Gene Gallery 弥金画廊

Gene Gallery 弥金画廊 Current Exhibition：Group exhibition - A star at dawn, a bubble in a stream

-GENE NEWS-Gene Gallery represented artist Gao Xiaoyi is included in the exhibition “Vitalisms” at Institute of Contemp...
08/04/2025

-GENE NEWS-

Gene Gallery represented artist Gao Xiaoyi is included in the exhibition “Vitalisms” at Institute of Contemporary Arts at NYU Shanghai (hereinafter referred to as ICA) , which is from March 20, 2025 to June 14, 2025.

“Vitalisms” is an exhibition-as-experiment initiating a long-term research and education project on the “historicity” and “value” of contemporary painting in China. By gathering a group of artists, born in the 1980s and 90s in China and mostly educated in Chinese art academies, the research focuses on figurative paintings made in the past five years (i.e., since 2020), and experiments with their presentation in a shared space and time.

The exhibition “Vitalisms” and related events are presented as the second season of the ICA‘s artistic research program “Lightless Fires” (2024–26), exploring fermentation as a figure and technique of collective memory, autonomous archiving, and writing history.

“Vitalisms” is organized by Michelle Yeonho Hyun with BAO Yang, with additional support by ZHANG Yiying and PENG Linru.

Sincere thanks to ICA, Michelle, and whole entire team for their dedication and support!

📷 Photography by Zhu Zhenyu. Thanks to ICA for providing the images.
📝 The content of this article is excerpted from ICA’s official website.

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弥金画廊代理艺术家高晓依的绘画作品正于上海纽约大学当代艺术中心（以下简称为上纽ICA）群展“生力”中展出，展期自2025年3月20日至2025年6月14日。

“生力”是一次实验性的展览，也是一个长期性研究与教育项目的开端，它探讨的是中国当代绘画中的“历史性”与“价值”。参展艺术家均出生于1980和1990年代的中国，ta们中的大多数也在中国接受教育。本次展览通过聚焦于ta们在过去五年（即2020年以后）创作的具象画作，以此在共享空间和时间中对其绘画展示进行实验性研究。

本次展览“生力”及相关活动为上纽ICA艺术研究项目“无光之火”的第二季内容。“无光之火”（2024—26）将发酵视为一种比喻与方法，以此探索集体记忆、自发存档和历史书写。

展览“生力”由玄莲昊和包旸组织，张奕颖和彭琳茹共同协助完成。

在此感谢上纽ICA、Michelle以及整个团队为本次展览的付出与支持！

📷 由Zhu Zhenyu摄影。感谢上纽ICA供图。
📝 文章摘自于上纽ICA官网。

-ON VIEW-Artist: Taro Maruyama Half Rain, Half Rainbow, 2023Jesmonite, Epoxy Putty, Styrofoam, Nylon Bristles122 x 25 x...
31/03/2025

-ON VIEW-

Artist: Taro Maruyama

Half Rain, Half Rainbow, 2023
Jesmonite, Epoxy Putty, Styrofoam, Nylon Bristles
122 x 25 x 30 cm

「Group Exhibition: See You! Pavlov!
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai」

During the creative process of artist Taro Maruyama, he seeks to build an entirely new moment—one in which the conventional relationships between tools, ornaments, and sculptures are reversed. Illogical and dissonant elements are transformed into tangible material forms, breaking the static limitations of traditional sculpture and generating a dynamic visual experience. The infusion of childlike fun and fantasy serves as a bridge between unity and contradiction, offering an exploration and practice of coexistence in diversity and harmony. In the work Half Rain, Half Rainbow, the relief-like composition and strong frontal perspective immerse the viewer into the narrative world that Maruyama constructs. A toothbrush is no longer merely a tool for cleaning teeth but is instead imbued with new life and form—its size is magnified to the point of becoming a sculptural entity. The cut at the head and neck of the toothbrush appears to release a mysterious substance, transforming into either a gentle drizzle or a radiant rainbow, symbolizing the fluidity of life’s rhythms and its boundless possibilities.

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艺术家：丸山太郎

Half Rain, Half Rainbow, 2023
树脂复合材料、环氧腻子、聚苯乙烯泡沫塑料、尼龙刷毛
122 x 25 x 30 cm

「群展：回见了！巴普洛夫！
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊」

在艺术家丸山太郎的创作中，他试图创造一个全新的时刻—使工具、装饰与雕像之间的关系发生逆转。那些不合逻辑且存在违和感的事物转化为具体的物质形态，打破了传统雕塑的静态局限，创造出一种动态的视觉体验；而童趣与幻想元素的融入，则是调和统一与矛盾的桥梁，成为对多样性与和谐共存的一种探索与实践。作品Half Rain, Half Rainbow中浮雕式的画面感与强烈的正面性，使得观者能够轻易融入他所营造的叙事情境之中。牙刷不再仅仅是清洁牙齿的工具，而是被赋予了全新的生命与形态—其尺寸被无限放大，直至呈现出作为雕塑的形态。细观牙刷的头部和颈部切口处，仿佛有某种神秘物质缓缓流出，化作绵绵细雨，亦或是化作绚烂的彩虹，展现出生命律动的变幻与无限可能。

-ON VIEW-Artist: Liu YixuanRabbit, 2023Oil on Canvas40 x 30 cm「Group Exhibition: See You! Pavlov!Duration: 2025.3.8 - 20...
30/03/2025

-ON VIEW-

Artist: Liu Yixuan

Rabbit, 2023
Oil on Canvas
40 x 30 cm

「Group Exhibition: See You! Pavlov!
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai」

In the paintings of artist Liu Yixuan, toys produced in different eras often gaze intently at an undefined point from a deep, frontal perspective. This “gaze” endows the viewer with a palpable sense of being observed. The soft, blurred edges of the compositions, combined with low-saturation yet harmonious color schemes, collectively construct a synesthetic experience within the realm of figurative painting. It is as if these toy figures are being eroded by the “conventions” of their respective eras, leaving behind only a faint, virtual-like filter. Reconfigured into painted landscapes, these toys are not merely imitating established modes of viewing; rather, within the framework of imitation, subtle displacements are deliberately introduced to disrupt and transcend such constraints. Within the complex and nuanced psychological space that Liu constructs, the act of meeting the gaze of these toys evokes not only a sense of nostalgia but also an unavoidable feeling of strangeness—a recognition that the original emotional sustenance they once offered has become increasingly elusive.

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艺术家：刘懿萱

兔子，2023
布面油画
40 x 30cm

「群展：回见了！巴普洛夫！
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊」

艺术家刘懿萱的绘画作品中，不同时代生产的玩具常常以一种深邃的正面视角凝视着某处，这种“凝视”赋予观众一种被关注的存在感。画面中柔和而模糊的边界线，以及低饱和度且和谐的色彩搭配，共同构建出一种具象绘画下的通感体验，仿佛这些玩具的形象正在被时代的“制式”所侵蚀，仅留下一层浅淡的、如虚拟般的滤镜。各类玩具以绘画的形式被重新布置成景，并非简单地模仿既定的观看制式，而是在模仿的框架内巧妙地制造偏移，以打破其束缚。在刘懿萱所创造的复杂而微妙的精神场域中，随着观众与画面中玩具的对视，与怀旧之情相伴而来的，是那无法回避的不合时宜之感，是发现难以再寻回那份原初的情感寄托。

-ON VIEW -Artist: Alissa Ritter Coupled Dogs (Love, Treats and Power Play), 2025Tinted Fibreglass, Stainless Steel40 x ...
29/03/2025

-ON VIEW -

Artist: Alissa Ritter

Coupled Dogs (Love, Treats and Power Play), 2025
Tinted Fibreglass, Stainless Steel
40 x 15 x 18 cm

「Group Exhibition: See You! Pavlov!
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai」

The series “Love, Treats and Power Play” by artist Alissa Ritter delves into the inherent imbalance of power structures within the domestic sphere between humans and their companion animals. Pets, dependent on their owners, are often regarded as objects of affection and pleasure, without the ability to effectively express own boundaries. As their autonomy and private space are subtly violated, this relationship of dependency sometimes slips into an uncomfortable territory. The chosen archetype in the works—the Cocker Spaniel, a breed originally known for hunting—is crafted from tinted fibreglass, a material that visually evokes the texture of gummy candy. This transforms the dog’s image into one that appears sweet, consumable, and easy to exploit, symbolizing the entanglement of love and control, pleasure and dependence. Through such a playful yet unsettling depiction, the series highlights a tendency to infantilize pets and seeks to question the boundaries of companionship, issues of ownership, and the paradoxes of affection within human-animal relationships.

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艺术家：艾莉莎·里特尔

Coupled Dogs (Love, Treats and Power Play), 2025
有色玻璃纤维、不锈钢
40 x 15 x 18 cm

「群展：回见了！巴普洛夫！
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊」

艺术家艾莉莎·里特尔的系列作品“Love, Treats and Power Play”深入探讨了家庭领域中人类与伴侣动物之间固有的权力结构失衡。宠物依赖于主人，而它们也常常被视作情感与愉悦的对象，却难以有效传达自身的界限。伴随着宠物自主权和私人空间在无形中受到的侵犯，这种依赖关系有时可能会滑向令人担忧的境地。作品中选用的原型——可卡犬，这一原本以狩猎技能著称的品种，在此由染色玻璃纤维制成，该材质在视觉上营造出一种软糖的质感，使得其形象被塑造成一种看似甜蜜、可消费且易于操控的存在，成为了爱与控制、愉悦与依赖相互交织的符号。通过这种既俏皮又令人不安的描绘，这一系列作品凸显了将宠物幼儿化的倾向，并试图质疑伴侣关系间的界限与所有权问题，以及人类与动物关系中的情感悖论。

-ON VIEW -Artist: Peter Rothmeier Ravn Contraction and Release, 2023Oil on Canvas100 x 100 cm「Dual Solo Exhibition: Gro...
28/03/2025

-ON VIEW -

Artist: Peter Rothmeier Ravn

Contraction and Release, 2023
Oil on Canvas
100 x 100 cm

「Dual Solo Exhibition: Ground Drilling
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai」

“For nearly two decades, Peter Rothmeier Ravn’s work has circled back to these suited men. Suits, he reminds us, are double-edged swords: tools to break barriers but also to build new walls. Beneath their ‘practical’ vibe, they’re still writing modern identity scripts. Peter’s artworks featuring men in various states of falling, crawling, or unconsciousness often leave viewers with a nagging unease and a pressing question: What the hell happened here? They also make you wonder if the artist is secretly shouting a manifesto about society’s suffocating rules—like how rigid ‘male identity’ gets squeezed into ill-fitting dress shirts. Behind these nameless, suited figures sprawled on the ground, you can practically see the anxiety, the identity crises, and the quiet rebellion against societal control.”

Written by Curator Yang Hongli

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艺术家：彼得•罗斯迈尔•拉文

Contraction and Release, 2023
布面油画
100 x 100 cm

「双人展：原地旋转
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊」

“在彼得•罗斯迈尔•拉文近20年的创作生涯中，西装男性这一形象一直都是他创作的核心视觉元素。西装的演变史始终缠绕着社会攀比的隐形链条：它既是打破壁垒的钥匙，亦是重建区隔的工具，在实用主义外衣下，持续书写着现代人的身份寓言。在彼得的作品中，那些描绘跌倒、匍匐或昏迷男性的作品时常让人内心总会涌起强烈不安与追问：究竟发生了什么？但又让我确信艺术家必定在传递某种讯息——关于社会规训的窒息牢笼，关于禁锢男性气质的窄小衬衫。在这些跌倒和看似需要帮助的无姓名西装男的身躯背后，显而易见的望见焦虑与身份的困境以及个体在规训之下的抗争。”

文/策展人 杨弘力

-ON VIEW -Artist: Chen Paian 705502232301, 2024Vector, Ultragiclee, 3mm Reflectless Plexiglass Face Mounting70 x 55 cm「...
27/03/2025

-ON VIEW -

Artist: Chen Paian

705502232301, 2024
Vector, Ultragiclee, 3mm Reflectless Plexiglass Face Mounting
70 x 55 cm

「Dual Solo Exhibition: Ground Drilling
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai」

“Paian’s creative process is not limited to simply sketching from photographs he takes. Although he has captured many seemingly casual or even mundane photos—often resembling simple snapshots—his works carry subtle traces of human presence. While human figures are nearly absent, there are hidden clues to the photographer’s identity, creating a subtle sense of unease. Elements like a cluttered corner of a room, Pikachu on old magazines, a golf bag beside a sofa, or a McDonald‘s Happy Meal all seem deliberately chosen to contrast with the concepts of the sublime and the refined. This sense of ’banality’ suggests a fearless attitude. The scenes feel playful yet unpretentious, sensual but not glamorous, evoking a sense of quiet drama in the most ordinary moments.”

Written by Curator Yang Hongli

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艺术家：陈拍岸

705502232301, 2024
⽮量图、收藏级打印、3mm⽆反迪亚赛克⼯艺装裱
70 x 55 cm

「双人展：原地旋转
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊」

“拍岸的创作过程并非简单的对拍摄照片进行写生，诚然他拍摄了大量看似随意的照片，甚至会觉得这些作品就如同快照般寻常。尽管对人物形象的直接描绘几乎缺席，但人的痕迹却始终弥散在拍岸的画面之中。在这些刻意展示的日常景观之下，可以推测出拍摄者的身份信息，制造出一种微妙的不安。例如，杂乱无序的房间一角、过期杂志上的皮卡丘、沙发旁的高尔夫球包、麦乐鸡套餐等等，这些元素似乎刻意与‘崇高’、‘精致’等概念意外地制造出戏剧性的对比。而这种‘乏味’似乎表明了一种无所畏惧。画面看起来玩味不做作，性感但不光鲜亮丽。”

文/策展人 杨弘力

-INSTALLATION VIEW-「Alissa Ritter Liu Yixuan Taro Maruyama 」Group Exhibition: See you! Pavlov!Duration: 2025.3.8 - 20...
15/03/2025

-INSTALLATION VIEW-

「Alissa Ritter
Liu Yixuan
Taro Maruyama 」

Group Exhibition: See you! Pavlov!
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai

The audience typically assumes the role of an active observer, interpreting artworks based on their own perspectives, experiences, and emotions. Artworks, on the other hand, are often regarded as passive objects of observation, quietly displayed or performed, awaiting scrutiny and evaluation. In this exhibition, however, this conventional power structure is reversed—the artworks seem to be imbued with vitality, beginning to “gaze” at the audience. Through distinctive artistic techniques and ingenious exhibition design, viewers experience a sense of being “captured” or “examined” by the works, even being guided into specific emotional atmospheres or states of contemplation.

The exhibition space is no longer merely an empty vessel but a fluid and dynamic entity, saturated with various qualities and imaginative ideas, existing as a concrete form of spatial practice. In this context, the artworks are no longer passive recipients of the audience’s gaze but actively establish an interactive relationship with them, demonstrating an openness and receptivity to real space. The audience’s perception of the works is shaped more by the linkage among discrete points and a synchronic network of connections intertwining with their own past experiences.

群展：回见了！巴普洛夫！
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊

观众，通常扮演着主动观看者的角色，依据自身的视角、经验及情感对艺术作品进行解读与感受，而艺术作品往往则视为被动的被观看对象，静静地陈列或演绎，等待着审视与评判。此次展览中，这种惯常的权力结构发生逆转，作品仿佛被赋予生命力，开始“凝视”着观众。凭借独特的表现手法与巧妙的看台设计，使观众产生一种被作品“捕捉”、被“审视”的感觉，甚至被引导进入某种特定的情感氛围或思考状态中。

整个展览空间不再只是一个空洞的容器，而是流动多变的，是充斥浸润着各种特质和奇思异想的，以一种具体的空间-实践形式所存在。在这种情境下，作品不再仅仅是被动地接受观众的注视，而是主动地与其建立互动关系，表现出一种对现实空间的敞开和接纳。观众对作品的感受，更多是由点与点的联结，以及与其自身过往的经验线索交织构成的共时性网络。

-INSTALLATION VIEW-「Curator: Yang Hongli Artist: Chen Paian Artist: Peter Rothmeier Ravn 」Dual Solo Exhibition: Groun...
14/03/2025

-INSTALLATION VIEW-

「Curator: Yang Hongli
Artist: Chen Paian
Artist: Peter Rothmeier Ravn 」

Dual Solo Exhibition: Ground Drilling
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai

In the digital paintings of artist Chen Paian, the stacked takeout boxes are not merely everyday clutter but rather identity markers engraved by consumer behavior. Blurred and symbolized debris erodes the subjectivity of life; as mechanized tidying behaviors strip away the charm of daily existence, a once chaotic room finally transforms into an invisible prison that confines the spiritual world. By refusing to “beautify” the imagery, the deliberately preserved smooth textures, combined with industrially produced images, collectively form a series of projections and illusions of desire.

Meanwhile, the suited figures in artist Peter Rothmeier Ravn’s works embody a fragile collective, on the edge of a shared psychological breakdown. The“suit,” a mythologized emblem of order, authority, and invulnerability—akin to the meticulously forged armor by modern civilization—finds itself rendered ineffective within Peter’s surreal theater. These men, stripped of their individual identity, don suits and are compelled to perform prescribed roles on the stage of symbolic order, suppressing their authentic inner desires. The suit becomes an alienated façade—a deceptive shield concealing the disintegration of their inner world.

Special Thanks: The furniture display for this exhibition is provided by GALERIE DEBUT .

双人展：原地旋转
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊

在艺术家陈拍岸的电子绘画中，那些堆叠的外卖盒并非简单的日常杂物，而是消费行为所镌刻的身份标识。那些被模糊化、符号化的杂物，吞噬着生活主体性；当机械化的整理行为消解着生活的情趣时，混乱不堪的房间最终转变为禁锢精神世界的无形牢笼。通过拒绝“美化”，这些刻意保留的平滑肌理与工业生产的实体画面共同构成了一系列欲望的投射与幻象。

而艺术家彼得•罗斯迈尔•拉文笔下的西装人物，实为一群脆弱不堪的群体，他们时常陷入集体性的精神崩溃边缘。“西装”，这一由秩序感、权威性以及不可侵犯性共同塑造的身份神话，如同现代文明精心锻造的铠甲，此刻却正在彼得的超现实剧场中失效。那些失去身份标识的男人，身着西装，被迫在符号规则的舞台上扮演着既定角色，压抑着内心的本真欲望。而西装，则异化成为掩盖其精神世界崩塌的虚假屏障。

特别鸣谢：此次展览家具陈设来自GALERIE DEBUT。

-EXHIBITION COMING-Group Exhibition: See you! Pavlov!Duration: 2025.3.8 - 2025.5.10Location: Gene Gallery, No.4221 Longw...
04/03/2025

-EXHIBITION COMING-

Group Exhibition: See you! Pavlov!
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai

Gene Gallery is delighted to announce the Group Exhibition “See you! Pavlov!”, featuring artists Alissa Ritter , Liu Yixuan , and Taro Maruyama , which is from March 8, 2025 to May 10, 2025.

Are the directions of images, forms, and media merely conditioned reflexes based on empirical experience? Through repeated associations with specific scenes or emotions, these cues can trigger certain responses even when detached from their original context, which might be a result of human being trained. However, this“trainer” is complex and multifaceted. It is a community woven from individual’s experiences, objective environment, and broader social structures, unique to each person—an intangible and formless “Pavlov” present in every life.

When confronted with familiar images that invoke outdated emotions, only to feel a sense of unusuality; when we find a small dog and a crystal-clear grape delivering serious political and philosophical speeches; when we experience the humor brought by the montage technique under ancient Babylonian styles… In that moment, Pavlov’s seemingly solid training outcomes begin to quietly unravel, and this is precisely the moment to break free from the grip of human fate’s finite nature.

群展：回见了！巴普洛夫！
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊

弥金画廊即将推出群展“回见了！巴普洛夫！”，联合艺术家艾莉莎·里特尔，刘懿萱，丸山太郎共同呈现，展期自2025年3月8日至2025年5月10日。

图像、形式与媒介的指向是否为一种经验主义的条件反射？通过与特定场景或情感的反复联结，它们在脱离原初情境时仍能触发特定反应，这种指向性似乎是人类被训练的结果。然而，这个“施训者”是复杂多变的，是个体经验、客观环境与宏观规则交织的共同体，是每个人的生命中都独有的，无象无形的“巴普洛夫”。

当面对熟悉的图像陷入陈旧的情绪却感受到异样时；当发现小狗和晶莹剔透的葡萄正在发表严肃的政治哲学演讲时;当感受到蒙太奇手法下古巴比伦风格所带来的幽默诙谐时，巴普洛夫式的训练成果开始悄然松动，而这正是试图挣脱人类命运有限性的最好契机！

-EXHIBITION COMING-Group Exhibition: Ground DrillingDuration: 2025.3.8 - 2025.5.10Location: Gene Gallery, No.4221 Longwu...
03/03/2025

-EXHIBITION COMING-

Group Exhibition: Ground Drilling
Duration: 2025.3.8 - 2025.5.10
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai

Gene Gallery is delighted to announce the group exhibition “Ground Drilling”, curated by Yang Hongli , featuring artists Chen Paian and Peter Rothmeier Ravn , which is from March 8, 2025 to May 10, 2025.

“Ground drilling” metaphorically implies the existential predicament of modern individuals with a Sisyphean absurdity. Like a drilling machine trapped in endless rotation, the individual, despite an appearance of progress, remains unable to break through barriers, ultimately becoming ensnared in a self-constructed psychological dilemma through repetitive cycles.

Artist Chen Paian’s digital paintings take this contradiction as creative theme, layering fragments of daily life, blurring and symbolizing debris to construct a barrier that obscures life’s fragility. His works expose the rupture between the illusion of success and intrinsic values in contemporary society. Meanwhile, in artist Peter Rothmeier Ravn’s surreal theatre, a group of suit-clad figures collapse and curl up in postures that dramatically contrast traditional symbols of male authority. The opposition reveals power symbols as mere material projections of psychological collapse. In this process of disenchantment, the chasm between material appearances and the spiritual world is gradually unveiled.

群展：原地旋转
展期：2025.3.8 - 2025.5.10
地址：上海市闵行区龙吴路4221号 弥金画廊

弥金画廊即将推出群展“原地旋转”，此次展览将由杨弘力策展，联合艺术家陈拍岸、彼得·罗斯迈尔·拉文共同呈现，展期自2025年3月8日至2025年5月10日。

“原地旋转”以一种西西弗斯式的荒诞隐喻着现代人的生存困境。如同钻地机陷入无休止的旋转，个体在看似进取的姿态下实则无法突破障碍，在周而复始的循环下逐渐陷入自我建构的精神困局。

艺术家陈拍岸的电子绘画以此为创作母题，通过堆叠日常碎片，模糊并符号化生活杂物，试图构建遮蔽生活脆弱性的屏障，以此揭示现代社会成功表象与内在价值的撕裂。而在艺术家彼得·罗斯迈尔·拉文的超现实剧场中，西装革履的角色群体以瘫倒、蜷缩的姿态，与传统男性权力符号形成戏剧性对立，暴露出权力符号仅是精神崩坏的物质投射。物质外壳与精神世界的裂隙在这场祛魅仪式中逐渐显现。

-ON VIEW-Yang Yifan Withered tree from the wilderness, 2024Oil on canvas, fabric 180 x 140 cm 「Current Group Exhibition...
01/01/2025

-ON VIEW-

Yang Yifan

Withered tree from the wilderness, 2024
Oil on canvas, fabric
180 x 140 cm

「Current Group Exhibition: Outpost
Duration: 2024.12.7 - 2025.1.18
Location: Gene Gallery, No.4221 Longwu Road, Minhang District, Shanghai」

Inspired by familial memories engaged in sewing, Yang Yifan‘s works skillfully integrate the art of collage using diverse materials. Grounded in nostalgic imagery, he fills collected and recomposed landscapes with fabrics rich in patterns, textures, and temperatures, each imbued with layers of memory. Through this process, Yang meticulously constructs surreal and psychological scenes.

His paintings embody an exploration of the speculation, uncertainty, and emotional adventure within the realms of everyday experiences that often elude direct perception. For Yang, experience transcends fragments of time or mere reminiscence; it becomes a phantom intertwined among animals, plants, and consciousness. Richly textured oil paints and layered fabrics converge, with lines weaving dynamically across the canvas, evoking a vibrant interplay of silence and clamor. His works present vivid and ever-shifting dreamscapes paired with lyrical narratives, transforming emotional and corporeal synesthesia into profound and enduring sensations.

杨一凡

来自荒野的枯树, 2024
布面油画、织物
180 x 140 cm

「当前群展：前哨站
展期：2024.12.7 - 2025.1.18
地址：上海市闵行区龙吴路4221号 弥金画廊」

由从事缝纫的家庭记忆出发，杨一凡的作品巧妙融入了不同物质材料的拼贴艺术。以怀旧图像为基石，通过将纹案、质感、温度各异的、满载记忆的织物填充进经过采集与重组的图景中，艺术家精心构筑起一幅幅心理化的超现实场景。

其绘画蕴含着日常经验中难以触及的图像揣测性、不确定性与情感的探险。对他来说，经验不再是时间的片段或简单的追忆，而是动物、植物与意识中交织折叠的幻象。肌理丰富的油画与织物层层叠加，线条在画面中相互交错，呈现出藏匿于沉默中的喧嚣，艳丽多变的梦境，与鲜活生动的抒情叙事，使得情感与身体的通感变得深厚而绵长。

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No. 4221, Longwu Road, Minhang District
Shanghai
200241

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Tuesday 11:00 - 19:00
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Sunday 11:00 - 19:00

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