Art Museum at the University of Toronto

Art Museum at the University of Toronto An internationally renowned centre for contemporary art and interdisciplinary inquiry in the University of Toronto's St George campus.
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Free admission and all are welcome! The Art Museum is comprised of the Justina M. Barnicke Gallery (Hart House) and the University of Toronto Art Centre (University College). Located just a few steps apart, the two galleries were federated in 2014 and began operating under a new visual identity as the Art Museum at the University of Toronto, one of the largest gallery spaces for visual art exhibit

ions and programming in Toronto. Building on the two galleries’ distinguished histories, the Art Museum organizes and presents an intensive year-round program of exhibitions and events that foster—at a local, regional, and international level—innovative research, interdisciplinary scholarship, and knowledge of art and its histories befitting Canada’s leading university and the country’s largest city. Learn more: https://artmuseum.utoronto.ca/about-us/

06/22/2026

Encountering Kara Springer’s radiant and enigmatic 𝘛𝘩𝘦 𝘌𝘢𝘳𝘵𝘩 𝘢𝘯𝘥 𝘈𝘭𝘭 𝘐𝘵𝘴 𝘐𝘯𝘩𝘢𝘣𝘪𝘵𝘢𝘯𝘵𝘴 (2019) in the exhibition 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵. leaves quite the impression.

In this video, Kara goes behind the mystique of the lightbox image to explain the labour of making it and of keeping it aglow. This connects the work to the rest of the exhibition, visualizing the forces that power the beauty of the Caribbean’s land and seascapes.

So don’t fret if you find the work unlit on your visit. Reflect on its significance, and then come again soon.

Free admission and open to the public.

𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯
📍 University of Toronto Art Centre, 15 King’s College Circle
🗓 Through August 1, 2026
🕑 Open Tuesday through Saturday, 12pm–5pm, with extended hours on Wednesdays, 12pm–8pm.

🔗 Head to the link below for more information.



Kara Springer is particularly concerned with armature—the underlying structure that holds the flesh of a body in place. She works with photography, sculpture, and site-specific interventions to explore systems of structural support through engagement with architecture, urban infrastructure, and systems of institutional and political power.

Springer holds degrees from the University of Toronto, ENSCI les Ateliers in Paris, and the Tyler School of Art in Philadelphia. Her work has been exhibited at the Philadelphia Institute of Contemporary Art, the National Gallery of the Bahamas, the National Gallery of Jamaica, and the Frankfurt Museum of Applied Arts. She is an alum of the Independent Study Program at the Whitney Museum of American Art and the Museum of Fine Arts Houston Core Program.



Videography: Miles Rufelds.

After nine months, the exhibition 𝘗𝘳𝘰𝘰𝘧 of 𝘓𝘪𝘧𝘦 at the Jackman Humanities Institute is on its final day. Make your way o...
06/19/2026

After nine months, the exhibition 𝘗𝘳𝘰𝘰𝘧 of 𝘓𝘪𝘧𝘦 at the Jackman Humanities Institute is on its final day. Make your way over and say your goodbyes before 4pm!



𝘗𝘳𝘰𝘰𝘧 of 𝘓𝘪𝘧𝘦 explores material debris from the end of the world, considering the aftermath of our present-day ruin. The artworks in the exhibition foreground archival matter and found or foraged objects, capturing multiple dimensions of wreckage. Inhabiting dystopia, the exhibition contends with “the end” as both an inevitability and a site of reconfiguration and becoming.

Curated by Chloe Gordon-Chow

Featuring works by Ernesto Cabral de Luna, boring earth, Shannon Garden-Smith, and Jenine Marsh

🕚 The exhibition is open to the public during regular business hours: Monday to Friday, 9am–4pm. For more information, visit the Jackman Humanities Institute’s website.
📍 Jackman Humanities Institute (10th floor, 170 St. George Street)

🔗 Learn more about the exhibition and read the curatorial essay through the link below!


📸 Images:
1—Installation view: 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦, curated by Chloe Gordon-Chow, September 10, 2025–June 19, 2026, Jackman Humanities Institute. Photo: LF Documentation.
2—Installation view: Jenine Marsh, 𝘞𝘪𝘵𝘩𝘪𝘯 𝘰𝘳 𝘣𝘦𝘺𝘰𝘯𝘥 𝘮𝘺 𝘮𝘦𝘢𝘯𝘴 (3) (2021) in 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦, curated by Chloe Gordon-Chow, September 10, 2025–June 19, 2026, Jackman Humanities Institute. Photo: LF Documentation.
3—Installation view: 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦, curated by Chloe Gordon-Chow, September 10, 2025–June 19, 2026, Jackman Humanities Institute. Photo: LF Documentation.
4—Installation views: boring earth, 𝘖𝘧𝘧𝘦𝘳𝘪𝘯𝘨𝘴 (2024 – ongoing) in 𝘗𝘳𝘰𝘰𝘧 𝘰𝘧 𝘓𝘪𝘧𝘦, curated by Chloe Gordon-Chow, September 10, 2025–June 19, 2026. Photos: LF Documentation.

ON VIEW: Cullen Ritchie’s 𝘏𝘢𝘭𝘧 𝘔𝘪𝘭𝘦 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions. In this pro...
06/18/2026

ON VIEW: Cullen Ritchie’s 𝘏𝘢𝘭𝘧 𝘔𝘪𝘭𝘦 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions.

In this project, Cullen draws a parallel between the abandonment of the railway over the Don Valley and the steep decline in the industrial use of celluloid film. He weaves together computer-generated mattes and photographs of the Canadian Pacific Railway Half Mile Bridge over the Don Valley into grids, producing a film in which disparate fragments collide to fabricate new memories.

2026 University of Toronto MVS Studio Art Graduating Exhibitions
📆 Through July 15, 2026
📍 Architecture + Design Gallery, Daniels Building, 1 Spadina Crescent
🕕 Open Monday to Friday, 12pm–5pm, closed on Saturday and Sunday.
Admission is free and the gallery is open to the public.

🔗 Learn more about Cullen's and the other graduating students’ exhibitions via the link below.



Cullen Ritchie is an artist from rural Ontario currently operating in Toronto. His work is influenced by experimental cinema and his own infatuation with technological archaeology, as well as, by extension, the preservation of technical histories. A key aspect of their commitment to analog film technologies is their belief in the right to repair and the renewal of skilled labour. He holds an honours BFA from Toronto Metropolitan University and is a Master of Visual Studies candidate at the University of Toronto.


📸 Images: Installation views: Cullen Ritchie, 𝘏𝘢𝘭𝘧 𝘔𝘪𝘭𝘦 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions, May 1–July 15, 2026, Architecture + Design Gallery. Photo: Dominic Chan.

If you’ve been looking for a chance to wade into 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵., come by tonight! On Wednesdays, the Art Museum...
06/17/2026

If you’ve been looking for a chance to wade into 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵., come by tonight! On Wednesdays, the Art Museum’s two galleries are open until 8pm.

Free admission and open to the public.

𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯
📍 University of Toronto Art Centre, 15 King’s College Circle
🗓 Through August 1, 2026
🕑 Open Tuesday through Saturday, 12pm–5pm, with extended hours on Wednesdays, 12pm–8pm.

The exhibition 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵. brings together artists of Caribbean descent whose work explores the complexity of the region’s histories of colonialism, African diaspora, Indigeneity and ongoing struggles for sovereignty and environmental Justice.

🔗 Head to the link below for more information.



📸 Images:
1—Installation view: Carolina Caycedo, 𝘍𝘶𝘦𝘭 𝘵𝘰 𝘍𝘪𝘳𝘦 (2023) in 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯, curated by Michelle Jacques and Sally Frater, February 25–August 1, 2026, University of Toronto Art Centre. Photo: LF Documentation.
2—Installation view: Deborah Jack, 𝘛𝘩𝘦 𝘧𝘦𝘤𝘶𝘯𝘥, 𝘵𝘩𝘦 𝘭𝘶𝘴𝘩 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘴𝘢𝘭𝘵𝘦𝘥 𝘭𝘢𝘯𝘥 𝘸𝘢𝘪𝘵𝘴 𝘧𝘰𝘳 𝘢 𝘩𝘢𝘳𝘷𝘦𝘴𝘵…𝘩𝘦𝘳 𝘱𝘦𝘰𝘱𝘭𝘦…𝘳𝘪𝘱𝘦 𝘸𝘪𝘵𝘩 𝘱𝘳𝘰𝘮𝘪𝘴𝘦, 𝘸𝘢𝘪𝘵 𝘶𝘯𝘵𝘪𝘭 𝘵𝘩𝘦 𝘯𝘦𝘹𝘵 𝘣𝘭𝘰𝘸𝘪𝘯𝘨 𝘴𝘦𝘢𝘴𝘰𝘯 (2022) in 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯, curated by Michelle Jacques and Sally Frater, February 25–August 1, 2026, University of Toronto Art Centre. Photo: LF Documentation.
3—Installation view: Kara Springer, 𝘛𝘩𝘦 𝘌𝘢𝘳𝘵𝘩 𝘢𝘯𝘥 𝘈𝘭𝘭 𝘐𝘵𝘴 𝘐𝘯𝘩𝘢𝘣𝘪𝘵𝘢𝘯𝘵𝘴 (2019) in 𝘓𝘢𝘯𝘥. 𝘚𝘦𝘢. 𝘚𝘶𝘨𝘢𝘳. 𝘚𝘢𝘭𝘵.: 𝘛𝘦𝘳𝘳𝘦𝘴𝘵𝘳𝘪𝘢𝘭 𝘢𝘯𝘥 𝘈𝘲𝘶𝘢𝘵𝘪𝘤 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘳𝘪𝘣𝘣𝘦𝘢𝘯, curated by Michelle Jacques and Sally Frater, February 25–August 1, 2026, University of Toronto Art Centre. Photo: LF Documentation.

The Art Museum will be closed on Wednesday, July 1st in observance of the statutory holiday. We look forward to welcomin...
06/17/2026

The Art Museum will be closed on Wednesday, July 1st in observance of the statutory holiday.

We look forward to welcoming you back into our spaces on Thursday, July 2nd, when we resume regular opening hours.

🕑 Regularly open Tuesday through Saturday, 12pm–5pm, with extended hours on Wednesdays, 12pm–8pm.

ON VIEW: Pamila Matharu’s 𝘎𝘌𝘛 𝘙𝘐𝘊𝘏 𝘖𝘙 𝘋𝘐𝘌 𝘛𝘙𝘠𝘐𝘕’: 𝘚𝘛𝘖𝘙𝘐𝘌𝘚 𝘍𝘙𝘖𝘔 𝘔𝘠 𝘎𝘙𝘈𝘕𝘋𝘔𝘖𝘛𝘏𝘌𝘙'𝘚 𝘏𝘈𝘕𝘋𝘚 𝘍𝘖𝘙 𝘔𝘠 𝘍𝘈𝘛𝘏𝘌𝘙’𝘚 𝘏𝘖𝘜𝘚𝘌 in the 2026 ...
06/16/2026

ON VIEW: Pamila Matharu’s 𝘎𝘌𝘛 𝘙𝘐𝘊𝘏 𝘖𝘙 𝘋𝘐𝘌 𝘛𝘙𝘠𝘐𝘕’: 𝘚𝘛𝘖𝘙𝘐𝘌𝘚 𝘍𝘙𝘖𝘔 𝘔𝘠 𝘎𝘙𝘈𝘕𝘋𝘔𝘖𝘛𝘏𝘌𝘙'𝘚 𝘏𝘈𝘕𝘋𝘚 𝘍𝘖𝘙 𝘔𝘠 𝘍𝘈𝘛𝘏𝘌𝘙’𝘚 𝘏𝘖𝘜𝘚𝘌 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions.

This installation weaves together multiple layers of grief and loss surrounding key historical events held within the memory of the Sikh diaspora on Turtle Island—the partition of British India (1947), the anti-Sikh pogroms (1984), and the bombing of Air India Kanishka Flight 182 (1985). Matharu imbricates politics with the personal, connecting these events to two significant personal losses through sound installations augmented with poetic texts, photographs, personal effects, and sculptural interventions. Matharu looks back in order to move forward; their work memorializes grief and enduring loss, inviting the viewer to witness the lasting impacts of historic events that have otherwise faded from public memory.

2026 University of Toronto MVS Studio Art Graduating Exhibitions
📆 Through July 15, 2026
📍 Architecture + Design Gallery, Daniels Building, 1 Spadina Crescent
🕕 Open Monday to Friday, 12pm–5pm, closed on Saturday and Sunday.
Admission is free and the gallery is open to the public.

🔗 Learn more about Pamila's and the other graduating students’ exhibitions via the link below.



Pamila Matharu is a visual artist, cultural producer and educator. A settler of Panjabi Sikh descent, they were born in Birmingham, England, and raised in Tkarón:to (Toronto), and they now live between Tkarón:to and London, England. Their practice explores a range of transdisciplinary feminist issues through a multimedia approach that combines object-based art installation, collage, analog & new media art, organizing, social practice, and, more recently, somatics. They hold a BA and a BEd from York University (2002) and are currently completing their Master of Visual Studies in Studio Art at the University of Toronto’s Daniels Faculty of Architecture, Landscape, and Design.



📸 Images: Installation views: Pamila Matharu, 𝘎𝘌𝘛 𝘙𝘐𝘊𝘏 𝘖𝘙 𝘋𝘐𝘌 𝘛𝘙𝘠𝘐𝘕’: 𝘚𝘛𝘖𝘙𝘐𝘌𝘚 𝘍𝘙𝘖𝘔 𝘔𝘠 𝘎𝘙𝘈𝘕𝘋𝘔𝘖𝘛𝘏𝘌𝘙'𝘚 𝘏𝘈𝘕𝘋𝘚 𝘍𝘖𝘙 𝘔𝘠 𝘍𝘈𝘛𝘏𝘌𝘙’𝘚 𝘏𝘖𝘜𝘚𝘌 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions, May 1–July 15, 2026, Architecture + Design Gallery. Photo: Dominic Chan.

⏰ DUE JULY 10TH, 1PM ET ⏰  The Art Museum is a recommender for the Ontario Arts Council’s Exhibition Assistance program,...
06/15/2026

⏰ DUE JULY 10TH, 1PM ET ⏰

The Art Museum is a recommender for the Ontario Arts Council’s Exhibition Assistance program, and we are now accepting applications!

The program provides grants of $500 to $2,000 to assist individual artists with costs related to presenting their work for an exhibition.

Applications and guidelines are available through the Ontario Arts Council. For more information, visit the link below!

For inquiries, please contact Noa Bronstein at [email protected].

ON VIEW: Rita Ferrando’s 𝘔𝘰𝘥𝘦𝘳𝘯 𝘕𝘢𝘵𝘶𝘳𝘦 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions. 𝘔𝘰𝘥𝘦𝘳𝘯 𝘕...
06/12/2026

ON VIEW: Rita Ferrando’s 𝘔𝘰𝘥𝘦𝘳𝘯 𝘕𝘢𝘵𝘶𝘳𝘦 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions.

𝘔𝘰𝘥𝘦𝘳𝘯 𝘕𝘢𝘵𝘶𝘳𝘦 presents a series of portraits of couples and individuals filmed in the public spaces of an academic campus. Here, performers collectively rehearse a script comprising
passages from Jeannette Winterson’s 𝘞𝘳𝘪𝘵𝘵𝘦𝘯 𝘰𝘯 𝘵𝘩𝘦 𝘉𝘰𝘥𝘺 (1992) and Derek Jarman’s 𝘔𝘰𝘥𝘦𝘳𝘯 𝘕𝘢𝘵𝘶𝘳𝘦 (1991). The texts provide a framework for reflection in the present, engaging with the bifurcation of politics and illness and the exploration of spaces for queerness and desire as respite.

2026 University of Toronto MVS Studio Art Graduating Exhibitions
📆 Through July 15, 2026
📍 Architecture + Design Gallery Daniels Building, 1 Spadina Crescent
🕕 Open Monday to Friday, 12pm–5pm, closed on Saturday and Sunday.

Admission is free and the gallery is open to the public.

🔗 Learn more about Rita’s and the other graduating students’ exhibitions via the link below.



Rita Ferrando is a Canadian-Argentinian writer and filmmaker whose work spans experimental and narrative forms. Central to her practice are explorations surrounding worldmaking, collective processes, and desire as a site of transformation. She holds a BFA from Toronto Metropolitan University and is a candidate in the Master of Visual Studies program at the University of Toronto, Daniels Faculty (2026). Her recent films have been presented internationally at film festivals and institutions, including the International Film Festival Rotterdam, the Toronto International Film Festival, Anthology Film Archives (New York), the Sheffield Documentary Film Festival, the Beijing International Film Festival, True/False (Columbia), the Festival du Nouveau Cinéma (Montréal), 25 FPS(Zagreb), Centre A (Vancouver), the McEvoy Foundation for the Arts (San Francisco), and the Clemente Center (New York).


📸 Image: Installation view: Rita Ferrando, 𝘔𝘰𝘥𝘦𝘳𝘯 𝘕𝘢𝘵𝘶𝘳𝘦 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions, May 1–July 15, 2026, Architecture + Design Gallery. Photo: Dominic Chan.

ON VIEW: Helio Eudoro’s 𝘛𝘩𝘦 𝘛𝘩𝘪𝘯𝘨𝘴 𝘐 𝘓𝘦𝘧𝘵 𝘉𝘦𝘩𝘪𝘯𝘥 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions...
06/11/2026

ON VIEW: Helio Eudoro’s 𝘛𝘩𝘦 𝘛𝘩𝘪𝘯𝘨𝘴 𝘐 𝘓𝘦𝘧𝘵 𝘉𝘦𝘩𝘪𝘯𝘥 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions.

In this exhibition, Helio Eudoro works with abandoned objects, blurring the line between reality and fiction while reinterpreting these objects’ original meanings to construct narratives around memory, pleasure, guilt, religiosity, and transformation. He assembles hundreds of objects in a quasi-inventory, juxtaposing items from childhood and adulthood. Reflecting on the body, memory, religiosity, and pleasure with a sustained sense of irony and personal inflection, the exhibition unfolds as an autobiographical record in which survival, struggle, and play coexist.

2026 University of Toronto MVS Studio Art Graduating Exhibitions
📆 Through July 15, 2026
📍 Architecture + Design Gallery, Daniels Building, 1 Spadina Crescent
🕕 Open Monday to Friday, 12pm–5pm, closed on Saturday and Sunday.

Admission is free and the gallery is open to the public.

🔗 Learn more about Helio’s and the other graduating students’ exhibitions via the link below.



Helio Eudoro (b. 1965) is a Brazilian-Canadian visual artist based in Toronto. Working across photography, sculpture, video, painting, installation, and performance, his practice employs discarded belongings to reimagine selfhood, queerness, illness, aging, diaspora, and spirituality. He holds a BFA with Honours from OCAD University and is currently a candidate for the Master of Visual Studies at the University of Toronto. Eudoro is the recipient of the 2022 Carmen Lamanna Award, the 2023 Toronto Arts Foundation Space Award, and the 2020 RBC Newcomer Arts Award, among other honours. His work is held in public and private collections and has been exhibited at major museums and international festivals across Canada, Brazil, and the United States, including the Museu Oscar Niemeyer, the Art Museum at the University of Toronto, and Luminato Festival.


📸 Images: Installation views: Helio Eudoro, 𝘛𝘩𝘦 𝘛𝘩𝘪𝘯𝘨𝘴 𝘐 𝘓𝘦𝘧𝘵 𝘉𝘦𝘩𝘪𝘯𝘥 in the 2026 University of Toronto MVS Studio Art Graduating Exhibitions, May 1–July 15, 2026, Architecture + Design Gallery. Photo: Dominic Chan.

The Art Museum is expanding its curatorial team! Join us in welcoming Denise Birkhofer as Curator, Academic and Collecti...
06/09/2026

The Art Museum is expanding its curatorial team!

Join us in welcoming Denise Birkhofer as Curator, Academic and Collections Initiatives. Cross-appointed as Assistant Professor in the University of Toronto’s Faculty of Information, Denise will foster new collaborations between the Art Museum and the Master of Museum Studies program.

With a PhD in art history from the Institute of Fine Arts, NYU, Denise has more than fifteen years of professional experience in academic art museums, previously holding curatorial positions at the Grey Art Museum (NYU), the Allen Memorial Art Museum (Oberlin College), and the Image Centre (TMU). Birkhofer’s expertise lies in modern and contemporary art and the photography of the Americas (encompassing Canada, the United States, and Latin America). Her research focuses on women artists, the intersections of performance and photography, and institutional collecting practices.

We are thrilled to have Denise in this new role and look forward to experiencing how she shapes the Art Museum's educational and collections-based work across the University of Toronto.

🔗 Read the full press release via link below.



📸 Image: courtesy of the curator.

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