28/08/2026
Flameworking Techniques - behind the making🕯️
Locally made and made to last. These pieces have been made, over flames, through years of honing of these techniques. Swipe to see some the different techniques used to make these pieces.
Shop glass in store
Tue to Sun
10 am to 4 pm
🔥
📸
Tri-Beads Carole Griffith - Making and shaping beads 📿
Glass beads are made by gathering molten glass, then shaping and wrapping it onto a mandrel (a stainless steel and clay coated rod). Once the shape and size are right, it can then be decorated through shaping or adding details.
One of the most common shaping techniques is marvering, manipulating the glass with various tools. We mostly use graphite paddles to smooth the beads, and stainless steel to add cohesive decorative indents.
Shop glass in store
Tue to Sun
10 am to 4 pm
🔥
📸Carole Griffiths
Tri-Beads Carole Griffith - Making and shaping beads 📿
Glass beads are made by gathering molten glass, then shaping and wrapping it onto a mandrel (a stainless steel and clay coated rod). Once the shape and size are right, it can then be decorated through shaping or adding details.
One of the most common shaping techniques is marvering, manipulating the glass with various tools. We mostly use graphite paddles to smooth the beads, and stainless steel to add cohesive decorative indents.
Shop glass in store
Tue to Sun
10 am to 4 pm
🔥
📸Carole Griffiths
Totem Bubbles Sarah Murphy - Coldworking and decorating 🧪
Once flameworked glass has annealed, the artist can further decorate with coldworking. Sarah’s necklaces were first shaped with tools (such as a butterknife) before being acid-etched, achieving the pieces’ smooth matte texture. This has created a similar effect to sandblasting, while not exposing the delicate soft glass to this abrasive technique.
Shop glass in store
Tue to Sun
10 am to 4 pm
🔥
📸Sarah Augusta Murphy
Totem Bubbles Sarah Murphy - Coldworking and decorating 🧪
Once flameworked glass has annealed, the artist can further decorate with coldworking. Sarah’s necklace