Kunst Halle Sankt Gallen

Kunst Halle Sankt Gallen This is where opposing opportunities, expectations and emotions meet and mix.

Kunst Halle Sankt Gallen has a particular position within the Swiss art scene: it can be described as the smallest of the larger institutions for contemporary art or – conversely – the largest of the smaller exhibitors.

«Octogone», 13.6.–13.9.2026 The works in the third room of the exhibition explore the tension between folklore, identity...
27/08/2026

«Octogone», 13.6.–13.9.2026
 
The works in the third room of the exhibition explore the tension between folklore, identity and a sense of home, as well as global tourism, and raise questions about the contemporary conditions of belonging. Both Lederhosen and Dirndls appear as bearers of local tradition and conservative role models, as well as being mass-produced goods that are subject to global marketing logics. The boundaries between traditional costume and disguise, conditioning and cosplay are made fluid. Edelweiss, Empress Sisi, the Eiffel Tower and the Louis Vuitton logo are no longer tied solely to their places of origin; they circulate around the world as consumable symbols in an endless loop.
 
Opening hours are:
Tue–Fri: 12 p.m.– 6 p.m.
Sat & Sun: 11 a.m.–5 p.m.
 
Chalisée Naamani‌‌ شالیزه نعمانی
 
📸: Chalisée Naamani, «Octogone», exhibition view, 2026. Photo: Kunst Halle Sankt Gallen, E. Sommer. Courtesy: the artist and Ciaccia Levi, Paris/Turin.

«Octogone», 13.6.–13.9.2026
 
The works in the third room of the exhibition explore the tension between folklore, identity and a sense of home, as well as global tourism, and raise questions about the contemporary conditions of belonging. Both Lederhosen and Dirndls appear as bearers of local tradition and conservative role models, as well as being mass-produced goods that are subject to global marketing logics. The boundaries between traditional costume and disguise, conditioning and cosplay are made fluid. Edelweiss, Empress Sisi, the Eiffel Tower and the Louis Vuitton logo are no longer tied solely to their places of origin; they circulate around the world as consumable symbols in an endless loop.
 
Opening hours are:
Tue–Fri: 12 p.m.– 6 p.m.
Sat & Sun: 11 a.m.–5 p.m.
 
Chalisée Naamani‌‌ شالیزه نعمانی
 
📸: Chalisée Naamani, All the Women in Me, detail, 2025. Photo: Kunst Halle Sankt Gallen, E. Sommer. Courtesy: the artist and Ciaccia Levi, Paris/Turin.

«Octogone», 13.6.–13.9.2026
 
The works in the third room of the exhibition explore the tension between folklore, identity and a sense of home, as well as global tourism, and raise questions about the contemporary conditions of belonging. B

«Octogone», 13.6.–13.9.2026 In the work Mohamed Ali, Britney Spears and Me (2025), Chalisée Naamani‌‌ شالیزه نعمانی dra...
25/08/2026

«Octogone», 13.6.–13.9.2026
 
In the work Mohamed Ali, Britney Spears and Me (2025), Chalisée Naamani‌‌ شالیزه نعمانی draws connections between the slogans of two freedom movements that appear to be unrelated, but only at a first glance: «Free Britney» and «Free Iran». Both movements found particular resonance on social media and were fundamentally directed against patriarchal oppression of women.
 
Opening hours are:
Tue–Fri: 12 p.m.– 6 p.m.
Sat & Sun: 11 a.m.–5 p.m.
 

 
📸: Chalisée Naamani, Mohamed Ali, Britney Spears and Me, detail, 2025. Photo: Kunst Halle Sankt Gallen, E. Sommer. Courtesy: the artist and Ciaccia Levi, Paris/Turin.

«Octogone», 13.6.–13.9.2026 In the second exhibition space, we find ourselves in the setting of a sports changing room. ...
18/08/2026

«Octogone», 13.6.–13.9.2026
 
In the second exhibition space, we find ourselves in the setting of a sports changing room. Who claims love? (2025) presents a view of a row of red Varzesh-e Pahlavani capes that have been upcycled and modified by Naamani. This reference is interwoven with elements from the artist‘s birthplace of Paris through the incorporation of luxury brand logos and tourist souvenirs, such as Eiffel Tower replicas. The artist’s exploration of martial arts attire continues with breastplates adorned with houndstooth patterns. Much like the Persian Boteh Jeghe pattern, this design spread to various geographical regions and was adopted by local textile industries. 🧶🧶🧶
 
Opening hours are:
Tue–Fri: 12 p.m.– 6 p.m.
Sat & Sun: 11 a.m.–5 p.m.
 
Chalisée Naamani‌‌ شالیزه نعمانی
 
📸: Chalisée Naamani, Who claims Love?, detail, 2025. Photo: Kunst Halle Sankt Gallen, E. Sommer. Courtesy: the artist and Ciaccia Levi, Paris/Turin.

«Octogone», 13.6.–13.9.2026
 
In the second exhibition space, we find ourselves in the setting of a sports changing room. Who claims love? (2025) presents a view of a row of red Varzesh-e Pahlavani capes that have been upcycled and modified by Naamani. This reference is interwoven with elements from the artist‘s birthplace of Paris through the incorporation of luxury brand logos and tourist souvenirs, such as Eiffel Tower replicas. The artist’s exploration of martial arts attire continues with breastplates adorned with houndstooth patterns. Much like the Persian Boteh Jeghe pattern, this design spread to various geographical regions and was adopted by local textile industries. 🧶🧶🧶
 
Opening hours are:
Tue–Fri: 12 p.m.– 6 p.m.
Sat & Sun: 11 a.m.–5 p.m.
 
Chalisée Naamani‌‌ شالیزه نعمانی

📸: Chalisée Naamani, «Octogone», exhibition view, 2026. Photo: Kunst Halle Sankt Gallen, E. Sommer. Courtesy: the artist and Ciaccia Levi, Paris/Turin.

«Octogone», 13.6.–13.9.2026
 
In the second exhibition space, we find ourselves in the setting of a sports changing room. Who claims love? (2025) presents a view of a row of red Varzesh-e Pahlavani capes that have been upcycled and modified by Naamani. This reference is interw

Big News! 🥁🥳Two weeks ago, the St.Gallen City Council unanimously approved the funding for the transformation of our foy...
07/07/2026

Big News! 🥁🥳

Two weeks ago, the St.Gallen City Council unanimously approved the funding for the transformation of our foyer. This is a major milestone for the future of the Kunst Halle Sankt Gallen. It means that we can now begin putting the project into action!

The building application has been submitted and we plan to start the renovation work at the end of September, with a view to completing it by the end of 2026. We are now in the process of planning all the details and are super excited about the next steps.

Nevertheless, the project’s funding is not yet fully secured and we need further support. Every contribution counts – we hope you’ll help too! ✨

Find further information about the project and ways to become part of our growing community on our website: k9000.ch/en/foyer

We are very thankful for your questions, ideas and contributions! 💚



📸: 1 Romain Mader / 3 / 2&4 Kunst Halle Sankt Gallen

💙♿💫 As part of the exhibition «Containers Love Disorder» (7.3.–31.5.2026) at Kunst Halle Sankt Gallen, the artist  insta...
28/05/2026

💙♿💫

As part of the exhibition «Containers Love Disorder» (7.3.–31.5.2026) at Kunst Halle Sankt Gallen, the artist installed a ramp for wheelchair users. The ramp made of Lego bricks was realised in collaboration with the Lausanne-based association and Rita Ebel .

A heartfelt thank you to Ramptogo, Rita Ebel, Matthias Sohr and all the volunteers involved for the realisation and donation of the ramp, which helps to break down barriers and improve the accessibility of the Kunst Halle Sankt Gallen!

We look forward to your visits!

💙♿💫

Dans le cadre de l’exposition «Containers Love Disorder» (7.3.–31.5.2026) à la Kunst Halle Sankt Gallen, l’artiste a installé une rampe d’accès pour les personnes en fauteuil roulant. Cette rampe, construite avec des briques Lego, a été réalisée en collaboration avec l’association lausannoise et Rita Ebel .

Un grand merci à Ramptogo, Rita Ebel, Matthias Sohr et à touxtes les bénévoles qui ont participé à la réalisation et au don de cette rampe, qui contribue à rendre l’espace d’exposition de la Kunst Halle Sankt Gallen plus accessible !

Nous nous réjouissons de votre visite !



📸1: Matthias Sohr, Ramp #2, 2026 / Mathis Pfäffli, Switchboard IV, 2022/2026. Photo: Kunst Halle Sankt Gallen, E. Sommer. Courtesy: the artist.
📸2: Valentina Ehnimb and (Kunst Halle Sankt Gallen) holding the new ramps / Valentina Ehnimb et Giovanni Carmine (Kunst Halle Sankt Gallen) tenant les nouvelles rampes.

27/05/2026

Last days to see «Containers Love Disorder»!

With: Michèle Graf & Selina Grüter, La Bibliothèque des Ready-Mades, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot and Paulo Wirz.

Make the most of the last days of May and immerse yourself in this multifaceted exhibition, where artistic strategies of organisation meet curious collections, delicate drawings enter into dialogue with idiosyncratic machines and the Kunst Halle’s own infrastructure takes center stage!

Open until May 31, drop by! 🍀💚

Opening hours are:
Tue–Fri: 12 p.m.– 6 p.m.
Sat & Sun: 11 a.m.–5 p.m.

Thank you to all the artists, visitors and supporters! The exhibition «Containers Love Disorder» is supported by , , Stiftung Temperatio and Oertli Stiftung. Special thanks to , , , and .



📸: Photos: Kunst Halle Sankt Gallen/E. Sommer.

Thank you for joining us for this beautiful book launch! 🎈«ATLAS Revolving Histories – on translocal performance art Swi...
23/04/2026

Thank you for joining us for this beautiful book launch! 🎈

«ATLAS Revolving Histories – on translocal performance art Switzerland»

This publication allows readers a first-time overview of the performance scenes, artists, locations and festivals in multilingual Switzerland. Based on collective research and mappings at various locations, the authors describe “performance landscapes” from Santa Maria Val Müstair to Basel, and from Eastern Switzerland to Lake Geneva.
The ATLAS follows the «READER Revolving Histories – on translocal performance art Switzerland», which was released in 2025.

Get your copy at


📸: Kunst Halle Sankt Gallen.

JOIN US!
🪩 Book Release «ATLAS Revolving Histories»21.4.20266 p.m. 🪩 ATLAS Revolving Historieson translocal performance ...
16/04/2026

JOIN US!

🪩 Book Release
«ATLAS Revolving Histories»
21.4.2026
6 p.m.


🪩 ATLAS Revolving Histories
on translocal performance art Switzerland

🪩 Vexer Verlag


Publication; 268 pages (planned), 28 × 21.5 cm portrait format, hardcover, thread binding
Text: Ursula Badrutt, Mathias Balzer, Claire de Ribaupierre Furlan, Esther Maria Jungo, Marie-Ève Knoerle, Muda Mathis, Mary Paterson, Dorothea Rust, Andrea Saemann, Marcel Schwald, Benjamin Sunarjo, Margarit von Büren
Language: German, English
Design: Iris Ganz
ISBN: 978-3-907690-02-4
Price: CHF 45.00
https://vexer.ch/en/products/atlas-revolving-histories-on-translocal-performance-art-switzerland

This publication allows readers a first-time overview of the performance scenes, artists, locations and festivals in multilingual Switzerland. First- and second-hand accounts provide insights into and cross-references between the different performance networks. Based on collective research and mappings at various locations, the authors describe “performance landscapes” from Santa Maria Val Müstair to Basel, and from Eastern Switzerland to Lake Geneva. Starting with the origins of performance art in the mid-1960s, the text contributions reach all the way to current developments. The history of performance art is not uniform. It is made up of various narratives, encompasses plural concepts, and it wends its way through many languages, places and disciplinary frameworks.
This publication follows the «READER Revolving Histories – on translocal performance art Switzerland», which was released in 2025.



📸: Gisela Hochuli, About Nothing oder 3x eine Kerze lang, 2012, BONE 15 – Festival für Aktionskunst Bern, Photo: Martin Rindlisbacher.

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DavidStr. 40
Saint Gallen
9000

Öffnungszeiten

Dienstag 12:00 - 18:00
Mittwoch 12:00 - 18:00
Donnerstag 12:00 - 18:00
Freitag 12:00 - 18:00
Samstag 11:00 - 17:00

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