Artspeak

Artspeak Artspeak is a non-profit artist run centre established in 1986.

On view until July 4, 2026Monologue: Whispers against the Current Christopher Outten
06/10/2026

On view until July 4, 2026

Monologue: Whispers against the Current
Christopher Outten

A warm Artspeak welcome! In conversation: Charles Campbell and Christopher Outten June 18 2026 6pm @ 233 Carrall StPleas...
06/06/2026

A warm Artspeak welcome! In conversation: Charles Campbell and Christopher Outten
June 18 2026 6pm @ 233 Carrall St
Please note there will be limited seating capacity.

Charles Campbell is a Jamaican born multidisciplinary artist, writer and curator based on lək̓ʷəŋən territory, Victoria BC. Using sculpture, sound, installation and performance, his work pulls at the threads of time. Finding channels into the past and future Campbell reconstructs broken somatic, communal and spiritual connections, creating spaces of solace and meaning for all of us living in the wake of slavery and colonization.

Campbell’s artworks have been exhibited widely in the Caribbean, Canada and internationally. Recent exhibitions include The Other Side of Now (Perez Art Museum Miami), How Not to Be Seen (Remai Modern), Vancouver Special, Fragments of Epic Memory (Art Gallery of Ontario) and How many colours has the sea (The Power Plant Gallery). Campbell is the recipient of numerous awards and holds an MA in Fine Art from Goldsmiths College and a BFA from Concordia University.

Postscript available for view, visit our linktree!  (in bio)In response to the exhibition “A Rose into An Omen”  featuri...
05/30/2026

Postscript available for view, visit our linktree! (in bio)

In response to the exhibition “A Rose into An Omen” featuring artists Karice Mitchell and Tiona Nekkia McClodden, Artspeak postscript includes review text by guest writer Sarah Edo and excerpts from “Material + Visuality” presented in partnership with UBC Critical Image Forum.

Sarah Edo is a curator and writer based in Toronto. She has curated a range of exhibitions and public programs at various museums, galleries, and festivals, including the Gardiner Museum, the Toronto Biennial of Art, Gallery TPW, the Art Gallery of Burlington, BAND Gallery, and Images Festival. She has held curatorial support roles at MOCA Toronto and the MacKenzie Art Gallery and is currently the TD Curatorial Fellow at The Power Plant Contemporary Art Gallery. Sarah’s art criticism and writing have been published in Studio Magazine, Gallery 44, Topical Cream, BlackFlash Magazine, and CMagazine. She holds a Bachelor’s degree in Cinema Studies and Gender Studies, as well as a Master’s degree in Gender Studies, both from the University of Toronto.

Welcome Amelia! "Why does Pray Sound like Prey, and Worship sound like Warship?" Is on view at 320 Carrall St.Amelia Rod...
05/27/2026

Welcome Amelia!

"Why does Pray Sound like Prey, and Worship sound like Warship?" Is on view at 320 Carrall St.

Amelia Rodriguez (b.1999) is a visual artist based in Vancouver, British Columbia. Rodriguez holds a Bachelor of Fine Art from Emily Carr University of Art and Design, and attended Studio H residency in Sooke, British Columbia (2024), THIRDSPACE residency in Toronto, Ontario (2025). Rodriguez has exhibited in multiple cities across Canada including Calgary, Vancouver, and Toronto. Her work has been published in Subo Art Magazine (Portugal), FERAL (Asheville, NC), Capsule Community (New York, Toronto), SemiPermeable Press (Vancouver, BC), and Àflots Magazine (Montreal, QC).

On View May 27- August 31 2026“Why Does Pray Sound Like Prey, and Worship Sound Like Warship?” marks Amelia Rodriguez’s ...
05/23/2026

On View May 27- August 31 2026

“Why Does Pray Sound Like Prey, and Worship Sound Like Warship?” marks Amelia Rodriguez’s first solo exhibition. Using rope crochet, suspended forms held by fishing hooks, and a palette dominated by pink, the installation juxtaposes softness with latent danger. Rodriguez presents a body of textile-based work that interrogates the tensions between care, vulnerability, and harm. Reflecting on formative experiences shaped by Catholic upbringings, where guilt and discipline intersect with dependency, “Why Does Pray Sound Like Prey, and Worship Sound Like Warship?” considers how children navigate complex emotional landscapes without the language or tools to process them, and how systems of care can simultaneously nurture and wound. Central to the practice is an exploration of thresholds: between comfort and discomfort, safety and precarity. Drawing on feminized craft traditions, the exhibition positions care as both material and method. Tactility plays a key role: surfaces that appear soft may resist or unsettle upon closer engagement, evoking the dualities inherent in caregiving relationships.

Curated by Jade Ariana

Artspeak’s off-site space is made possible by the generosity of The Cheeky Proletariat.

Join us Thursday May 14th 6:30pm for the opening reception of Christopher Outten's solo presentation "Monologue: Whisper...
05/11/2026

Join us Thursday May 14th 6:30pm for the opening reception of Christopher Outten's solo presentation "Monologue: Whispers Against the Current"

Christopher Outten (b. 1993, Nassau, Bahamas) is a Bahamian artist currently based in Vancouver, Canada, where he is pursuing an MFA at Simon Fraser University. His interdisciplinary practice explores diasporic identity through painting, sculpture, sound, and performance. Central to his work is the alter ego Kettle Man, a recurring figure that allows him to examine vulnerability, transformation, and the complexities of Black embodiment.

Join us on May 14 @ 6:30pm for the opening reception of Christopher Outten's solo presentation, Monologue: Whispers Agai...
05/04/2026

Join us on May 14 @ 6:30pm for the opening reception of Christopher Outten's solo presentation, Monologue: Whispers Against the Current

Monologue: Whispers Against the Current therapeutically materializes fragile imaginings into a reflexive terrain of Outten’s own making, and internal dialogue. Quiet negotiations between survival and selfhood are shaped by feeling out of place. Where interiority is not retreat but a strategy, a state of exception, a necessary site of endurance , and inner aliveness in spite of. Within it, thoughts are rehearsed, edited, and withheld; a constant calibration of expression unfolds in response to environments that resist recognition. Vignettes of loss and departure, chosen and imposed, are narrated through illustration and sculpture. What does it mean to speak to oneself in a place that does not listen? To be made representative? To be both hyper-visible and unseen? Outten engages this tension, reflecting on what is left behind in the pursuit of becoming, offering a space for the quietly spoken forms of belonging that exist beyond assimilation.

04/22/2026
Mailers landing in your inbox! Thank you to all of our subscribers for your ongoing support. This time we've shared the ...
04/16/2026

Mailers landing in your inbox! Thank you to all of our subscribers for your ongoing support. This time we've shared the entire year of programming.

Not on our mailing list? Our website has details on upcoming events, workshops and presentations.

A glance ahead:
April 23-26 Spring Fundraiser
May 9 Feeling Film: Writing workshop with Dr. Nataleah Hunter Young

SHOP, SUPPORT Your contribution plays a vital role in fostering curatorial research, artistic dialogue, and the developm...
04/14/2026

SHOP, SUPPORT

Your contribution plays a vital role in fostering curatorial research, artistic dialogue, and the development of innovative exhibitions within our gallery. By supporting this initiative, you help provide essential resources for emerging and established curators to explore new ideas, engage communities, and shape meaningful cultural experiences.

From April 23–26, our gallery will temporarily transform into a thoughtfully curated thrift store, offering a selection of gallery fixtures, furnishings, and home goods.

Proceeds from this sale directly support our Curator-in-Residence program!

Come say hi in person or shop our stories sale! Your support helps ensure the continued vitality of Artspeak programs.

Address

233 Carrall Street
Vancouver, BC
V6B2J2

Opening Hours

Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm

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+16046880051

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