MacKenzie Art Gallery

MacKenzie Art Gallery The MacKenzie Art Gallery envisions a world where art inspires and heals across generations.
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Where art, culture, and community thrive. đź’«

Discover art and experiences that expand the imagination and understanding of Saskatchewan and beyond.
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http://www.mackenzie.art Located in Treaty 4 / oskana kâ-asastêki / Regina, the MacKenzie is Saskatchewan’s oldest public art gallery, with a 50-year history of championing Indigenous art from Indigenous perspectives. The MacKenzie e

mbraces its unique position within the Canadian and international art landscape, celebrating the diverse perspectives of all artists within the Plains region and Canada. It has a focus on Indigenous and contemporary art, contextualized through select historic and international work. We are generously supported by the South Saskatchewan Community Foundation, Canada Council for the Arts, SaskCulture, City of Regina, University of Regina, and the Saskatchewan Arts Board.

Join us this Sunday from 1 to 3 PM for a creative and fun-filled afternoon at the MacKenzie Art Gallery!Inspired by the ...
09/03/2026

Join us this Sunday from 1 to 3 PM for a creative and fun-filled afternoon at the MacKenzie Art Gallery!

Inspired by the woven works in Death Boat and Other Stories, try your own hand at weaving a small wall hanging or coaster. You’ll learn how much work goes into this medium!

⌚ 1–3 PM
📍 In the Learning Centre at MacKenzie Art Gallery
🎟️ Thanks to our sponsors at Canada Life, there is no cost to attend these drop-in sessions. All materials are provided ✨

Weekly We Make provides an opportunity to learn about the artists and artworks in the MacKenzie Art Gallery’s Permanent Collection and featured exhibitions. With weekly in-person hands-on workshops that can be modified for all ages, visit our Learning Centre to make art with Gallery Educators and guest artists, exploring both new and beloved techniques and art materials.

đź”—Learn more about this Weekly We Make activity:
https://mackenzie.art/learn/weekly-we-make/

Image credit: Installation image from Death Boat and Other Stories: Her Helpful Powers by Ekidluak Komoartuk, wool.

We are deeply saddened by the loss of David Thauberger, who passed on August 28, 2026.A nationally influential artist an...
08/31/2026

We are deeply saddened by the loss of David Thauberger, who passed on August 28, 2026.

A nationally influential artist and one of Saskatchewan’s most celebrated cultural figures, David was born in Holdfast and lived and worked in Regina since 1973. Through his distinctive paintings of vernacular architecture and everyday Prairie places, he captured the character and spirit of Saskatchewan, creating a body of work that has had a lasting influence on Canadian art.

David’s relationship with the MacKenzie Art Gallery spans decades. The Gallery presented "David Thauberger: Paintings 1978–1988*" in 1988. In 2015, the MacKenzie, in partnership with the Mendel Art Gallery, presented "David Thauberger: Road Trips and Other Diversions", a major retrospective spanning his career.

In conjunction with the exhibition, the MacKenzie and the Mendel co-produced a publication and film that explored David’s work and career. We are grateful to share a short preview of the film and to remember David through his own words: https://www.youtube.com/watch?v=bGEIMV4hFqk&t=7s

David’s relationship with the Gallery extended well beyond his own artistic practice. He was also a champion of other artists with folk or vernacular inclinations. Over 200 works donated by Veronica and David Thauberger are now part of the MacKenzie's Permanent Collection.

As part of "Community Watch", David sat down with then-Head Curator Timothy Long for a conversation about his appreciation for folk art, his contributions to the Permanent Collection, his connection to the artistic community in Saskatchewan, and the influences that shaped his career. We are honoured to share this conversation.

David was also a longtime donor and generous supporter of the MacKenzie. We are deeply grateful for his generosity, his commitment to the Gallery, and his longstanding connection to the MacKenzie.

We extend our heartfelt condolences to David’s family, friends, colleagues and the many people whose lives he touched.

Slide 1: David Thauberger, 1990s. Photographer unknown.
Slide 2: David Thauberger at the University of Saskatchewan, Regina Campus, 1969. Photo: Susan Wiebe.

The Thorn Prize began with a sister’s gift to honour her brother.Created shortly before her passing in January 2026, lon...
08/28/2026

The Thorn Prize began with a sister’s gift to honour her brother.

Created shortly before her passing in January 2026, long-time MacKenzie Art Gallery supporter and philanthropist Lyn Goldman’s generous gift established a new biennial award in memory of her brother, Saskatchewan artist Anthony Thorn (1927–2014).

For Lyn, this was deeply personal. She wanted Anthony’s legacy to live on, not only through his own work, but by supporting other artists as they continue to explore, experiment and stay true to their voices.

“Tony was such an important part of the Regina arts community, and I am proud that his legacy will be honoured in this way,” Lyn shared.

Born Arthur Goldman in Regina in 1927, Anthony took up painting in 1948. His artistic journey took him from Regina to Chicago, Banff, Paris, Mexico City, Kyoto, Japan and Corfu, Greece. Along the way, he studied with artists including Kenneth Lochhead, David Alfaro Siqueiros and Will Barnet, and explored painting, stained glass, drawing, mural work, watercolour, sumi painting and metalsmithing.

His work was exhibited widely across Canada and internationally, including in France, Mexico, the Canary Islands and the United States, and is held in public collections including the Art Gallery of Greater Victoria, Greater Victoria Public Library, MacKenzie Art Gallery and SK Arts.

The Thorn Prize carries Anthony’s spirit of experimentation and exploration forward.

Every two years, a mid-career Canadian artist will receive $50,000 to support a self-directed period of exploration, including travel and living expenses, along the opportunity to have a solo exhibition at the MacKenzie Art Gallery.

Over the next decade, Lyn’s gift will support five artists.

The inaugural recipient, Caroline Monnet, is the first artist to carry Anthony’s legacy forward.

Lyn Goldman (right) and MacKenzie Art Gallery Executive Director and CEO John G. Hampton (left) at the launch of The Thorn Prize, held at the MacKenzie Art Gallery in January 2026.

Movement takes many forms.In Cassils: Movement, the body becomes a site of performance, image-making, resistance, and tr...
08/28/2026

Movement takes many forms.

In Cassils: Movement, the body becomes a site of performance, image-making, resistance, and transformation.

Throughout the exhibition, bodies appear, disappear, double, and become abstracted. In the film installation Movement, the performance is projected above a pool of water, creating a mirrored image that recalls a Rorschach test and the ways meaning can be projected onto trans* subjecthood. Nearby, photographs of entangled bodies and a monumental cyanotype extend the choreography into new forms.

Experience Cassils: Movement at the MacKenzie Art Gallery from 11 September 2026 to 4 January 2027.
🌟 Exhibition Opening & Curator’s Tour: 10 September, 7–9 PM

Image credit: Installation view of Cassils: Movement, Walter Phillips Gallery, Banff Centre for Arts and Creativity, 2024. Movement, 2024, courtesy of the artist. Photo: Rita Taylor.

What does it take to select the recipient of a new national arts prize?For the The Thorn Prize, inaugural jurors Haema S...
08/27/2026

What does it take to select the recipient of a new national arts prize?

For the The Thorn Prize, inaugural jurors Haema Sivanesan (Director, Visual Arts, Banff Centre for Arts and Creativity), Mona Filip (Chief Curator, Contemporary Calgary), and Wayne Baerwaldt (independent curator) brought their expertise, perspectives, and deep knowledge of contemporary art to the process of selecting the award’s first recipient.

We’re grateful to our inaugural jurors for the care and thought they brought to this important role.

Reflecting on their selection of Caroline Monnet, the jury shared:

“Honouring her Anishinaabe heritage and her bi-cultural experience, Caroline Monnet’s vital artistic practice positions her as one of Canada’s most significant mid-career artists. The jury recognizes the originality, prolific vision, and poetic beauty of Monnet’s work, as well as her deep commitment to advocacy centering Indigenous cultural reclamation.

Monnet’s education in sociology and communications informs a unique approach to working across a wide range of media including sculpture, installation, film, and fashion. She demonstrates artistic confidence and resourcefulness whilst being resolute to Anishinaabe values. Her powerful aesthetic combines elements of popular and traditional culture resulting in a potent new visual vocabulary. She connects themes and materials throughout her practice, shaping meaningful considerations on cultural identity and its relationship to the land. Transforming ordinary construction supplies, Monnet reinterprets ancestral motifs to reflect on the centrality of the land and its gifts in Anishinaabe spirituality and history. Her techniques of weaving, embroidering and imprinting assert connection and transmission, using new technologies to nurture the continuum of cultural expression.

This award recognizes Monnet’s remarkable achievements and the impact of her expansive vision that cultivates deep connections with both ancestral and contemporary cultures.”

Thank you, Haema, Mona, and Wayne, for helping launch The Thorn Prize and for your thoughtful contribution to recognizing artistic excellence in Canada.

Image credit: Caroline Monnet, Gratitude 01, Roof underlayment, polyester thread

Join us this Sunday from 1 to 3 PM for a creative and fun-filled afternoon at the MacKenzie Art Gallery!In Collaborative...
08/27/2026

Join us this Sunday from 1 to 3 PM for a creative and fun-filled afternoon at the MacKenzie Art Gallery!

In Collaborative Space Drawing, draw an architectural space for collaboration, inspired by the artist collaborations in All That We Need Is In This Room.

⌚ 1–3 PM
📍 In the Learning Centre at MacKenzie Art Gallery
🎟️ Thanks to our sponsors at Canada Life, there is no cost to attend these drop-in sessions. All materials are provided ✨

Weekly We Make provides an opportunity to learn about the artists and artworks in the MacKenzie Art Gallery’s Permanent Collection and featured exhibitions. With weekly in-person hands-on workshops that can be modified for all ages, visit our Learning Centre to make art with Gallery Educators and guest artists, exploring both new and beloved techniques and art materials.

Learn more about this Weekly We Make activity, here: https://mackenzie.art/experience/events/

Image credit: moira williams, Blood Songs + Oracles Crip Careoke Lounge 2025.

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Art Talk Tuesdays is back 🌟Join us for Art Talk Tuesdays, an opportunity to gather in an intimate setting at the MacKenz...
08/26/2026

Art Talk Tuesdays is back 🌟
Join us for Art Talk Tuesdays, an opportunity to gather in an intimate setting at the MacKenzie Art Gallery to learn about art and art history, meet new friends, and exchange ideas.

Date: 1 Sepember, 2026.
Fee: No charge for this drop-in program. No registration is required.
Time: 9:30-11:00 AM
Age range: 55+
Fee: There is no charge for this drop-in program. No registration is required.
**This program runs on the first Tuesday of each month. (from 1 September 2029- 1 June 2027)

We will begin each drop-in session in the Gallery, meeting around one work of art from the current exhibitions. Our Coordinator of Learning Initiatives will host conversations about the artwork, sharing stories and contextual information.

Participants are encouraged to draw or write ideas during the discussion. These visual and written notes help us gain a deeper understanding of the artwork by recalling memories and generating new ideas.

After our time in the exhibition space, our session will move to Craft Services by Café Français Cafe, located inside the MacKenzie Art Gallery, for tea and coffee, as we continue our lively conversation in a relaxed setting.

Materials: Participants are encouraged to bring their own sketchbook and pencil or use the materials supplied. The use of materials is not mandatory, but they are helpful for some viewers.

đź”—For more information, please check this link: https://mackenzie.art/learn/classes-workshops/

The MacKenzie Art Gallery is excited to announce Caroline Monnet as the inaugural recipient of The Thorn Prize, a new bi...
08/26/2026

The MacKenzie Art Gallery is excited to announce Caroline Monnet as the inaugural recipient of The Thorn Prize, a new biennial $50,000 award created in memory of Saskatchewan artist Anthony Thorn (1927–2014). The award was established by Thorn’s sister, Lyn Goldman, as a lasting tribute to her brother’s artistic practice and her belief in the power of art to inspire, challenge, and connect communities.

Created shortly before her passing, Lyn Goldman’s gift ensures that Anthony Thorn’s legacy will continue beyond his own body of work—supporting artists who, like Thorn, seek to express something meaningful and transcendent through their practice.

Over the next decade, The Thorn Prize will invest in the practices of five mid-career Canadian artists, providing them with time, resources, professional support, and the opportunity to present a solo exhibition at the MacKenzie Art Gallery.

Inaugural winner, Caroline Monnet, is a multidisciplinary artist of Anishinaabe Algonquin and French heritage, originally from the Outaouais region of Quebec and based in Mooniyang/Montreal. Working across film, video, photography, sculpture, installation, and mixed media, she draws on Anishinaabeg methodologies to explore relationships between land, identity, memory, and material culture. Her practice brings cinematic, sculptural, and architectural forms into dialogue, often transforming industrial and construction materials through processes of weaving, embroidery, laser cutting, and other textile-based techniques.

“I feel deeply honoured to receive the inaugural Thorn Prize from the MacKenzie Art Gallery”, says Monnet. “It is an extraordinary privilege, and I am profoundly grateful to the jury and the Gallery for this recognition and support. This award comes at a particularly meaningful moment in my practice, as I look toward expanding its scope and possibilities. It will give me the resources and freedom to pursue ambitious new projects, take greater risks, and allow the work to evolve in unexpected directions. I see this prize not only as an affirmation of what I have accomplished, but as an investment in what is still to come.”

Monnet’s work has been exhibited extensively across Canada, the United States, and Europe, including at the Whitney Biennial in New York, the Toronto Biennial of Art, Schirn Kunsthalle Frankfurt, the Institute of Contemporary Art, Boston, and the National Gallery of Canada in Ottawa, among numerous other institutions. Her work is held in major public and private collections across North America, as well as in the UNESCO collection in Paris. Monnet is represented by Blouin Division in Montreal and Toronto.

Caroline Monnet’s inaugural Thorn Prize exhibition will open at the MacKenzie Art Gallery in February 2027, marking the beginning of a new chapter in Anthony Thorn and Lyn Goldman’s shared legacy: one that celebrates the enduring power of art and supports the artists who will shape its future.

A special thank you to our Thorn Prize Jurors Haema Sivanesan (Director, Visual Arts, Banff Centre for Arts and Creativity), Mona Filip (Chief Curator, Contemporary Calgary), and Wayne Baerwaldt (independent curator), who brought their expertise and perspectives to the selection process.

There’s still time to step inside "All That We Need is in This Room."Featuring works by moira williams, Damian Rogers, A...
08/24/2026

There’s still time to step inside "All That We Need is in This Room."

Featuring works by moira williams, Damian Rogers, Ava Roth, Unsettled Bodies Collective (Sylvia Ziemann & Yuji Szero Lee), Skeena Reece, alongside co-curators Amy Millan and Nicolle Nugent, the exhibition considers what can take shape through collaboration, care, reciprocity, and our relationships with one another.

Visit the exhibition at the MacKenzie Art Gallery before it closes on **30 August 2026**.

📸 Photos: Carey Shaw, courtesy of the MacKenzie Art Gallery.

Coming this September: "Cassils: Movement"Opening 11 September 2026, Cassils: Movement brings together performance, phot...
08/21/2026

Coming this September: "Cassils: Movement"

Opening 11 September 2026, Cassils: Movement brings together performance, photography, film, sound, and light in an immersive exhibition by internationally recognized artist Cassils.

At the centre of the exhibition is Human Measure (2021–ongoing), Cassils’ first work of contemporary dance, created with choreographer Jasmine Albuquerque. Through a series of interconnected works, the exhibition extends the gestures and movements of the live performance across different forms, exploring trans* visibility, self-actualization, empowerment, q***r collectivity, and self-determination.

📅 11 September 2026–4 January 2027
📍 MacKenzie Art Gallery

Cassils: Movement is curated by Jacqueline Bell and Carol A. Stakenas and is organized and circulated by Walter Phillips Gallery, Banff Centre for Arts and Creativity.
🌟 Exhibition Opening & Curator’s Tour: 10 September, 7–9 PM

Image credit: Installation view of Cassils: Movement, Walter Phillips Gallery, Banff Centre for Arts and Creativity, 2024. Human Measure (Developed) No. 2, 2021, courtesy of the artist. Photo: Rita Taylor.

Address

3475 Albert Street
Regina, SK
S4S6X6

Opening Hours

Tuesday 10am - 5:30pm
Wednesday 10am - 5:30pm
Thursday 10am - 9pm
Friday 10am - 5:30pm
Saturday 11am - 5:30pm
Sunday 11am - 5:30pm

Telephone

+13065844250

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