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Zentrum für Netzkunst

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Zentrum für Netzkunst

archiving/exhibiting pioneering+contemporary netart & culture, Berlin · https://netzkunst.berlin

The Zentrum für Netzkunst (Center for Net Art, Berlin) reconstructs, maintains, and preserves net art and net culture. The initiative researches possibilities of archiving and contextualization of net art. https://netzkunst.berlin

Sign up for our email newsletter: https://landing.mailerlite.com/webforms/landing/k8q5e2

• Members of the association: !Mediengruppe Bitnik, Tereza Havlíková, Paloma O

liveira, Anneliese Ostertag, Tabea Rossol, Sakrowski, Cornelia Sollfrank, Igor Štromajer

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/rosa is a new project space in Neukölln, Berlin. It is jointly run by Zentrum für Netzkunst (ZfN) and panke.gallery and focuses on researching and exhibiting net art and net culture • /rosa, Heidelberger Str. 28, 12059 Berlin • https://netzkunst.berlin/rosa

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Calculating Control: (Net)Art and Cybernetics • exhibition and research project; April – September 2021 • https://netzkunst.berlin/cc

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Instagram: .berlin
https://instagram.com/netzkunst.berlin
Twitter: .berlin
https://twitter.com/NetzkunstBerlin
Telegram:
https://t.me/ZentrumderNetzkunst
Mastodon:
https://tldr.nettime.org/
Twitch:
https://twitch.tv/netzkunstberlin
Facebook:
https://fb.com/netzkunst.berlin
YouTube:
https://youtube.com/.berlin

26/08/2026

: Akribie & Obsession – Ästhetiken und Praktiken der kybernetischen Konjunktur [Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture]; Anneliese Ostertag, Tabea Rossol (Eds.) / Zentrum für Netzkunst; Spector Books, Leipzig, July 2026 [language: German]
https://www.spectorbooks.com/de/buch/akribie-&-obsession

Authors: Alexander Amberger, Christian Booß, Wolfgang Ernst, Francis Hunger, Maroš Krivý, Katharina Loeber, Birgit Schneider, Oliver Sukrow, Martin Supper, Michaela Wünsch

— part of Calculating Control: (Net)Art and Cybernetics; Haus der Statistik & panke.gallery, Berlin, April – October 2021 · exhibitions, symposium, journal
https://netzkunst.berlin/cc

– video archives:
https://www.youtube.com/.berlin/streams
— with Oliver Sukrow, Katharina Loeber, Francis Hunger, Clemens Apprich, Anna-Verena Nosthoff, Felix Maschewski, Oleksiy Radynski, Matthew Fuller, Annet Dekker, Marialaura Ghidini, Gaia Tedone

– guided tour (live streams, during Covid-19):
https://youtu.be/UVBnkci1EAs
— with Francis Hunger, Roland Kayn, Oleksiy Radynski, Andreas Siekmann, Suzanne Treister, Ruth Wolf-Rehfeldt, Lisa Jevbratt, Mongrel, Kybernet, Kerblochkarte, UBERMORGEN, Constant Dullaart (Haus der Statistik and panke.gallery)

: with Jaime Lobato, Anna Zett, Martina Raponi

: with Birgit Schneider, Krivý Maroš, Alexander Amberger, Wolfgang Ernst

Concept and Curation: Tereza Havlíková, Paloma Oliveira, Anneliese Ostertag, Tabea Rossol, Sakrowski (Zentrum für Netzkunst)
Research, Graphic Concept, and Design: Anna-Luise Lorenz
Programming: Jakub Fiala
Symposium Assistance: Noemi Garay
Exhibition Architecture: Omer P***k, Cäcilia Verweyen

03/08/2026

Just saying: Olia Lialina at panke.gallery this September!

Network Portraits
– solo show
https://panke.gallery/exhibition/network-portraits

panke.gallery, 10 September – 3 October 2026

Network Portraits explores the labor and transformations required to keep websites and digital cultures alive. This includes practices such as archiving, re:mixing, re:enactment, distributed hosting, and the circulation of content across different browsers, platforms, and infrastructures. At the same time, the exhibition questions the assumption that everything must remain permanently online. What does it mean for the web to stay “alive,” and what kinds of transformations does this demand?

Olia Lialina traces networks that reflect the contexts in which the artist and her works exist at a specific moment in time. These constellations are shaped by personal relationships and social networks, technical conditions such as software, platforms, and browser infrastructures, as well as aesthetic influences. For the exhibition at panke.gallery, the works are situated within processes of contextual shifts and transformations: media remediations, jumps from one medium to another, from one platform or server to another, and across different media formats. These translations unfold between historical software and hardware installations, works using or reactivating legacy technologies, contemporary platform-based works, and physical and digital artefacts.

Olia Lialina is among the best-known participants in the 1990s net.art scene – an early-days, network-based art pioneer. Her early work had a great impact on recognizing the Internet as a medium for artistic expression and storytelling. This century, her continuous and close attention to user culture, “net.language” and no-interface paradigm, has made her an important voice in new media, post-digital studies and HCI. She is cofounder and keeper of One Terabyte of Kilobyte Age archive, author of Digital Folklore (2009) and Turing Complete User (2021). Since 1999 she is a professor for art and design online at Merz Akademie in Stuttgart, Germany.

https://art.teleportacia.org

15/07/2026

Das Buch ist da! The book is out! 📖 Akribie & Obsession – Ästhetiken und Praktiken der kybernetischen Konjunktur; Anneliese Ostertag, Tabea Rossol (Hrsg.) / Zentrum für Netzkunst; Spector Books, Leipzig, Juli 2026

[Meticulousness & Obsession: Aesthetics and Practices of the Cybernetic Conjuncture; language: German]

Authors / Autor*innen: Alexander Amberger, Christian Booß, Wolfgang Ernst, Francis Hunger, Maroš Krivý, Katharina Loeber, Birgit Schneider, Oliver Sukrow, Martin Supper, Michaela Wünsch

Design: Anna-Luise Lorenz

https://www.spectorbooks.com/de/buch/akribie-&-obsession

· part of Calculating Control: (Net)Art and Cybernetics; Haus der Statistik & panke.gallery, Berlin 2021
https://netzkunst.berlin/cc

[ENG] During the 1960s and 1970s, the automation of data processing elevated the status of the administrative apparatus, turning metrics and controllability into a social utopia. Akribie und Obsession explores how cybernetic thought resonated across artistic and social practices, architecture, and technology. Ranging from Ruth Wolf-Rehfeldt’s typewriter art and the East German Ministry for State Security’s data storage to Roland Kayn’s cybernetic compositions, this volume brings together various forms of data processing and visualization. It explores the cybernetic utopias of GDR science fiction, the planned, self-regulating city of Etarea, and the Academy for Marxist-Leninist Organizational Science.

ISBN: 9783959055840, 120 Seiten / pages

[DEU] In den 1960er und 1970er Jahren führte die Automatisierung der Datenverarbeitung zur Aufwertung des Verwaltungsapparats: Mess- und Regulierbarkeit wurden zur gesellschaftlichen Utopie. Akribie und Obsession erforscht die Resonanzen des kybernetischen Denkens in künstlerischen und sozialen Praktiken, Architekturen und Technologien. Von der Schreibmaschinenkunst Ruth Wolf-Rehfeldts über die Datenspeicherung des Ministeriums für Staatssicherheit hin zu den kybernetischen Kompositionen von Roland Kayn versammelt der Band Formen der Datenverarbeitung und -visualisierung sowie die kybernetischen Utopien der Science-Fiction-Literatur in der DDR, der geplanten, selbstregulierenden Stadt Etarea und der Akademie der marxistisch-leninistischen Organisationswissenschaft.

06/07/2026

Thank you to everyone who joined us for our 48h Reading Group this weekend at /rosa with artists Simon Weckert, Evan Roth, eeefff_org, and !Mediengruppe Bitnik, exploring the theme of Mapping the Internet.

/rosa, 3–5 July 2026, part of 48 Hours Neukölln

It was such a wonderful long weekend!

Ever since we began thinking of networks as cyberspace, we have also considered how to navigate and map them. This has ranged from the geographical locations of infrastructure and the visualization of IP addresses and users to poetic and speculative approaches by artists, the tracing of power structures, and the personal and affective mapping of online spaces. The cartography of the internet has always been connected to foundational conceptions of the internet, its edges, and its fluidity.

04/07/2026

We're doing fine.

48h Reading Group, 3–5 July 2026 at /rosa, part of 48 Hours Neukölln
https://panke.gallery/event/48h-reading-group

➠ Detailed program by day:
https://cryptpad.bitnik.org/pad/ #/2/pad/view/twI0K14u5tpmxR-TDgVlPRg3IhMdhreRLy8VOepOG7Q/

Throughout the weekend, sessions with artists Simon Weckert, Evan Roth, eeefff_org, and !Mediengruppe Bitnik are exploring the theme of Mapping the Internet.

https://48-stunden-neukoelln.de/de/programm/48-stunden-lesegruppe-mapping-the-internet

03/07/2026

We start today, and finish on Sunday: 48h Reading Group, 3–5 July 2026 at /rosa

➠ Detailed program by day:
https://cryptpad.bitnik.org/pad/ #/2/pad/view/twI0K14u5tpmxR-TDgVlPRg3IhMdhreRLy8VOepOG7Q/

Join us for the 48h Reading Group at our project space /rosa (Heidelberger Str. 28, 12059 Berlin) as part of 48 Hours Neukölln, from 3 to 5 July 2026.

https://48-stunden-neukoelln.de/de/programm/48-stunden-lesegruppe-mapping-the-internet

Throughout the weekend, sessions with artists Simon Weckert, Evan Roth, eeefff_org, and !Mediengruppe Bitnik will explore the theme of Mapping the Internet.

https://panke.gallery/event/48h-reading-group

Over the course of two days, we will read and discuss a variety of texts on the geography of the internet, including sessions with invited artists. The project space /rosa will remain continuously activated throughout the full 48 hours.

We will read all texts together onsite, so no preparation is required. We will provide either a link or a PDF.

Participants are welcome to stay overnight at /rosa, provided they register in advance via [email protected].

Ever since we started thinking of networks as cyberspace, we have also considered how to navigate and map them. This has ranged from the geographical locations of infrastructure and the visualisation of IP addresses and users to poetic and speculative approaches by artists, the tracing of power structures, and the personal and affective mapping of online spaces. The cartography of the internet has always been connected to foundational conceptions of the internet, its edges, and its fluidity.

25/06/2026

ROTBOTS Workshop with !Mediengruppe Bitnik: Thursday, 2 July 2026 at /rosa Project Space (Heidelberger Str. 28, 12059 Berlin, Alt-Treptow/Neukölln)
https://distant.gallery/rotbots

ROTBOTS focusses on building semi-autonomous ‘content machines’: systems that generate and distribute artistic brainrot across social media. Rather than feeding existing extractive platforms, the project asks: can automated content become a form of resistance?

ROTBOTS is a collaborative project by distant.gallery, Zentrum für Netzkunst and the Networked Materiality class at AdBK Nürnberg, supported by Stiftung Kunstfonds. Initiated by Constant Dullaart, in collaboration with Fabian Hampel and the Networked Materiality class at AdBK Nürnberg. With Clusterduck, Sam Lavigne, Tega Brain, IOCOSE, !Mediengruppe Bitnik.

22/06/2026

48h Reading Group, 3–5 July 2026 at /rosa

➠ Detailed program by day and artists:
https://cryptpad.bitnik.org/pad/ #/2/pad/view/twI0K14u5tpmxR-TDgVlPRg3IhMdhreRLy8VOepOG7Q/

Join us for the 48h Reading Group at our project space /rosa (Heidelberger Str. 28, 12059 Berlin) as part of 48 Hours Neukölln, from 3 to 5 July 2026.

https://panke.gallery/event/48h-reading-group

Throughout the weekend, sessions with artists Simon Weckert, Evan Roth, eeefff_org, and !Mediengruppe Bitnik will explore the theme of Mapping the Internet.

Over the course of two days, we will read and discuss a variety of texts on the geography of the internet, including sessions with invited artists. The project space /rosa will remain continuously activated throughout the full 48 hours.

We will read all texts together onsite, so no preparation is required. We will provide either a link or a PDF.

Participants are welcome to stay overnight at /rosa, provided they register in advance via [email protected].

https://48-stunden-neukoelln.de/de/programm/48-stunden-lesegruppe-mapping-the-internet

Ever since we started thinking of networks as cyberspace, we have also considered how to navigate and map them. This has ranged from the geographical locations of infrastructure and the visualisation of IP addresses and users to poetic and speculative approaches by artists, the tracing of power structures, and the personal and affective mapping of online spaces. The cartography of the internet has always been connected to foundational conceptions of the internet, its edges, and its fluidity.

Welcome!

Adresse

Heidelberger Str. 28
Berlin
12059

Öffnungszeiten

Freitag	15:00 - 19:00
Samstag	14:00 - 19:00

Webseite

https://netzkunst.berlin/, https://netzkunst.berlin/rosa, https://www.youtube.com/@netzkunst.berlin, https://tldr.nettim

Benachrichtigungen

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