28/05/2026
‘Until we became fire and fire us’ unfolds as an installation composed of video, sound, image, and text that explores various forms of hauntings, love stories bound to loss, land and self, forms of imprisonment and the call to get free.
With sound and song being at the heart of this exploration, Basel Abbas and Ruanne Abou-Rahme bring together landscapes, songs, gestures, and fragments of testimony to examine how histories of dispossession persist as ongoing conditions rather than closed events.
This adaptation brings together personal and collective memory, including drawings made by Abou-Rahme’s father in Jerusalem in the 1970s and 1980s, situating them within the continued colonial violence, resistance, and survival in Palestine.
Neither documentary nor monument, the work proposes memory as something lived and reanimated through sound and image, a recognition that what has been erased remains active, mutable, and unresolved.
Uncover the work at Campbelltown Arts Centre, now until 14 June. Free entry.
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Image credit:
Basel Abbas and Ruanne Abou-Rahme, ‘Until we became fire and fire us’, 2023-ongoing. Commissioned by the Biennale of Sydney and made possible by Rubaiya Qatar, Qatar Museums. Courtesy of the artists © Basel Abbas and Ruanne Abou-Rahme. Installation view, 25th Biennale of Sydney, ‘Rememory’, 2026, Campbelltown Arts Centre. Photograph: Silversalt Photography.
The Biennale of Sydney is assisted by the NSW Government through Create NSW and gratefully acknowledges the assistance provided through the NSW Government Exhibitions Indemnification Scheme.
Campbelltown Arts Centre is assisted by the NSW Government through Create NSW and receives support from the Neilson Foundation and the Packer Family Foundation.