Drill Hall Gallery

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Drill Hall Gallery Situated on Australian National University campus. The venue of choice for many of Australia’s leading contemporary artists, curators and collectors.

Closed temporarily until late 2026 for renovation. The Drill Hall Gallery supports the arts in the Ngunnawal and Ngambri region by presenting exhibitions developed in conjunction with the wide ranging academic interests of the ANU and coinciding with major conferences and public events.

15/10/2026

For today’s Art Bite we were lucky to be joined by Howard and Frances Morphy to discuss Gulumbu Yunupiŋu’s work ‘Gurrurru’ (2011) in the Hedley Bull Atrium.

Our next Art Bite is 29 October at 1:15pm. Location to be announced soon.

Drill Hall Gallery ANU School of Art & Design Australian National University ANU Student Life Study ANU ANU Alumni ANU Coral Bell School ANU School of Culture, History & Language ANU College of Asia and the Pacific ANUSA ANU Students' Assocation Lodge Residents’ Committee ANU Residential Experience ANU College of Arts and Social Sciences

15/10/2026

NOW AVAILABLE: Moya McKenna: Branch line

Available now from our webstore (dhg.anu.edu.au) and in all good bookstores soon.

BOOK LAUNCH this Saturday

Join artist Moya McKenna, and Elspeth Pitt, Senior Curator, Australian Art, NGA, in conversation as we celebrate the launch of Moya McKenna: Branch line at Bookrunner.

Saturday 17 October, 3:30pm
Bookrunner, Dairy Road, Fyshwick
Free / RSVP via link in bio or dhg.anu.edu.au

Moya McKenna: Branch line is the first comprehensive publication on the acclaimed Naarm/Melbourne-based Australian painter. Since she began exhibiting in the early 2000s, McKenna has established a practice that builds upon a slowly unfolding vocabulary of repeated image fragments. Her work is known for its distinctive emotional edge, one in which finely observed details—a particular photograph, a figure or form appropriated from another artist’s work, a cluster of found objects arranged in the studio—are offset by dream-like passages of painted reverie.

The book features an in-depth conversation between McKenna and Jane Devery, Senior Curator, Museum of Contemporary Art Australia, a major essay by writer and art historian Quentin Sprague, and a short story by Franz Kafka, drawn from his posthumous collection, The Lost Writings, and re-printed with permission from New Directions Publishing, New York.

McKenna has shown widely in Australia, and her work is held in public institutions including the Museum of Contemporary Art Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, National Gallery of Victoria, Monash University Museum of Art and Potter Museum of Art at the University of Melbourne.

Published by Drill Hall Gallery Publishing in association with Neon Parc (Naarm/Melbourne).

Signed copies will be available for sale on the day.

Drill Hall Gallery Neon Parc Jane Devery Bookrunner Elspeth Pitt Books at Manic

Lunchtime Art Bite: Gulumbu Yunupiŋu, 'Gurrurru' (sail), 2011Thursday 15 October, 1:15pmHedley Bull Building, ANU130 Gar...
09/10/2026

Lunchtime Art Bite: Gulumbu Yunupiŋu, 'Gurrurru' (sail), 2011
Thursday 15 October, 1:15pm
Hedley Bull Building, ANU
130 Garran Rd, Acton
Free to attend, no bookings required

At this fortnight's Art Bite at the Hedley Bull Atrium, Coral Bell School of Asia Pacific Affairs, we will discuss Gulumbu Yunupiŋu’s dramatic work 'Gurrurru', 2011.

Gulumbu Yunupiŋu (1943-2012) was a highly respected Yolŋu elder of the Gumatj clan who lived and worked Yirrkala, Northeast Arnhem Land. 'Gurrurru' was commissioned for the Hedley Bull building, Coral Bell School of Asia Pacific Affairs in 2008. Gurrurru, the Yolŋu word for ‘sail’, represents a longstanding dialogue that occurred over several hundred years between the Yolŋu people and Macassan sailors who travelled to the Northern Territory coast to harvest trepang (sea cucumber). Gulumbu Yunupiŋu was an accomplished artist, whose work included bark, larrakitj, weaving and shell jewellery. She was also an acknowledged traditional healer and linguist, establishing the Dilthan Yolngunha Healing centre, and contributed to the translation of the Bible into Gumatj.

Gulumbu Yunupiŋu’s works diverged from the traditional practice of painting sacred clan designs, painting instead Garak (the universe) and its stars and galaxies – weaving together her deep knowledge of country and traditional Gumatj stories of the Seven Sisters (Pleiades), and other constellations. Rachel Kent, Chief Curator at the Museum of Contemporary Art writes: “Gulumbu Yunupingu’s art is infused with the knowledge of her people and a strong belief in the unity of humankind – “all around, every tribe, every colour” – gathered under the protective gaze of the stars above.”

Image: Installation of Gulumbu Yunupiŋu’s work Gurrurru, 2011, in the Hedley Bull Building, Coral Bell School of Asia Pacific Affairs

October Friends Night: Curator in Conversation – UnearthedFriday 30 October, 5:30pmCIW Gallery, Australian Centre on Chi...
08/10/2026

October Friends Night: Curator in Conversation – Unearthed

Friday 30 October, 5:30pm
CIW Gallery, Australian Centre on China in the World, ANU
Register via the link in our bio or at dhg.anu.edu.au

This Friends Night we will meet together on campus at CIW Gallery, Australian Centre on China in the World, to join curator Chin-Jie Melodie Liu to view and gain insight into the exhibition 'Unearthed: Chinese Funerary Ceramics from the National Gallery of Australia'.

'Unearthed' presents a selection of Chinese funerary art from the collection of the National Gallery of Australia. Burial customs of early China provide a rare window into life in the ancient world. Elaborate tomb furnishings reflect evolving understandings of the living realm and the hereafter. Over the centuries, personal objects placed in tombs to accompany the dead were gradually replaced by representations of everyday objects and specialised forms. This ultimately led to the more formalised production of funerary ceramics for use in burial.

Chin-Jie Melodie Liu is an artist, curator and writer based in Kamberri/Canberra. Liu is the Events & Collections Officer at the Australian Centre on China in the World and co-curator of the 'Unearthed: Chinese Funerary Ceramics from the National Gallery of Australia' exhibition.

If not already a member you can join the Friends online or over the phone.

Image: 'Unearthed: Chinese Funerary Ceramics from the National Gallery of Australia', installation view, CIW Gallery, Australian Centre on China in the World, 2026. Photography by Brenton McGeachie.

Margaret Olley's delightful painting 'Hawkesbury wildflowers' (1973) from the ANU Art Collection is currently included i...
06/10/2026

Margaret Olley's delightful painting 'Hawkesbury wildflowers' (1973) from the ANU Art Collection is currently included in the exhibition 'Margaret Olley: Shapes of Stillness'. On show now until 7 March 2027 at Tweed Regional Gallery/Margaret Olley Art Centre.

Image: Installation view of 'Hawkesbury wildflowers' (1973) in 'Margaret Olley: Shapes of Stillness', Tweed Regional Gallery/Margaret Olley Art Centre.

30/09/2026

BOOK LAUNCH: Moya McKenna

Join artist Moya McKenna, and Elspeth Pitt, Senior Curator, Australian Art, NGA, in conversation as we celebrate the launch of Moya McKenna: Branch line at Bookrunner.

Saturday 17 October, 3:30pm
Bookrunner, Dairy Road, Fyshwick
Free / RSVP via link in bio or dhg.anu.edu.au

Moya McKenna: Branch line is the first comprehensive publication on the acclaimed Naarm/Melbourne-based Australian painter. Since she began exhibiting in the early 2000s, McKenna has established a practice that builds upon a slowly unfolding vocabulary of repeated image fragments. Her work is known for its distinctive emotional edge, one in which finely observed details—a particular photograph, a figure or form appropriated from another artist’s work, a cluster of found objects arranged in the studio—are offset by dream-like passages of painted reverie.

The book features an in-depth conversation between McKenna and Jane Devery, Senior Curator, Museum of Contemporary Art Australia, a major essay by writer and art historian Quentin Sprague, and a short story by Franz Kafka, drawn from his posthumous collection, The Lost Writings, and re-printed with permission from New Directions Publishing, New York.

McKenna has shown widely in Australia, and her work is held in public institutions including the Museum of Contemporary Art Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, National Gallery of Victoria, Monash University Museum of Art and Potter Museum of Art at the University of Melbourne.

Published by Drill Hall Gallery Publishing in association with Neon Parc (Naarm/Melbourne).

Signed copies will be available for sale on the day.

Drill Hall Gallery Neon Parc Jane Devery Bookrunner Elspeth Pitt

Friends visit to Blairgowrie: Imants Tillers’ studio and Jennifer Slatyer’s garden tourWe are thrilled to share that the...
24/09/2026

Friends visit to Blairgowrie: Imants Tillers’ studio and Jennifer Slatyer’s garden tour

We are thrilled to share that the Friends of Drill Hall Gallery have been invited for a tour of Imants Tillers' studio and Jennifer Slatyer's gardens in Cooma.

Saturday 24 October, 1:30–4:30pm
Blairgowrie, Cooma, NSW
Tickets: $75 for Friends of the Drill Hall Gallery
Available via the link in our bio or at dhg.anu.edu.au

For almost 30 years 'Blairgowrie' has been the Tiller/Slatyer family home. The property, with its timeless cottage garden informality, and the sprawling weather board cottage were established long before Jenny and Imants’ ownership. A magical display of both evergreen and deciduous trees, shrubs and flowers, the garden is curated through Jenny’s ongoing tending and keen eye for landscape design. Nestled within the idyllic greenery is the architecturally designed stone studio of internationally renowned painter Imants Tillers. With a practice spanning over 50 years, Tillers is known for his stylised appropriations, poetically combining existing artworks, philosophy and literature as ‘ready-made’ motifs is his practice.

Following the tour, we will enjoy a lovely afternoon tea in the garden.



Image: Imants Tillers in his studio. Photo: Corinna & Dylan

Lunchtime Art Bite: Mia Khin Boe: The Aboriginal RobotThursday 1 October, 1:15pmBirch Building, ANUScience Rd, ActonFree...
18/09/2026

Lunchtime Art Bite: Mia Khin Boe: The Aboriginal Robot

Thursday 1 October, 1:15pm
Birch Building, ANU
Science Rd, Acton
Free to attend, no bookings required

As part of Canberra Art Biennial we are fortunate to have artist Mia Khin Boe join us to discuss 'The Aboriginal Robot', 2026, a painting and sculpture work installed in the ANU Birch Building.

In Mia Khin Boe’s dystopian future, scientists use data extracted from DNA and sacred sites to create The Aboriginal Robot. Known as The Dreaming Machine, this robot is designed to repair our mistakes and take care of an environment that has been forcibly neglected and exploited since first arrival. Once consciousness forms however, the Dreaming Machine discovers who is responsible and begins a revolution.

This exhibition expands Mia Khin Boe’s science fiction story The Aboriginal Robot, first presented at Roslyn Oxley9 Gallery in 2024. Developed in collaboration with April Widdup at Canberra Glassworks, the exhibition leans into the science fiction aesthetic of the figurine, bringing its speculative world into material form. Through flame-worked glass sculpture, canvas painting and window painting, the lore of The Aboriginal Robot unfolds across the university walls. Boe imagines a future in which technology, Country and consciousness converge, transforming this science fiction story into a message of resistance, responsibility and urgency.

Mia Khin Boe is an artist whose cultural inheritances and disinheritances are the focus of her work. Of Butchulla and Burmese descent, her art offers an oblique response to the historical and ongoing colonial violence inflicted upon the lands and peoples of these cultures.
khin.boe



Image: Installation view of Mia Khin Boe: The Aboriginal Robot, 2026, Canberra Art Biennial, ANU School of Cybernetics. Photo by Brooke McEachern

17/09/2026

For today’s Art Bite we were excited to discuss the impressive ‘Dragon’ (1967) calligraphic work by Japanese Ikebana specialist Teshigahara Sōfū, on display in the Menzies library reading room. As part of the 2026 Immersia Festival.

Our next Art Bite is Thursday 1 October, 1:15 at Birch Building. As part of Canberra Art Biennial we are fortunate to have artist Mia Khin Boe join us to discuss her work ‘The Aboriginal Robot’ (2026), a painting and sculpture work installed in the ANU Birch Building. All welcome.

Drill Hall Gallery ANU College of Asia and the Pacific ANU Library ANU School of Art & Design ANU College of Arts and Social Sciences ANU Student Life Study ANU ANU Alumni Australian National University ANUSA ANU Students' Assocation Lodge Residents’ Committee ANU Residential Experience

Friends visit to Blairgowrie: Imants Tillers’ studio and Jennifer Slatyer’s garden tourWe are thrilled to share that the...
15/09/2026

Friends visit to Blairgowrie: Imants Tillers’ studio and Jennifer Slatyer’s garden tour

We are thrilled to share that the Friends of Drill Hall Gallery have been invited for a tour of Imants Tillers' studio and Jennifer Slatyer's gardens in Cooma.

Saturday 24 October, 1:30–4:30pm
Blairgowrie, Cooma, NSW
Tickets: $75 for Friends of the Drill Hall Gallery
Available via the link in our bio or at dhg.anu.edu.au

For almost 30 years 'Blairgowrie' has been the Tiller/Slatyer family home. The property, with its timeless cottage garden informality, and the sprawling weather board cottage were established long before Jenny and Imants’ ownership. A magical display of both evergreen and deciduous trees, shrubs and flowers, the garden is curated through Jenny’s ongoing tending and keen eye for landscape design. Nestled within the idyllic greenery is the architecturally designed stone studio of internationally renowned painter Imants Tillers. With a practice spanning over 50 years, Tillers is known for his stylised appropriations, poetically combining existing artworks, philosophy and literature as ‘ready-made’ motifs is his practice.

Following the tour, we will enjoy a lovely afternoon tea in the garden.



Image: Jennifer Slatyer's garden. Photo: Hetty Gascoigne

Address

Kingsley Street
Canberra, ACT
2601

Opening Hours

Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm
Sunday 10am - 5pm

Telephone

(02) 6125 5832

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