Laurent Marthaler Contemporary

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Showing and supporting Swiss and international artists, both young and established, the gallery focuses on artists that present strength in imagery construction, and who concentrate on esthetical, historical and philosophical involvements.

Up close, Anton Hasler’s paintings shift between figuration and abstraction. Recognisable forms give way to gestures, fr...
27/08/2026

Up close, Anton Hasler’s paintings shift between figuration and abstraction. Recognisable forms give way to gestures, fragments and fields of colour, revealing another image within the painting.

A closer look at works that will be presented in “Apparently in Order”.

Discover Anton Hasler’s work in “Apparently in Order”, a group exhibition with Benjamin Tenko, Anton Hasler and Rosalie Evard at Laurent Marthaler Contemporary.

Curated by Alexandre Kaspar (Alexandre Kaspar)

Opening
03.09.2026 · 18:00–21:00

Exhibition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Switzerland



Alexandre Kaspar



Details of works by Anton Hasler, 2026

Anton Hasler’s paintings draw from a wide range of visual references, bringing together fragments of art history, contem...
27/08/2026

Anton Hasler’s paintings draw from a wide range of visual references, bringing together fragments of art history, contemporary imagery and personal experience.

Through these encounters, familiar forms shift into ambiguous images, opening up spaces somewhere between memory, imagination and reality.

Discover Anton Hasler’s work in “Apparently in Order”, a group exhibition with Benjamin Tenko, Anton Hasler and Rosalie Evard at Laurent Marthaler Contemporary.

Curated by Alexandre Kaspar (Alexandre Kaspar)

Opening
03.09.2026 · 18:00–21:00

Exhibition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Switzerland



Alexandre Kaspar



Slide 1
Quote: Anton Hasler

Slides 2–4
Anton Hasler in his studio, Fribourg, 2026
Photographs: Marie-Lou Dumauthioz (Marie-Lou Dumauthioz)

« Apparently in Order » part de l’idée que tout ordre établi produit une certaine version du réel, sans jamais l’épuiser...
27/08/2026

« Apparently in Order » part de l’idée que tout ordre établi produit une certaine version du réel, sans jamais l’épuiser.

Dans le travail d’Anton Hasler, les références et les symboles issus de l’histoire de la peinture sont déplacés, déformés et réinterprétés. Entre mémoire collective et expérience intérieure, ses images font émerger de nouvelles visions, à la frontière du familier et de l’étrange.

Découvrez « Apparently in Order », une exposition collective avec Benjamin Tenko, Anton Hasler et Rosalie Evard à la galerie Laurent Marthaler Contemporary.

Commissariat : Alexandre Kaspar (Alexandre Kaspar)

Vernissage
03.09.2026 · 18:00–21:00

Exposition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Suisse



Alexandre Kaspar



Slide 1
Citation : Anton Hasler

Slides 2–3
Anton Hasler dans son atelier, Fribourg, 2026
Photographies : Marie-Lou Dumauthioz (Marie-Lou Dumauthioz)

Tenko approaches landscape as a field of transformation. Observation gives way to rhythm, colour and movement, so the vi...
25/08/2026

Tenko approaches landscape as a field of transformation. Observation gives way to rhythm, colour and movement, so the visible never settles into a fixed image.

In “Aureilhan”, layers of colour, reflections and restless lines reshape the landscape. The scene remains recognisable, yet its forms shift between water, vegetation and pure gesture.

Discover “Aureilhan” in “Apparently in Order”, a group exhibition with Benjamin Tenko, Anton Hasler and Rosalie Evard at Laurent Marthaler Contemporary.

Curated by Alexandre Kaspar (.part.art)

Opening
03.09.2026 · 18:00–21:00

Exhibition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Switzerland



Tenko Studio / Benjamin Taillard .part.art



Benjamin Taillard Tenko, “Aureilhan”, 2026
Oil on canvas
130 × 220 cm / 51.18 × 86.61 in

“Apparently in Order” starts from the idea that every established order produces a particular version of reality without...
25/08/2026

“Apparently in Order” starts from the idea that every established order produces a particular version of reality without ever exhausting it. Tenko’s work opens up this gap: familiar points of reference remain, but take on new configurations that reveal other possible realities.

Discover “Apparently in Order”, a group exhibition with Benjamin Tenko, Anton Hasler and Rosalie Evard at Laurent Marthaler Contemporary.

Curated by Alexandre Kaspar (.part.art)

Opening
03.09.2026 · 18:00–21:00

Exhibition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Switzerland



Tenko Studio / Benjamin Taillard .part.art



Slide 1
Quote: Benjamin Taillard Tenko

Slide 2
Benjamin Taillard Tenko, “Chlorophylle”, 2026 (detail)
Oil on canvas
100 × 140 cm / 39.37 × 55.12 in

Tenko’s paintings move between recognisable forms and free associations. Images emerge, shift and resist any fixed readi...
25/08/2026

Tenko’s paintings move between recognisable forms and free associations. Images emerge, shift and resist any fixed reading.

In “Rêve dendrologique”, lines, traces and fragments spread across a field of pink. The image seems to grow and unravel at once.

Discover “Rêve dendrologique” in “Apparently in Order”, a group exhibition with Benjamin Tenko, Anton Hasler and Rosalie Evard at Laurent Marthaler Contemporary.

Curated by Alexandre Kaspar (.part.art)

Opening
03.09.2026 · 18:00–21:00

Exhibition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Switzerland



Tenko Studio / Benjamin Taillard .part.art



Benjamin Taillard Tenko, “Rêve dendrologique”, 2026
Oil on canvas
140 × 100 cm / 55.12 × 39.37 in

Between control and release, Benjamin Taillard Tenko (Tenko Studio / Benjamin Taillard) creates shifting worlds where fr...
25/08/2026

Between control and release, Benjamin Taillard Tenko (Tenko Studio / Benjamin Taillard) creates shifting worlds where fragments of landscape, memory and sensation come together.

In “Etangclan”, forms drift across an expansive blue field, suspended somewhere between the familiar and the imagined.

Discover « Etangclan » in « Apparently in Order », a group exhibition bringing together Benjamin Tenko, Anton Hasler and Rosalie Evard at Laurent Marthaler Contemporary.

Curated by Alexandre Kaspar (.part.art)

Opening
03.09.2026 · 18:00–21:00

Exhibition
03.09—04.10.2026

Av. des Alpes 80b
Montreux, Switzerland



Tenko Studio / Benjamin Taillard



Benjamin Taillard Tenko, “Etangclan”, 2026
Oil on canvas
140 × 100 cm / 55.12 × 39.37 in

Every order depends on a point of view. It determines what becomes visible, how things relate and what is left unseen. W...
18/08/2026

Every order depends on a point of view. It determines what becomes visible, how things relate and what is left unseen. What appears given is often already arranged. On canvas, this is called composition.

Painting does not simply mirror an existing order. It isolates and reconnects fragments, alters perspectives, folds time and gives alternative visions their own coherence. Through pictorial illusion, familiar forms retain their identity as they lose their stability.

« Apparently in Order » brings together works by Benjamin Tenko (Tenko Studio / Benjamin Taillard), Anton Hasler (Anton Hasler) and Rosalie Evard (.evard). Their paintings inhabit the uncertain line between the actual and the possible. Like the memory of an old dream or an attempt to trace the contours of an abstract idea, each pushes representation to the point where the world remains recognizable, but the logic that holds it together begins to shift.

Laurent Marthaler Contemporary is pleased to invite you to the opening of the exhibition.

Curated by Alexandre Kaspar (.part.art)

Opening 3 September 2026, 6–9 PM
Exhibition 3 September–4 October 2026

Laurent Marthaler Contemporary
Av. des Alpes 80b
1820 Montreux, Switzerland

What happens when photography moves beyond the visible?Through light, colour and intentional blur, Janik Bürgin transfor...
27/07/2026

What happens when photography moves beyond the visible?

Through light, colour and intentional blur, Janik Bürgin transforms ordinary materials into luminous compositions that hover between painting and photography.

Created without digital manipulation, each work is produced as a unique photographic print, no editions, no artist’s proofs. Each image exists only once.

Swipe to discover the artist, his process and the visual language behind his work.

For available works and further information, contact us.

13/07/2026

A closer look at the making of JUBILEE

In this excerpt, master screen printer Lorenz Boegli looks back on the production of one of Youri Messen-Jaschin’s screen prints and explains the different stages of its creation.

For more than twenty years, the artist and the master screen printer have worked together to develop works that continue to expand the possibilities of screen printing.

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Dans les coulisses de la création de JUBILEE

Dans cet extrait, le maître sérigraphe Lorenz Boegli revient sur la réalisation de l’une des sérigraphies de Youri Messen-Jaschin et explique les différentes étapes de sa fabrication.

Depuis plus de vingt ans, l’artiste et le maître sérigraphe travaillent ensemble pour développer des œuvres qui repoussent les possibilités de la sérigraphie.
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AVia Des Alpes 80B
Montreux
1820

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