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21/08/2026

LATIN MYTHOS
🗓 9 - 30 August
🕑 Tue, Wed & Fri 10 - 3 PM Sat 9 - 1 PM
📍Lynne Alexander Gallery

Art by: Andrea Vargas & Catalina Leichner

Artists: GIA , Dora Moreno , María Peña , Andrea Vargas, Catalina Leichner 📍Lynne Alexander Gallery 🗓 9 to 30 Aug. Tue...
13/08/2026

Artists: GIA , Dora Moreno , María Peña , Andrea Vargas, Catalina Leichner

📍Lynne Alexander Gallery
🗓 9 to 30 Aug. Tue and Wed 10-4 pm Fri-Sat 9-1 pm

We Open our Souls. Latinx Migration Stories.Thanks to , and for making it happen.
23/02/2026

We Open our Souls. Latinx Migration Stories.
Thanks to , and for making it happen.

By Jose-Octavio OrtizExhibition: We Open Our Souls. Migration Stories.At for Maritime (Green, White, Yellow)In Maritime...
23/02/2026

By Jose-Octavio Ortiz
Exhibition: We Open Our Souls. Migration Stories.
At for

Maritime (Green, White, Yellow)

In Maritime, Ortiz presents an encounter suspended between intimacy and
uncertainty. Two figures emerge from a shared marine ecosystem; their bodies entwined
with tentacular forms that both connect and unsettle them. Neither fully human nor fully
other, the figures occupy a liminal space where identity, intention, and power remain
unresolved.
The scene resists fixed interpretation. The figures appear poised at a threshold, between
conflict and desire, protection and struggle. Ortiz invites viewers to project their own
emotional states onto the work, allowing meaning to shift across time and experience.
Presented in three colour variations, green, white, and yellow, the composition is subtly
transformed through changing emotional registers. Within the context of this exhibition, the
focus reflects on hybridity, vulnerability, and the complexities of belonging in motion.

By Ramon Martinez MendozaExhibition: We Open Our Souls. Migration Stories.At for From the Same WombFrom the Same Womb r...
22/02/2026

By Ramon Martinez Mendoza
Exhibition: We Open Our Souls. Migration Stories.
At for

From the Same Womb

From the Same Womb reflects the fragile paradox of shared origins and divergent
becoming. Two forms extend from a common beginning, suspended by a delicate thread
that speaks of connection while revealing distance. Shaped by the same nurturing space,
they emerge from a singular source yet move toward separate and irreconcilable paths.
What once bound them in dependence remains only as an umbilical memory, a trace of
origin that cannot define who they become.
The work explores the tension between belonging and autonomy, questioning how
individuals formed within the same maternal and emotional landscape can grow into
distinct identities. Here, kinship is neither broken nor harmonious; it is stretched, fragile,
persistent, and unresolved, acknowledging that identity is shaped not only by shared
beginnings, but by the distance each life travels beyond them.

By Ramón Martinez Mendoza Exhibition: We Open Our Souls. Migration Stories.At for Pending Issues Pending Issues explore...
22/02/2026

By Ramón Martinez Mendoza
Exhibition: We Open Our Souls. Migration Stories.
At for

Pending Issues

Pending Issues explores the persistent tension between opposing forces that resist resolution. Suspended in proximity, the sculptural forms embody relationships shaped by contrast, negotiation, and endurance. Neither force overpowers nor dissolves into the other; instead, they are compelled to coexist, navigating difference while searching for points of connection.

Through softness, weight, and suspension, the work reflects the emotional and psychological spaces where conflict and intimacy intersect. Pending Issues speaks to the fragile balance required to inhabit relationships, identities, and histories that cannot be simplified into harmony, but must instead be continuously renegotiated, because every human being is a consequence of their contradictions. Identity is not forged through clarity, but through the uneasy acceptance of disparity.

By Ramón Martinez Mendoza Exhibition: We Open Our Souls. Migration Stories.At for Quiet DevourerThe Quiet Devourer inha...
22/02/2026

By Ramón Martinez Mendoza
Exhibition: We Open Our Souls. Migration Stories.
At for

Quiet Devourer

The Quiet Devourer inhabits the internal landscape of anxiety as a living presence rather than a passing emotion. Its layered, organic forms suggest a body that grows quietly within, shaped by the repetitive rhythm of intrusive thoughts and the constant weight of internal dialogue. The sculpture reflects how anxiety can feel both intimate and foreign; inseparable from the self while existing as an independent force that moves beneath awareness. It evokes the experience of becoming lost within one’s own thinking, where thoughts accumulate, overlap, and distort perception, creating spaces that feel simultaneously protective and suffocating.
The work imagines anxiety as an organism that feeds on attention, memory, and fear, expanding through folds and cavities that mirror the complexity of the mind when it turns inward. Rather than portraying anxiety as an external threat, The Quiet Devourer recognises it as a companion that lives beneath consciousness, shaping emotional responses and behaviour. Through its ambiguous form, the sculpture invites reflection on the unseen architectures of mental experience a silent presence sustained by the very life it inhabits.

By Falconeris MarimonExhibition: We Open Our Souls. Migration Stories.At for Stack of bricksStack of bricks is a playfu...
22/02/2026

By Falconeris Marimon

Exhibition: We Open Our Souls. Migration Stories.
At for

Stack of bricks

Stack of bricks is a playful research on the materiality of the brick. The artwork showcases what seems to be brick-like objects made out of different materials. Each brick is accompanied by a 1-minute video, which illustrates to the viewer the intended use of this specific object within a performative action interpreted by the artist himself.

By Ulises Resendiz Exhibition: We Open Our Souls. Migration Stories.At for Hugs & flowers giverThe Hugs and Flowers Giv...
22/02/2026

By Ulises Resendiz
Exhibition: We Open Our Souls. Migration Stories.
At for

Hugs & flowers giver

The Hugs and Flowers Giver is inspired by Mexican alebrijes, the kangaroo as a symbol of Australia, and the spiritual traditions of Día de Mu***os. The title reflects the sculpture’s role as a symbolic messenger of affection, healing, and remembrance, a creature that offers emotional warmth and beauty in times of transition, loss, and renewal. By merging these cultural references, the work speaks to migration, identity, and the creation of new hybrid narratives across borders.

The sacred heart painted on the body represents devotion, resilience, and the emotional core that connects ancestral memory with present experience. The wings symbolise freedom, transformation, and the ability to move between worlds, physical, cultural, and spiritual.

Constructed from papier-mâché, acrylic paint, and fabric, the sculpture draws on traditional craft practices while reinterpreting them through a contemporary, surreal lens. Its vibrant colours and intricate patterns echo Mexican folk art while celebrating life, death, rebirth, and the power of generosity, embodied in the act of giving hugs and flowers as universal gestures of care and connection.

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