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MARUANI MERCIER Gallery

Accueil
België
Bruxelles / Brussel
MARUANI MERCIER Gallery

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Representing 20 artists, MARUANI MERCIER is a contemporary art gallery. Representing over 20 artists, MARUANI MERCIER is a contemporary art gallery.

Since opening its doors in 1995 it has focused on established American artist from the ‘80’s. The gallery has maintained long-term representation of influential artists like Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, McDermott & McGough, Philip Taaffe and Sue Williams. The gallery’s presence in Belgium, the heart of Europe, through multiple locations in Brussels and Knokke has allowed it to have simultaneous full-scale exhibitions. Along with its support in the production of their works, the gallery aims to promote the artists it represents by publishing catalogues or monographic documents, by participating in fairs, and above all, by helping with the organization of important museum retrospectives. At the turn of the new century, the gallery has developed its program with emerging artists such as Lyle Ashton Harris, David Lachapelle, Paul Morrison, George Shaw and Wendy White. The gallery is also known for working directly with the Estates or Associations to set-up museum quality shows like for Hans Hartung and Man Ray in 2012. After 28 years of gallery activities in Köln, Berlin and Zurich; Jablonka Galerie decided to transfer its activities to Maruani & Mercier Gallery.

13/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters with a focused presentation featuring some of the key figures in international postwar art.

Featured:

Alex Katz
Ann, 1982
Signed and dated 2-2-82
oil on linen
122.2 x 86.4 cm - 48 1/8 x 34 in

Other highlights include major works by Georg Baselitz, Ross Bleckner, Sam Francis, Peter Halley, Robert Mangold, Allan McCollum, Louise Nevelson, Hermann Nitsch, Georg Karl Pfahler, George Rickey, Ed Ruscha, Pierre Soulages and Andy Warhol.

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Wednesday, October 14 | 11 am - 7 pm
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

08/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters with a focused presentation featuring some of the key figures in international postwar art.

At the centre of the booth is a survey of significant works by George Rickey, spanning five decades of his practice. The selection follows the announcement of the gallery’s representation of the George Rickey Foundation earlier this year. A pioneer of kinetic sculpture, Rickey sought to make work that operated in four dimensions, incorporating time as well as space. By ordering the movement of each element, his sculptures become animated by currents of air and subtle changes in the environment, reflecting the artist’s longstanding preoccupation with the invisible laws of physics governing the natural world.

Featured straight from the George Rickey Foundation:

George Rickey
Open Parallelepiped and Cube, 1995
stainless steel, bronze
indoor | unique
41 x 12 x 26 cm - 15 x 4 1/2 x 7 1/2 in
base: 7 x 7 cm

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Wednesday, October 14 | 11 am - 7 pm
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

05/10/2026

Kasper Sonne: People Are Strange, the second solo exhibition of the artist with the gallery, runs until October 31.

Featured:

Kasper Sonne
The Balcony (female), 2026
oil on linen
200 x 155 cm
78 3/4 x 61 in
framed: 203,5 x 158,3 x 6 cm

01/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters.

Josef Albers
“Study for Hommage to the Square: Golden”, 1957
81.3 x 81.3 cm - 32 x 32 in

Executed in 1957, Study for Homage to the Square: Golden is an outstanding early example of Josef Albers’ celebrated Homage to the Square series. Composed of three nested squares in vibrant tones of yellow and orange, the painting is the first of two works in which Albers explored the motif of golden light; the related Homage to the Square: Golden(1958) set a new auction record for the artist in May 2026. Important works from this period are held by the Guggenheim Museum, New York, Louisiana Museum of Modern Art, Humlebæk, and the Josef Albers Museum.

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Wednesday, October 14 | 11 am - 7 pm
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

27/09/2026

Last day of The Armory Show.

Andy Warhol
“Robert Mapplethorpe”, 1983
Screen print on lenox museum board

One of two unique variants, one of which (red) is in the Wadsworth Atheneum Museum of Art Collection in Hartford, Connecticut.

Initialed VF (Vincent Fremont), with the Andy Warhol Foundation for the Visual Arts stamp, numbered UP41.77 and with the Estate of Andy Warhol stamp on the reverse

102 x 102 cm - 40 2/16 x 40 2/16 in
framed: 131 x 128 x 2 cm

Executed in 1983, this portrait of Robert Mapplethorpe is one of only two unique prints on museum board of the subject, with the other example on a red ground. Warhol also executed a painting on canvas based on the same Polaroid image, which can now be found in the collections of the National Galleries of Scotland and Tate, London.
‌
Printmaking was one of the central mediums in Warhol’s practice - the screenprint enabled him to repeat a photographic source while altering colour, emphasis and registration, producing images that blurred the distinctions between the artist’s hand and mechanical reproduction. His prints therefore occupy a position equally as important as that of painting within his work, embodying his fascination with circulation, celebrity and the transformation of public images through repetition.
In the present work, Mapplethorpe’s face emerges from an intensely luminous silver field, his transfixing gaze directed back at the viewer. Despite the almost abstracted, iconic features of the sitter that are characteristic of Warhol’s portraits, the image projects an intense sense of human presence and intimacy, pointing to the connection and mutual respect between the two artists.
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Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

26/09/2026

Zaam Arif at The Armory Show.

Featured:

Zaam Arif
“The Fire Within”, 2026
oil on linen
137.2 x 106.7 cm - 54 x 42 in

Zaam Arif
“Studio”, 2026
oil on linen
50.8 x 40.6 cm - 20 x 16 in

Zaam Arif
The Scent of Trodden W**d, 2026
oil on linen
129.5 x 205.7 cm - 51 x 81 in

Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

25/09/2026

The Armory Show opens today.

We are showing some of the best works by following artists: Zaam Arif, Ross Bleckner, Francesco Clemente, Jaclyn Conley, Æmen Ededéen, Pam Glick, Peter Halley, Tony Matelli, Georg Karl Pfahler, George Rickey, Samuel de Saboia, Andy Warhol and Von Wolfe.

Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

24/09/2026

We wish Peter Halley born today in 1953 a very happy birthday and are excited to be showing this new and beautiful work at The Armory Show.

Featured:

Peter Halley
Blue Prison, 2026
acrylic, day-glo acrylic and roll-a-tex on canvas
118.1 x 101.6 cm
46 1/2 x 40 in

Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

23/09/2026

We are very happy to be showing this new and exceptional work by Ross Bleckner at The Armory Show.

Featured:

Ross Bleckner
Untitled, 2025
oil on linen
213.4 x 152.4 x 5.1 cm
84 x 60 x 2 in

Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

21/09/2026

We are delighted to return to The Armory Show, presenting a selection of paintings and sculptures by artists from our roster.

In Jaclyn Conley’s dynamic compositions, rapid, almost abstract strokes in impasto combine with painstakingly rendered images of human figures, intensifying the sense of their psychological presence. While Conley’s earlier paintings drew on archival photographs and art historical references to examine the forces that bring people together or pull them apart throughout American history, this new body of work turns to a more intimate and immediate subject. At its centre are portraits of her son: tender images that suggest both a desire for connection and an impulse to preserve the fleeting gestures of everyday life.

The language of collage remains central to these works. Conley cuts into painted panels, removing and repositioning sections while leaving seams, gaps and traces of earlier decisions visible. These fragmented surfaces evoke moments pieced together over time, while doubled hands and ghostlike traces register movement, hesitation and duration. Closely related compositions recur across multiple panels, suggesting the quiet flickering of past experience in memory.
The paintings thus bring portraiture into dialogue with a broader meditation on the temporality of the creative act and the possibility of reaching and understanding the child’s inner world. They consider how an initial encounter may transform through prolonged attention, and how the searching, repeated gestures might give form to the agency and complexity of human presence.

Featured:

Jaclyn Conley
“Drawing In Orange And Blue”, 2026
oil on panel collage
116.8 x 101.6 cm
46 x 40 in

Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

Adresse

Avenue Louise 430
Brussels
1000

Heures d'ouverture

Lundi	10:00 - 18:00
Mardi	10:00 - 18:00
Mercredi	10:00 - 18:00
Jeudi	10:00 - 18:00
Vendredi	10:00 - 18:00
Samedi	11:00 - 18:00

Téléphone

+3225125010

Site Web

http://www.maruanimercier.com/

Notifications

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