Five Walls

Five Walls FIVE WALLS is a Contemporary Art Space located in central Footscray. Established in 2012.

Final Day of Abstraction 2026, thank you to everyone who attended the exhibition we feel it’s been the strongest iterati...
30/05/2026

Final Day of Abstraction 2026, thank you to everyone who attended the exhibition we feel it’s been the strongest iteration of our Abstraction series to date.

A huge congratulations to all the artists for providing such a high calibre of works. And thank you to the support from our collectors who aquired pieces during the exhibition. The show wraps up at 5pm unsold works will continue to remain available in our stockroom for a limited amount of time.

Contact the gallery on [email protected] or on +61 3 90436704 for more information.

We are delighted to announce Australia wide representation of Melbourne-based artist Max Lawrence White:Max Lawrence Whi...
29/05/2026

We are delighted to announce Australia wide representation of Melbourne-based artist Max Lawrence White:

Max Lawrence White (b. Melbourne) is a painter whose practice is centred on the perceptual and conceptual possibilities of colour. Working within and against the traditions of geometric abstraction and hard-edge painting, White explores the interplay between structure and contingency, often employing systems of chance to generate colour relationships and compositional outcomes.

White’s earlier works were influenced in part by his Japanese heritage, drawing on spatial and compositional logics derived from tatami mat arrangements, where structure is governed by culturally embedded systems of order and auspicious placement. This emphasis on rule-based organisation continues to inform his practice, even as it is tested and expanded.
This is evident in recent bodies of work such as Measures Concluded (2021), where modular compositions are constructed through processes of layering, cutting and reconfiguration, and where mis-tint paints introduce subtle disruptions within otherwise ordered chromatic systems.

In A Challenge of Biases (2025), modular geometric structures are likewise used as a fixed framework; however, colour is determined through algorithmic processes in which palettes are generated via randomised computational procedures. Here, chance is introduced at the level of selection rather than material, positioning painting as a negotiation between control and indeterminacy.

Across these bodies of work, White positions painting as a site where order and indeterminacy coexist.

White holds a Bachelor of Fine Art (Painting) from RMIT University (2011) and an Honours degree from the Victorian College of the Arts (2012). He has exhibited extensively across Australia, including multiple solo exhibitions with Artereal Gallery, Sydney, and Five Walls Gallery, Melbourne, where he is represented. His work has been featured in publications including Aesthetica, VAULT, and The World of Interiors, and is held in collections including the Justin Art House Museum (Melbourne) and COMO Art (Netherlands).


Now Representing Britt Salt We are delighted to announce Australia wide representation of Melbourne based artist Britt S...
26/05/2026

Now Representing Britt Salt

We are delighted to announce Australia wide representation of Melbourne based artist Britt Salt:

Britt Salt works across tapestry, drawing, sculpture, installation and public art. Her works are complex in their construction and minimal in aesthetic, exploring site-specific and imagined architectures. Using elements of line, intuitive geometry and hand-crafted methodical processes, Salt traces the thresholds of perception - exploring colour you can’t see, sound you can’t hear, and space you can’t touch.

Salt has exhibited at PICA, Perth; Linden New Arts; Wangaratta Art Gallery; CRAFT, Melbourne; and Hazelhurst Regional Art Gallery. She has received prestigious awards such as the Art & Australia Emerging Artist Award, Freedman Foundation Travelling Scholarship, and Highly Commended - Kate Derum Award. Salt has undertaken residencies at the Australian Tapestry Workshop; Youkobo, Japan; Arteles, Finland; Heima, Iceland; and Red Gate Gallery, Beijing. She has also created major public artworks for Melbourne International Airport, Tsinghua University Beijing, and Fender Katsalidis Architects.

Salt holds a Masters of Contemporary Art (First Class) from Victorian College of the Arts (2023) and Bachelor of Fine Art (Honours- First Class) from Curtin University of Technology. Collections include Wangaratta Art Gallery; University of Melbourne; Justin Art House Museum; and Artbank. She was recently awarded the Fiona Myer White Story Residency and Best in Furniture at the Design Fringe 2024.


Now Representing Merric Brettle.We are delighted to announce Australia wide representation of Melbourne based artist Mer...
26/05/2026

Now Representing Merric Brettle.

We are delighted to announce Australia wide representation of Melbourne based artist Merric Brettle:

The surfaces of my works are in a sense ‘immaculate’, not because they are perfect, but because I am disconnected from them by the air between atomised particles of paint. I hope viewers explore my presence within the works — sometimes in the surface, sometimes on it in vinyl, and at other times beside, behind, throughout, or above it as works combine to express a larger idea. In this way, I do not simply make images, but play with them as material.”

Merric’s practice is an ongoing exploration of living within an image-mediated world. His work broadly falls into two categories: ‘pattern finding’ works, which remake sampled imagery to better understand both his relationship to it and the world it represents; and ‘reflections’, which use these works or related ideas to consider existence within a surfacialised, fragmented, and mechanised world.

Central to his practice is the use of sprayed automotive lacquer to examine his relationship to sampled imagery, alongside an exploration of images as objects. This process allows him to manipulate images while retaining their sense of being ‘found’.

Over the past thirty years, Merric has exhibited extensively across Australian and Asian institutional, commercial, and independent spaces, including Terajima Kashiwa, Omotesando Garo Tokyo, Neu Contemporary Bangkok, Cartel Bangkok, Genkan Gallery Tokyo, The Japanese Consulate Melbourne, Brenda May Sydney, Peloton Sydney, Blindside Melbourne, Deutscher & Hackett Melbourne, Block Projects, and NKN Melbourne.

He was also a Monbusho (Japanese Government) Research Scholar and holds multiple degrees, including Master of Visual Art degrees from Tokyo University of the Arts and Sydney University. Merric has curated and participated in numerous Asia-Pacific cultural exchange exhibitions, particularly Japan/Australia projects in the early 2000s and Thailand/Australia exchanges throughout the 2010s.
merric

Continuing today is Abstraction 2026 and includes this stunning work by Sydney based artist Daniel Hollier:Daniel Hollie...
20/05/2026

Continuing today is Abstraction 2026 and includes this stunning work by Sydney based artist Daniel Hollier:

Daniel Hollier is a Sydney/Dharug & Gundungurra - based artist working across painting, drawing and sculpture.

Hollier’s work draws on disparate influences from art history to natural sciences and philosophy. He is particularly attuned to fleeting moments and unnoticed fragments, believing they hold deeper meaning. These observations become starting points for abstraction, transforming the ordinary into something reimagined.

Using irregularly shaped canvases and a variety of painting processes, Hollier blurs the line between what is seen and what is interpreted. His work balances precision with unpredictability, capturing the interconnected nature of things. He invites
viewers to tune in to the subtle language of the world, reframing the mundane as something meaningful and mysterious.

Hollier teaches Drawing and Art Processes at the Sydney School of Architecture, Sydney University. His work is held in the Artbank collection as well as private collections in Australia, the United Kingdom, and the Netherlands.

Pictured:
Daniel Hollier
A red painting seen from a riverside pavilion
2025
synthetic Polymer Paint on Polyester
110 x 110 cm

Abstraction 2026 continues today and includes these two works by Melbourne based artist Max Lawrence White: Max Lawrence...
15/05/2026

Abstraction 2026 continues today and includes these two works by Melbourne based artist Max Lawrence White:

Max Lawrence White (b. Melbourne) is a painter whose practice is centred on the perceptual and conceptual possibilities of colour. Working within and against the traditions of geometric abstraction and hard-edge painting, White explores the interplay between structure and contingency, often employing systems of chance to generate colour relationships and compositional outcomes.

White’s earlier works were influenced in part by his Japanese heritage, drawing on spatial and compositional logics derived from tatami mat arrangements, where structure is governed by culturally embedded systems of order and auspicious placement. This emphasis on rule-based organisation continues to inform his practice, even as it is tested and expanded.

This is evident in recent bodies of work such as Measures Concluded (2021), where modular compositions are constructed through processes of layering, cutting and reconfiguration, and where mis-tint paints introduce subtle disruptions within otherwise ordered chromatic systems.

In A Challenge of Biases (2025), modular geometric structures are likewise used as a fixed framework; however, colour is determined through algorithmic processes in which palettes are generated via randomised computational procedures. Here, chance is introduced at the level of selection rather than material, positioning painting as a negotiation between control and indeterminacy.

Across these bodies of work, White positions painting as a site where order and indeterminacy coexist.

White holds a Bachelor of Fine Art (Painting) from RMIT University (2011) and an Honours degree from the Victorian College of the Arts (2012). He has exhibited extensively across Australia, including multiple solo exhibitions with Artereal Gallery, Sydney, and Five Walls Gallery, Melbourne, where he is represented. His work has been featured in publications including Aesthetica, VAULT, and The World of Interiors, and is held in collections including the Justin Art House Museum (Melbourne) and COMO Art (Netherlands).


Abstraction 2026 continues this week and includes these stunning works by Melbourne based artists Sean Hogan, you may re...
12/05/2026

Abstraction 2026 continues this week and includes these stunning works by Melbourne based artists Sean Hogan, you may recall his sell out booth at the in February this year.

Sean Hogan is a multidisciplinary artist whose work spans painting, print, and sculpture. His practice employs system-based processes and structured sets of rules to explore formal aesthetics such as geometry, color theory, proportion, and materiality. These elements reflect an algorithmic approach that bridges the gap
between human interaction and both physical and digital environments.

His recent accomplishments include being featured in the National Gallery of Victoria’s (NGV) Melbourne Nowsurvey of contemporary art (2022–2023) with his large-scale work Volume I (2022). He has also exhibited at LaTrobe Art Institute
(2018) and participated in art fairs such as Spring 1883 and Sydney Contemporary(2021). His work has been acquired by significant institutions, including the NGV and Artbank, for their permanent collections. Additionally, Hogan was
commissioned by video game developer Tantalus to create a public artwork currently displayed in inner Melbourne.

In addition to his visual art practice, Hogan has garnered several prestigious awards, including the 2021 Australian Book Design Award and the Royal Australian Institute of Architects Award in both 2020 and 2021. He has also received the Australian Graphic Design Association Award in 2020 and 2021. His collaborative projects have included work with Wired Magazine, Apple Music, and The New York Times. He has also contributed to industry discourse through lectures at institutions such as the NGV, Victorian College of the Arts, Typographics 2021, Swinburne University, RMIT University, and the Royal Australian Institute of Architects.

Pictured:
CS02.01
2021
synthetic polymer aerosol
on canvas boards
126 x 90 cm

CS02.02
2021
synthetic polymer aerosol
on canvas boards
126 x 90 cm

CS02.03
2021
synthetic polymer aerosol
on canvas boards
126 x 90 cm


Please join us this Friday from 6-9pm for the opening of the much anticipated Abstraction 2026. Abstraction 2026 brings ...
06/05/2026

Please join us this Friday from 6-9pm for the opening of the much anticipated Abstraction 2026.

Abstraction 2026 brings together the work of twelve artists working in abstraction and non-objective and includes:

Kubota Fumikazu
Sean Hogan
Daniel Hollier
Franky Howell
Emma Langridge .langridge
Keisuke Matsuura
Sarah Robson
Britt Salt
Vivian Cooper Smith
Lachlan Stonehouse
Max Lawrence White
Michael Vandorpe ._l._vandorpe

For a catalogue of available works contact Missy at [email protected]

Final days to see De / formed curated by Craig Easton and includes:Fan Zhongming (CHN/JP)Hiromichi Ichino (JP)Merric Bre...
01/05/2026

Final days to see De / formed curated by Craig Easton and includes:

Fan Zhongming (CHN/JP)
Hiromichi Ichino (JP)
Merric Brettle (AU)
Craig Easton (AU/NZ)

If De/formed suggests a removal of Form(alism), then what remains? Another form of course, and another and another, until there’s… nothing. But a whole lot of it. (This is better than nothing.)
Scientifically speaking, what happens when you get down to the last Russian doll? Is it the end of something, or just the beginning? Is Kaluza Klein the mother of invention?
When is De/formed deranged? Which is to say, is an arrangement undone, necessarily deranged? Or simply De/formed?

Four artists consider their abstract practices in relation to the show’s title. Each has their own affiliation and history working with Formalist ideas and constructs while being equally engaged in the pulling apart of such things to create open works of indeterminate presence.Working through and between mediums of painting, object, drawing and video, there’s an ongoing question around what Formalist practices might mean and look like today.

Pictured:
Fan Zhong Ming
Two Twisted Cubes
1993
acrylic on plywood
56 x 36 cm


For a catalogue of available works contact Misuzu at [email protected]

Final days to see De / formed curated by Craig Easton and includes:Fan Zhongming (CHN/JP)Hiromichi Ichino (JP)Merric Bre...
29/04/2026

Final days to see De / formed curated by Craig Easton and includes:

Fan Zhongming (CHN/JP)
Hiromichi Ichino (JP)
Merric Brettle (AU)
Craig Easton (AU/NZ)

If De/formed suggests a removal of Form(alism), then what remains? Another form of course, and another and another, until there’s… nothing. But a whole lot of it. (This is better than nothing.)
Scientifically speaking, what happens when you get down to the last Russian doll? Is it the end of something, or just the beginning? Is Kaluza Klein the mother of invention?
When is De/formed deranged? Which is to say, is an arrangement undone, necessarily deranged? Or simply De/formed?

Four artists consider their abstract practices in relation to the show’s title. Each has their own affiliation and history working with Formalist ideas and constructs while being equally engaged in the pulling apart of such things to create open works of indeterminate presence.Working through and between mediums of painting, object, drawing and video, there’s an ongoing question around what Formalist practices might mean and look like today.

Pictured:
Craig Easton
Excavation / Accumulation / Mountain Building Painting
2024-2025
acrylic on canvas board mounted on cardboard
40 x 30 x 6 cm

For a catalogue of available works contact Misuzu at [email protected]


Continuing today is De / formed curated by Craig Easton and includes:Fan Zhongming (CHN/JP)Hiromichi Ichino (JP)Merric B...
21/04/2026

Continuing today is De / formed curated by Craig Easton and includes:

Fan Zhongming (CHN/JP)
Hiromichi Ichino (JP)
Merric Brettle (AU)
Craig Easton (AU/NZ)

If De/formed suggests a removal of Form(alism), then what remains? Another form of course, and another and another, until there’s… nothing. But a whole lot of it. (This is better than nothing.)
Scientifically speaking, what happens when you get down to the last Russian doll? Is it the end of something, or just the beginning? Is Kaluza Klein the mother of invention?
When is De/formed deranged? Which is to say, is an arrangement undone, necessarily deranged? Or simply De/formed?

Four artists consider their abstract practices in relation to the show’s title. Each has their own affiliation and history working with Formalist ideas and constructs while being equally engaged in the pulling apart of such things to create open works of indeterminate presence.Working through and between mediums of painting, object, drawing and video, there’s an ongoing question around what Formalist practices might mean and look like today.

Pictured:
Merric Brettle
Pattern Finding 1
2016
acrylic automotive lacquer on board
52.5 x 42 cm

For a catalogue of available works contact Misuzu at [email protected]
merric

Address

1/119 Hopkins Street
Footscray, VIC
3011

Opening Hours

Wednesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 12pm - 5pm
Saturday 12pm - 5pm

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