Texheritage-Bangladesh: Museum, Innovation & Preservation Foundation

Texheritage-Bangladesh: Museum, Innovation & Preservation Foundation Preserve the Past • Empower the Future

Texheritage Bangladesh - is Bangladesh’s first dedicated, research-based textile museum and digital archive, established to research, archives, education and future generation's Innovations. Texheritage Bangladesh is a textile museum and preservation initiative dedicated to safeguarding and celebrating the rich textile heritage of Bangladesh and the global textile industry. Texheritage Bangladesh

- documents traditional craftsmanship, historical textiles, industrial developments, and modern innovations through both online and physical archives. Texheritage serves as a growing textile museum that brings together traditional craftsmanship, historical artifacts, industrial innovations, and modern textiles under one platform. The collection features:

* Rare and historical fabrics, including Silk, Jamdani, Malmal, Tangail, and tribal weaves
* Vintage garments and culturally significant clothing
* Industrial textile samples, including denim, knit, woven, and technical fabrics
* Textile tools, machines, zippers, buttons, sample books, and archives
* Contemporary innovations such as 3D embroidery, special washes, magnetic zippers, recycled fabrics, and sustainable materials

Driven by the belief that “textile is our identity,” Texheritage aims to:

- Preserve rare and historic textile items for future generations
- Educate students, designers, and industry professionals
- Showcase the craftsmanship of Bangladeshi artisans
- Build a digital and physical archive of global textile evolution
- Inspire innovation by connecting the past with the future
- Create opportunities for research, exhibitions, and global collaboration

Texheritage Bangladesh is more than a museum—
It is a movement to protect our textile legacy, uplift local craftsmanship, and build a bridge between heritage and modern industry. Under the leadership of Saidur Rahman Himu, with over a decade of experience in textiles, merchandising, sourcing, and fashion development, Texheritage strives to become a nationally recognized hub for textile preservation, knowledge sharing, and innovation.


টেক্সহেরিটেজ বাংলাদেশ হলো একটি টেক্সটাইল মিউজিয়াম ও সংরক্ষণ উদ্যোগ, যা বাংলাদেশের সমৃদ্ধ বস্ত্র ঐতিহ্য এবং বৈশ্বিক বস্ত্র শিল্পকে রক্ষা ও উদযাপন করার জন্য নিবেদিত।

টেক্সহেরিটেজ বাংলাদেশ ঐতিহ্যবাহী কারুশিল্প, ঐতিহাসিক বস্ত্র, শিল্প উন্নয়ন এবং আধুনিক উদ্ভাবনকে অনলাইন ও ফিজিক্যাল আর্কাইভের মাধ্যমে নথিভুক্ত করে।

টেক্সহেরিটেজ একটি ক্রমবর্ধমান বস্ত্র মিউজিয়াম হিসেবে কাজ করছে, যা ঐতিহ্যবাহী কারুশিল্প, ঐতিহাসিক নিদর্শন, শিল্প উদ্ভাবন এবং আধুনিক বস্ত্রকে এক প্ল্যাটফর্মে একত্রিত করছে। সংগ্রহে রয়েছে:

* বিরল এবং ঐতিহাসিক বস্ত্র, যেমন: সিল্ক, জামদানি, মলমল, টাঙ্গাইল, এবং উপজাতীয় বোনা
* ভিন্টেজ পোশাক এবং সাংস্কৃতিকভাবে গুরুত্বপূর্ণ কাপড়
* শিল্প বস্ত্র নমুনা, যেমন: ডেনিম, নিট, বোনে এবং প্রযুক্তিগত বস্ত্র
* বস্ত্র সরঞ্জাম, যন্ত্র, জিপার, বোতাম, স্যাম্পল বুক এবং আর্কাইভ
* আধুনিক উদ্ভাবন, যেমন: 3D এম্ব্রয়ডারি, বিশেষ ওয়াশ, ম্যাগনেটিক জিপার, পুনর্ব্যবহারযোগ্য কাপড় এবং টেকসই উপকরণ

“বস্ত্র আমাদের পরিচয়” এই বিশ্বাস দ্বারা পরিচালিত, টেক্সহেরিটেজ লক্ষ্য রাখে:

* বিরল এবং ঐতিহাসিক বস্ত্রপদার্থ ভবিষ্যত প্রজন্মের জন্য সংরক্ষণ করা
* শিক্ষার্থী, ডিজাইনার এবং শিল্প পেশাজীবীদের শিক্ষিত করা
* বাংলাদেশের কারিগরদের কারুশিল্প প্রদর্শন করা
* বৈশ্বিক বস্ত্র উন্নয়নের ডিজিটাল এবং ফিজিক্যাল আর্কাইভ তৈরি করা
* অতীতকে ভবিষ্যতের সাথে যুক্ত করে উদ্ভাবনকে অনুপ্রাণিত করা
* গবেষণা, প্রদর্শনী এবং বৈশ্বিক সহযোগিতার সুযোগ সৃষ্টি করা

টেক্সহেরিটেজ বাংলাদেশ কেবল একটি মিউজিয়াম নয়—
এটি আমাদের বস্ত্র ঐতিহ্য রক্ষা, স্থানীয় কারুশিল্পকে উন্নীত করা এবং ঐতিহ্য ও আধুনিক শিল্পের মধ্যে সেতু নির্মাণ করার একটি আন্দোলন।

সাইদুর রহমান হিমু’র নেতৃত্বে, যিনি বস্ত্র, মার্চেন্ডাইজিং, সোর্সিং এবং ফ্যাশন ডেভেলপমেন্টে এক দশকেরও বেশি অভিজ্ঞতা অর্জন করেছেন, টেক্সহেরিটেজ একটি জাতীয়ভাবে স্বীকৃত বস্ত্র সংরক্ষণ, জ্ঞান ভাগাভাগি এবং উদ্ভাবনের কেন্দ্র হিসেবে গড়ে উঠার লক্ষ্য রাখে।

Dear Textile Lover,We are collecting approximately 132 Bichitra Magazine issues from 1979–1990 for the permanent collect...
22/08/2026

Dear Textile Lover,

We are collecting approximately 132 Bichitra Magazine issues from 1979–1990 for the permanent collection of Texheritage Bangladesh Museum.

These magazines are valuable records of Bangladesh’s fashion, textile, culture, and lifestyle history. We have an opportunity to acquire this collection for approximately BDT 100,000.

Honestly, arranging this amount alone is difficult for us. That is why we are reaching out to fellow Textile Lovers and well-wishers for your support.

Even a small contribution (Tk-500/1000/2000/5000/full) can help us bring these valuable pieces of history into a museum collection. This is your opportunity to become part of this preservation story. With your sponsorship, your name will be recognized on our website and recorded as a supporter of this historic museum acquisition—leaving your contribution as a lasting part of Bangladesh’s fashion heritage.

We are not collecting these pages to own the past. We are preserving them so future generations can learn from it.

📞 Contact / bKash: +8801717214778
bKash: Please contact us on this number for donation details.
or visit : https://texheritagemuseum.com/donate-us/

Your support will help us preserve a part of Bangladesh’s fashion history that may otherwise be lost forever.

Thank you for standing with us.

Texheritage Bangladesh Museum
SAVE TEXTILE HERITAGE FOR FUTURE.

We are pleased to introduce Crochet Fabric to the growing collection of Texheritage Bangladesh Museum.Crochet represents...
19/08/2026

We are pleased to introduce Crochet Fabric to the growing collection of Texheritage Bangladesh Museum.

Crochet represents a unique textile-making technique where yarn is transformed into fabric through interlocking loops and carefully developed stitch structures. Unlike conventional woven fabrics, crochet creates its distinctive character through loop formation, stitch density, yarn selection, and pattern development.

Our collection highlights crochet as both a textile structure and a form of craftsmanship, demonstrating how traditional techniques continue to influence contemporary fashion and textile design.

Crochet fabrics can range from delicate, open, lace-like constructions to denser and more structured surfaces. Depending on the yarn and construction, they are used in dresses, tops, cardigans, beachwear, accessories, bags, and decorative textiles.

At Texheritage, every new addition to our collection is an opportunity to document not only the fabric itself, but also the technique, material, craftsmanship, and cultural story behind it.

* New Collection: Crochet Fabric
* Category: Fabric → Woven & Textile Structures → Crochet
* Collection: Texheritage Bangladesh Museum

Preserving textile knowledge. Connecting heritage with the future.
SAVE TEXTILE HERITAGE FOR FUTURE.

KATAN: A JOURNEY THROUGH TIMEDid you know that the history behind today's Katan sari connects Mughal India, Banaras, Ben...
16/08/2026

KATAN: A JOURNEY THROUGH TIME

Did you know that the history behind today's Katan sari connects Mughal India, Banaras, Bengal and Dhaka?

Here is a short historical timeline:

16th Century | c. 1550–1600
The Mughal textile system expanded rapidly, with royal patronage supporting sophisticated silk, brocade and luxury textile production.

1590s | Akbar's Period
The Ain-i-Akbari documented the highly developed textile culture of the Mughal court, including numerous silk and luxury textile categories.

16th–17th Century
Banaras increasingly developed as an important centre for silk and brocade weaving, influenced by the movement of skilled artisan communities and Mughal-era textile culture.

17th–19th Century
Banarasi silk-brocade traditions became increasingly sophisticated, combining silk with zari, floral motifs, Jali, Buti and other decorative structures.

18th Century
Murshidabad and other Bengal centres became important silk-producing regions, demonstrating that Bengal already possessed a significant silk economy.

1940s
A major turning point: weaving communities from the Banaras/United Provinces region migrated to Dhaka around the Partition period, bringing specialised Banarasi/Katan weaving knowledge.

1950s onward
Banarasi/Katan weaving developed further in Dhaka, particularly among communities in Mohammadpur and later Mirpur.

Today
Dhakai Katan/Benarasi has become an important part of Bangladesh's living textile heritage, particularly in bridal and ceremonial culture.

The fascinating part?

Katan is not simply a story of a fabric.

It is a story of silk technology, artisan migration, cultural exchange and adaptation across South Asia.

At Texheritage Bangladesh, we document these stories because textile heritage is not only about what was made—

It is about who made it, how they made it, where the knowledge travelled, and what survived.

SAVE TEXTILE HERITAGE FOR THE FUTURE.

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“Can you give me a swatch of Muslin fabric for research?” — Where can we find it today?Bangladesh is rich in textile her...
13/08/2026

“Can you give me a swatch of Muslin fabric for research?” — Where can we find it today?

Bangladesh is rich in textile heritage, but we remain far behind in preserving, documenting, and making that heritage accessible for research and future generations.

Our greatest challenge is no longer creating history—it is saving the history we have already inherited before it disappears.

Let’s work together to find, collect, preserve, document, and research our textile heritage and pass its stories to future generations.
Together, we can give Bangladesh’s extraordinary textile heritage the global recognition it deserves.

Texheritage-Bangladesh: Museum, Innovation & Preservation Foundation

www.texheritagemuseum.com

Let’s preserve the threads of our history—together.

In 2021, a group of students from Bangladesh University of Business and Technology (BUBT) undertook a project on Natural...
04/08/2026

In 2021, a group of students from Bangladesh University of Business and Technology (BUBT) undertook a project on Natural Color Dyeing. Through extensive research and experimentation, they successfully developed naturally dyed fabric samples using eco-friendly dyeing techniques.

Today, these project samples are proudly preserved in the Texheritage Bangladesh Museum as part of our growing collection dedicated to documenting Bangladesh's textile heritage.

Collection Courtesy: Md. Saifullah Riyaz

For thousands of years, the people of Bengal created beautiful textiles using colors extracted from nature—long before synthetic dyes transformed the textile industry. Indigo, turmeric, pomegranate peel, henna, and many other natural sources formed the foundation of our rich dyeing tradition.

Natural dyeing is more than a coloring technique; it reflects Bangladesh's history, craftsmanship, biodiversity, and sustainable way of life. As the global fashion industry embraces more sustainable practices, these centuries-old techniques are becoming increasingly relevant.

At Texheritage Bangladesh Museum, we are committed to documenting and preserving Bangladesh's natural dye plants, traditional dyeing methods, historical textiles, and artisan knowledge so that future generations can learn from and appreciate this invaluable heritage.

Together, let's celebrate the colors of nature and preserve the legacy of Bangladesh's textile traditions.

Did you know?The weave structure of a fabric plays a major role in its performance—not just its appearance.* Plain Weave...
02/08/2026

Did you know?
The weave structure of a fabric plays a major role in its performance—not just its appearance.

* Plain Weave: Strong, balanced, and commonly used for shirts and pocketing.
* Twill Weave: Recognizable by its diagonal lines, offering better durability and drape. Widely used in denim and workwear.
* Satin Weave: Features a smooth, lustrous surface with excellent softness but lower abrasion resistance.

Understanding weave structures helps designers, merchandisers, buyers, and manufacturers choose the right fabric for the right purpose.

At Texheritage Bangladesh – Museum, Innovation & Preservation Foundation, we believe preserving textile heritage also means sharing textile knowledge.

Save Textile Heritage for the Future.

People often ask me, "What's the business model of this Museum?" or "Where is the financial return?"The truth is, not ev...
26/07/2026

People often ask me, "What's the business model of this Museum?" or "Where is the financial return?"

The truth is, not every investment is measured by profit.

Most of us work to earn a living—and there's nothing wrong with that. But I believe that, at some point, we should also build something that outlives us.

That is why I started "Texheritage Bangladesh."

My vision is not simply to create a museum. It is to build a platform where researchers, students, artisans, textile professionals, brands, collectors, and heritage enthusiasts can come together to preserve, share, and advance Bangladesh's textile legacy for future generations.

If this initiative succeeds, the greatest return will not be financial. It will be the knowledge we preserve, the people we inspire, and the opportunities we create for those who come after us.

Every nation preserves its heritage. Bangladesh deserves a world-class platform to preserve its textile heritage too.

Today, I'm proud to share the introduction presentation of Texheritage Bangladesh – Museum, Innovation & Preservation Foundation (1st Edition). I warmly welcome your feedback, ideas, and potential collaborations. Together, we can preserve our textile heritage for future generations.

Let's build something that future generations will be proud to inherit.

Saidur Rahman Himu
Founder, Texheritage Bangladesh Museum
www.texheritagemuseum.com

New Collection Added | Jacquard Knit Fabric | Texheritage Bangladesh MuseumAnother valuable addition to our growing text...
25/07/2026

New Collection Added | Jacquard Knit Fabric | Texheritage Bangladesh Museum
Another valuable addition to our growing textile archive.

Collection: Jacquard Knit Fabric
• 55% Cotton / 45% Polyester
• 32S Cotton + 150D DTY
• 255 GSM
• Width: 165 cm

This textured jacquard knit combines the comfort of cotton with the durability of polyester, making it suitable for premium casualwear and outerwear.

Every new fabric added to our collection helps preserve the technical evolution of Bangladesh's textile industry for future generations.

Yet there is one question that keeps us awake:When future generations ask, "How did Bangladesh become a global textile p...
22/07/2026

Yet there is one question that keeps us awake:

When future generations ask, "How did Bangladesh become a global textile powerhouse?"—where will they find the answer?

Unlike several countries in South Asia, Bangladesh still has no nationally recognized dedicated textile museum.

That is why Texheritage Bangladesh was established.

We are on a mission to preserve the fabrics, innovations, machinery, craftsmanship, and untold stories that built our industry—not just for today, but for the generations that follow.

If we don't preserve our heritage today, tomorrow it may exist only in memories.

This is not one person's dream. It is a legacy that belongs to every manufacturer, exporter, entrepreneur, textile engineer, designer, researcher, and worker who has contributed to Bangladesh's success.

Let's not leave behind only factories and export records. Let's leave behind a legacy the world can see, study, and celebrate.

Join us in building Bangladesh's textile legacy.

www.texheritagemuseum.com

"A nation that clothes the world deserves a museum that tells its story."

What is a Digital Product Passport (DPP)?The future of the textile industry is becoming more transparent—and the Digital...
22/07/2026

What is a Digital Product Passport (DPP)?

The future of the textile industry is becoming more transparent—and the Digital Product Passport (DPP) is a key part of that transformation.

A Digital Product Passport (DPP) is a digital identity for a product that stores important information throughout its entire lifecycle, including:

🔹 Raw materials
🔹 Manufacturing process
🔹 Supply chain journey
🔹 Care and maintenance instructions
🔹 Repair information
🔹 Recycling and end-of-life guidance

Why is DPP important?

✅ Increases transparency and traceability
✅ Supports sustainable sourcing
✅ Promotes circular fashion and responsible consumption
✅ Improves recycling and reduces textile waste
✅ Builds greater trust between brands and consumers

As global regulations and consumer expectations continue to evolve, understanding DPP is becoming essential for manufacturers, brands, suppliers, students, and textile professionals.

At Texheritage Bangladesh Museum, we are dedicated not only to preserving the history of textiles but also to educating the industry about the innovations shaping its future.

📚 Preserving the past. Inspiring the future.

Address

Uttara 11, Road 12, House 49
Dhaka

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