MARUANI MERCIER Gallery

MARUANI MERCIER Gallery Representing 20 artists, MARUANI MERCIER is a contemporary art gallery. Representing over 20 artists, MARUANI MERCIER is a contemporary art gallery.

Since opening its doors in 1995 it has focused on established American artist from the ‘80’s. The gallery has maintained long-term representation of influential artists like Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, McDermott & McGough, Philip Taaffe and Sue Williams. The gallery’s presence in Belgium, the heart of Europe, through multiple locations in Brussels and Knokke has

allowed it to have simultaneous full-scale exhibitions. Along with its support in the production of their works, the gallery aims to promote the artists it represents by publishing catalogues or monographic documents, by participating in fairs, and above all, by helping with the organization of important museum retrospectives. At the turn of the new century, the gallery has developed its program with emerging artists such as Lyle Ashton Harris, David Lachapelle, Paul Morrison, George Shaw and Wendy White. The gallery is also known for working directly with the Estates or Associations to set-up museum quality shows like for Hans Hartung and Man Ray in 2012. After 28 years of gallery activities in Köln, Berlin and Zurich; Jablonka Galerie decided to transfer its activities to Maruani & Mercier Gallery.

MARUANI MERCIER is delighted to present Tony Matelli: Sideways Dinner, the second solo exhibition of the artist, opening...
19/08/2026

MARUANI MERCIER is delighted to present Tony Matelli: Sideways Dinner, the second solo exhibition of the artist, opening in our Knokke gallery on 8 August 2026.
 
Presenting a series of new sculptures, from an extraordinary life-size self-portrait to his iconic series of Weeds and Arrangements of inverted flowers painstakingly executed in painted bronze, the works in Sideways Dinner reorient one’s perception of the everyday and upend the ordinary angle of visual and social experience.
 
The exhibition takes its title from a new sculptural work that stages an upright arrangement of dinner plates, bottles, and glasses in a humorous take on the iconography of still-life painting. Forming a kind of pictorial plane or relief, the traces of human gathering in Sideways Dinner are at once resolutely familiar and uncanny in their defiance of the laws of physics and time. Drawing on readymade objects, the artist employs a wide range of techniques and materials, such as bronze, silicone and resin, to achieve exacting recreations that separate the trompe l’oeil realism of the surface from the object’s intended function. The works in the exhibition thus hover between the opposites of immediacy and reflection, the permanence and transience of both objects and human relations. 

Featured:

Tony Matelli
Arrangement (584), 2022
silicone, epoxy, urethane, hair, clothing
170.2 x 88.9 x 61 cm - 67 x 35 x 24 in

Wishing Kasper Sonne a very Happy 52nd Birthday. And the perfect moment to announce his second solo exhibition with the ...
11/08/2026

Wishing Kasper Sonne a very Happy 52nd Birthday.

And the perfect moment to announce his second solo exhibition with the gallery, “Kasper Sonne: People Are Strange”, opening on 10 September 2026 in Brussels.

Elegant and upright, the figures in this new body of work appear at once in harmony with and disassociation from lucid planes of water and sky in the landscape. Looking away in quiet contemplation, the elongated human presence in each work projects an almost mythic quality, as if traversing the space in solitude that feels timeless rather than incidental.

The paradox of iconic contemporary outfits in natural settings, together with the spectral light and the luminous palette in this new body of work projects a powerful sense of the instability of the human condition and questions the possibility of connection with another. As the artist notes, “For me, it’s always this conflict – it’s about displacement. I create these characters that have no obvious reason to be in these environments.”

Featured:

Kasper Sonne
“Skull Earring”, 2026
oil on linen
200 x 150 cm - 78 3/4 x 59 in

MARUANI MERCIER is delighted to present Tony Matelli: Sideways Dinner, the second solo exhibition of the artist, opening...
07/08/2026

MARUANI MERCIER is delighted to present Tony Matelli: Sideways Dinner, the second solo exhibition of the artist, opening in our Knokke gallery on 8 August 2026.

Presenting a series of new sculptures, from an extraordinary life-size self-portrait to his iconic series of Weeds and Arrangements of inverted flowers painstakingly executed in painted bronze, the works in Sideways Dinner reorient one’s perception of the everyday and upend the ordinary angle of visual and social experience.

The exhibition takes its title from a new sculptural work that stages an upright arrangement of dinner plates, bottles, and glasses in a humorous take on the iconography of still-life painting. Forming a kind of pictorial plane or relief, the traces of human gathering in Sideways Dinner are at once resolutely familiar and uncanny in their defiance of the laws of physics and time. Drawing on readymade objects, the artist employs a wide range of techniques and materials, such as bronze, silicone and resin, to achieve exacting recreations that separate the trompe l’oeil realism of the surface from the object’s intended function. The works in the exhibition thus hover between the opposites of immediacy and reflection, the permanence and transience of both objects and human relations.

MARUANI MERCIER is delighted to present Tony Matelli: Sideways Dinner, the second solo exhibition of the artist, opening...
03/08/2026

MARUANI MERCIER is delighted to present Tony Matelli: Sideways Dinner, the second solo exhibition of the artist, opening in our Knokke gallery on 8 August 2026.

Presenting a series of new sculptures, from an extraordinary life-size self-portrait to his iconic series of Weeds and Arrangements of inverted flowers painstakingly executed in painted bronze, the works in Sideways Dinner reorient one’s perception of the everyday and upend the ordinary angle of visual and social experience.

The exhibition takes its title from a new sculptural work that stages an upright arrangement of dinner plates, bottles, and glasses in a humorous take on the iconography of still-life painting. Forming a kind of pictorial plane or relief, the traces of human gathering in Sideways Dinner are at once resolutely familiar and uncanny in their defiance of the laws of physics and time. Drawing on readymade objects, the artist employs a wide range of techniques and materials, such as bronze, silicone and resin, to achieve exacting recreations that separate the trompe l’oeil realism of the surface from the object’s intended function. The works in the exhibition thus hover between the opposites of immediacy and reflection, the permanence and transience of both objects and human relations.

Featured:

Tony Matelli
Sideways Dinner, 2026
unique work
Painted bronze, polyurethane, stainless steel, epoxy
111.8 x 116.8 x 31.8 cm
44 x 46 x 12 1/2 in

MARUANI MERCIER wishes Jonathan Lasker a wonderful 78th birthday and is delighted to announce his upcoming solo exhibiti...
30/07/2026

MARUANI MERCIER wishes Jonathan Lasker a wonderful 78th birthday and is delighted to announce his upcoming solo exhibition “A Survey of the Maquettes 1986-2026”, a selection of important works in oil on paper spanning nearly four decades of the artist’s practice. Invariably executed on a small scale with painstaking precision, Lasker’s earliest fully rendered ‘maquettes’ or ‘studies’ date from 1986 and have since occupied an essential place in his process. Underpinning some of the key large-scale paintings, the studies in the exhibition form a standalone body of work and offer insight into the dialectic of planning and spontaneity inherent to Lasker’s artistic production.

The introduction of oil studies in the mid-1980s coincided with the consolidation of Lasker’s highly reflective conceptual approach to painting. Whilst the artist had previously used only a preparatory sketch in pencil on paper, he now began to introduce complete and detailed oil studies for future paintings, which were subsequently enlarged and translated onto canvas. Despite their visual synchronicity, the study and the painting embodied two directly opposing modes of making a mark: the former operated as a site of intuitive and rapid gesture, rooted in Lasker’s longstanding interest in Surrealist automatic drawing; the latter slowly retraced each element with precision and control, as if delineating a quote from the subconscious mind. Exporting all intuition and compositional iterations to the oil studies, the iconic marks in Lasker’s paintings attained a degree of autonomy and inevitability that came to define his singular artistic language.

Featured:

Jonathan Lasker, Study for “Full Understanding”, 2009
oil and pigment pen on paper
15 x 20 cm | 6 x 8 in

Jonathan Lasker, Study for “The Inability to Sublimate”, 2007
oil and pigment pen on paper
15 x 20 cm | 6 x 8 in

Jonathan Lasker, Study for “Look Alike”, 1986
oil on paper
13 x 17 cm | 5 x 7 in

September 10 – October 31, 2026
Rue Saint-Georges, Brussels 1050

Public Opening: September 10, 2026 from 4 to 9pm.

New works by Peter Halley. Sector 5, 202650 x 41.75 in (127 x 106 cm)Acrylic, fluorescent acrylic, and Roll-a-Tex on can...
20/07/2026

New works by Peter Halley.

Sector 5, 2026
50 x 41.75 in (127 x 106 cm)
Acrylic, fluorescent acrylic, and Roll-a-Tex on canvas

Blue Prison, 2026
46.5 x 40 in (118 x 101.5 cm)
Acrylic, fluorescent acrylic, and Roll-a-Tex on canvas

Red Cell with Conduit, 2026
40.5 x 41 in (103 x 104 cm)
Acrylic, fluorescent acrylic, and Roll-a-Tex on canvas

Peter Halley was born in New York in 1953. He received his BA from Yale University and his MFA from the University of New Orleans in 1978. Moving back to New York City had big influence on Halley’s painting style. Its three-dimensional urban grid led to geometric paintings that engage in a play of relationships between so-called “prisons” and “cells” – icons that reflect the increasing geometricization of social space in the world. Halley began to use colors and materials with specific connotations, such as fluorescent Day-Glo paint, mimicking the eerie glow of artificial lighting and reflective clothing and signs, as well as Roll-a-Tex, a texture additive used as surfacing in suburban buildings.

Halley is part of a generation of neo-conceptualist artists that first exhibited in New York’s East Village. This group includes Jeff Koons, Haim Steinbach, Mayier Vaisman, and Ashley Bickerton. These artists became identified on a wider scale with the labels neo-geo and neo-conceptualism, an art practice deriving from the conceptual art movement of the 1960s and 1970s. Focusing on the commodification of art and its relation to gender, race, and class, neo-conceptualists question art and art institutions with irony and pastiche.
 

Summer Museum Shows | Arne Quinze, Jaclyn Conley, Hermann Nitsch & Peter HalleyARNE QUINZE & JOANA VASCONCELOS AT VILLEF...
26/06/2026

Summer Museum Shows | Arne Quinze, Jaclyn Conley, Hermann Nitsch & Peter Halley

ARNE QUINZE & JOANA VASCONCELOS AT VILLEFRANCHE-SUR-MER
L’ABSURDE ET LE RÊVE
Ongoing until October 31, 2026
La Citadelle, Villefranche-sur-Mer, France

JACLYN CONLEY AT SAATCHI GALLERY
THE SUN AND THE MOON: ART INSPIRED BY THE CELESTIAL
Ongoing until September 8, 2026
Saatchi Gallery, London, UK

HERMANN NITSCH AT SERRALVES FOUNDATION
VEXATION OF SPIRIT: THE DUERCKHEIM COLLECTION
Ongoing until November 1, 2026
Fundação de Serralves, Porto, Portugal

PETER HALLEY AT MUDAM LUXEMBOURG
VIDEO KILLED THE RADIO STAR: THE 1980’S AND THEIR CULTURAL EXHOES
Ongoing until October 10, 2026
MUDAM, Luxembourg, Grand Duchy of Luxembourg

Featured:

Arne Quinze, Dance of Dissonance, 2026. Installation view at La Citadelle, Villefranche-sur-mer. Photography by Dave Bruel

Jaclyn Conley, Crescent Moon, 2024. Installation view at Saatchi Gallery, London. Photography by David Owens

Hermann Nitsch, Grazer Raum, 1987. Installation view at Serralves Foundation, Porto

Peter Halley, Yesterday, Today, Tomorrow, 1987. Installation view at Mudam Luxembourg. Photography by Mareike Tocha © Mudam Luxembourg

Arne Quinze & Joana VasconcelosL’ABSURDE ET LE RÊVE THE ABSURD AND THE DREAMLIKEAn exhibition of sculptures, La Citadell...
19/06/2026

Arne Quinze & Joana Vasconcelos
L’ABSURDE ET LE RÊVE THE ABSURD AND THE DREAMLIKE

An exhibition of sculptures, La Citadelle - Centre d’art & musée, 20.06-31.10.2026, Curators: Selcan Atilgan, Camille Frasca with the collaboration of Clare Lilley

At La Citadelle, Belgian Arne Quinze and Portuguese artist Joana Vasconcelos, both born in 1971, invite visitors to enter a world where absurdity and dreams intertwine, playing with reality and considering our relationship to the world.
These two major international artists join creative forces for the first time, to create a parcours of 33 monumental works, some of which are made collaboratively, placed throughout the gardens, courtyards, and rooms of La Citadelle.

In the spirit of Jean Cocteau, whose artistic and poetic presence profoundly shaped Villefranche-sur-Mer and its surroundings, the two artists bring together absurdity and the dreamlike ways of disturbing the familiar and opening the world to transformation. Their dialogue plays homage to the director of Testament of Orpheus, filmed in Villefranche: a legendary work in which myth, memory, mirrors and the subconscious become passages towards another reality. Within the historic monument, this unprecedented artistic duo leads visitors through a world of improbable forms, unruly growth and heightened imagination.
Their works invite us to reconsider our relationship with the environments we inhabit: the gradual confinement of nature, the boundaries imposed by the domestic sphere, and the painful separation of human imagination from the living systems that sustain and nourish it.

Camille Frasca

Reflections on Breathing by Danish artist Jeppe Hein opened at the Vanhaerents Art Collection Project Space in collabora...
16/06/2026

Reflections on Breathing by Danish artist Jeppe Hein opened at the Vanhaerents Art Collection Project Space in collaboration with MARUANI MERCIER on Saturday 25 April 2026  and is on view until 31 December 2026.  

The exhibition brings together Hein’s participatory breathing project Breathe With Me, a selection of Modified Social Benches, and a group of rotating mirror sculptures.
At the heart of the exhibition lies Breathe With Me, a large-scale participatory artwork that invites visitors to paint their own breath. Each exhale is translated into a simple blue line on the canvas walls — one line per breath. Over time, these individual gestures accumulate into a collective drawing: a shared portrait of presence, mindfulness, and connection.

Featured:
Jeppe Hein
Modified Social Bench U, 2008
powder-coated aluminium
115 x 180 x 45 cm
45 1/4 x 70 7/8 x 17 3/4 in
Edition 5/5 + 2 AP

Congratulations to Hermann Nitsch for being included in the exhibition by Count Christian Duerckheim, a retired German i...
12/06/2026

Congratulations to Hermann Nitsch for being included in the exhibition by Count Christian Duerckheim, a retired German industrialist and longtime art collector, showing part of his collection at the Serralves Foundation in Porto.

Installation view of Hermann Nitsch’s “Grazer Raum” (1987), an installation partly made with animal blood, includes splattered garments fastened on to a wooden beam and is shown outside of Austria for the first time.

To November 1, serralves.pt

Adresse

Avenue Louise 430
Brussels
1000

Heures d'ouverture

Lundi 10:00 - 18:00
Mardi 10:00 - 18:00
Mercredi 10:00 - 18:00
Jeudi 10:00 - 18:00
Vendredi 10:00 - 18:00
Samedi 11:00 - 18:00

Téléphone

+3225125010

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