4A Centre for Contemporary Asian Art

4A Centre for Contemporary Asian Art 4A leads cultural dialogues between Australia and Asia via contemporary art. Please email 4A on hello[@]4a.com.au

ART IN THE HEART OF HAYMARKET

4A Centre for Contemporary Asian Art

181-187 Hay Street
Warrane/Sydney NSW 2000
Australia

Opening hours:
Tuesdays - Sundays
11am - 5pm. On Thursdays, we stay open
until 8pm

PO Box K1323
Haymarket NSW 2000
Australia

4A Centre for Contemporary Asian Art (4A) fosters excellence and innovation in contemporary culture through the commissioning, presentation, docume

ntation and research of contemporary art. Our program is presented throughout Australia and Asia, where we ensure that contemporary art plays a central role in understanding and developing the dynamic relationship between Australia and the wider Asian region. Get the latest news on all things 4A by joining our mailing list: bit.ly/subscribeto4A

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ON VIEW // Dacchi Dang: ‘8 x 8 series’ (2014)In ‘Archetypes: 30 Years of 4A’, pause and spend time with Dr Dacchi Dang‘s...
06/08/2026

ON VIEW // Dacchi Dang: ‘8 x 8 series’ (2014)

In ‘Archetypes: 30 Years of 4A’, pause and spend time with Dr Dacchi Dang‘s ‘8 x 8 series’ (2014).

Back in 1997, Dacchi exhibited seven black and white prints at 4A, each of which measured 5 x 5cm. The photographs depicted scenes from Dacchi’s first visit to Vietnam in 1994 after emigrating to Australia in 1982. The photographs were purposely presented in such a small format to encourage viewers to look closely and spend time with the images.

In ‘Archetypes’, Dacchi presents a handful of those original Vietnam photographs alongside photos taken in Paris, France in 2003 during a Cité internationale des arts Residency. While scaled up now to 8 x 8cm, the photographs nonetheless require the viewer’s close attention as the Paris and Vietnam images are mixed up in no particular order, signifying the bleed between cultures — homeland versus hostland, coloniser versus colonised.

While in Paris, Dacchi recognised many things that reminded him of Vietnam from mopeds to pot-au-feu, which was adapted by the Vietnamese as phở. Of course, these comforts were the direct result of the violent colonisation inflicted upon the Vietnamese by the French. But Dacchi’s sense of being at home in the “colonial homeland,” so to speak, represents an uncomfortable albeit understandable sense of oneness.

Exhibition
🗓 11 July – 20 September 2026
🕐 Wed–Sun, 11am–5pm
🎟 Free entry

📍 4A Centre for Contemporary Asian Art, Haymarket

📷1: Portrait of Dacchi Dang at Archetypes: 30 Years of 4A (opening event), 4A Centre for Contemporary Asian Art, 2026. Photo by Diana Nguyen.

📷2 - 6: Archetypes: 30 Years of 4A (installation view), 4A Centre for Contemporary Asian Art, 2026. Photo by Kai Wasikowski.

ON VIEW // Maria Cruz: ‘Three thousand, one hundred and ninety’ (2023)In ‘Archetypes: 30 Years of 4A’, we‘re delighted t...
04/08/2026

ON VIEW // Maria Cruz: ‘Three thousand, one hundred and ninety’ (2023)

In ‘Archetypes: 30 Years of 4A’, we‘re delighted to showcase ’Three thousand, one hundred and ninety‘ (2023) by Maria Cruz (Maria Cruz), who first exhibited with 4A in 2001.
‘Three thousand, one hundred and ninety’ (2023) is part of Maria Cruz’s ‘One Million Dollar’ series, which she began in 2006 while in residence at Artspace, Sydney. For the series, Maria traces euro or dollar coins and fills them with oil paint or watercolour, with the aim being that she will eventually paint one million dollars worth of coins. The paintings are named after the number of coins traced: this painting was therefore created by tracing a coin 3,190 times. The resultant works act as indexes of the labour required to complete them and, by extension, the relative monetary cost of that labour.

Maria is very close to completing the mammoth, decades long project. To date, she has painted a total of 914,946 coins. She keeps detailed logs of the paintings.

Courtesy of the artist and the collection of Pam Hansford.

Exhibition
🗓 11 July – 20 September 2026
🕐 Wed–Sun, 11am–5pm
🎟 Free entry

📍 4A Centre for Contemporary Asian Art, Haymarket

📷 : Archetypes: 30 Years of 4A (installation view), 4A Centre for Contemporary Asian Art, 2026. Photo by Kai Wasikowski.

29/07/2026

4A CHAMPION // We’re honoured to celebrate EJ SON as our next 4A Champion as part of 4A’s 30th anniversary celebrations.

EJ SON (EJ SON) is a multidisciplinary artist working across sculpture, installation, ceramics and writing. Their practice uses provocation and humour to interrogate power structures in gender, sexuality and race. Through paradox and tension, Son’s work disrupts ingrained binaries, creating space for new subjectivities and emotional registers.

EJ first collaborated with 4A through the 2019 ‘4A A4’ Fundraising Exhibition. Since then, they have continued to push boundaries across a range of exhibitions and projects, including ‘New Energy’ (2022), the community project ‘Secret Snacks’ (2022), and most recently ‘Tactical Space Lab Open Studio’ (2026) at 4A LAB with Dr Josh Harle. With every collaboration, EJ has challenged expectations through ambitious, playful and thought-provoking work.

The 4A Champion Circle brings together artists, alumni and supporters who have helped shape 4A over the past three decades.

We‘re proud to celebrate EJ SON as part of the 4A Champion Circle.

22/07/2026

4A CHAMPION // We’re honoured to celebrate Funa Ye 叶甫纳as our next 4A Champion as part of 4A’s 30th anniversary celebrations.

Funa Ye 叶甫纳 () is a Chinese artist, whose practice is concerned with the relationship between the realities of everyday life. She is interested in the perceived connection between authority and many areas of social life. Her work plays on different power structures, ethnic groups and the fictional space of propaganda to explore the concept of ‘perfection’ in an ideological system and utopian landscape. Her work is politically charged, subtly engaged in pastiche as a satirising style of propaganda.

Funa first exhibited with 4A in ‘TRANSFORM.ME 易装·癖’ (2024), a transformative exhibition that reimagined the gallery as a cyber-grunge salon, paying homage to China’s SMART (Sha-ma-te) subculture and its evolution from rural communities to contemporary urban youth culture. In September 2025, she returned as part of ‘Infinite Scroll 荧屏沉溺’, a group exhibition curated by 4A at the Chau Chak Wing Museum, which reflected on digital acceleration and the tensions between speed, consumption and meaning in online environments.

The 4A Champion Circle brings together artists, alumni and supporters who have helped shape 4A over the past three decades.

We‘re proud to celebrate Funa Ye 叶甫纳 as part of the 4A Champion Circle.

🚨 OPEN CALL // 4A LAB EMERGING DIGITAL ARTIST PROGRAMWe are calling out for emerging digital artist(s) from Australia to...
17/07/2026

🚨 OPEN CALL // 4A LAB EMERGING DIGITAL ARTIST PROGRAM

We are calling out for emerging digital artist(s) from Australia to apply for this opportunity to exhibit at 4A LAB. This opportunity prioritises research and art which are grounded in new media practice, burgeoning technology and change. Works and projects proposed should be both experimental and innovative, capable of reflecting the evolving nature of our physical and virtual worlds.

In honour of the late Australian artist Laurens Tan (1950 - 2025), this initiative aims to integrate, expand upon and develop the lineage of digital and new media art practice, as pioneered by Tan and his practice. It aims to center digital multimedia artists utilising new technologies in their creative process and modes of presentation within a gallery context.

Quick brief program info:
📅Two opportunities available (late 2026 and early 2027)
📅8 exhibition days in 4A LAB
💰$1,000 artist fee and $500 material fee
💰12% superannuation contribution based on artist fee
💪Professional and curatorial support from 4A staff
💪Professional support from installers

🚨
Call opens: 17 July, Friday
Closing date: 10 August, Monday - 5:00pm AEST
Assessment period: 10 - 16 August 2026
Target result announcement: 17 August 2026

4A are an equal opportunity organisation and encourage applications from First Nations, Aboriginal & Torres Strait Islander people, Asian diaspora, POC, Q***r & Gender diverse folk, people with disabilities and marginalised communities. 4A also considers ‘emerging’ to include not only younger artists, but those new to the arts sector or artists transitioning to a new medium.

More information and application form via link in bio.

Image Credit: Laurens Tan, Zhong Guo Te Se (中國特色) Chinese Identity, 2009. Courtesy of the artist.

🥳 OPENING RECAP // Archetypes: 30 Years of 4AWhat a special night celebrating 30 years of 4A!It was a joy to see so many...
17/07/2026

🥳 OPENING RECAP // Archetypes: 30 Years of 4A

What a special night celebrating 30 years of 4A!

It was a joy to see so many familiar faces alongside new friends, all coming together to celebrate three decades of artists, ideas and community.

Follow for more upcoming public programs and events. We look forward to welcoming you to 4A!

Artists:
Samraing Chea
Maria Cruz ()
Dacchi Dang
Emil Goh (1966–2009)
Jumaadi ()
Spencer Lai ()
Araya Rasdjarmrearnsook
Koji Ryui
Yasmin Smith ()
Amy Stuart (.docx)
Sarah Ujmaia ()
Yusi Zang ()

Guest curator:
Amelia Winata ()

Exhibition:
🗓 11 July – 20 September 2026
🕐 Wed–Sun, 11am–5pm
🎟 Free entry

📷: Archetypes: 30 Years of 4A (opening event), 2026. Photograph by Diana Nguyen.

16/07/2026

4A CHAMPION // We’re excited to celebrate Guan Wei 关伟, founding artist of 4A, as our next 4A Champion as part of 4A’s 30th anniversary year!

Guan Wei 关伟 () is a China-born artist based between Beijing and Sydney. Working across painting, sculpture and site-specific installation, his practice is distinguished by a rich visual language of symbols and metaphors that draws on Chinese cultural heritage while engaging with Western influences. His work reflects on the human condition through themes of identity, migration, exile and climate change.

Guan Wei’s relationship with 4A dates back to its very beginning. In 1998, he co-curated and exhibited in ‘Culture Graft’ alongside Ah Xian and Wang Zhiyuan. He later participated in ‘PROCESS’ (2004) with My Le Thi and Emil Goh.

As one of the artists who helped shape 4A in its earliest years, Guan Wei also contributed works to numerous 4A fundraising exhibitions, playing an important role in supporting the organisation‘s early development and nurturing emerging artists.

The 4A Champion Circle brings together artists, alumni and supporters who have helped shape 4A over the past three decades. It’s about legacy, visibility and supporting what comes next.

We’re incredibly honoured to have our founding artist Guan Wei 关伟, as part of the 4A Champion Circle. 💫

10/07/2026

🎉 OPENING NIGHT // Archetypes: 30 Years of 4A

Thank you to everyone who joined us tonight to celebrate the opening of ‘Archetypes: 30 Years of 4A’. Your presence made this milestone a truly memorable evening.

We’re especially grateful to our exhibiting artists:

Samraing Chea
Maria Cruz ()
Dacchi Dang
Emil Goh (1966–2009)
Jumaadi ()
Spencer Lai ()
Araya Rasdjarmrearnsook
Koji Ryui
Yasmin Smith ()
Amy Stuart (.docx)
Sarah Ujmaia ()
Yusi Zang ()

Special thanks also to our guest curator Amelia Winata (), our supporters, partners, volunteers, and everyone who helped make this celebration possible.

Don’t miss tomorrow’s Artist Talk with guest curator Amelia Winata and exhibiting artists Dacchi Dang, Spencer Lai, Koji Ryui and Amy Stuart. RSVP via the link in bio 🔗.

ARTISTS IN THE BUILDING! 💬After the opening of ‘Archetypes: 30 Years of 4A’ this Friday night, don‘t miss this special a...
06/07/2026

ARTISTS IN THE BUILDING! 💬

After the opening of ‘Archetypes: 30 Years of 4A’ this Friday night, don‘t miss this special artist talk on Saturday!

Moderated by guest curator Amelia Winata (), this conversation brings together artists from across generations whose works feature in ’Archetypes: 30 Years of 4A‘, exploring the different histories, experiences and artistic practices that have shaped contemporary Asian and Asian Australian art over the past three decades.

Featuring artists Dacchi Dang, Spencer Lai (), Koji Ryui, and Amy Stuart (.docx), the discussion will delve into the stories, ideas and creative approaches behind their works, while reflecting on questions of identity, memory, history, and the evolving role of artists and cultural institutions today.

Opening Night
🗓 Friday 10 July, 6:30–8:30pm
📝 RSVP via the link in bio 🔗
🎟 Free entry

Artist Talk
🗓 Saturday 11 July, 2:00–3:00pm
📝 RSVP via the link in bio 🔗
🎟 Free entry

Exhibition
🗓 11 July – 20 September 2026
🕐 Wed–Sun, 11am–5pm
🎟 Free entry

Image Credit: Koji Ryui, Jamais Vu, 2018/26, mixed media installation with sound. Commissioned by the Biennale of Sydney with generous assistance from the Australia Council for the Arts and the Australia-Japan Foundation of the Department of Foreign Affairs and Trade. Courtesy of the artist.

16/06/2026

🧵 CHILDREN’S WORKSHOP // Textile Block Printing Workshop with Ula&HerBrothers

Don’t miss this special children’s workshop. Very limited spaces, tickets are selling fast.

Step into an afternoon of creativity, culture and making with artist Ula&HerBrothers (Noelle Moa) ().
Inspired by the rich visual traditions of the Pacific, children will explore the symbols, patterns and storytelling practices of tapa before creating and printing their own Pacific-inspired design onto a T-shirt to take home. Along the way, they’ll discover how these motifs have been used across generations to share stories, identity and connection.

Discover, create and carry home a story of your own!

🗓 Saturday, 20 June 2026
🕐 1pm – 4pm
📍 4A Centre for Contemporary Asian Art, Haymarket
🎟 $30.00 per child (Limited spaces).
🎨 Recommended age: 9 - 17 years old
📝 RSVP via link in bio 🔗 or trybooking.com/DMSZY

Image & video credit: Courtesy of the artist.

Address

181-187 Hay Street
Haymarket, NSW

Opening Hours

Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 5pm
Sunday 11am - 5pm

Telephone

+61423738283

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