Haze.Gallery

Haze.Gallery "HAZEGALLERY in Berlin is dedicated to championing emerging Art focused on artists from all over the world.

Established in 2019 by Irina Rusinovich, the Gallery aims to be interactive, thought-provoking, and original."

Ehsan Arjmand Ehsan Arjmand paints the body as a territory rather than an anatomy. Figures appear in his canvases alread...
04/09/2026

Ehsan Arjmand Ehsan Arjmand paints the body as a territory rather than an anatomy. Figures appear in his canvases already halfway into their surroundings, held together by white line and interrupted by flat red forms that behave like forces pushing through the composition from somewhere outside it.

He works without preparatory drawings. The image assembles itself through layers of acrylic, ink and charcoal, and whatever happens accidentally in one layer becomes the structure of the next. Finding order inside uncertainty is the actual subject of the practice.

Arjmand was born in Abadeh, Iran, in 1982, took a BA in Sculpture from the University of Fine Arts in Tehran and an MA in Painting from the University of Science and Culture, and now lives and works in Austria.

His first solo exhibition opened in Tehran when he was twenty three, and his work has since been shown in Austria, Iran, Turkey, Lebanon, Albania, Greece, Sweden, Canada and the United Kingdom. He has been a full member of IG Bildende Kunst in Austria since 2025.

Untitled, 2024. Acrylic and ink on canvas.
155 x 180 cm €4,000
Undefined Release, 2026. Acrylic and ink on canvas.
49 x 49 cm €1,080

His works on paper begin at 300 EUR and open the September collection.

All paintings ship insured within Europe, shipping included. Available now at haze.gallery, link in bio.

There is a particular kind of dread that lives inside a perfectly lit photograph of dinner, and Ina Gersuny INA GERSUNY ...
01/09/2026

There is a particular kind of dread that lives inside a perfectly lit photograph of dinner, and Ina Gersuny INA GERSUNY | Performance Artist has spent years learning to photograph exactly that. She calls it opulent horror, and it works by staging the most ordinary routines we have, eating and shopping and looking after your own face, with the flash-lit precision of an advertising campaign, and then pushing them until something in the frame quietly stops making sense.

Her pictures are immaculate before they are unsettling, which is what makes them so difficult to put down. Pearls turn up where food should be, dish soap catches the light like jewellery, and the woman at the centre of it is the artist herself, performing a version of the hyper-functional life most of us are quietly failing at.

Born in Schwerin in 1998 and working in Berlin, she studied art history and film before turning to costume and make-up design, which explains a great deal about how these images are constructed. Her work has appeared in Numéro Berlin, and she has shown solo at Galerie Mond and this year at Salon Art Nova.

What is unusual about her editions is that the same image exists at two very different scales, framed in a run of five at twenty by thirty centimetres for €450, or as a single unique print at a hundred and twenty by eighty for €4,000, so you can begin wherever your wall and your budget happen to agree.

haze.gallery/InaGersuny link 🔗 in bio

MISCHA JOVANOVIC Mischa Jovanovic joins HAZEGALLERYBorn in Belgrade and raised in Switzerland, Jovanovic has developed a...
31/08/2026

MISCHA JOVANOVIC Mischa Jovanovic joins HAZEGALLERY

Born in Belgrade and raised in Switzerland, Jovanovic has developed a painting practice shaped by movement between cultures, places and visual histories. His early encounters with the New York art scene and Abstract Expressionism became an important point of reference, particularly its physicality, immediacy and understanding of painting as an emotional rather than purely representational space.

Working primarily with acrylic and synthetic resin on canvas, Jovanovic builds large-scale compositions through gesture, density and material tension. Structure appears only to be disrupted; control gives way to movement, while layers of colour and texture turn the surface into an active, almost spatial field.

Rather than resolving into a fixed narrative, his paintings remain deliberately open. Abstraction becomes a place where memory, displacement and perception can coexist without being translated into literal imagery.

His recent works move between monumental abstract compositions and the Flowing Skull series, extending this investigation into more recognisable forms while retaining the same physical and psychological intensity.

Selected works by Mischa Jovanovic are now represented by HAZEGALLERY and available for acquisition.

Explore the works via haze.gallery.

HAZEGALLERY is pleased to welcome Sasha Zaitseva S A S H A  Z A I T S E V A to its 2026/27 program.Zaitseva’s practice m...
28/08/2026

HAZEGALLERY is pleased to welcome Sasha Zaitseva S A S H A Z A I T S E V A to its 2026/27 program.

Zaitseva’s practice moves between sculpture, object and image, developing a visual language in which the mask becomes both a physical form and a psychological device. Her works draw on ritual, folklore, ornament and contemporary visual codes, allowing familiar symbols to shift between protection, confrontation, disguise and transformation.
Across the Mask and Venok works, material and surface play an essential role. Forms that initially appear decorative or ceremonial reveal a more ambiguous character on closer inspection, balancing attraction with a sense of unease.
The selected works presented by HAZEGALLERY bring together several strands of Zaitseva’s practice, from the sculptural presence of the masks to the circular, ritual associations of the Venok series.

A curated selection of works by Sasha Zaitseva is now represented by HAZEGALLERY and available through haze.gallery.

Collecting contemporary art can begin with a single work.This selection brings together five works by Natalija Stamenkov...
26/08/2026

Collecting contemporary art can begin with a single work.

This selection brings together five works by Natalija Stamenković,, Teodora Nešković, Ehsan Ardjmand and Francesca Borgo each representing a distinct visual language within the current HAZEGALLERY programme and each available for under €1,500.

Price is only one part of the decision. What matters more is whether a work continues to hold attention, whether it belongs to a practice with its own direction, and whether you can imagine living with it beyond the immediacy of the first encounter.

Natalija Stamenković, In a Land Far Beyond Seven Mountains, 2026 €1,350

Ehsan Ardjmand, Broken Orbit, 2026, €1,080

Francesca Borgo, Unending 2024, €1500

Teodora Nešković, Pet, 2026, €700

Ehsan Ardjmand,The Body as Burden, 2026, €1,080

EU delivery is included in the gallery price. Shipping outside the EU is calculated separately based on destination.

All five works are currently available through HAZEGALLERY.

haze.gallery

New works by Teodora Nešković teodora nešković are now available through HAZEGALLERY.The latest paintings extend a visua...
24/08/2026

New works by Teodora Nešković teodora nešković are now available through HAZEGALLERY.

The latest paintings extend a visual language in which figures, objects and imagined spaces move between intimacy and estrangement, allowing familiar situations to become slightly unstable, theatrical and psychologically charged.

Across different scales, the works retain a directness that initially draws the viewer into the image, while their relationships, gestures and spatial tensions resist an immediate reading.

This new selection includes works from 2025 and 2026, ranging from smaller paintings to large-scale canvases, and continues the development of Nešković’s distinctive pictorial world.

A curated selection of new works by Teodora Nešković is now available through HAZEGALLERY.

EU delivery is included. Shipping outside the EU is calculated separately based on destination.

haze.gallery

HAZEGALLERY is pleased to welcome Natalija Stamenković to its 2026/27 program.Stamenković’s practice centres on Planet 2...
21/08/2026

HAZEGALLERY is pleased to welcome Natalija Stamenković to its 2026/27 program.

Stamenković’s practice centres on Planet 22, an imaginary world developed through painting and gradually expanding into objects and spatial installations. Through this constructed environment, she examines the contemporary need for belonging, orientation and control within systems whose rules are often unclear, inherited or imposed.

Each painting functions as a fragment of Planet 22, using simplified forms, disrupted perspective, rough textures and intense colour relationships to create scenes that feel at once familiar and impossible. Beneath their visual immediacy, the works introduce a quieter sense of unease, isolation, limitation and uncertainty.

Rather than treating Planet 22 as a fixed narrative, Stamenković develops it as a long-term project that evolves alongside her own experience and her understanding of the time in which she lives.

Born in Sokobanja and based in Belgrade, Stamenković holds BA and MA degrees in Painting from the Faculty of Arts, University of Niš. Her work has been presented in five solo exhibitions and more than forty group exhibitions in Serbia and internationally.

A curated selection of works from Planet 22 is now represented by HAZEGALLERY and available through haze.gallery.

Natalija Stamenković

18/08/2026

HAZEGALLERY is pleased to welcome Ehsan Ardjmand to its 2026/27 program.

Ardjmand’s paintings centre on the human figure as a site of tension, vulnerability and psychological pressure. Working across acrylic, ink, charcoal and canvas, he builds compositions in which bodies appear exposed, fragmented and physically immediate, while remaining emotionally difficult to fully access.

The selected works move between intimacy and unease, using gesture, distortion and spatial compression to create a visual language that is direct without becoming illustrative.

A curated selection of works by Ehsan Ardjmand is now represented by HAZEGALLERY and available through haze.gallery.

A collection does not have to begin with a strategy. It can begin with one work that continues to hold your attention lo...
17/08/2026

A collection does not have to begin with a strategy. It can begin with one work that continues to hold your attention long after the first encounter.
For this edition of Curator’s Edit, I selected three works from the HAZEGALLERY programme that I consider particularly strong entry points into a collection.
Each of them has a clear visual identity, enough presence to stand on its own, and the kind of depth that reveals itself gradually rather than all at once.
The works come from different practices, but they share one quality that matters to me as a curator: they remain compelling beyond the first impression.

1.TEODORA NEŠKOVIĆ teodora nešković
“Long night”, 2025
acrylic on canvas
Stretched on canvas. Ready to hang
100x100 cm,
Original work. Signed certificate of authenticity included.
€1400
EU delivery included

2.EHSAN ARJMAND Ehsan Arjmand
Overlapping Silence, 2025
Ink on paper
21 × 29.7 cm
Unframed 
€325
EU delivery included

3.FRANCESCA BORGO Francesca Borgo Artist
Shifting sky, 2025
Work on paper, Acrylic, mineral pigments and sand on Yupo
40 × 30 cm
Framed, ships ready to hang
€600
EU delivery included

Selected works are currently available through
HAZEGALLERY.

www.haze.gallery

15/08/2026

FRANCESCA BORGO joins the HAZEGALLERY

Working with acrylic, natural sand and mineral pigments, Borgo builds layered surfaces through processes of accumulation, erosion and reveal. Her paintings draw on the visual language of water, wind and geological formations, creating landscapes shaped by memory, connection and transformation.

Based in Treviso, Italy, Borgo has exhibited internationally, including the Royal Academy of Arts Summer Exhibition in London, The Other Art Fair, Affordable Art Fair New York and presentations across Europe, the United States and South Korea.

A selected group of works is now available through HAZEGALLERY link in bio
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