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Latitude 53 Exploring the boundaries of contemporary art.

“About having a dysregulated nervous system”, Nadia Zamora Hernandez, copper etching on paper, 30 x 22 inches, 2023. (pi...
10/10/2026

“About having a dysregulated nervous system”, Nadia Zamora Hernandez, copper etching on paper, 30 x 22 inches, 2023. (picture 1 and 2)

“Apapachame”, Nadia Zamora Hernandez, oil on canvas, 66 x 48 inches, 2024. (picture 3, 4 and 5)

“My work considers care, ritual, and the body as sites of translation, memory, and resistance. I explore the ways our bodies navigate spaces as they become charged with tenderness and violence. Through this work, I bring into view the embodied traces of painful experiences alongside the softness and care that our bodies carry. Acts of survival, rage, and love become ways of reimagining protection and intimacy. I aim to depict the attention my body directs toward the things it touches, as well as its instinct to conceal what has been tainted. My practice is guided by an unspoken mutual understanding shared among those affected by gender-based violence: an understanding of the vitality of protection, courage, and care.”

View Nadia’s work until October 31 at the Latitude 53 gallery and read more about her work at latitude53.org.⁠

Nadia Zamora Hernandez (she/her) was born in San Luis Potosi, Mexico, and immigrated to Canada with her family in 2009. She holds a BFA from the University of Alberta (2025). She is an emerging artist whose work is inspired by the human body and explores the nuances and complexities of lived experiences. Her art fosters personal healing. She is driven by love–and by rage. She finds it necessary to make space for radical resistance and encourages artists to clutch onto advocacy. She cherishes her roots, gently holds them, and braids them into her diasporic experience.

This exhibition was curated by Mariana Muñoz Gomez and made possible with the generous support of the Canada Council for the Arts, the Manitoba Arts Council, and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠

The Hangout ✴ El Jangueo⁠⁠Community members from Latin American diasporas are invited to The Hangout on Saturday, Octobe...
10/08/2026

The Hangout ✴ El Jangueo⁠
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Community members from Latin American diasporas are invited to The Hangout on Saturday, October 17. This is an informal gathering space to explore the exhibition “Autoconocimientos : Understanding ourselves” and connect with each other. Drawing activities and snacks will be part of the fun. The exhibition’s curator and some exhibiting artists will be in attendance. The event is free and open for drop-in at Latitude 53 between 5 to 8pm.⁠
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This event is designed by and for people with personal, family, and/or ancestral roots in the region commonly known as Latin America. Spanish, Portuguese, and other local languages are welcome! Please note the curator, Mariana Muñoz Gomez, as the host of the event speaks Spanish and English.⁠
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Miembros de diásporas de Latinoamérica: les invitamos al Jangueo el sábado 17 de octubre. El Jangueo será un espacio de encuentro informal para explorar la exposición “Autoconocimientos : Understanding ourselves” y para conectar entre sí. Tendremos actividades de dibujo y bocadillos. Le curadore de la exposición y algunes artistas participantes estarán presentes. El evento es de acceso libre y sin necesidad de inscripción previa, entre las 17h y las 20h.⁠
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Este evento ha sido diseñado por y para gente con raíces personales, familiares, y/o ancestrales en la región comúnmente conocida como Latinoamérica. ¡Español, portugués y otros idiomas locales son bienvenidos! Le curadore, Mariana Muñoz Gomez, quien actuará como anfitrión del evento, habla español e inglés.⁠
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This event is made possible with the generous support of the Canada Council for the Arts and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠
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Artwork featured in promotional image: About having a dysregulated nervous system, Nadia Zamora Hernandez, Copper etching on paper, 2023⁠
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“Chando nos despedimos, yo no estaba lista”, Isabella Rodriguez Chaparro, Artists’ book: letterpress, aquatint and hard-...
10/08/2026

“Chando nos despedimos, yo no estaba lista”, Isabella Rodriguez Chaparro, Artists’ book: letterpress, aquatint and hard-ground etching on Mitsumata chine colled onto Coventry Rag, 6 x 6 inches closed, 2026. (picture 1 and 2)

“Bicho raro”, Isabella Rodriguez Chaparro, artist’s book: silkscreen on laser-engraved Kitakata, waxed, 8 x 8 inches closed, 2026. (picture 3)

“My work draws from my lived experiences as a Colombian immigrant, and as a woman. Within it, I explore guilt, unrequited love, and the nostalgia that so frequently consumes me. I reminisce on what could have been and what will be. I reflect on what it means to be distant from my home country both physically and emotionally—and to so desperately need that connection back.”

View Isabella’s work until October 31 at the Latitude 53 gallery and read more about her work at latitude53.org.⁠

Isabella Rodriguez Chaparro (she/her) was born in Bogotá, Colombia, and immigrated to Canada with her mother in 2012. Isabella works in painting and various printmaking mediums with a focus on etching. Her work is an attempt to understand her complex feelings of alienation surrounding her lived experiences as an immigrant. She focuses on themes of longing, power, and guilt often using self-portraiture to express this within her work. Isabella is currently pursuing a BFA in Art and Design from the University of Alberta.

This exhibition was curated by Mariana Muñoz Gomez and made possible with the generous support of the Canada Council for the Arts, the Manitoba Arts Council, and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠

“The Others”, Solana Morante, acrylic, oil pastel, markers, and pencil crayon on board, 96 x 48 inches, 2026.“In the pas...
10/03/2026

“The Others”, Solana Morante, acrylic, oil pastel, markers, and pencil crayon on board, 96 x 48 inches, 2026.

“In the past 2 years or so I have become consumed by the body of ceramics, textiles, and metallurgy produced by my ancient ancestors in Peru, specifically those made by the Moche culture of northern Peru. My work is directly concerned with the way my trans, indigenous, q***r body is the culmination of histories and stories, and the way she shows up in our times. This often appears as paintings, but also as textile, and more recently the desire to engage in wood carving/sculpture, and performance.”

View Solana’s work until October 31 at the Latitude 53 gallery and read more about her work at latitude53.org.⁠

Solana Morante’s work embodies her positionality as an Indigenous trans-feminine q***r artist situated within the intersecting frameworks of settler colonialism, capitalist modernity, and religious orthodoxy. Using an anarchist and non-hierarchical modality, Morante actively contemplates her own identity alongside collective existence through her organic and reflective process. As such, she believes a continuous dialog with the living energies that constitute her intersecting communities is paramount to her practice. Recently, she has been working with common and uncommon mediums to embrace and reflect the multiplicity of narratives arising from her physical being as a nexus of body, place, politics, and personal history.

This exhibition was curated by Mariana Muñoz Gomez and made possible with the generous support of the Canada Council for the Arts, the Manitoba Arts Council, and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠

A community gathering will be taking place at Latitude 53 for members of Latin American diasporas on October 17 as a par...
10/02/2026

A community gathering will be taking place at Latitude 53 for members of Latin American diasporas on October 17 as a part of Autoconocimientos : Understanding ourselves. Save the date in your calendar! More information to follow.⁠
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“Chaac” “Kukulkan” “Camazotz”, Matias Martinez, glass daggers from the series “Chito Pillan”, approximately 16 x 6 x 6 i...
09/30/2026

“Chaac” “Kukulkan” “Camazotz”, Matias Martinez, glass daggers from the series “Chito Pillan”, approximately 16 x 6 x 6 inches each, 2026,

“Maize” “Pájaro de agua”, Matias Martinez, glass purses, approximately 12 x 10 x 6 inches each, 2026.

View Matias’ work until October 31 at the Latitude 53 gallery and read more about his work at latitude53.org.

Matias Martinez is an Indigenous Latin American artist of Mapuche/Maya descent based in Calgary, Alberta. His multidisciplinary practice blends glass, painting, media arts, and upcycled sculpture to explore themes of identity, memory, and cultural mythology. Rooted in emotional process and community connection, Matias creates work that is both personal and political, centering Latinx and Indigenous stories through vibrant, experimental forms. His recent work reimagines ancestral myths through hybrid creatures and glowing glass installations, merging traditional symbolism with contemporary materials and technology. Matias is also a founding member of Como Se Dice, a Latiné artist collective dedicated to reclaiming space, fostering cultural dialogue, and uplifting underrepresented voices in the arts. His murals, sculptures, and installations have appeared in festivals and exhibitions across Alberta, including large-scale public art and illuminated sculptures. Through each piece, Matias invites viewers to step into a world where mythology, memory, and identity are fluid, powerful, and alive.

This exhibition was curated by Mariana Muñoz Gomez and made possible with the generous support of the Canada Council for the Arts, the Manitoba Arts Council, and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠

“Untitled”, Francesca Carella Arfinengo, ink on paper with Huacatay leaf, installation of seven drawings, approximately ...
09/26/2026

“Untitled”, Francesca Carella Arfinengo, ink on paper with Huacatay leaf, installation of seven drawings, approximately 34 x 41 inches installed, 2026.⁠
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"In the recent past I have been collaborating with plants to explore ideas and create artwork together. For this project I collaborated with a plant called Huacatay (Targetes minuta), which is an aromatic herb. Huacatay is a staple of Andean cuisine and its use predates colonial times in the regions now called Peru and Bolivia. We engaged in a reciprocal nourishing relationship; while I tended to the many plants, it fed me. I also experimented with extracting ink and made anthotypes using Huacatay extract as the light sensitive material."⁠
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View Francesca's work until October 31 at the Latitude 53 gallery and read more about their work at latitude53.org.⁠
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Francesca Carella Arfinengo is an artist who works in textiles, text, photography and poetry as well as socially engaged projects. Their work is rooted in her lived experience as a first-generation immigrant. They are a member of the Miradorx Collective (previously called Mujer Artista) and a resident artist at the Misericordia Health Centre. Francesca grew up in Arequipa, Peru and is grateful to live and work in Treaty 1 territory.⁠
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This exhibition was curated by Mariana Muñoz Gomez and made possible with the generous support of the Canada Council for the Arts, the Manitoba Arts Council, and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠
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“Tejido 1”, Pablo Javier Castillo Huerta, weaving on backstrap loom with found stone, 12 x 32 inches, installation varie...
09/20/2026

“Tejido 1”, Pablo Javier Castillo Huerta, weaving on backstrap loom with found stone, 12 x 32 inches, installation varies, 2025.⁠
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“Last year I participated in a textiles and natural dyes residency in Guatemala hosted by GRACIA. As part of this residency I attended backstrap weaving classes at Chok'ojol Juyu in San Antonio Aguas Calientes. It was incredible to learn a craft that has been kept alive for thousands of years in my ancestral homelands of Ixim Ulew - Land of the Corn (Guatemala).”⁠
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View Pablo’s work until October 31 at the Latitude 53 gallery and read more about their work at latitude53.org.⁠
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Pablo Javier Castillo Huerta a.k.a. lightofmoon is an interdisciplinary artist. They were born, raised, and continue to work on Treaty One Territory, Turtle Island (Winnipeg, Manitoba). They come from a working class Guatemalan-Canadian family and are of mixed Maya and European descent (Mestizo). Most countries have been shaped in some way by imperialism, capitalism, and colonization; these complex histories share many parallels as well as differences, and these concepts are often explored in their work. Marxism, dialectical materialism, family, nature, science, play, hip-hop, connection, and revolutionary optimism shape their work and creative process. Their main mediums are: installation, sculpture, painting, drawing, music, poetry, photography, video, and graphic design.⁠
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This exhibition was curated by Mariana Muñoz Gomez and made possible with the generous support of the Canada Council for the Arts, the Manitoba Arts Council, and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠
⁠

For those who attended the opening reception for Autoconocimientos : Understanding ourselves, you already have listened ...
09/18/2026

For those who attended the opening reception for Autoconocimientos : Understanding ourselves, you already have listened to .c._luv's playlist commissioned for the occasion. Experience her curated selection of Afro Latin House music by blending deep house rhythms, organic percussion, and vibrant Latin influences through the link in our bio!⁠
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Rhythmic, warm, and immersive, the playlist creates a dynamic sonic atmosphere designed to complement the visual energy of the art exhibition "Autoconocimientos : Understanding ourselves."⁠
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M.C. LUV .c._luv ( Singer / DJ ) brings individuality, style, and soul to the dancefloor. Rooted in her Afro Latin heritage, she weaves a sound that invites you to move freely and find your own space in the rhythm. Her sets are live, expressive, and heartfelt fusing harmonies, freestyle vocals, and raw emotion that pulls you in and takes you away. She creates an experience to feel welcoming for all. M.C. LUV opens your world to a fresh groove, where culture meets club, and expression is liberation. Now curating the event series SWAY this way in Treaty One Territory in celebration of Afro Electronic Music.⁠
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We’d like to encourage listeners to check out alternative streaming platforms Subvert, Qobuz, and Bandcamp, which are less exploitative for musicians.⁠
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M.C. LUV’s contribution was made possible with the generous support of the Canada Council for the Arts and of the Winnipeg Arts Council, with funding from the City of Winnipeg.⁠
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What an incredible opening reception we had for Autoconocimientos : Understanding ourselves with over 100 attendees! Art...
09/16/2026

What an incredible opening reception we had for Autoconocimientos : Understanding ourselves with over 100 attendees! Artist Pablo Javier Castillo Huerta served cacao for guests. Along with Pablo, this exhibition features artists Francesca Carella Arfinengo, Matias Martinez, Solana Morante, Isabella Rodriguez Chaparro and Nadia Zamora Hernandez and you can see their work until October 31 at the Latitude 53 gallery. We are open from 12–5 Wednesday through Saturday!

This exhibition curated by Mariana Muñoz Gomez asks ¿Por cuáles vías se forman nuestros entendimientos sobre la identidad? Through which paths are our understandings of identity formed? Autoconocimientos : Understanding ourselves presents Prairie artists with roots in the regions known as México, Guatemala, El Salvador, Colombia, Peru, Chile, and by other names. The exhibition explores various ways of connecting with identity through intuition, food, tradition, migrations, the spiritual, embodied experiences, and through relation.

Mariana acknowledges the generous support of the Manitoba Arts Council and of the Winnipeg Arts Council, with funding from the City of Winnipeg.

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10130/100 Street NW
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Wednesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 12pm - 5pm
Saturday 12pm - 5pm

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