West End Art Space

West End Art Space Art Gallery in West Melbourne showcasing Australian and International reputable contemporary artists.

Commercial Art Gallery exhibits Australian and International living artists contemporary works

Artwork by Gregory LadnerOscillating between abstraction and representation, the work transforms the act of viewing into...
30/05/2026

Artwork by Gregory Ladner

Oscillating between abstraction and representation, the work transforms the act of viewing into a process of discovery, where recognition arrives gradually and remains unresolved.

Easmus, 2025
polymer paint on canvas
91 x 192 cm

[email protected] / westendartspace.com.au

The Shimmering Edge by Karen Prakhoff RickmanOpening Reception, Today 2-4pmBased in Perth, Karen Prakhoff Rickman is a c...
18/04/2026

The Shimmering Edge by Karen Prakhoff Rickman

Opening Reception, Today 2-4pm

Based in Perth, Karen Prakhoff Rickman is a contemporary artist whose work focuses on the layered nature of memory and time through printmaking. She earned her Master of Creative Arts at Curtin University in 2006 and has since exhibited widely across Perth and Melbourne. Rickman’s artistic achievements include being a finalist in numerous art awards and winning the acquisitive City of Melville Art Awards in 2021.

Karen Prakhoff Rickman creative process begins with photographs of natural landscape fragments, which she takes herself. These images often appear isolated from their original context, allowing viewers to focus on the emotional resonance tied to the land. Furthermore, the square format Rickman frequently uses references traditional Polaroids, linking her practice to nostalgia and memory. Today, she also incorporates images captured on her iPhone to expand her visual vocabulary.

Working on two or three prints at once, Rickman experiments with repetition and layering. She uses techniques like ghost prints, mirror imaging, and stenciling with torn paper or bark. Ink application varies, employing rollers, brushes, rags, and even cotton buds. This diverse approach creates an intriguing tension between surface texture and spatial depth. Ultimately, her prints invite viewers to explore the delicate balance between mark-making and illusion.

Rickman’s new exhibition ‘The Shimmering Edge’ is based on her fragmented photos and memories of walking through Baigup Wetlands on the Derbarl Yerrigan / Swan River flood plain. This is a chaotic landscape of mutable shadow and light – a landscape that provides not only a place of retreat but also of reflection on struggle and hope; beauty and decay.

April 11 - May 2

West End Art Space
112 Adderley Street
West Melbourne
3003

Sponsored by

We Are Still Here by Jessica Driver Opening Reception, Today 2-4pmJessica Driver is a contemporary painter splitting her...
18/04/2026

We Are Still Here by Jessica Driver

Opening Reception, Today 2-4pm

Jessica Driver is a contemporary painter splitting her time between the beachside town of Oakura, in New Zealand, and Melbourne. She holds a Bachelor of Visual Arts from Unitec, and a Masters in Fine Arts from Elam.

Working in oils, Driver’s practice is centred on the human figure, specifically the face, and what it reveals when pushed toward the edge of recognition. Her source images are gathered from various places: some photographs of real people, while others are generated entirely by artificial intelligence. She layers, smears and dissolves these likenesses until the boundary between person and paint, between real and rendered, becomes genuinely uncertain. The resulting portraits are not quite abstractions and not quite representations, they occupy the uneasy space between the two.

Through a distinctive figurative language, Driver creates works where identity appears to drift, dissolve or resist. Faces are caught somewhere between presence and erasure, while bodies insist on warmth and contact even as the world around them fragments. These gestures; the gathering, the holding, the reaching - become metaphors for something larger: the struggle to remain present and connected in an age that pulls relentlessly toward the digital and the disembodied.

These works ask you to slow down and look, not at a screen, but at paint, at canvas, at the insistent fact of a human hand at work. To stand in front of them is to practise something quietly radical: being present. The faces may blue, the signals may fade, but the body does not forget itself. We are still here. We remain.

April 11 - May 2

West End Art Space
112 Adderley Street
West Melbourne
3003

Sponsored by

TIATO, 2026Silicone, Pigments on Plywood59 x 55 cmCreated as part of his new 2026 body of work, TIATO marks a continued ...
16/04/2026

TIATO, 2026
Silicone, Pigments on Plywood
59 x 55 cm

Created as part of his new 2026 body of work, TIATO marks a continued and refined exploration of Lev Khesin’s distinctive silicone-based practice.

Khesin’s work remains in strong global demand, sought after by collectors and galleries alike.

In this latest series, he further intensifies the material and optical tensions that define his practice, pushing the sculptural capacity of painting to new extremes.

Suspended between painting and object, Khesin challenges conventional boundaries, transforming industrial matter into a tactile, immersive, and unexpectedly luminous abstraction.

And a special mention to Lev’s studio companion, Lulu 🐾

Exhibition Opening - April 18th
10/04/2026

Exhibition Opening - April 18th

Upcoming Show: We Are Still Here by Jessica DriverIn We Are Still Here, Jess turns to oil paint and canvas to ask what i...
07/04/2026

Upcoming Show: We Are Still Here by Jessica Driver

In We Are Still Here, Jess turns to oil paint and canvas to ask what it means to be present in an age of accelerating unreality. Working from source images gathered online, some photographs of real people, others generated entirely by artificial intelligence, she confronts a question with no clean answer: how do we know the difference anymore? The faces in these works are knowingly blurred, smeared across the picture plane as if caught mid-dissolve. Identity does not vanish all at once. It drifts slowly.

“We live in a world that insists it is more connected than ever. And yet at the centre of it all, something is dissolving. We have more information than any generation before us, but less certainty about what is true.”

The urgency behind these paintings is not merely philosophical. The machines driving our new world require vast, hidden sacrifice: rivers rerouted to cool data centres, mountains stripped for silver and rare earth, ecosystems traded quietly for processing power. The human cost is subtler but no less real. Screens proliferate and attention fragments. A generation trades the physical world, piece by piece, for a digital one. We speak of a mental health crisis in terms of numbers and policies, but Jess paints it as a felt experience, the deliberate, slow blurring of the self, the face that no longer quite resolves.

And yet the body persists. Throughout these works, figures stand, gather, hold one another. The flesh is warm, the paint is generous. There is grief here, but also tenderness, a refusal to mourn what has not yet been lost. These are portraits of people who are still here, still reaching, even as the world they inhabit flickers at the edges.

April 11 - May 2
Opening Reception: April 18 2-4pm

West End Art Space
112 Adderley Street
West Melbourne
3003

Upcoming Show: The Shimmering Edge by Karen Prakhoff Rickman ‘Between the known and the unknown is the shimmering edge w...
07/04/2026

Upcoming Show: The Shimmering Edge by Karen Prakhoff Rickman

‘Between the known and the unknown is the shimmering edge where we linger, a place of questions more alive than answers’ Rebecca Solnit.

This body of work explores the littoral zone where land meets water. More specifically it is based on Rickman’s fragmented photos and memories of walking through Baigup Wetlands on the Derbarl Yerrigan / Swan River flood plain. A chaotic landscape of mutable shadow and light – a landscape that provides not only a place of retreat but also of reflection on struggle and hope; beauty and decay.

“With my work I seek to convey an intimate experience of the bush through layered monoprints that focus on emotional resonance, memory and imagination by oscillating between surface mark making and spatial illusion.”

April 11 - May 2
Opening Reception: April 18 2-4pm

West End Art Space
112 Adderley Street
West Melbourne
3003

Thank you to everyone who submitted work for our Cut & Composed 2026 group collage exhibition.Applications are now offic...
02/04/2026

Thank you to everyone who submitted work for our Cut & Composed 2026 group collage exhibition.

Applications are now officially closed.

With an incredible global response and hundreds of works received, we will now begin the careful process of reviewing each submission. We’ll be looking closely at how each piece aligns with the surrealist language and spirit inspired by René Magritte, while thoughtfully considering your artist statements.

Selected artists will not only be included in the exhibition, but will also be in the running to win a fully supported, all-expenses-paid solo exhibition within our gallery space; as an opportunity to expand your practice and present your work to a wider audience.

All artists who submitted their work will receive an email from us on the 16th of April to notify you of the selected works chosen.

Celebrating the success of Victoria Floratos’ exhibition: Interruption - marking a truly memorable opening reception.Thi...
26/03/2026

Celebrating the success of Victoria Floratos’ exhibition: Interruption - marking a truly memorable opening reception.

This is the final week to experience this captivating body of work, so don’t miss your chance to immerse yourself in Victoria’s unique exploration of texture, symbolism, and life’s unexpected moments.

07/03/26 - 03/04/26

Gallery Open Hours:
Wednesday - Saturday, 11- 4pm

Photos by:

With our Cut & Composed 2026 applications soon coming to end, we are taking the time to reflect on what collage can mean...
20/03/2026

With our Cut & Composed 2026 applications soon coming to end, we are taking the time to reflect on what collage can mean.

Collage is not limited to a traditional medium or format; it is an open invitation to explore, experiment and reinterpret.

Through pushing the boundaries of form, material and perception, artists can discover their own ways of constructing meaning.

We hope to encourage conversation around these possibilities and celebrate the diverse ways collage can be experienced and interpreted.

What are your thoughts?

Address

112 Adderley Street
Melbourne, VIC
3003

Opening Hours

Wednesday 11am - 4pm
Thursday 11am - 4pm
Friday 11am - 4pm
Saturday 11am - 4pm

Telephone

+61415243917

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