University of the Sunshine Coast Art Gallery

University of the Sunshine Coast Art Gallery Located at the UniSC Sunshine Coast campus, the University of the Sunshine Coast Art Gallery is a space where art, ideas and community come together.

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30 YEARS, 30 ARTWORKS  During 2026, we're sharing stories and standout pieces from the Art Collection to celebrate 30 ye...
31/08/2026

30 YEARS, 30 ARTWORKS

During 2026, we're sharing stories and standout pieces from the Art Collection to celebrate 30 years of UniSC.

We asked our colleague, Dr Tricia King, to choose her favourite work in the collection. Since Tricia teaches photography, we were about 99% sure she'd pick a photograph ... and she did: William Yang's 'Ben Law, Arncliffe.'

Trica says, "This photograph feels like a conversation between two remarkable storytellers. Together, William Yang and Benjamin Law create a work that celebrates visibility, identity and the courage of allowing yourself to be seen."

Drawing on his own lived experience, William Yang offers an unflinching lens on life. Based in Sydney, his work is shaped by his upbringing in north Queensland as a gay man from a third-generation Chinese immigrant family. Best known for his joyful and reflective documentation of Australia's q***r scene through the late '70s and '80s, Yang's photographs also reveal raw, vulnerable and sometimes confronting moments.

Storytelling sits at the heart of his practice. Recognising that many images held stories beyond what the photo alone could tell, he began writing directly onto his prints, giving voice to marginalised communities and their untold narratives.

This can be seen here in this photograph of writer and broadcaster, Benjamin Law. The inscription says, “William Yang’s great superpower is his capacity to disarm. His quietly cheeky charm ensures people are comfortable in that most searingly uncomfortable of situations, being examined and exposed in front of a camera. In William’s presence you just forget. One moment you're talking about work and gossiping about friends, the next you’re shirtless, and down to your jocks as he snaps away.”

We think Tricia's right. This work captures the dialogue between two great storytellers.



See first comment for full image credits ⬇





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Have you seen 'Coral Futures' yet? 🪸 Coral reefs are the foundation of healthy marine ecosystems, but they're facing unp...
26/08/2026

Have you seen 'Coral Futures' yet? 🪸

Coral reefs are the foundation of healthy marine ecosystems, but they're facing unprecedented threats from climate change. This exhibition brings together First Nations and contemporary Australian artists exploring what coral means to us, culturally, economically, and environmentally. Rather than viewing the climate crisis from a distance, 'Coral Futures' focuses on a single species to help us make sense of a much bigger picture.

Artists: Erub Arts (Jimmy John Thaiday, Florence Gutchen, Nancy Naawi, Lavinia Ketchell), Helga Groves, Laresa Kosloff, Nicholas Mangan, Rachel O'Reilly, Marian Tubbs

Curated by Hamish Sawyer and presented in partnership with Linden New Art, Melbourne.

Exhibition opening hours:
Monday to Friday 10 - 4 pm
Saturday 10 - 1 pm

📸 Installation views of 'Coral Futures' at UniSC Art Gallery. Photos: Carl Warner



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Now showing is 'Coral Futures' is this work by Marian Tubbs that had its first stage of development here on the Sunshine...
07/08/2026

Now showing is 'Coral Futures' is this work by Marian Tubbs that had its first stage of development here on the Sunshine Coast during the artist's R | Natural Ecologies Residency in 2025.

In 'and then plants are confused with stones. rocks look like brains, stalactites like breasts, veins of iron like tapestries adorned with figures', impossible interactions unfold across three panels. Drawing on fieldwork undertaken at the Noosa Biosphere and K'gari, Tubbs situates her digital landscape in dynamic dialogue with AI-generated images of native birds, coral, fish and frogs.

Produced as lenticular prints, in which two or more images are interlaced to appear animated as the viewer's body travels around the work, these visual collisions spill across surfaces that dissolve and reconfigure as viewers move through the space.

Also showing is the artist's 2019 video essay 'nervous systems', a fragmented, internet-scraped meditation on coral, authenticity and the surreal histories tangled up in the Great Barrier Reef, alongside 'the lotus eaters (wellness)', which imagines a futuristic, concrete ruin inhabited by vertically climbing corals and cascading blueberries.

Pop in tomorrow (Saturday) from 10am–1pm, or if you're in the Northern Rivers region, catch the final days of Marian's major solo exhibition, 'I don't sleep I just dream: unrefined in high definition' at Lismore Regional Gallery, showing until Sunday 9 August.



1-3. Marian Tubbs 'and then plants are confused with stones. rocks look like brains, stalactites like breasts, veins of iron like tapestries adorned with figures' 2025.
Lenticular photographs
4. Still from Marian Tubbs 'nervous systems' 2019. Colour video, sound; 11:01 mins
5. Marian Tubbs 'the lotus eaters (wellness)' 2025. Lenticular photographs.
All works courtesy of the artist and STATION, Melbourne + Sydney.

'Coral Futures' is curated by Hamish Sawyer and presented in partnership with Linden New Art, Melbourne, where it was shown 15 November 2025 – 1 February 2026.










30 YEARS, 30 ARTWORKS  In 2026, we’re sharing standout Art Collection stories to celebrate UniSC’s 30 years. This week, ...
30/07/2026

30 YEARS, 30 ARTWORKS

In 2026, we’re sharing standout Art Collection stories to celebrate UniSC’s 30 years. This week, we’re looking at Kim Guthrie’s photographic series, ‘River’s Edge’.

Guthrie’s photographic practice is grounded in long-term engagement with place and community. Working on Kabi Kabi Country, Guthrie is attentive to the everyday spaces that sit outside dominant narratives of the Sunshine Coast, focusing instead on sites shaped by lived experience.

Guthrie’s 'River’s Edge 'series documents life at Johns Landing Camping Ground, a long-standing riverside community on the Noosa River that operated as a low-cost camping ground and sanctuary for people on the margins of society until its sale in 2017. Over several years, Guthrie visited the site with care and respect, capturing portraits and scenes that reveal the distinct character of this place and its residents.

It's a privilege to hold this series in our collection, as it tells such an important local story.



Kim Guthrie
Australian
River’s Edge 2017
inkjet prints on paper
Donated through the Australian Government’s Cultural Gifts Program by Lisa Bale in acknowledgement of the public service Bennett (Ben) Johns and Patricia (Pat) Johns provided to the Noosa community for over 60 years through Johns Landing Camping Ground, 2021

📸
7 – 8. Installation views of ‘Kim Guthrie: River’s Edge’ at UniSC Art Gallery in 2019. Photos: Carl Warner


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Coral Futures Talks Saturday 1 August, 10am Free, everyone welcome Registrations essential — link in bio To mark the ope...
28/07/2026

Coral Futures Talks

Saturday 1 August, 10am
Free, everyone welcome
Registrations essential — link in bio

To mark the opening of Coral Futures, join us for a morning of talks.

Hear from Hamish Sawyer on the curatorial thinking behind the exhibition, and from exhibiting artists Helga Groves and Rachel O'Reilly on their own practices and perspectives.

Working across painting, weaving and sculptural forms, Helga Groves reinterprets scientific data on sea temperatures and deep ocean currents using materials such as hand-woven fishing line to reflect on their impact on coral ecosystems.

Rachel O'Reilly's moving image work NORTHERN WATERS returns to the Great Barrier Reef's environmental campaigns of the 1960s and 70s, tracing layered histories of activism, industry and environmental care.


Images
1. Still from Rachel O’Reilly NORTHERN WATERS 2025. HD Single-channel video and acrylic wall painting. Rachel O’Reilly Photo: Joe Ruckli. Helga Groves Sea Surface Temperatures (Anomalies Series 2008-25) 2025. Oil paint, pigment and medium on linen. Courtesy of the artist; Sutton Gallery, Melbourne; and Milani Gallery, Brisbane. Helga Groves Photo: Remy Johnson.

Hot off the press 📗'Amanda Bennetts: Fragmented, divided—yet whole' catalogue is now available in store or online.Publis...
26/07/2026

Hot off the press 📗

'Amanda Bennetts: Fragmented, divided—yet whole' catalogue is now available in store or online.

Published to coincide with the exhibition, the catalogue spans the artist's practice from 2023 to 2026, focusing on works that use time as both material and measure of the body. Fully illustrated, it features an essay by Professor Susan Best, an introduction by Megan Williams, and a conversation between Bennetts and Williams.

Head to the link in our bio to get your hands on a copy!

📣 Up Next Coral Futures 🪸1 August — 17 October 2026Artists: Erub Arts (Jimmy John Thaiday, Florence Gutchen, Nancy Naawi...
26/07/2026

📣 Up Next

Coral Futures 🪸
1 August — 17 October 2026

Artists: Erub Arts (Jimmy John Thaiday, Florence Gutchen, Nancy Naawi, Lavinia Ketchell), Helga Groves, Laresa Kosloff, Nicholas Mangan, Rachel O'Reilly, Marian Tubbs

This exhibition presents a range of poetic and speculative responses to coral, the small marine animals that form the foundations of healthy reef ecologies, now facing unprecedented, existential threats from human-induced climate change.

'Coral Futures' brings together new and recent projects by First Nations and other contemporary Australian artists, considering coral’s importance to the survival of vital marine ecosystems such as the Great Barrier Reef, as well as its implications for broader cultural, economic, and environmental systems.

Curated by Hamish Sawyer and presented in partnership with Linden New Art, Melbourne.





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📸
1. Nicholas Mangan 'Core–Coralations (Bronchial Diversion)' 2024. Coral, aragonite, mineral powder, acrylic resin, plastic nurdles, fibreglass, reinforced plastic grating, mild steel, enamel paint. Courtesy of the artist, Sutton Gallery, Melbourne, and LABOR, Mexico City.
2. Marian Tubbs 'and then plants are confused with stones. rocks look like brains, stalactites like breasts, veins of iron like tapestries adorned with figures' 2025. Lenticular photographs. Courtesy of the artist and STATION, Melbourne + Sydney.
3. Jimmy John Thaiday, Florence Gutchen, Nancy Naawi, Lavinia Ketchell. 'Home Reef' 2025. Courtesy of the artists and Erub Arts, Darnley Island.
4. Helga Groves 'Sea Surface Temperatures (Anomalies Series 2008-25)' 2025. Oil, pigment and medium on linen. Courtesy of the artist; Sutton Gallery, Melbourne; and Milani Gallery, Brisbane.
5. Laresa Kosloff 'The Bleaching' 2024. Still image from 4K video. Courtesy of the artist and Sutton Gallery, Melbourne.
6. Rachel O‘Reilly 'NORTHERN WATERS' 2025
Video still. Commissioned by the University of Queensland Art Museum with support from Creative Australia and the Blue Humanities Lab.

20/07/2026

Our volunteer Peter explored ‘Natalya Hughes: The Interior’, and gave us his first impressions. 
⭐️⭐️⭐️⭐️⭐️
What did you think?! 
There’s still a few days left to fill in our very short survey to win a prize pack valued at $150! 
Link in our bio, don’t miss out!







Where has the time gone? 🕰 We're entering the final days of 'Amanda Bennetts: Fragmented, divided—yet whole'. Join us on...
16/07/2026

Where has the time gone? 🕰 We're entering the final days of 'Amanda Bennetts: Fragmented, divided—yet whole'.

Join us on the last day, Saturday 18 July, for the launch of the exhibition catalogue and Bennetts' performance lecture, Algorhythmic Omens. Head to the link in our bio for all the details.

📍UniSC Art Gallery, 90 Sippy Downs Drive, Sippy Downs
🕐 Opening hours
Monday to Friday, 10 am - 4 pm
Saturday, 10 am - 1 pm
🎟️ Free admission

'Fragmented, divided—yet whole' brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts' practice, time is not linear but lived — stretched, slowed, ruptured, and suspended by the realities of inhabiting a body in flux; one that refuses normative rhythms and constantly demands new forms of understanding.

〰️

📸
Visitors enjoying 'Amanda Bennetts: Fragmented, divided—yet whole'. Photos: Laura Brinin.

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30 YEARS, 30 ARTWORKS In 2026, we’re sharing standout Art Collection stories to celebrate UniSC’s 30 years.We asked our ...
16/07/2026

30 YEARS, 30 ARTWORKS

In 2026, we’re sharing standout Art Collection stories to celebrate UniSC’s 30 years.

We asked our team to choose their favourite work. For Megan, this choice was “unfair”; she said it was like being asked to pick a favourite child. Still, if she were to create a top ten list, ‘The Ancestors’ by Judith Wright would definitely be on it.

Judith Wright’s practice is intuitive and deeply personal, shaped by a process of assembling, painting and arranging forms through feeling rather than pre-determined structure. She works with found materials as carriers of memory, allowing meaning to emerge through repetition and association.

In ‘The Ancestors’, gilded frames and found boxes contain wooden panels painted with winged figures, angels, and combined human and animal elements. Wright includes additional objects such as ceramic legs, model hands, and roughly sculpted faces to create a diverse group of ancestors.

When grouped, the artworks form a memorial wall for an extended family that speaks to the very human desire to recall those who are absent.



Judith Wright
Australian
The ancestors
2015
acrylic on wood panels and found objects
University of the Sunshine Coast Art Collection
Donated through the Australian Government's Cultural Gifts Program in memory of Bella Judith Wright, 2021
UniSC 1150

📸
Photos: Carl Warner
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Address

90 Sippy Downs Drive
Sippy Downs, QLD
4556

Opening Hours

Monday 10am - 4pm
Tuesday 10am - 4pm
Wednesday 10am - 4pm
Thursday 10am - 4pm
Friday 10am - 4pm
Saturday 10am - 1pm

Telephone

+61754594645

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