Macaulay & Co. Fine Art

Macaulay & Co. Fine Art Macaulay & Co.

Fine Art was founded in 2012 with a program focused on interdisciplinary, concept, space and politically based approaches in a variety of media. The artwork responds to the complex history of art on the West Coast and its relevance, such as work examining the cultural politics of First Nations identity in Canada. This awareness of Vancouver’s history and politics ultimately charges and contributes

to the ongoing dialogue of art in Vancouver. Artists: Lawrence Paul Yuxweluptun, Jeremy Shaw, Jonah Samson, Walter Scott, Robert Arndt, Judy Chartrand, Jeneen Frei Njootli, and Charlene Vickers.

Taqralik PartridgeKangirsuk 1, 2026Archival inkjet print on Canson Rag Photographique II 310gsm21½ x 28½ in. (framed) ed...
08/27/2026

Taqralik Partridge
Kangirsuk 1, 2026
Archival inkjet print on Canson Rag Photographique II 310gsm
21½ x 28½ in. (framed) edition of 3, 2AP

This series is part of an ongoing photographic study of garbage dumps in the Arctic. Taqralik approaches these sites through the lens of value — specifically, the dump’s value as a resource.
The dump is a visually harsh and toxic presence within the Arctic landscape. It also serves a practical function: communities across the North rely on these sites for reusable materials. In Inuit communities in Canada, the dump is referred to as “Canadian Tire,” reflecting its role as a source of usable goods.

Taqralik Partridge (b. 1975) is an Inuk and Scottish curator, artist and writer originally from Kuujjuaq, Nunavik. She is the former director of the Nordic Lab at SAW Gallery in Ottawa, and has worked as a curator for the Art Gallery Of Ontario, the Art Gallery of Guelph and independently.
Taqralik is the former Editor-at-large for the Inuit Art Quarterly. She has performed at festivals in Canada and internationally for more than 20 years; as both a spoken word poet and Inuit throat singer; and her visual and film work has been shown at exhibitions in North America, Australia, Norway, New Zealand and the UK. She currently lives with her family in Ottawa.

TORONTO ~ Touching Down / New works by Dana Claxton, Nadia Myre, Jeneen Frei Njootli, Taqralik Partridge, and Charlene V...
08/25/2026

TORONTO ~ Touching Down / New works by Dana Claxton, Nadia Myre, Jeneen Frei Njootli, Taqralik Partridge, and Charlene Vickers

For our inaugural exhibition on Tecumseth Street in Toronto, we take a moment to consider both landing in a new space and joining a community. Art spaces at their best hold ground lightly, make room for new voices, and resist the tendency to calcify into institution. Some of the most important art spaces have been provisional — storefronts, temporary residencies, borrowed rooms — and to be provisional is not to be incomplete or uncommitted, it is instead to be ready - alert, responsive, and bringing what is needed. It is in this spirit that we touch down in Toronto.

Opening September 10th, 2026
6-9pm ~ Please join us!

macaulay + to.
133 Tecumseth Street
Toronto, ON

Charlene Vickers
Green House Glows, 2026
Acrylic on canvas
78 x 58 in.

‘Portrait of Lawrence Paul Yuxweluptun’ 2026, 8x10 tintype . Photo courtesy of Geoffrey Wallang
08/19/2026

‘Portrait of Lawrence Paul Yuxweluptun’ 2026, 8x10 tintype . Photo courtesy of Geoffrey Wallang

This Summer, Lawrence Paul Yuxweluptun was the Artist In Residence Libby Leshgold Gallery where he created the monumenta...
08/13/2026

This Summer, Lawrence Paul Yuxweluptun was the Artist In Residence Libby Leshgold Gallery where he created the monumental 20 x18 foot painting “Global Warming: Wild Fire Storms”.

“Do you see three trees on fire? Do you see big fire flames? Do you see smoke? Do you see a fire storm? I have taken my culture and translated into western culture. If you see all these things, then you are experiencing this painting in your cultural language” ~Lawrence Paul Yuxweluptun

Final week for Lauren Crazybull : memory/atrophyLauren (b. 1994) is a Niitsítapi (Member of Kainai First Nation), Dené a...
07/29/2026

Final week for Lauren Crazybull : memory/atrophy

Lauren (b. 1994) is a Niitsítapi (Member of Kainai First Nation), Dené artist currently living in Vancouver, BC. In her work, Lauren considers Indigenous presence and multiplicity through paintings, creating worlds where honest portrayals trespass onto romantic representations of Indigeneity.

OPENING TOMORROWTightrope: Sara Anstis, Patricia Ayres, Jeneen Frei Njootli, Suzy Lake, Jana SterbakBradley Ertaskiran, ...
07/15/2026

OPENING TOMORROW
Tightrope: Sara Anstis, Patricia Ayres, Jeneen Frei Njootli, Suzy Lake, Jana Sterbak
Bradley Ertaskiran, Montréal
July 16 - August 15, 2026
Vernissage: Thursday, July 16, 2026, 5 to 8 pm

Bradley Ertaskiran is pleased to present Tightrope, an exhibition bringing together local and international artists whose practices converge around constriction as both a psychological condition and a formal concern. This sense of constraint extends into material and technique alike: across photography, sculpture, drawing, and performance, the works gathered here are taut, wracked, inscribed, and occasionally on the verge of rupture, in an ever present state of tension.

Jeneen Frei Njootli’s work is imbued with faint traces, subtle moments, and tactile impressions from something already passed. In their Knowledge Transference artworks (2017), cropped planes of flesh reveal delicate patterning created by pressing beadwork—made and gifted from family members—directly into skin. The resulting impressions are subtle but insistent, ancestral memory materialized and imprinted onto the body, made permanent through the photographic image before inevitably fading away. Absence and presence, erasure and transmission are central to Frei Njootli’s larger interdisciplinary practice, which incorporates culturally intimate materials and found objects drawn from the community they live and work within—the self-governing Vuntut Gwitchin First Nation—into sculpture, regalia, performance, and sound.

Image: Jeneen Frei Njootli, Knowledge Transference II, 2017, ink on vinyl, metal hardware, 35 x 52 in

Future Geographies: Art in the Century of Climate ChangeVancouver Art GalleryUntil January 10, 2027Curated by Eva Respin...
07/10/2026

Future Geographies: Art in the Century of Climate Change
Vancouver Art Gallery
Until January 10, 2027
Curated by Eva Respini and Andrea Valentine-Lewis

As the environmental crisis accelerates, artists around the world are responding with urgency, insight and vision.

Featuring works from the past 25 years, this exhibition underscores the gravity and relevance of sustainability and the environment as defining issues of our time. More than 35 works across a range of media—from large-scale video installations to living sculptures—invite viewers to confront pressing questions about our shared future on this planet.

In conjunction with the exhibition, the Vancouver Art Gallery is partnering with the University of British Columbia Climate Action Lab to create unique platforms for cross disciplinary dialogue. After its presentation at the Vancouver Art Gallery, Future Geographies will travel to the Art Gallery of Ontario.

Image: Lawrence Paul Yuxweluptun Lets’lo:tseltun, The Impending Fire Storms, 2024, Acrylic on canvas, 120 x 108 in. Collection of the Vancouver Art Gallery.

Charlene VickersRide Out the Storm, 2026Marker on paper30 x 22 in.
06/26/2026

Charlene Vickers
Ride Out the Storm, 2026
Marker on paper
30 x 22 in.

Lauren CrazybullYesterday, 2026oil on canvas12 x 9 in.
06/18/2026

Lauren Crazybull
Yesterday, 2026
oil on canvas
12 x 9 in.

Luke ParnellSkén:non akéhake tsi na’teiónteron / Remédiation relationnelle / Relational Remediation  Daphne, Montréal   ...
06/11/2026

Luke Parnell

Skén:non akéhake tsi na’teiónteron / Remédiation relationnelle / Relational Remediation
Daphne, Montréal The exhibition is open to the public now. The vernissage, with the artist in attendance is Friday, June 19th, from 7-9pm. Text by Lisa Myers.

Image: Luke Parnell, War Canoe Prototype

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