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Red Brick Art Museum presents Unseen Paintings—the largest solo exhibition of Bingyi to date, curated by Yan Shijie. The...
02/10/2026

Red Brick Art Museum presents Unseen Paintings—the largest solo exhibition of Bingyi to date, curated by Yan Shijie. The exhibition systematically surveys the trajectory of Bingyi‘s practice over the past two decades since 2008, presenting monumental ink installations, the Earth and Climate series, speculative archaeological narratives, and Talismans series. The majority of the monumental works are on public view for the first time.

象罔无形Unseen Paintings策展人: 闫士杰Curator: Yan Shijie艺术家: 冰逸Artist: Bingyi展期:2026年10月1日至2027年2月14日Dates: October 1,2026–  Febr...
30/09/2026

象罔无形
Unseen Paintings

策展人: 闫士杰
Curator: Yan Shijie

艺术家: 冰逸
Artist: Bingyi

展期:2026年10月1日至2027年2月14日
Dates: October 1,2026– February 14, 2027

主办: 红砖美术馆
Organised by Red Brick Art Museum

Ichiro T

Works on paper , ©Rao Fu Exhibition view at Red Brick Art MuseumThe exhibition “Rao FU :Aurora” extended through 2026.9....
19/08/2026

Works on paper ,
©Rao Fu
Exhibition view at Red Brick Art Museum

The exhibition “Rao FU :Aurora” extended through 2026.9.6

Last Call!!The exhibition “Tesfaye Urgessa Tesfaye Urgessa :Primordial Paths” runs until extended through 2026.8.9
31/07/2026

Last Call!!
The exhibition “Tesfaye Urgessa Tesfaye Urgessa :Primordial Paths” runs until extended through 2026.8.9

The exhibition Aurora will, for the first time, present together the eight completed works (of a planned ten) from  Rao ...
16/05/2026

The exhibition Aurora will, for the first time, present together the eight completed works (of a planned ten) from  Rao Fu’s “Decalogy” series, which he began in 2016. These monumental triptychs, each over four meters wide, construct a “film to be viewed in the round,” recording countless trajectories of life and spiritual landscapes, and profoundly showcasing the artist’s unique exploration of the folds of Eastern and Western cultures.

The opening works, Light Year (2019) and Loosed String (2019), establish the spiritual tone of the “Decalogy.” The former, as Rao Fu describes it, is a beam of light “that has passed through my body, straight toward the firmament,” pointing to a pure existence that transcends time, space, culture, and national borders. The latter is like a horizon torn apart by tension, overlapping the individual experience of departure with the historical collisions of our era, marking a shift from being “enveloped by the landscape” to “constructing meaning through the landscape.”

The subsequent works, Abyss I (2020) and Abyss II (2022), are not traditional landscapes but “mental topographies” layered from memory, imagination, and history. With wild brushstrokes, antagonistic colors, and profound fissures, they present the individual’s loss and reflection within grand historical narratives, echoing the German Romantic tradition of Friedrich’s “contemplation of the back-turned figure.”

Legend (2021) uses the whale as a metaphor for his own state of drift and his longing for cross-cultural freedom, while The Sound of Wind (2022) condenses the trauma of migration and the complex tensions of global ethics beneath a deceptively calm seascape. His latest work, Mirage (2023), responds to the historical metaphor of contemporary global migration through a mythologized ocean, and The Night Banquet (2023) constructs a spiritual ritual amidst chaos, with giants holding sacred objects and night-walkers, like Dionysian priests awakening humanity’s yearning for clarity in the darkness.

Rao FU .art :Aurora
Dates: March 21– June 21, 2026

At the heart of the gallery is the monumental hexaptych The Dormant Dream (2025–2026), created specifically for this exh...
13/05/2026

At the heart of the gallery is the monumental hexaptych The Dormant Dream (2025–2026), created specifically for this exhibition. Inspired by Urgessa’s observation of the collective movement in Chinese traditional lion dance—where countless bodies uphold a single form—the painting gathers layered footsteps, a backward-looking female figure, and dormant red bodies into a grand composition. Domestic space, migrating steps, institutional clouds, and distant trajectories converge to propose: progress is not a leap detached from the past, but an unfolding through bearing. Moving forward and looking back coexist; strength germinates in what is quietly borne.

Tesfaye Urgessa:Primordial Paths
Dates: March 21– June 21, 2026

Rao FU :AuroraTesfaye Urgessa:Primordial PathsCurator: Yan ShijieDates: March 21– June 21, 2026
25/04/2026

Rao FU :Aurora
Tesfaye Urgessa:Primordial Paths

Curator: Yan Shijie

Dates: March 21– June 21, 2026

H.E. Sheikha Al-Mayassa at Red Brick Art Museum.-Photo courtesy of the Embassy of Qatar in China-P3 ,Olafur Eliasson, Th...
15/04/2026

H.E. Sheikha Al-Mayassa at Red Brick Art Museum.
-Photo courtesy of the Embassy of Qatar in China
-P3 ,Olafur Eliasson, The Blind Pavilion, 2003. Collection of Red Brick Art Museum.

PRIMORDIAL PATHSCurator: Yan ShijieArtist:Tesfaye Urgessa  Dates: March 21– June 21, 2026Tesfaye Urgessa was born and ra...
24/03/2026

PRIMORDIAL PATHS

Curator: Yan Shijie
Artist:Tesfaye Urgessa
Dates: March 21– June 21, 2026

Tesfaye Urgessa was born and raised in Ethiopia, where the solemn, ritualistic painting of the church was deeply embedded in his visual memory. In 2009, he traveled to the Staatlichen Akademie in Stuttgart, in Germany, to further his artistic studies, where he began a sustained dialogue with European art history. While living in Germany, the personal and collective experiences of migration, exile, race and cultural identity have also gradually become the key themes for his practice.

Urgessa returned home with his family in 2022, as global upheaval was on the rise. The distance from his native land was no longer physical; instead, it manifested as tensions in identity and culture. His creations were no longer based solely in individual experience but became rooted in the broader human condition.

In his painting, interiors and open spaces, native and foreign lands, memories and the present are all woven into multidimensional narratives. What appear to be fixed poses are actually unfinished movements, at times appearing to be trapped under a layer of ice, unable to escape, at other times soaring among the clouds, deconstructed into silence and shouts in field lines of space, the brilliant colors against the ochre base tone forming into his unique emotional appeal, the accumulation of mural painting silently emerging on the canvas.

“Primordial Paths” does not refer to some traceable historic origin point or mythical source, but to a temporal depth that can continuously emerge in the present. It crosses the layers of memory, identity, and the subconscious, progress and recollection expanding in tandem as it embraces empathy, evokes memory, and reexamines the fragility and dignity shared by humankind. Life thus becomes an ongoing process—borne, transformed, and quietly unfolding through our shared sustenance…

AURORA Curator: Yan ShijieArtist:Rao FU .art Dates: March 21– June 21, 2026Rao Fu, a Chinese artist based in Germany, tr...
24/03/2026

AURORA

Curator: Yan Shijie
Artist:Rao FU .art
Dates: March 21– June 21, 2026

Rao Fu, a Chinese artist based in Germany, traveled to faraway Dresden in 2001 to probe a different kind of spiritual tradition along the banks of the Elbe. Between the reverence for divine nature in German Romanticism, the courage of Expressionism to reach directly into the abyss through color; between the anxiety of Edvard Munch, the detached dream states of Peter Doig, and the visual alchemy of Daniel Richter, he sought out his own “magic triangle”. Through the intuition of painting, he sparked a faint light atop the ruins of hypermodernity.

His cultivation in the East, his immersion in the West, his learning in both philosophy and art therapy—these are not simply stacked together on his canvases but engage in a prolonged clash, dialogue, friction, and melding. This is his path to the depths of the heart, a silent form of freedom.

Rao Fu’s painting reveals a rare double writing. The seemingly frenzied Western Expressionist landscape is permeated by a breath from the East that imbues it with the vast, sweeping lines and spirit of Chinese landscape painting. In the infinite changes and shifts, the brilliant colors escape the frame’s confinement of spirit, figure, and landscape, transforming into a mysterious, murky field all his own, a visual symphony of philosophy and poetry.

“Aurora” is a magical light that appears in the upper latitudes, over the coldest, quietest places on Earth. Within the fusion of Eastern and Western cultures, amidst dramatic global upheaval and the atomization of the individual, Rao Fu “emits light amidst the cracks” with the canvas as his field.

Address

北京市朝阳区顺白路红砖美术馆
Beijing

Opening Hours

Tuesday 10:00 - 16:30
Wednesday 10:00 - 16:30
Thursday 10:00 - 16:30
Friday 10:00 - 16:30
Saturday 10:00 - 16:30
Sunday 10:00 - 16:30

Telephone

+86 10 8457 8868.

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