing contexts into a shared physical space. Here, the website is transformed into an interactive screen, inviting the audience to navigate the digital landscape in a collective environment.

Rather than treating media translation as metaphor, the event approaches it as a material procedure: text is treated not only as language but also as code, dataset, instruction set, and symbolic input subject to algorithmic transformation. These artistic practices are embedded within computational and networked infrastructures, highlighting the interplay between technical protocols, ongoing processes, and individual subjectivity.

Amanda E. Metzger is an Artist-in-Residence at transmediale and will be presenting her current research project at the Open Studio event on 24 June 2026.

➠ images: Amanda E. Metzger

↓↓↓

Alma Alloro is a Berlin-based multi-skilled artist. After studying at the Midrasha School of Art in Tel Aviv, she completed an MFA in Art in Public Space at Bauhaus University, Weimar, and has since exhibited her work in solo and group exhibitions internationally. Growing up in the punk scene, rave, and computer art, she developed a long-standing admiration for the craftsmanship and attitude of nerd culture. Her work explores the mechanisms of patterns and texture, and how they transform across sound and image. She works across both physical and digital craft, with a practice spanning drawing, painting, textile art, patchwork quilting, code, and animation. In recent years, she has developed a VJ show based on self-developed animation creation software.

Alexandra Cardenas is a composer, live coder, and sound artist based in Berlin. Her work focuses on algorithmic composition and real-time performance, using code as a medium to generate music live. Working with open-source tools, she develops performances where sound emerges directly from live coding, often sharing the code as part of the piece. Her practice moves between experimental electronic music, audiovisual performance, installations, and artistic research. Her work sits between concert space and club context, engaging with the cultures of live coding and Algorave while maintaining a strong connection to contemporary composition. Alongside her artistic work, she teaches and builds formats for collective learning around sound, code, and open technologies.

Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. Her interests lie in how memories are made, measured, shared and reconstructed, and how to create a multi-bodied common consciousness. Working across disciplines with a focus on digital media, her work has been exhibited at the House of Electronic Arts, Basel; MU Hybrid Art House, Eindhoven; Fondazione Pastificio Cerere, Rome; Kunsthalle and Kunstmuseum Luzern; and Pilar Brussels. She has done the Connect Residency at CERN in Geneva and has been selected for the Digital Arts Residency by transmediale in Berlin for 2026. She is based in Basel, Berlin and Brussels.

Julianne Aguilar is an artist and writer. Her art practice consists of turning w**d smoke into silly little websites. She’s inspired by HTML1, websites she loved as a kid but can’t remember the URL of, jpeg artifacts, Star Trek: Deep Space Nine, clear plastic electronics, the 1999 Nine Inch Nails masterpiece The Fragile, the Gateway Computers cow box, the empty world of Vana’diel, the groundbreaking 1996 first-person shooter Quake, the Buffalo Bills’ four consecutive Super Bowl losses, Usagi Tsukino’s tears, and her cat Toki. She has an MFA from the University of New Mexico, and has shown and published work in a variety of traditional and non-traditional spaces and platforms. She lives in Albuquerque, New Mexico, USA.

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives.https://...
08/06/2026

Dead Link Club – an evening of internet archaeology, collective memory and speculation about digital afterlives.

https://panke.gallery/event/dead-link-club-1

panke.gallery, Tuesday, 30 June 2026 from 19:00 to 21:00

Join the Dead Link Club! An evening of internet archaeology, collective memory and speculation about digital afterlives.

Digital death and afterlife are topics that surround us everywhere: from platform shutdowns, websites disappearing and discontinued services, to Meta’s patents for death bots, zombie and dead internet theories, online memorials or grief rituals for obsolete tech. There is talk about the urgency of archiving, of keeping sources alive, of preserving the memories of marginalized voices and communities. At the same time, there are demands for the right to be forgotten, for opacity and the need to hide in the dark forests.

We are intrigued by the collectivizing energy of grieving and take seriously the pain and disorientation that can come with lost online connections, but we are not interested in nostalgia. Therefore, we will examine the concrete conditions that lead to these deaths: what economic, political and technological contexts make platforms and services come to die? What communities do they leave behind, what do they transform into and what disappears with them?

Join the Dead Link Club for its first session on Tuesday, 30 June at 7 pm at panke.gallery to find out!

Bring a defunct website, a deleted subreddit or a service that stopped responding, and let’s run a dead link autopsy together. We’ll pick some links per session and investigate.

📥 RSVP: https://panke.gallery/event/dead-link-club-1
or write to us at [email protected] to register.

Dead Link Club is part of the research project and event series Damnatio Memoriae by Tommaso Cappelletti & Noemi Garay.

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026https://panke.gallery/event/text-image-s...
01/06/2026

panke.gallery in June: text ~ image ~ sound / Project Space Festival Berlin 2026
https://panke.gallery/event/text-image-sound

📍 panke.gallery, Gerichtstr. 23, Hof 5, 13347 Berlin
🗓️ Wednesday, 17 June 2026, 7–11 PM

panke.gallery's participation at the Project Space Festival Berlin is an experimental evening following the tradition of Sound Nights at panke.gallery. The title points to the three elements the program brings into relation, focusing on how they influence and reshape each other in real time. event is structured as two live performances by Berlin-based sound and performance artists Alma Alloro and Alexandra Cardenas presented alongside netart pieces by international artists Amanda E. Metzger and Julianne Aguilar.

https://projectspacefestival.berlin/en/kalender/text-image-sound-2026-06-17

The program explores how text, images, and data streams are translated into sound – and how sound, in turn, generates structure, image, and language. Through multimodal practices such as live coding, net art, and browser-based algorithmic compositions, the program examines computational processes as compositional frameworks. Text operates simultaneously as notation, instrument, and performance environment, structuring temporal development and interaction. In net art, (hyper)text as code is used to create deeply personal works. These pieces thrive on the open—and now largely forgotten—web, where the website itself serves as the artistic medium. Reimagined for the gallery setting, these works transition from their original, intimate viewing contexts into a shared physical space. Here, the website is transformed into an interactive screen, inviting the audience to navigate the digital landscape in a collective environment.

Rather than treating media translation as metaphor, the event approaches it as a material procedure: text is treated not only as language but also as code, dataset, instruction set, and symbolic input subject to algorithmic transformation. These artistic practices are embedded within computational and networked infrastructures, highlighting the interplay between technical protocols, ongoing processes, and individual subjectivity.

Amanda E. Metzger is an Artist-in-Residence at transmediale and will be presenting her current research project at the Open Studio event on 24 June 2026.

↓↓↓

Alma Alloro is a Berlin-based multi-skilled artist. After studying at the Midrasha School of Art in Tel Aviv, she completed an MFA in Art in Public Space at Bauhaus University, Weimar, and has since exhibited her work in solo and group exhibitions internationally. Growing up in the punk scene, rave, and computer art, she developed a long-standing admiration for the craftsmanship and attitude of nerd culture. Her work explores the mechanisms of patterns and texture, and how they transform across sound and image. She works across both physical and digital craft, with a practice spanning drawing, painting, textile art, patchwork quilting, code, and animation. In recent years, she has developed a VJ show based on self-developed animation creation software.

Alexandra Cardenas is a composer, live coder, and sound artist based in Berlin. Her work focuses on algorithmic composition and real-time performance, using code as a medium to generate music live. Working with open-source tools, she develops performances where sound emerges directly from live coding, often sharing the code as part of the piece. Her practice moves between experimental electronic music, audiovisual performance, installations, and artistic research. Her work sits between concert space and club context, engaging with the cultures of live coding and Algorave while maintaining a strong connection to contemporary composition. Alongside her artistic work, she teaches and builds formats for collective learning around sound, code, and open technologies.

Amanda E. Metzger's practice revolves around network theory, data collection, and authorship. Her interests lie in how memories are made, measured, shared and reconstructed, and how to create a multi-bodied common consciousness. Working across disciplines with a focus on digital media, her work has been exhibited at the House of Electronic Arts, Basel; MU Hybrid Art House, Eindhoven; Fondazione Pastificio Cerere, Rome; Kunsthalle and Kunstmuseum Luzern; and Pilar Brussels. She has done the Connect Residency at CERN in Geneva and has been selected for the Digital Arts Residency by transmediale in Berlin for 2026. She is based in Basel, Berlin and Brussels.

Julianne Aguilar is an artist and writer. Her art practice consists of turning w**d smoke into silly little websites. She’s inspired by HTML1, websites she loved as a kid but can’t remember the URL of, jpeg artifacts, Star Trek: Deep Space Nine, clear plastic electronics, the 1999 Nine Inch Nails masterpiece The Fragile, the Gateway Computers cow box, the empty world of Vana’diel, the groundbreaking 1996 first-person shooter Quake, the Buffalo Bills’ four consecutive Super Bowl losses, Usagi Tsukino’s tears, and her cat Toki. She has an MFA from the University of New Mexico, and has shown and published work in a variety of traditional and non-traditional spaces and platforms. She lives in Albuquerque, New Mexico, USA.

A MAZE. / Berlin – international Games and Playful Media Festival 13–16 May 2026Opening: 13 May, 8 PM▶️ https://2026.ama...
13/05/2026

A MAZE. / Berlin – international Games and Playful Media Festival
13–16 May 2026
Opening: 13 May, 8 PM

▶️ https://2026.amaze-berlin.de

A MAZE. / Berlin is back in 2026 for the 15th time, bringing together a worldwide community of arthouse game developers, artistic world builders, digital artists and playful media creators. 👾 From 13 to 16 May, the festival takes place in silent green, panke.gallery and Panke Club, HAU, transmediale studio, Urban Spree, and satellite locations across Berlin 🕹

Get your early bird tickets and save the dates for A MAZE. / Berlin 2026 on May 13 — 16, 2026.

Adresse

Gerichtstraße 23, Hof 5, Wedding
Berlin
13347

Öffnungszeiten

Mittwoch 15:00 - 19:00
Donnerstag 15:00 - 19:00
Freitag 15:00 - 19:00
Samstag 15:00 - 19:00

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von panke.gallery erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

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