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Haze.Gallery

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Haze.Gallery

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"HAZEGALLERY in Berlin is dedicated to championing emerging Art focused on artists from all over the world.

Established in 2019 by Irina Rusinovich, the Gallery aims to be interactive, thought-provoking, and original."

05/10/2026

Nikša Suzić joins the HAZEGALLERY 2026/27 program.

Belgrade-based sculptor Nikša Suzić ɴ ɪ ᴋ š ᴀ ꜱ ᴜ ᴢ ɪ ć works with plaster, wood, metal, concrete and stone, combining formal restraint with a strong understanding of fabrication and spatial construction. His sculptures often place rounded, compressed or bodily forms against rigid supports, using contrast in weight, surface and structure to create a sense of physical tension rather than relying on narrative or symbolism.

Suzić’s approach is closely connected to the way materials behave under pressure, how they support one another and how a sculptural form changes once it is installed in space. His background in scenography, fabrication and large-scale exhibition production has developed alongside his studio practice, giving him direct experience with construction, installation and material problem-solving on an architectural scale. He holds BA and MA degrees in Sculpture from the Faculty of Fine Arts, University of Arts in Belgrade.

His recent solo exhibitions include Gut Feeling and Nothing to Declare, while his wider production experience includes large-scale museum and exhibition projects in Dubai, Abu Dhabi and Osaka.

A curated selection of works by Nikša Suzić is now represented by HAZEGALLERY and available through haze.gallery.

03/10/2026

One work, closer look

In this work, Francesca Borgo Francesca Borgo Artist allows the image to emerge through the surface rather than placing it on top of it. Layers of acrylic, sand and mineral pigment build a landscape that feels suspended between atmosphere and physical structure, where depth is created as much by accumulation and erosion as by colour.

The composition remains deliberately open, resisting a fixed sense of place. What appears at first as mist, water or terrain shifts as the eye moves across the surface, allowing the work to stay somewhere between landscape and abstraction without settling fully into either.

This is where Borgo’s use of material becomes essential. The surface does not simply support the image, but carries its own history of pressure, removal and reworking, so that the painting retains visible traces of the process through which it was made.

FRANCESCA BORGO

Imperial Slide, 2024

Painting, Acrylic and sand on linen
160 × 190 cm
Ships ready to hang
EU delivery included

For further information, availability and acquisition enquiries, please contact HAZEGALLERY directly.

01/10/2026

Buying Art Online: What Matters When You Haven’t Seen the Work in Person.

Buying art online has become a normal part of collecting, although the experience is very different from encountering a work in person.

Scale can be difficult to judge, materials may behave differently in changing light, and a single image rarely tells the whole story.

Our latest editorial looks at what actually matters when considering an artwork remotely, from understanding scale and surface to provenance, pricing, documentation and the wider context of an artist’s practice.

The aim is not to remove uncertainty completely, but to make sure that the decision is based on information, attention and a genuine response to the work.

Read the full article on HAZE.GALLERY.

28/09/2026

Selected works by Mischa Jovanovic Mischa Jovanovic

Mischa Jovanovic’s practice is built around a highly physical approach to painting, where gesture, colour and surface remain visible as part of the construction of the image rather than being resolved into a polished finish.

In works such as Black and red composition, broad movements of paint are held against darker areas of compression, creating a tension between expansion and resistance that gives the work its physical presence. The use of synthetic resin varnish adds another layer to the surface, altering the way light moves across the painting and reinforcing the sense that the work exists as an object as much as an image.

Across canvas and works on paper, Jovanovic develops this language through repetition, variation and shifts in scale, allowing related structures to reappear without becoming fixed motifs. The result is a body of work that remains recognisable while continuing to change from one piece to the next.

Inquire via our email or DM EU delivery included. Shipping outside the EU is calculated separately based on destination.

Selected works by Mischa Jovanovic are currently available through HAZEGALLERY at haze.gallery.

25/09/2026

One Work, Closer Look

In „Murder in Paradise“, Ina Gersuny INA GERSUNY | Performance Artist takes the visual language of advertising and pushes it just far enough for attraction to become discomfort. The image is carefully controlled, almost pristine in its lighting and composition, yet the familiar ritual of eating has been transformed into something theatrical, excessive and slightly absurd. This tension sits at the centre of Gersuny’s practice.
Working with photography and performance, she constructs images in which food, cosmetic materials, fashion codes and everyday objects appear polished and desirable while gradually losing their ordinary function. What initially resembles a seductive commercial image begins to feel detached from the world it supposedly belongs to.
Gersuny describes this territory as “opulent horror”, a visual condition in which glamour and unease are allowed to exist at the same time. In Murder in Paradise, the immaculate glove, the metallic fork and the exaggerated red liquid create a scene that remains visually pleasurable while refusing to become comfortable.

Ina Gersuny

Murder in Paradise, 2018
Archival Fine Art Print
Mounted on Aluminum Dibond
80 × 62 cm
Unique 1/1
€2,900
EU delivery included

Available through HAZEGALLERY

19/09/2026

Christina-Sylvia Simantira Christina-Sylvia Simantira joins the HAZEGALLERY 2026/27 program.

Christina’s practice moves across painting, sculpture and installation, developing through repetition, layering and intuitive construction rather than through a fixed image established in advance. Working with markers, fabrics, yarn, paper, ready-made objects, second-hand clothes and furniture, she allows forms to emerge gradually through gesture and association, creating compositions that move between abstract landscape, organic structure and unfamiliar imagined space.

Material plays an active role in this process, shaping both the visual direction of the work and the way meaning develops within it. Familiar objects and everyday materials are displaced from their habitual functions and reorganised into new relationships, allowing the work to address perception, identity, gender roles, social structures and hierarchy without reducing these questions to a single interpretation.

The resulting works remain deliberately open, holding together formal experimentation with a subtle sense of humour and self-irony, while allowing repetition and accumulation to generate their own internal logic.

Based in Athens, Simantira studied Visual Arts at the Athens School of Fine Arts and completed her MFA there in 2025 under the supervision of Kostis Velonis. She also studied at Kunsthochschule Berlin-Weißensee and has presented work across Greece and Germany, including at the National Museum of Contemporary Art in Athens, Kappatos Gallery, Platforms Project, the Museum of the City of Athens and the Municipal Gallery of Piraeus.

A curated selection of works by Christina-Sylvia Simantira is now represented by HAZEGALLERY and available through haze.gallery.

15/09/2026

One Work, Closer Look

In “Selves” , Milada Kopeliovich Milada Kopeliovich places a solitary figure among a group of mannequins, creating a scene in which the distinction between presence, performance and representation becomes deliberately unstable.

Milada’s figurative practice is shaped by questions of alienation, freedom and belonging within a culture increasingly defined by individualism. Born in post-Soviet Kazakhstan and formed artistically across different social and geographical contexts, she approaches these questions through situations that remain recognisable while carrying an underlying sense of estrangement.

In “Selves”, that tension is concentrated around the central figure, whose physical presence is surrounded by bodies that resemble her without possessing identities of their own. The mannequins can be read as doubles, substitutes or possible versions of the self, while the painted space around them shifts between observation and psychological projection.

The work leaves this ambiguity unresolved, allowing the figure to remain suspended between individuality and repetition while raising a broader question about how a coherent sense of self is maintained within a culture increasingly shaped by external images, expectations and systems of representation.

Milada Kopeliovich
Selves, 2023
Oil on canvas
100 × 100 cm
€1,700, EU delivery included

Available through HAZEGALLERY at haze.gallery.

13/09/2026

Ekaterina Belova Katja Belova. Professional mixed media artist joins the HAZEGALLERY 2026/27 program.

Belova’s practice is built around interconnectedness and the unstable boundaries between human, natural and social forms. Rather than treating these boundaries as fixed divisions, she approaches them as spaces of contact, where different states, materials and histories can meet and transform one another.

Working across painting, sculpture, installation and process-based practices, Belova combines materials with distinct physical properties and cultural associations, allowing tension to emerge not only through representation but within the structure of the work itself. Time operates in a similarly fluid way, with personal and collective memory, present experience and possible futures existing alongside one another rather than following a linear sequence.

The works presented by HAZEGALLERY include paintings and sculptural objects from The Flood as Dissolution of Borders, a project in which transformation becomes both subject and method, while forms resist stable classification and move between body, landscape and object.

Born in Saint Petersburg and currently based in Basel, Belova graduated from the Repin Academy of Fine Arts in 2021. Her exhibition history includes a solo presentation at Wabe in Basel, as well as group exhibitions at the New Tretyakov Gallery in Moscow, Manege Central Exhibition Hall and the Research Museum of the St. Petersburg Academy of Arts. She was a finalist for the CREA Venice Art Prize and the ECCO Eco Award in 2025.

A curated selection of works by Ekaterina Belova is now represented by HAZEGALLERY and available through haze.gallery.

11/09/2026

Some artworks can be understood almost immediately through an image, while others depend on surface, scale, weight and physical presence in ways that a screen can only partially convey.

In the latest HAZEGALLERY Perspectives article, I look at material as an active part of meaning rather than a purely technical decision, considering how it can carry traces of process, memory, place and transformation within an artwork.

The text brings together three distinct practices from the current HAZEGALLERY program. Francesca Borgo Francesca Borgo Artist builds layered surfaces through acrylic, natural sand and mineral pigments; Serhio Lichi introduces found materials, environmental conditions and place into the formation of his works; Sasha Zaitseva works at the threshold between image and object, where sculptural form changes the way the viewer experiences scale and presence.

The article asks a simple but important question: what does material contribute to the way we understand an artwork beyond the image itself?

Read Why Material Still Matters in Contemporary Art in Perspectives at haze.gallery.

Selected works by Francesca Borgo, Serhio Lichi serhio_lichi and Sasha Zaitseva S A S H A Z A I T S E V A are currently available through HAZEGALLERY.

09/09/2026

HAZEGALLERY presents Sergey Nikitin (Serhio Lichi) serhio_lichi as part of its 2026/27 programme.

Working across painting, assemblage, objects and performance, Lichi develops a practice in which material is inseparable from place. Found and vernacular elements enter the work alongside paint, carrying their own histories while allowing time, chance and environmental conditions to remain visible within the finished piece.

His works frequently move beyond the conventional language of painting, approaching the canvas as a physical object rather than simply a surface for an image. Personal memory, landscape and the character of a particular environment become embedded in the material itself, creating works that remain deliberately open to change and instability.

Born in Moscow and currently based in Tulum, Mexico, Lichi has developed his practice across different geographical contexts, allowing each place to inform both the materials he uses and the way individual works take form.

A curated selection of works by Serhio Lichi is now represented by HAZEGALLERY and available through haze.gallery.

Adresse

Berlin

Öffnungszeiten

Dienstag	11:00 - 15:00
Mittwoch	11:00 - 15:00
Donnerstag	11:00 - 15:00
Samstag	13:00 - 16:00

Telefon

+491746127171

Website

http://haze.gallery/

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