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MAPh - Museum of Australian Photography MAPh: the Australian home of photography and the William & Winifred Bowness Photography Prize Entry to MAPh is FREE!
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The Museum of Australian Photography (MAPh) is the Australian home of photography. We're dedicated to the preservation, collection and display of Australian photographs. www.maph.org.au

MAPh is the premier cultural facility of the City of Monash. Monash City Council reserves the right to remove content that violates its Social Media Policy or any associated policies. Materials authored or posted are subject to public disclosure. MAPh is supported by Creative Victoria, the MAPh Foundation and its generous sponsors.

Bowness Photography Prize 2026: COSMIC CAPTUREDiverse themes, subjects and approaches surface in the final field of the ...
05/10/2026

Bowness Photography Prize 2026: COSMIC CAPTURE

Diverse themes, subjects and approaches surface in the final field of the 2026 Bowness Photography Prize. Here, the artists get cosmological. Read their statements below and come see the images in person at MAPh!

Harry Nankin: This print digitally stitches together the analogue cameraless shadows of cloth and cosmos. I recorded the imprint of stars on the dry salt bed of Lake Tyrrell, Victoria, by exposing a sheet of medium-speed panchromatic gelatin-silver film to the naked light of the moonless-night-sky pressed beneath an old astronomical glass-plate negative. I cast the cloth shadows by exposing a sheet of fine-grain orthochromatic gelatin-silver film under muslin fabric to flash in the darkroom.

This juxtaposition of yarn and universe alludes to the fragility of our torn world, entanglements we are yet to unpick, and a question: can we discern hope, solace – even redemption – in the great wilderness of the heavens?

Kristian Haggblom: ‘Some conjecture about Halley’s Comet’ is a project that draws on childhood memory to interrogate belief systems associated with science, myth, family and photography. During the 1986 orbit of Halley’s Comet my father was insistent on capturing images of this celestial occurrence and he also claims that he took me on these adventures. Yet I have completely no recognition of this. This project uses the original surviving photographs that my father made as its impetus. The images inform the photographs that were made through analogue processes and attempt to map the terrain tangentially depicting the locations, comet surface, and its inevitable future collision. The cyclical essence of the story and speculative nature of the imagery is reflective of Halley’s periodic apparition and the associated stories – of both destiny and doom – it generates.

🗓️Until 8 November
💌 FREE
✨ Curated by MAPh Director Anouska Phizacklea

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Images:
Harry NANKIN
Will the cosmos recall what we are forgetting? #4 (Shaula in Scorpius) 2026
ink-jet print
courtesy of the artist

Kristian HAGGBLOM
Some conjecture about Halley’s Comet 2025
ink-jet prints, gelatin silver print
courtesy of the artist

Bowness Photography Prize 2026: MATERNAL FIGUREAcross the fifty finalists' works in the 2026 Bowness Photography Prize, ...
03/10/2026

Bowness Photography Prize 2026: MATERNAL FIGURE

Across the fifty finalists' works in the 2026 Bowness Photography Prize, we see emerging themes, subjects and approaches. Here, the artists express a personal response to pregnancy. Read their artist statements below + view the works online at maph.org.au

🟦 Julia Rose van Haren: '‘Blue mother’ is a cyanotype contact print made from a 6 × 7 cm negative. The work uses scale to establish intimacy. When hung, the small size of this work draws the observer closer in an almost voyeuristic exchange between the resting body of the sitter, the physical body of the viewer and the material print. I am drawn to cyanotype for its capacity to mollify images; the maternal figure emerges through the blue field, veiled in the dye. The work forms part of my ongoing lens-based practice concerned with the maternal body and material processes.'

🟪 Kiah Pullens: 'The unique colour darkroom print explores my transition into motherhood through the bodygram process. Created in complete darkness, the work records a quiet, n**e performance that unfolds beyond the gaze of a camera or audience. I use this process to consider what remains unseen within photographic histories and narratives of motherhood, reclaiming the postpartum body as a site of transformation, vulnerability and strength.

By placing my body at the centre of the image, I insist on the visibility and value of maternal experience. The absence of a camera mirrors the often-invisible labour and physical changes of early motherhood. Through the materiality of analogue colour printing, my body leaves a direct trace of its presence, creating works that exist as both document and performance.

This work challenges conventional representations of women and motherhood, embracing the postpartum body as a powerful record of change and agency.'

🗓️Until 8 November
💌 FREE
✨ Curated by MAPh Director Anouska Phizacklea

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Julia Rose van HAREN
Blue mother 2026
cyanotype
6.0 x 7.1 cm
courtesy of the artist

Kiah PULLENS
4.5 months postpartum 2026
from the series Becoming (m)other
chromogenic print
120.0 x 117.0 cm
courtesy of artist

Bowness Photography Prize 2026 > from above ☁️Across the fifty finalists' works in the 2026 Bowness Photography Prize, w...
01/10/2026

Bowness Photography Prize 2026 > from above ☁️

Across the fifty finalists' works in the 2026 Bowness Photography Prize, we see emerging themes, subjects and approaches. Here, the artists take an aerial view. Read part of their artist statements below (full statements at maph.org.au).

damian dillon: '‘an ideal for living’ examines the urban landscape as a site where environmental, technological and ideological forces converge. Made from the summit of the city's tallest structure, the photograph is produced through a pane of glass using a medium-format film camera, introducing reflection, distortion and material contingency into a viewpoint typically associated with authority, surveillance and control.

Rather than offering a transparent description of place, the work foregrounds photography's role in mediating experience. The image is presented on reflective aluminium, activating the surrounding space and implicating the viewer within the work's visual field. Its reversed orientation references the lateral inversion of the camera's waist-level viewfinder, drawing attention to acts of looking as constructed, embodied and contingent.

Drew Waters: 'Auto/Graphs is a photographic investigation of subscapes: layered, hidden systems embedded within the urban built environment. Such structures are not always visible at ground level, but become legible when viewed from above. The city, rather than a series of architectural forms, becomes a surface of inscriptions: grids, scars, seams, circulations and interruptions. From this vantage point, the urban landscape becomes a diagram of simultaneity: attempts to create order and traces of disorder. While constructing a documentary project that references the real world, I also want to allow each image to resist that function: to collapse into abstraction, chaos and play.'

🗓️Until 8 November
💌 FREE
✨ Curated by MAPh Director Anouska Phizacklea

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damian DILLON
An ideal for living #3 2026
from the series inside forest
UV ink-jet print on aluminium
courtesy of the artist and SYRUP contemporary (Sydney)

Drew WATERS
Untitled 02 2026
from the series Auto/Graphs
pigment ink-jet print
courtesy of artist

Keen to know more about the practices and processes behind the artworks of the Bowness Photography Prize? Come join one ...
01/10/2026

Keen to know more about the practices and processes behind the artworks of the Bowness Photography Prize? Come join one of our free tours!

MAPh Director + curator of the Bowness Photography Prize, Anouska Phizacklea, is leading free guided tours on Tuesdays. Our exhibition guide Yifang Lu is leading Mandarin-language tours on Fridays!

📸 Curator-led tours
🕐 1pm Tuesdays 6 + 20 October

📸 Mandarin-language tours
🕚 11am Fridays 9, 16 + 23 October

💌 All tours are FREE > RSVP via link in bio

For large group bookings, please contact the Museum of Australian Photography (MAPh) directly: [email protected]

2026 Bowness Photography Prize: ICEBERGSAcross the fifty finalists' works in the 2026 Bowness Photography Prize, we see ...
30/09/2026

2026 Bowness Photography Prize: ICEBERGS

Across the fifty finalists' works in the 2026 Bowness Photography Prize, we see emerging themes, subjects and approaches. Here, the artists' techniques are significantly different, but poignantly resonant.

Both address the fragility and precarity of the earth's icebergs, as well as humankind's relationship to them.

📸 Silvi Glattauer: This photograph was made in Patagonia, February 2026 – shortly before Argentina's Congress amended its 2010 Glacier Law, opening protected glacial zones to mining exploration. What drew me here was what I can only call authority. The mountains don't negotiate. The ice doesn't perform. Shooting in monochrome – stripped of the colour that makes wilderness photography feel like tourism – I wanted to slow the looking down. To sit with the weight and age of these formations.

Glaciers are water towers. They feed communities and ecosystems that may not have another source. I am not a protest photographer, but I believe the created image is a form of resistance. These places existed long before any parliament convened.

📸 Valerie Sparks: Depth #2 was created through conducting CT scans of common garden rocks, processed using the ‘lung’ setting of medical imaging software and reimagined as floating nets of fine lines resembling icebergs against a photographic backdrop. It explores the intersecting point between different imaging processes – photography and radiography – and between different systems of thought – art, science and geography.

For many of us, icebergs live in our imagination as drifting symbols of mass, solidity and permanence, yet they are now increasingly vulnerable, fragile and disappearing. Using a diagnostic tool for the human body to reimagine a distant Antarctic landscape collapses the distinction between human anatomy and geological time, and highlights how inextricably bound we are, collectively and personally, to the survival of the natural world.

🗓️Until 8 November
💌 FREE
✨ Curated by MAPh Director Anouska Phizacklea.

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Valerie SPARKS
Depth #2 2026
courtesy of the artist and Gallerysmith (Melbourne)

Silvi GLATTAUER
Glaciers on notice 2026
courtesy of the artist

Sarah Rhodes received an honourable mention in the 2025 Bowness Photography Prize for her work 'Chamber of projection I'...
29/09/2026

Sarah Rhodes received an honourable mention in the 2025 Bowness Photography Prize for her work 'Chamber of projection I', and was also selected as the recipient of the Wai Tang Commissioning Award. As a result, her exhibition The inner sky is now on view alongside this year's Bowness Photography Prize.

Shaune Lakin (Senior Curator Photography, NGA) was a judge of last year's Bowness Photography Prize, and has written about Sarah's work. In his essay, 'Between cave and karst', he writes: 'Caves and islands comprise the topography of Sarah Rhodes’s practice, giving it both structure and subject matter.'

He goes on to say, 'The dialectic of inside and outside, and of space and subjectivity, also directs Sarah’s interest in the experience of caves. Her photograph Chamber of projection I (2025), for which she won the Wai Tang Commission, uses a range of in-camera and darkroom processes (lens-based and somatic; depictive and indexical; ‘objective’ and ‘subjective’) to conjure an image of a cave as an other-worldly space of geographical and psychical permeability. This permeability is made concrete in the unique print, the photographic inscription being marked by darkroom process, the artist’s body, the camera, and directly by the site, as if the cave itself was the inside of a camera or a darkroom.'

One artist from the current Bowness Photography Prize exhibition will soon be selected as the winner of the Wai Tang Commission. Stay tuned! In the meantime, you can vote for your favourite in the RACV People's Choice Award ✨

💌 Link in bio to vote
📸 The inner sky + the Bowness Photography Prize exhibitions continue until 8 November
🎟️ FREE

Curated by MAPh Director Anouska Phizacklea.
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Images:
Nicholas MAHADY
installation views, The inner sky by Sarah Rhodes
courtesy Museum of Australian Photography

Cruising for a Bruising by Kyle Archie Knight is exhibiting in MAPh's Atrium Gallery for one last week! 💖💖💖Make some tim...
28/09/2026

Cruising for a Bruising by Kyle Archie Knight is exhibiting in MAPh's Atrium Gallery for one last week! 💖💖💖

Make some time to view part of the artist's long-form documentary project, which serves as a camp love letter to the Australian suburbs.

Growing up q***r in outer metropolitan Naarm (Melbourne), Knight found the surrounding suburban landscape alienating and suffocating due to prevailing homophobic attitudes. In Cruising for a Bruising Knight addresses these memories of estrangement by drawing inspiration from q***r studies and camp aesthetics. In doing so, he photographs through a q***r camp lens, choosing to celebrate the unique and, at times, contradictory nature of the suburbs, which, as he notes, can be ‘at once surreal and mundane, humorous and humdrum.’

Until Monday 5 October at MAPh
Curated by Stella Loftus-Hills, MAPh Curator

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Image:
Kyle Archie KNIGHT
Pink truck 2025
from the series Cruising for a Bruising
courtesy of the artist

Rennie Ellis captured the high energy and impassioned allegiances of the footy in Melbourne, with his photographs of fan...
25/09/2026

Rennie Ellis captured the high energy and impassioned allegiances of the footy in Melbourne, with his photographs of fans across the 1970s. These images both transport us back in time and emphasise the lasting essence of this much-loved game.

Meanwhile, fans of photographs can visit MAPh today - maybe before the game, or even during it, if footy's not your thing. The Bowness Photography Prize exhibition is on view, showing us the infinitely varied ways that contemporary Australian photographers are making photographs.

📸 We're open all day, from 10am to 4pm
💌🎟️ FREE
☕🥐 Canteen Eats cafe is open from 10am to 3pm
Canteen Eats at MAPh

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Images:
Rennie ELLIS
Richmond fans, Grand Final, MCG 1974
chromogenic print
26.7 x 40.7 cm
Museum of Australian Photography, City of Monash Collection
courtesy of the Rennie Ellis Photographic Archive

North Melbourne fans, semi-final, MCG 1979
chromogenic print
26.8 x 40.7 cm
Museum of Australian Photography, City of Monash Collection
donated by the Rennie Ellis Photographic Archive 2007
courtesy of the Rennie Ellis Photographic Archive

Hawthorn fans, Grand Final, MCG 1975
chromogenic print
26.8 x 40.7 cm
Museum of Australian Photography, City of Monash Collection
courtesy of the Rennie Ellis Photographic Archive

Collingwood Army, Grand Final, MCG 1977
chromogenic print
27.0 x 40.7 cm
Museum of Australian Photography, City of Monash Collection
donated by the Rennie Ellis Photographic Archive 2007
courtesy of the Rennie Ellis Photographic Archive

Ch*****ne fans, MCG 1970
chromogenic print
57.2 x 38 cm
Museum of Australian Photography, City of Monash Collection
courtesy of the Rennie Ellis Photographic Archive

MAPh is open today - the AFL Grand Final public holiday - and you can view our current exhibitions, the Bowness Photogra...
24/09/2026

MAPh is open today - the AFL Grand Final public holiday - and you can view our current exhibitions, the Bowness Photography Prize and The inner sky by Sarah Rhodes.

Thanks to all who came to celebrate the launch and the announcement of the prize winner and honourable mentions. What a joyous evening ✨

💌 Remember to vote for your favourite artwork in the RACV People's Choice Award! The winner of this award receives a $5,000 cash prize. You can vote in person when you visit, or online here: maph.org.au/exhibitions/326

OPEN 10am to 4pm
FREE entry
Please note our onsite cafe Canteen Eats will be closed today.

The Bowness Photography Prize + The inner sky are curated by MAPh Director Anouska Phizacklea.
RACV

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Images:
John ZENG
Bowness Photography Prize 2026 + The inner sky exhibition launch
courtesy Museum of Australian Photography

Nick MAHADY
installation views, The inner sky 2026
courtesy Museum of Australian Photography

Address

860 Ferntree Gully Road
Wheelers Hill, VIC
3150

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Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 4pm
Sunday 10am - 4pm

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