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The Finkelstein Files Melbourne-based art & design consultancy visit local artist & design studios exploring the creative

Vale Bruce Armstrong. A giant among giants in the Australia art world, Bruce exemplified the quintessential hard yakka b...
04/04/2024

Vale Bruce Armstrong. A giant among giants in the Australia art world, Bruce exemplified the quintessential hard yakka bloke and was loved by all who knew him. His work if his legacy which shall live on through his iconic imagery. Tony Ellwood, Director, NGV, once said, ‘Armstrong’s sculptures are at once commanding and playful, contained yet expressive’.

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which have many precedents in history from to , from to .

Richard Lewer will be hosting one-on-one confessionals as part of the presentation of his ‘Adam and Eve’ series that is ...
22/01/2024

Richard Lewer will be hosting one-on-one confessionals as part of the presentation of his ‘Adam and Eve’ series that is now showing as part of the NGV Triennial.

The NGV has hosted ‘Richard Lewer’s Confessions’ for four nights from Friday 19 Jan to Monday 22 Jan, from 6 – 10pm.

Visitors were invited to unburden themselves of a confession with the artist, who has then painted these live at NGV before they are displayed on the gallery walls.

Images: Richard Lewer’s Confessions (installation view) at the National Gallery of Victoria, 2023. Images courtesy NGV.

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Born 1959 in Fukuoka, Yukinori Yanagi lives and works in Hiroshima, Japan. Yukinori Yanagi, 柳幸典 explores fundamental que...
21/01/2024

Born 1959 in Fukuoka, Yukinori Yanagi lives and works in Hiroshima, Japan. Yukinori Yanagi, 柳幸典 explores fundamental questions of human existence through site-specific installations that negotiate a diverse range of media.

Interested in questions of identity, both on a social and national scale, many of Yanagi’s earlier works have examined individuality and the ways we are defined by constructs such as class, gender and ethnicity.

More recently, his increasingly ambitious, large-scale installations pose questions that relate to the consequences of technological advancement and globalisation.

Yamagi has addressed themes of national and transnational sovereignty, globalisation and borders, as well as Japan’s imperial history and nationalism.

He is considered one of the first postwar Japanese artists that is openly critical of Japanese society and governmental policy.

Image: Yukinori Yanagi, Round Transposition, 1987, Mortar, Soil, Helium, Balloon

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Today I received Flinders Lane Gallery’s The Big Book of Little Art Essays! A near 600 page tome, as an art lover, I am ...
12/01/2024

Today I received Flinders Lane Gallery’s The Big Book of Little Art Essays! A near 600 page tome, as an art lover, I am loving delving into the minds and hearts of Australia’s reputed arts writers who unravel the intentions of a collection of artist practices under the exhibition spotlight.

Lifting the lid of FLG’s past decade of captivating talented and beloved artists, the mini essays provide a pertinent peephole into what inspires and motivates us to connect and resonate with motifs on a deeper level.

Insightful and contextual, the essays signposts the artists’ own world and that of around us. If lost holiday blues have you wondering how to keep up the good vibe momentum, purchase a copy via FLG; let it amplify and excite your senses and soul.

Images: The Big Book of Little Art Essays, artist Melinda Schawel in studio, “Drifting”, 2022, Ink, graphite on torn perforated paper, 105 x 75cm

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Art is a state of heart ❌❌❌
09/01/2024

Art is a state of heart

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Kalyu depicts a vast area adjacent to Karlamilyi National Park in Western Australia, a 1.3 million hectare zone that enc...
09/01/2024

Kalyu depicts a vast area adjacent to Karlamilyi National Park in Western Australia, a 1.3 million hectare zone that encompasses the Martu Aboriginal communities of Parnngurr & Punmu.

Painted by nine artists from Parnngurr, it draws together stories, histories & experiences.

Kalyu is a significant work that was painted as a protest against uranium mining exploration taking place on the edge of Karlamilyi National Park, an area that is exempt from the 2002 Martu native title determination, yet is considered by the artists to be ‘the heart of Martu Country’.

The intricate work speaks to the fragile interdependent relationship between different environmental elements of the region, indicating how the hidden underground waterways play a vital role in the biodiversity of the area.

This depiction was then covered in thick maroon paint, mimicking the moist, rich soil that can be found when one digs down deep.

The women artists then painted layers of brightly coloured terrain on top of the maroon paint, including portrayals of waterholes, rivers, lakes, uranium deposits, claypans and the bright green of new-growth Spinifex grass that comes up in the rainy season and after a fire. A series of large warta (trees) indicate the underground water systems that flow beneath the desert.

Similar to flying over the region where different colours and patterns reveal themselves, Kalyu depicts the landscape changing in a multitude of ways. Dense and detailed, the layering of imagery recreates the ridges and undulations of the Martu Country in paint.

Wide strips comprising of thickly painted dots in neon green flow into patch-worked patterns of yellow, purple, white and silver.

Segments of thicker brushstrokes make way for intricate areas made up of fine orange and bronze dotting, creating a sense of movement as the metallic colours shimmer under the light.

Image: Kalyu’, 2014
synthetic polymer paint on linen, 500 x 300cm: Kumpaya Girgirba, Kanu Nancy Taylor, Ngalangka Nola Taylor, Ngamaru Bidu, Wokka Taylor, Muuki Taylor, Jakayu Biljabu, Bowja Patricia Butt, Noelene Girgirba.

Justin Andrews has developed a form of geometric abstraction that points towards the complexity of contemporary existenc...
09/01/2024

Justin Andrews has developed a form of geometric abstraction that points towards the complexity of contemporary existence.

He summons his compositions through the use of angular elements, dynamic colour and organic surfaces. He is best known for his acrylic paintings on canvas, stretched on frames and panels made entirely by his own hands.

His visual and conceptual language references early 20th century avant-garde art movements such as Constructivism and Suprematism, but in doing so extends on their currency and ability to engage the viewer.

“My art focuses on time, transience and immersion. It’s essential in its nature, yet complex in its inference. I make my art to evidence my own existence and to place my work into the context of an unfolding, extended history. I make my art for a time that is here now and beyond my own.

I’m inspired by how an abstract painting can remain nebulous and enigmatic even in today’s hard realisms and scientific representations. Amidst this technological era I aim to produce something that is timeless.

The world is charged, propelled and sometimes torn with continuous dynamic forces. From within its conceptual core abstraction is able to evade that very hyper-tension that surrounds us, offering the viewer a perceptual moment of some kind that’s ‘other’ to everything else, unexplainable and undeniably human.

An abstract painting will always be a point of material contact, a subjective proposition and a window into the unknown“.

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08/01/2024
29/12/2023

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