Lucy Hersey Studio Gallery

Lucy Hersey Studio Gallery Australian artist painting with earth. Open Studio at On Clarence in Loch Village.

I am so so so pleased this painting is selected for the Heysen Prize for Landscape 2026. My father’s favourite painter. ...
02/09/2026

I am so so so pleased this painting is selected for the Heysen Prize for Landscape 2026. My father’s favourite painter. What an absolute dream come true.

This painting is called ‘They tried to stitch the landscape back together’ and tells the story of how when the early German settlers first arrived in Gippsland they believed the presence of towering Strzelecki gums indicated the soil was abundantly fertile and set about clearing the land for agriculture. In an effort to combat the terrible resulting erosion - they did what had worked in Europe; and stabilized crumbling riverbanks and hillsides with imported blackberry canes. Unfortunately they were naive to the fact that without a heavy European snow season to limit their growth, their fast growing untameable thorns would quickly overgrow the landscape and become the major environmental problem we are still facing today.

Thank you Hahndorf Academy 💜🤎

100x80cm, ground Gippsland earth, charcoal and copper verdigris on canvas. Australian hardwood frame

SEE YA WINTER!
31/08/2026

SEE YA WINTER!

This is how a painting looks in progress. (And why I don’t really show wips! Half wet and half dry - a bit of a mess!) p...
24/08/2026

This is how a painting looks in progress. (And why I don’t really show wips! Half wet and half dry - a bit of a mess!) painting in earth pigments is a real case of working backwards. With many layers of active material, understanding how the layers I put down first will interact with the layers I put on top, and pre-empting how a colour I’ve made changes as it dries has become second nature. But there’s still always surprises - because natural materials are unpredictable. All part of the puzzle and why I love this medium. 🤎🪨🧚‍♂️

Here’s a new painting!! This one is called ‘The Legacy of Trees’ and it’s available in this years Scotch College Art Sho...
17/08/2026

Here’s a new painting!! This one is called ‘The Legacy of Trees’ and it’s available in this years Scotch College Art Show 💜

120x90cm
Ground earth pigment, copper verdigris, charcoal and binder on linen.
Exhibition opens 10 September

I’m delighted that this little en plein air work ‘Looking for crayfish’ is a finalist in the maldonlandscapeprize 🦞 hand...
13/08/2026

I’m delighted that this little en plein air work ‘Looking for crayfish’ is a finalist in the maldonlandscapeprize 🦞 hand made oil paint with earth pigments and copper verdigris on linen, painted alongside Coal Creek, in Ritchies Reserve Korumburra. Hugo was playing with my phone, check out his trippy slow mo video 🥹🌼🌀

So happy to be in this super sweet show with all my friends at Stockyard Gallery opening 5 September!!! I 💚 South Gippy!...
11/08/2026

So happy to be in this super sweet show with all my friends at Stockyard Gallery opening 5 September!!! I 💚 South Gippy! (I really do)

🌞❤️‍🔥
07/08/2026

🌞❤️‍🔥

Layering multiple photos I’ve taken in the bush as references to make new giant painted landscapes.
06/08/2026

Layering multiple photos I’ve taken in the bush as references to make new giant painted landscapes.

Moss, painting, dogs, repeat (hopefully forever 🥹🙏🏼)
06/08/2026

Moss, painting, dogs, repeat (hopefully forever 🥹🙏🏼)

‘Earth Altar’ 🪶⛪️🌳The ‘altar tryptico’ was a particularly common artwork format used for depicting religious narratives ...
03/08/2026

‘Earth Altar’ 🪶⛪️🌳

The ‘altar tryptico’ was a particularly common artwork format used for depicting religious narratives during the Baroque and Renaissance. In these works, paint was also made using natural pigments in oil and as tempera.

I have drawn inspiration from the composition of significant Christian works including the Isenheim Altarpiece by Grünewald and Hagenauer; reframing the ‘altar’ to elevate the Gippsland landscape and my experiences in it.

Painted in carefully collected and processed Gippsland earth pigment, the central panels speak of a deep treefern gully, reaching forward in open embrace of the pilgrim viewer. The lower panel, a window into the secret humus underworld, where quiet fungi and gently browning windfall softens your step. Above, black cockatoos erupt from treetops into the firmament. A sacred place of reflection for all denominations - in reverence of all the growing, reaching, permeating, germinating wonder.

I’m quite speechless to say that this work has been selected for the John Leslie Art Prize . I’ve entered the prize four times; which represents 8 years of painting , so to be chosen this year is a huge honour, particularly as a relatively early career Gippsland artist, and alongside a cohort of artists I deeply admire. I am flat out, dead, like a bug on my back, definitely not playing it cool, thrilled!

Address

On Clarence, 1 Clarence Street
Loch, VIC
3945

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