galerie van caelenberg

27/12/2024

Christmas by Honoré d’O
🤍🤍🤍🤍🤍🤍🤍🤍

at galerievancaelenberg🎄🎄🎄


#9300

10/11/2024

opening hoet.gallery in ghent
☀️☀️ super vibes over there ☀️☀️
.gallery

26/07/2024

TOMORROW : LAST CHANCE
Don’t miss out on this wonderful exhibition 🍷🍷🍷
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

22/06/2024

Do yourself a favour today and visit the expo of Clary Stolte
Don’t miss out on this wonderful exhibition 🍷🍷🍷
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

20/06/2024

expo Clary Stolte
Don’t miss out on this wonderful exhibition 🍷🍷🍷
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

15/06/2024

TODAY expo Clary Stolte
Don’t miss out on this wonderful exhibition 🍷🍷🍷
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

31/05/2024

23/05/2024

TOMORROW….everybody welcome for
a BIRTHDAY DRINK
THIS FRIDAY

THIS FRIDAY, 24/5, from 5 till 10 pm, EVERYBODY WELCOME for thé vernissage of CLARY STOLTE
❤️❤️❤️🍾🍾🍾
save thé date
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

22/05/2024

Please join us for a BIRTHDAY DRINK
THIS FRIDAY

THIS FRIDAY, 24/5, from 5 till 10 pm, EVERYBODY WELCOME for thé vernissage of CLARY STOLTE
❤️❤️❤️🍾🍾🍾
save thé date
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

20/05/2024

THIS FRIDAY, 24/5, from 5 till 10 pm, EVERYBODY WELCOME for thé vernissage of CLARY STOLTE
❤️❤️❤️🍾🍾🍾
save thé date
Clary Stolte lives and works in Amsterdam. Her work can be best described as object research painting projects. Which means a precise research of material properties and behavior that leads to minimal, but at the same time particularly extreme interventions. She uses traditional painting materials as well as industrial materials and ephemeral or disposable products (soap, sugar, plastic, acrylic polymer emulsion, hair gel, shampoo) drawn from everyday domestic and commercial worlds in the making of her paintings and drawings. Rhythm, volume, spaciousness, humor, innovation, curiosity and experiment are key words. Most of all she wants to communicate the fun and play involved in making her work. Previous exhibitions include: ‘CREAM & TAPE’, Cairn Gallery, Pittenweem, Scotland; ’Nobody Knows’, Asphodel Gallery, New York; ‘Paint it Soft’, Museum Schunck (nl); ‘Love, Love, Love’, Van den Berge Gallery (nl); ‘NIVEA’, Spaceburo, Antwerp (be); ‘Subject to the Abstract, Van der Mieden Gallery, Brussels (be); ‘Soft Space’, Haarlem (nl); ‘You Have No Idea’, 6B Gallery, Brussels (be) and ‘The Logic of Things’, galerie c. de vos, Aalst (be). Art collections include amongst others: Museum Voorlinden, Wassenaar (nl); Museum Schunck (nl); Amsterdam Medical Centre (AMC) and many private collections worldwide

#9300

05/04/2024

TOMORROW LAST DAY
So DON’T FORGET to visit the wonderful expo of tim trenson ❤️❤️❤️

🍷🍷🍷🍾🍾🍾
Tim Trenson has always equated the act of drawing with his painting.
For him, drawing is a complicated, time-consuming and independent undertaking. Just as his paintings show the uneasy nature of his exuberant formal language.
He builds up his paintings while drawing with the coarse brush, layer by layer. Sometimes careful and thoughtful, sometimes rash and reckless.
Trenson makes work that is not entirely abstract. When referring to the recognizable elements in his work, he prefers the word figuration to representation. Perhaps we perceive a body or an interior, often just the suggestion of it.
The most important aspect is his concern with the question of priority. Color first or form first? Figure or do we stick to a brush stroke? Trenson’s works represent both presence and absence. They are seemingly nervous works with a high dose of psychology. They are paintings that indulge while looking.
#9300

30/03/2024

DON’T FORGET to visit the wonderful expo of tim trenson ❤️❤️❤️

🍷🍷🍷🍾🍾🍾
Tim Trenson has always equated the act of drawing with his painting.
For him, drawing is a complicated, time-consuming and independent undertaking. Just as his paintings show the uneasy nature of his exuberant formal language.
He builds up his paintings while drawing with the coarse brush, layer by layer. Sometimes careful and thoughtful, sometimes rash and reckless.
Trenson makes work that is not entirely abstract. When referring to the recognizable elements in his work, he prefers the word figuration to representation. Perhaps we perceive a body or an interior, often just the suggestion of it.
The most important aspect is his concern with the question of priority. Color first or form first? Figure or do we stick to a brush stroke? Trenson’s works represent both presence and absence. They are seemingly nervous works with a high dose of psychology. They are paintings that indulge while looking.
#9300

24/02/2024

NEXT friday 1st of march
you’re invited for our new vernissage
( from 5 till 10pm )
tim trenson ❤️❤️❤️

🍷🍷🍷🍾🍾🍾
Tim Trenson has always equated the act of drawing with his painting.
For him, drawing is a complicated, time-consuming and independent undertaking. Just as his paintings show the uneasy nature of his exuberant formal language.
He builds up his paintings while drawing with the coarse brush, layer by layer. Sometimes careful and thoughtful, sometimes rash and reckless.
Trenson makes work that is not entirely abstract. When referring to the recognizable elements in his work, he prefers the word figuration to representation. Perhaps we perceive a body or an interior, often just the suggestion of it.
The most important aspect is his concern with the question of priority. Color first or form first? Figure or do we stick to a brush stroke? Trenson’s works represent both presence and absence. They are seemingly nervous works with a high dose of psychology. They are paintings that indulge while looking.

04/02/2024

SAVE THE DATE
friday 1st of march
you’re invited for our new vernissage
( from 5 till 10pm )
tim trenson ❤️❤️❤️

🍷🍷🍷🍾🍾🍾
Tim Trenson has always equated the act of drawing with his painting.
For him, drawing is a complicated, time-consuming and independent undertaking. Just as his paintings show the uneasy nature of his exuberant formal language.
He builds up his paintings while drawing with the coarse brush, layer by layer. Sometimes careful and thoughtful, sometimes rash and reckless.
Trenson makes work that is not entirely abstract. When referring to the recognizable elements in his work, he prefers the word figuration to representation. Perhaps we perceive a body or an interior, often just the suggestion of it.
The most important aspect is his concern with the question of priority. Color first or form first? Figure or do we stick to a brush stroke? Trenson’s works represent both presence and absence. They are seemingly nervous works with a high dose of psychology. They are paintings that indulge while looking.

23/12/2023

TODAY from 3 till 6 pm :
LAST CHANCE
FINISSAGE
Honoré d’O
“ post “ ( mail )
please don’t miss the finissage of Honoré d’O, TODAY 23 december, 3 till 6 pm at galerievancaelenberg 🍾🍾🍾
everybody welcome 🍷🍷🍷


#9300