Contemporary Art Tasmania

Contemporary Art Tasmania Contemporary Art Tasmania is a lead Tasmanian art space dedicated to contemporary and experimental art.

CAT provides a dynamic context through which contemporary art, ideas and communities flourish. Contemporary Art Tasmania is a not for profit membership-based arts organisation dedicated to supporting and developing professional contemporary art since 1992. Contemporary Art Tasmania is an active participant in the creative community, providing opportunities for artists and arts professionals via an

annual program of high quality exhibitions, off-site projects, professional development initiatives, publications and the provision of studios. Contemporary Art Tasmania occupies a lead role in the contemporary culture of Tasmania and is respected for its experience and professionalism in the contemporary visual arts sector in Australia. It is a member of the Contemporary Art Organisations national network and is assisted by the Australia Council, Arts Tasmania and through the Visual Arts and Craft Strategy.

Ayda Issa's tatreez workshop is already sold out!* But you can still join the waitlist, you never know. This workshop wi...
10/08/2026

Ayda Issa's tatreez workshop is already sold out!* But you can still join the waitlist, you never know.

This workshop will be centred around the coffee bean motif, known in Arabic as Habbet Binn. This motif is a traditional Palestinian tatreez design commonly found in the embroidery of Gaza and Yaffa, where Ayda’s family come from. Historically, this motif appears in both regions, reflecting a shared visual language across Palestine’s coastal cities. Beyond its aesthetic, the coffee bean carries deep cultural significance: coffee is central to Palestinian hospitality and social life. Offering coffee is an act of welcome, a gesture of warmth and generosity extended to guests, making the motif a quiet but powerful symbol of connection, community and belonging.

About the artist:
Ayda Issa was born in Gaza and raised in Lutruwita/Tasmania on Muwinina Country. She earned her Bachelor of Medical Research with Honours from the University of Tasmania and now works as a Sleep Scientist at the Royal Hobart Hospital. As a member of the Tasmanian Palestinian Advocacy Committee, she has shared cultural knowledge of Palestinian cuisine and Tatreez. In her creative life, Ayda writes and performs poetry at local events and designs Arabic lettering artwork. She began creative writing as a way to preserve memories in the face of erasure and to explore the sense of estrangement that many Palestinians, like herself, experience within political, academic, and artistic spaces.

Accessibility:
The space is mobility accessible. This workshop involves needlework and sustained fine motor tasks which some participants may find demanding on the hands and eyes. The workshop facilitator can assist if needed. Please contact us if you have concerns.

*If you are registered for the workshop and can no longer attend, please cancel your ticket or contact us.

Lisa Rime's Fur Baby series explore the complexities of caring for loved ones with illness, experienced when her dog Sam...
07/08/2026

Lisa Rime's Fur Baby series explore the complexities of caring for loved ones with illness, experienced when her dog Sammy was declining with Canine Cognitive Dysfunction and her grandmother was reaching the end of seventh stage dementia.

"The sculptures express some of the confronting complexities of my emotions through that palliative care period, particularly the contradiction of feeling adoration and being devoted to giving care, while fearing the possibility of experiencing an involuntary repulsion of the body at death.

Natural animal fibre felt like the perfect medium to express that dichotomy — we adore our loved one’s hair or fur, but once it is cut, or the loved one has passed, that same hair can become a material associated with fear or disgust."

Edges of Existence continues until 12 September (open Wed-Sat, 12-5pm).

About the artist:
Lisa Rime is a Nipaluna based visual and performing artist. As someone living in communities at the intersections of disability, race, gender and class, Rime makes work that is guided by her ongoing curiosity and drive for social responsibility and community care.

In recent years Lisa has exhibited at MAC and SOCIAL, as part of Outlier Studio, and also in group exhibitions for the Disability Commissioner Tasmania, Women’s Health Tasmania, RANT Arts and Lutruwita Activist and Mutual Aid Collective.

Rime views felting as a soft, warm, feminine craft with interesting technical challenges. Her works are made through a process called felting, involving many hours of stabbing fibre with a sharp barbed needle. Like living with chronic illness, felting can be meditative, introspective, intimate and regularly painful. However the result can also be light and soft.

Image: Lisa Rime, Fur Baby 1, 2022, needle felted dog fur. From the Fur Baby series. Photo: Greg Taylor.

Explore and learn more about textile arts in our series of free workshops and events, presented as a part of Edges of Ex...
06/08/2026

Explore and learn more about textile arts in our series of free workshops and events, presented as a part of Edges of Existence!

▶︎Tatreez with Ayda Issa
Saturday 15 August, 11am-1pm

Learn Palestinian tatreez in this workshop led by Ayda Issa and centred around the coffee bean motif, known in Arabic as Habbet Binn. This motif is a traditional Palestinian tatreez design commonly found in the embroidery of Gaza and Yaffa, where Ayda’s family come from.

No experience needed, all materials provided. Registration required.

▶︎Knit-in with Tassie Nannas
Friday 21 August, 12pm-3pm

We’re hosting the Tassie Nannas’ monthly knitting circle. Pop in anytime during the knit-in for a cup of tea and a chat with the Nannas. Learn about their advocacy for refugee rights while they work on their latest knitted creations. There will be knitted goods for sale and free afternoon tea.

▶︎Panel talk
Saturday 5 September, 11am-12pm
Facilitated by Nicole O’Loughlin, with Beth Hatton and Jonny Scholes.

▶︎Repair Café Hobart Pop-up
Saturday 5 September, 1pm-3pm

Do you have clothes or other textiles that need repair? Bring your item to the Repair Café Pop-up where one of their sewists will give it a new lease on life.

▶︎Prepare for the Plunge
Saturday 12 September, 10.30am-12.30pm

Join artists Julia Drouhin and Edith Perrenot to help create a collaborative embroidery work inspired by their ongoing project Prepare for the Plunge, which explores the act of swimming and floating as survival skills within our time of a changing climate and rising sea levels.

No experience needed, all materials provided. Registration required.

To find out more or register for the workshops, visit contemporaryarttasmania.org/whats-on/

Please see event pages for accessibility information.

'Finding Home, Community Project', part of our current exhibition Edges of Existence, is mixed media textile artwork whi...
05/08/2026

'Finding Home, Community Project', part of our current exhibition Edges of Existence, is mixed media textile artwork which reflects on ideas of community building and safety. Hodges engaged diverse groups of people to contribute to its making, with the aim of regenerating our social connections and healing through a shared creative process. Participants were given a patch of fabric and invited to recall a person, place, object, memory or action that they associate with safety. Hodges collated each person's artistic contribution and unified them into a larger artwork that maps the limitless ways we orientate towards safety.

Edges of Existence continues until 12 September (open Wed-Sat, 12-5pm).

About the artist:
Emma Rani Hodges lives and works on the unceded lands of the Ngunnawal and Ngambri peoples. Their practice navigates intergenerational trauma, community building, migration and multiethnic identity. They do this through found object assemblage, textile and storytelling. Fluctuating between image, text and object Hodges’s work resists easy categorisation. They use ambiguous materiality to examine social boundaries, and to explore feelings of ‘otherness’. Hodges’s work utilises their feelings of otherness to create new self-knowledge, while acknowledging that the existence of the ‘other’ depends on specific political conditions that influence relationships between marginalised bodies and society.

Images: Emma Rani Hodges, Finding Home, Community Project, 2024 (detail), mixed media, dimensions variable. Photos: Brenton McGeachie.

Showing in the Project Space until 12 September, Window of Mind is an exhibition of new work by 2025 studio resident Eun...
31/07/2026

Showing in the Project Space until 12 September, Window of Mind is an exhibition of new work by 2025 studio resident Eun Ju Cho.

“Since I started studying art, the subject of my work has been ‘window of mind’. I have been walking the artist's path for over 10 years, step by step, without knowing what an artist is. Until now, I have been working on an accurate and immaculate work. However, at some point, I felt that I was trapped in my frame and I wanted to escape this feeling. While making this work, I was thinking about the freeness of mind and happiness that I experienced while being in Sydney this year, and in Hobart last year as a studio resident artist at CAT.”

See Ayman Kaake's poetic work, The Black Shroud, as a part of Edges of Existence — opening tomorrow night at 5.30pm!In s...
30/07/2026

See Ayman Kaake's poetic work, The Black Shroud, as a part of Edges of Existence — opening tomorrow night at 5.30pm!

In some Islamic cultures, a black shroud inscribed with Quranic verses symbolizes mourning, honours the deceased, and invokes spiritual protection and mercy. In this self-portrait, the black shroud represents both the artist's identity and their experience in a patriarchal Middle Eastern environment shaped by religious and social pressures. It conveys the weight of societal expectations around marriage, children, and preserving family names through the concealment of one's true identity, as well as the extent to which one might go to attain the final honour of this shroud.

About the artist:
Ayman Kaake is a Lebanon-born, Naarm/Melbourne-based photo-media artist working across photography, video and installation. His practice explores diasporic identity, memory and q***r experience through staged, cinematic imagery that blurs reality and fiction. Drawing on personal and political histories, his work reflects on displacement, belonging, and the intersections of religion and power.



Image: Ayman Kaake, The Black Shroud (still), 2022. Single channel video. Courtesy of the artist.

Two sculptures from Hannah Gartside's 'Bunnies in Love, Lust and Longing' series feature in Edges of Existence.Gloves, i...
27/07/2026

Two sculptures from Hannah Gartside's 'Bunnies in Love, Lust and Longing' series feature in Edges of Existence.

Gloves, in the first half of the 20th century, were garments of propriety and modesty, cloaking intimate body parts from public view and nefarious weather. The gloves Hannah has collected are imbued with layers of dirt, sweat, perfume, greasiness. They overflow — as all textiles do for Gartside — with narrative, psychology, emotion, smell, memory.

About the artist:
Hannah Gartside works across kinetic sculpture, installation and quilt-making.
Characteristically sensual and poetic, her works transform and in some cases animate,
found fabrics and clothing and ephemera to articulate experiences and sensations of
longing, tenderness, care, desire and fury. Her solo presentation Bunnies in Love, Lust and Longing at Melbourne Art Fair (February, 2025), received the Richard Parker Award. Recent commissions include Forest Summons (for Lilith) at the Ian Potter Centre: National Gallery of Victoria for Melbourne Now, 2023, and Loie, Lilith, Sarah, Pixie and Artemisia for Primavera 2021: Young Australian Artists at the Museum of Contemporary Art.

In 2024, Gartside was a recipient of an Anne & Gordon Samstag International Visual Arts
Scholarship, from the Samstag Museum, University of South Australia. She will commence
an MFA in Europe in late 2025. Her sculpture #19 (Series: Bunnies in Love, Lust and
Longing) was the winner of the Woollahra Small Sculpture Award in 2024.

Gartside has undertaken residencies at Australian Tapestry Workshop, Melbourne (2020)
and in California at the Varda Artist Residency (2017). Gartside received a Bachelor of
Fine Art (Sculpture) Honours from University of Melbourne, Victorian College of the Arts,
in 2019, and a BFA (Fashion Design) Honours from Queensland University of Technology
in 2010. Prior to her visual art training, Gartside worked as costume-maker and dresser
for five years, mainly on productions for Queensland Ballet. Her work is held in the
collections of Wangaratta Art Gallery, Wesfarmers, Ararat Gallery TAMA, Darebin City
Council, MECCA and Artbank. She is represented by Tolarno Galleries.

Tolarno Galleries Melbourne

Image: Hannah Gartside, #51 (loopers), 2025, from Bunnies in Love, Lust and Longing series. Found leather gloves, mixed media. Courtesy of the artist and Tolarno Galleries.

"In early 2025, walking along scorched pavement, under a blazing sky, I stumbled across a print of Tom Robert’s 'Shearin...
26/07/2026

"In early 2025, walking along scorched pavement, under a blazing sky, I stumbled across a print of Tom Robert’s 'Shearing of the Rams'. This image is one many of us have seen before — in picture books, school texts, parodied in underwear and hardware advertisements, perpetuated through the previous century as an ideal of the type of nationalistic, masculine white labour celebrated in so-called “Australia”."

See Emma Buswell's amazing large-scale knitted work, 'A Dream is a Wish your Heart Makes' in our upcoming exhibition, Edges of Existence –opening this Friday.

About the artist:
Emma Buswell is an artist, curator and facilitator whose practice explores systems of government, economies and culture in relation to place, identity and community. Drawing on matrilineal handcraft traditions and knitting techniques passed down through family, her work investigates kitsch, ephemera, labour, national identity and class politics. Working predominantly in knitting, beading and crochet, she collapse the space between craft and cultural expression, foregrounding the gendered nature of cultural production.

In 2026, Emma is undertaking a Creative Fellowship supported by CITSWA, pursuing residencies nationally and internationally. In 2025, their work The Pool won the People's Choice Award at the Ramsay Art Prize; where they were also a finalist in 2023 and 2025. Further accolades include the 2022 Joondalup Invitational Art Prize and Highly Commended at the Churchie Art Prize. Her work is held in the collections of Artbank, the Art Gallery of Western Australia, and the


Image: Emma Buswell, A Dream is a Wish your Heart Makes, 2025. Courtesy of the artist.

UPCOMING // 'Edges of Existence' is an exhibition of contemporary artists working with textiles to reimagine everyday ma...
22/07/2026

UPCOMING // 'Edges of Existence' is an exhibition of contemporary artists working with textiles to reimagine everyday materials as enduring mediums for storytelling, reclamation and soft resistance. Through works that span the intersections of tradition and technology, this exhibition explores ideas relating to identity, labour, value, migration, trade and ecology.

Curated by Amber Koroluk-Stephenson and Sharifah Emalia Al-Gadrie, the exhibition features 12 local and national artists, alongside a suite of events and participatory programs.

Emma Buswell
Hannah Gartside
Beth Hatton
Nadia Hernandez
Ayman Kaake
Emma Rani Hodges
Lisa Rime
Anisha Sawaid
Jonny Scholes
Tassie Nannas
Bonni Que
Jemima Wyman

▶︎Opening event:
Friday 31 July, 5.30pm

▶︎Exhibition continues:
Wednesdays–Saturdays, 12pm-5pm until 12 September 2026

Location: Contemporary Art Tasmania, 27 Tasma St, North Hobart

Accessibility: The galleries are mobility accessible. An audio description will be available from the second week of the exhibition. A roomsheet will be available online and in large font hardcopies at the front desk.

https://contemporaryarttasmania.org/whats-on/edges-of-existence/

The reviews are in. "TrunkMan is the best thing I've seen at CAT." "The dementia patients are gonna love this!" "The ant...
17/07/2026

The reviews are in.

"TrunkMan is the best thing I've seen at CAT."

"The dementia patients are gonna love this!"

"The antidote to June."

Don't miss TrunkMan, closing today at 5pm.

Photos: Jesse Hunniford.

Address

27 Tasma Street
North Hobart, TAS
7000

Opening Hours

Wednesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 12pm - 5pm
Saturday 12pm - 5pm

Telephone

+61362310445

Alerts

Be the first to know and let us send you an email when Contemporary Art Tasmania posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Contemporary Art Tasmania:

Shortcuts

Share

Category