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Tuesday 10am - 4pm Wednesday 10am - 4pm Thursday 10am - 4pm Friday 10am - 4pm Saturday 10am - 4pm Sunday 10am - 4pm

Wangaratta Art Gallery

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Wangaratta, VIC
Wangaratta Art Gallery

A regional public art gallery in North East Victoria.
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Wangaratta Art Gallery presents a relevant, diverse and changing visual arts program, consisting of national, state and regional exhibitions; including local artists, touring exhibitions and joint ventures with the public galleries sector in Victoria. Over 30 exhibitions are held each year across 3 spaces: the main Gallery space, The Workshop Space, and also in the Foyer Galleries at Wangaratta Performing Arts Centre.

01/09/2026

WORKSHOP The Art of Henna 🪔🖌️

Saturday 19 September, 1pm
Wangaratta Art Gallery

Discover the beautiful art of henna with Komal from Akshar Henna Art. Henna (also known as mehndi) is a traditional form of temporary body art that has been practised for centuries across South Asia, the Middle East and other regions. Natural henna paste is applied to the skin to create decorative patterns and designs, which gradually develop into a reddish-brown stain. Henna is commonly associated with celebrations, weddings, festivals and other special occasions and is also a beautiful form of artistic and cultural expression.

More info and bookings at wangarattaartgallery.com.au

📷Komal from Akshar Henna Art at the Diwali event organised by Benalla Migrants Association.

30/08/2026

ARTIST TALK Moorina Bonini + Monica Rani Rudhar

Saturday 19 September, 4pm
Wangaratta Art Gallery

Hear from Yorta Yorta, Wurundjeri and Wiradjuri artist Moorina Bonini and Sydney-based artist Monica Rani Rudhar speak to their moving work in Tannic Bonds.

Moorina Bonini’s Bitja (Fire) is a video installation representing the cultural burning of a river red gum as a revitalising practice.

Monica Rani Rudhar’s work in Tannic Bonds explores themes of cultural disconnection and ancestral guidance. Using photography, video and performance, she imagines herself as her mother’s childhood cow. The work features purree (Indian Yellow) pigment, which was historically derived from cows fed mango leaves, linking Hindu sacredness to personal family mythologies.

Following Moorina and Monica’s talk, stay for the official launch of Tannic Bonds and Keeping Time, a solo exhibition by Echuca-based artist Ellen Lee capturing her impressions of the Banyula State Forest, from 4.30pm. Guests will also hear from Tannic Bonds curators Megan Fizell and Olivia Welch during the evening. All are welcome.

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body. This project was also made possible by the Australian Government’s Regional Arts Fund, which supports the arts in regional and remote Australia.

📷Moorina Bonini, Bitja (Fire), 2020, single-channel high-definition video, 6.03 minutes. Courtesy of the artist and Darebin Art Collection. Monica Rani Rudhar, Monica She Called Out To Me, 2023, detail. Commissioned by the Powerhouse Museum, Sydney. Courtesy the artist and Ames Yavuz.

28/08/2026

OPENING Tannic Bonds 🥭🍵 & Keeping Time ⏳🍂

Saturday 19 September, 4pm
Wangaratta Art Gallery

Join us to celebrate the opening of two exciting new exhibitions Tannic Bonds and Keeping Time, a solo exhibition by Echuca-based artist Ellen Lee.

Hear from Yorta Yorta, Wurundjeri and Wiradjuri artist Moorina Bonini and Sydney based artist Monica Rani Rudhar speak to their moving work in Tannic Bonds at 4pm before the official launch of both exhibitions from 4.30pm.

Curated by Dr Megan R. Fizell and Olivia Welch, Tannic Bonds draws together artists from a range of disciplines to explore the cultural and ancestral connections evoked by tannins – organic compounds found in fruit, seeds, roots, and bark. Just like family, home, community, and custom, tannins leave their mark: they have a bitter taste and vivid pigment, making them universally applicable food for thought.

Ellen Lee’s Keeping Time is a collection of large-scale works on paper capturing the artist’s observations of Banyula State Forest. Ellen traces the shifting light, seasonal rhythms, and ecological changes occurring in the site through watercolour, graphite, and natural matter such as leaf tannins and rust residue, prompting us to rethink our relationship to place.

Refreshments will be served. Book your free ticket now at wangarattaartgallery.com.au.

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body. This project was also made possible by the Australian Government’s Regional Arts Fund, which supports the arts in regional and remote Australia.

📷 Monica Rani Rudhar, Her Hair Black And Her Eyes Kind, 2023, digital print, 42 x 59.4cm. Ellen Lee, work in progress. Photo Leon Schoots.

26/08/2026

NEW ACQUISITION 🐛🪡✨

We are thrilled to announce the acquisition of Caterpillar, a deeply profound work of hand-embroidery and beading incorporating a variety of reclaimed fabrics, created by acclaimed South Australian textile artist Kasia Töns.

Caterpillar is a material mapping of personal and collective transformation, inspired by Töns’s research into famed heroines of history such as Ada Blackjack and Julia Butterfly Hill. Caterpillar is a natural inclusion for Wangaratta Art Gallery’s permanent collection, reflecting the township’s historic presence in textile manufacturing.

In addition to featuring in numerous exhibitions and undertaking residencies across Australia and internationally, Töns has appeared in the 2017, 2019, and 2021 iterations of the Wangaratta Contemporary Textile Award, signifying a close ongoing connection to our community.

Caterpillar was originally produced for Töns’s The Mage, a 2025 solo exhibition at MARS Gallery. We are delighted to give our visitors the opportunity to witness the magnetism of Caterpillar first-hand in the second iteration of the exhibition coming to Wangaratta Art Gallery in 2027.

📷Kasia Töns, Caterpillar, 2025, hand embroidery and beading using reclaimed threads, beads and materials on reclaimed cotton canvas base, textile markers, nail polish, 162 x 112cm. Wangaratta Art Gallery Collection.

24/08/2026

Join us for ANALOG ART CLUB on Thursday 27 August💥

Collage an abstract portrait after a viewing and discussion on Halos in the Shadows.

Thursday 27 August, 1-2pm
Wangaratta Art Gallery

Bring your friends and colleagues along during your lunch hour and take a breather from the day to reflect, discuss, and experience art together. You’ll share insights, see and discover new things and even do a little making of your own inspired by the art around you.

This fun monthly lunchtime activity is designed to help you slow down, switch off your screens, and connect in real life, through art. Analog Art Club is a joint initiative of and

FREE. No bookings required.

📷Visitor engaging with Wangaratta Contemporary Textile Award 2025 winning work Haze 19 by Jemima Wyman. Photo Jeremy Weihrauch.

22/08/2026

NOW OPEN

Keeping Time is a series of large-scale works on paper by Echuca based artist Ellen Lee, shaped by sustained observation of Banyula State Forest. Working with watercolour, graphite and natural pigments, Lee traces shifting light, seasonal rhythms, birdlife and subtle environmental change. A restrained palette of organic hues is layered with stains and residues gathered from the landscape, including leaf tannins, rust and other found matter, each carrying its own history. Gestural graphite marks, drawn from blind contour studies, build surfaces that register time, transition and repeated looking.

Keeping Time is on now until 18 October 2026.

📷 Ellen Lee, Landscape; of sight, of sound, 2023, watercolour, graphite, and natural pigment on cotton paper, 200 x 339cm. Photo Leon Schoots.

20/08/2026

COMING SOON 👀

Tannic Bonds explores material connections between the seeping stains of tannic substances and the enduring bonds of intergenerational stories and practices that mark the land, the body, and memory. Tannins, found in leaves, roots, bark, fruits, and seeds, assert their presence; they carry a strong, bitter taste and are known for their ability to colour and stain, penetrating materials with a saturated dye.
Curated by Megan R. Fizell and Olivia Welch Tannic Bonds bring together work by eight contemporary artists whose work is informed by the material explorations of tannins including Moorina Bonini, d harding, Kirtika Kain, Shivanjani Lal, Monica Rani Rudhar, Cameron Robbins, Abdullah M.I. Syed, and Jayanto Tan.

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body. This project was also made possible by the Australian Government’s Regional Arts Fund, which supports the arts in regional and remote Australia.

📷Monica Rani Rudhar, Her Hair Black And Her Eyes Kind, 2023, digital print, 42 x 59.4cm.

18/08/2026

Did you know that our colourful gallery shop stocks original designer items created by the talented Australian fashion designer TARA WHALLEY?

In 2020 Tara was invited to premier her fashion collection at New York Fashion Week, and in 2021 she stole the runway show again at Paris Fashion Week. Tara's work has been featured in Vogue Australia, Elle Spain, Elle Italy, Frankie Magazine and The Design Files and her work has won numerous awards. Made in Melbourne, her vibrant linen bucket hats and linen zip pouches are inspired by sketches of her travels around the world. Tara is currently based in Melbourne but spent many childhood days in Wangaratta and Myrtleford.

We are open Tuesday to Sunday, 10am to 4pm, closed on public holidays and for exhibition changeovers. Wangaratta Art Gallery Friends and volunteers receive a 10% discount. Our staff will happily gift wrap your purchases at no extra charge.

16/08/2026

JANETTE MURRUNGUN and CHOP THOM spotlight the significance of physical spaces and how we interact with them in Petite Miniature Textiles 2026.

Janette Murrungun’s Mawirranga (Sandy Island) is a stunning small-scale sunmat created from Nanja (ghost net), capturing the idiosyncrasies of the artist’s homeplace, Gulurrutj (Rocky Point), where abandoned fishing equipment wreaks havoc on sea life. Chop Thom’s closer, further is a similarly spellbinding, silken scene of minute proportions, symbolising how little attention we afford to the environments and structures most familiar to us, mistakenly assuming that they are static.

See their delicate work on display in Petite Miniature Textiles 2026, on now until 13 September.

📷Janette Murrungun, Mawirranga (Sandy Island), 2026, installation view, Wangaratta Art Gallery, 2026. Photo Jeremey Weihrauch. Chop Thom, closer, further, 2025, silk thread on 90 count silk gauze, 5.1 x

14/08/2026

Familial bonds and cultural heritage are crucial concepts for many artists in Petite Miniature Textiles 2026.

Votive (Male Torso) is an elegant, monochromatic work that examines ritual and ancestry by THIRD OBJECT, a father-daughter team who were inspired by the tamata, a customary offering in the Greek Orthodox Church. DEMELZA SHERWOOD’s View from the couch also speaks to connections between kin, depicting a domestic embrace in colourful patchwork, a vignette that exudes joy, comfort, and the specific sentimentality of watching a child grow.

See their delicate work on display in Petite Miniature Textiles 2026, on now until 13 September.

📷 Third Object, Votive (Male Torso), 2026, cotton on felt, 14 x 10cm. Demelza Sherwood, View from the couch, 2026, cotton, silk, thread, cotton wadding and cotton bias binding, 25 x 19.5cm.

Address

56 Ovens Street
Wangaratta, VIC
3677

Opening Hours

Tuesday	10am - 4pm
Wednesday	10am - 4pm
Thursday	10am - 4pm
Friday	10am - 4pm
Saturday	10am - 4pm
Sunday	10am - 4pm

Telephone

+61357220865

Website

http://www.wangarattaartgallery.com.au/

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