Michael Reid Southern Highlands

Michael Reid Southern Highlands Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Michael Reid Southern Highlands, Art Gallery, 11b Old Hume Highway, Berrima.

Our latest gallery venture is situated in Berrima, in the rolling hills & verdant greens of the Southern Highlands, combining the visual sophistication of a major urban gallery with a more relaxed, arcadian inheritance.

ANNOUNCING: Fiona Smith, ‘Back from the Brink’ | Top Floor Gallery - Opening 4 June For the very first time, Sydney/Eora...
28/05/2026

ANNOUNCING: Fiona Smith, ‘Back from the Brink’ | Top Floor Gallery - Opening 4 June

For the very first time, Sydney/Eora based Fiona Smith is presenting a major new body of work at Michael Reid Southern Highlands - following an extraordinary run of exhibitions and appearances in our Murrurundi Gallery.

Smith’s paintings place birdlife within densely ornamented domestic interiors, where pattern and colour converge with remarkable compositional control. Drawn from the artist’s immediate surroundings, her feathered subjects are rendered with a palpable sense of presence — alert, self-possessed, and entirely at ease among textiles, flowers, and decorative objects.

For this new series, Smith turns her attention to species of birds that have been brought back from the brink of extinction by the heroic work of conservationists. “Since 2000, 25 bird species have stepped back from the Critically Endangered list,” she says. “Of course, this is a drop in the ocean compared to the ongoing loss of species worldwide — but what these stories deliver is proof of something vital: that humans have the ability to repair some of the damage we have caused. That we are better off saving this planet — the only one we have.”

A message of optimism, amidst turbulence, resonates powerfully throughout the collection, where Smith honours her subjects - and the communities who saved them - by way of exacting attention to detail, and a lovingly patient brush.

To register your interest in this new collection, and receive a priority catalogue, press through to the link in bio.

ANNOUNCING: Fiona Smith, ‘Back from the Brink’ | Top Floor Gallery - Opening 4 June For the very first time, Sydney/Eora...
28/05/2026

ANNOUNCING: Fiona Smith, ‘Back from the Brink’ | Top Floor Gallery - Opening 4 June

For the very first time, Sydney/Eora based Fiona Smith is presenting a major new body of work at Michael Reid Southern Highlands - following an extraordinary run of exhibitions and appearances in our Murrurundi Gallery.

Smith’s paintings place birdlife within densely ornamented domestic interiors, where pattern and colour converge with remarkable compositional control. Drawn from the artist’s immediate surroundings, her feathered subjects are rendered with a palpable sense of presence — alert, self-possessed, and entirely at ease among textiles, flowers, and decorative objects.

For this new series, Smith turns her attention to species of birds that have been brought back from the brink of extinction by the heroic work of conservationists. “Since 2000, 25 bird species have stepped back from the Critically Endangered list,” she says. “Of course, this is a drop in the ocean compared to the ongoing loss of species worldwide — but what these stories deliver is proof of something vital: that humans have the ability to repair some of the damage we have caused. That we are better off saving this planet — the only one we have.”

This message of optimism, amidst turbulence, resonates powerfully throughout the collection, whereby Smith honours her subjects - and the communities who saved them - by way of an exacting attention to detail, and a lovingly patient brush.

To register your interest in this new collection, and receive a priority catalogue, press through to the link in bio.

CONCLUDING WEEK: David Griffith, ‘Place and Perspective’ | Top Floor Gallery | Until 31 May‘Place and Perspective’, conc...
26/05/2026

CONCLUDING WEEK: David Griffith, ‘Place and Perspective’ | Top Floor Gallery | Until 31 May

‘Place and Perspective’, concluding this Sunday in the Top Floor Gallery, draws together the principal concerns that have long animated Melbourne / Naarm-based David Griffith’s practice: the poetry of ordinary things, the canvas as a site of arrangement and enquiry, and the patient discipline of looking.

Giorgio Morandi serves as both touchstone and companion throughout the exhibition. Like Morandi, Griffith returns repeatedly to familiar forms - bottles, bowls, pitchers and boxes - discovering within them a surprising breadth of formal and emotional potential. Here, we appreciate the subtle relationships that emerge between objects placed in measured dialogue. That such expressive beauty can be achieved within the modest confines of the tabletop is one of the guiding forces of Griffith’s work.

Of course, when prompted, Griffith encapsulated this same almost monastic simplicity in his own reflections: “I like to try and keep things as simple as possible” he says. “Painting is a visual medium and the risk of talking about it is that you actually get further and further away from what you are trying to describe – which it at its simplest is loading up the paintbrush with some paint and making a mark. And then loading it up again and putting another mark next to it and then maybe something starts to unfold”

Elsewhere, the artist’s landscapes suggest a broader visual inheritance, recalling in part the work of Richard Diebenkorn and the Bay Area painters, who transformed everyday scenes into works of pictorial grandeur through a distinctly spatial intelligence. “I keep coming back and bouncing between Diebenkorn, Morandi, Bonnard, Guston, Auerbach, Matisse” says Griffith. “They all offer up different formal elements to painting that always interest and challenge me

To view ‘Place and Perspective’, tap the link in bio.

Michael Reid Southern Highlands extends its warmest congratulations to Linda Greedy (NSW) and Miranda Hampson (NSW), bot...
24/05/2026

Michael Reid Southern Highlands extends its warmest congratulations to Linda Greedy (NSW) and Miranda Hampson (NSW), both named finalists in the 2026 Hadley’s Art Prize Hobart, with their works selected among just 27 contemporary Australian artists for this year’s prestigious $100,000 acquisitive landscape award.

Among Australia’s most significant landscape prizes, finalist selection in the Hadley’s represents an important career acknowledgement.

Linda Greedy’s precise depictions of Tasmania’s windswept central plains, and Miranda Hampson’s powerful evocation of spiralling woven forms, each offer compelling and distinct perspectives on how landscape may be experienced, understood and expressed.

This year’s judging panel comprises acclaimed multidisciplinary artist Abdul Abdullah, art historian and writer Judith Ryan AM, and Sarah Wallace, Curator at MONA.

The winner and prize recipients will be announced at Hadley’s Orient Hotel on 31 July, with the exhibition of finalists opening to the public from 1–23 August in Hobart, Tasmania.

To explore available work from Linda Greedy and Miranda Hampson, press through to the link in bio:

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NOW OPEN: Clare Dubina ‘The Gentle Wild’ | Mezzanine Gallery | Until 14 JuneIn ‘The Gentle Wild’, expressive, voluptuous...
23/05/2026

NOW OPEN: Clare Dubina ‘The Gentle Wild’ | Mezzanine Gallery | Until 14 June

In ‘The Gentle Wild’, expressive, voluptuously abstracted forms are rendered in a rich palette of earth tones, blues and deep greens, with chalky pastel highlights that sweep across the canvas and sketch out elegant, sporty and sinuous silhouettes.

“Each curve and line is used to communicate a different state of being that can hold more than one voice,” says Clare Dubina, whose studies in printmaking, together with her former career in fashion and design, have shaped her distinctive painterly approach and singular graphic style. “Viewers are invited to bring their own perceptions and experiences, shaping how each piece is understood.”

To explore ‘The Gentle Wild’ press through to the link in bio:

NOW OPEN: Drew Truslove, ‘After the Flood’ | Ground Floor Gallery | May 21 - June 21, 2026Today, we launch Sydney/Eora-b...
21/05/2026

NOW OPEN: Drew Truslove, ‘After the Flood’ | Ground Floor Gallery | May 21 - June 21, 2026

Today, we launch Sydney/Eora-based Drew Truslove’s next collection with Michael Reid, ‘After the Flood’

There is an old assumption, in the hierarchy of mediums, that ink belongs to the realm of beginnings. It is the tool of notation, of rehearsal, the quick impression set down before the primary work of painting begins.

There is something radical, then, in Drew Truslove’s decision to bring ink as the final, declarative act of image-making. What is typically understood as provisional becomes, here, complete. And in doing so, Truslove shifts the terms through which landscape itself is apprehended.

Working with a single colour—a luminous, mineral blue— Truslove’s landscape are drawn in near-continuous fields of marks. His line doubles back, thickens and disperses, at times so fine it seems to hover just above the canvas, then gathering weight along the spine of a trunk, or in the articulation of roots gripping the bank. Ink proves uniquely suited to this task. It follows the slip of a hand without resistance, registering each pause and surge of confidence. Water moves through the image in diluted, passages of the same blue.

The effect is of a landscape in the process of assembling itself: the river country as a shifting tangle of elements and relations, continually being rewritten.

Join us on Saturday May 30 to celebrate the launch of ‘After the Flood’ at Michael Reid Southern Highlands. Festivities will commence at 2pm, and the artist will be present.

To view and explore the collection, press through to the link in bio:

SPOTLIGHT: Naomi White Melbourne-based artist Naomi White has been painting and exhibiting for more than twenty years, d...
20/05/2026

SPOTLIGHT: Naomi White

Melbourne-based artist Naomi White has been painting and exhibiting for more than twenty years, developing a practice grounded in close observation and a deep attentiveness to the environments that shape our daily lives. Working across still life, landscape and interior scenes, White has become known for paintings that locate beauty in familiar places.

Presented here is a particularly intimate suite of works, offering glimpses into the home of celebrated Australian painter and recent Sulman Prize winner, Lucy Culliton. White previously painted Culliton in her 2024 Portia Geach finalist portrait ‘A cuppa tea with Lucy, Roscoe, Cheezel and Mayday’, and these paintings are companions to that encounter - shifting attention from portraiture to the spaces that make up a life.

Kitchen tables crowded with produce, shelves lined with books and objects, and an abundant arrangement of native flora become portraits of another kind.

A finalist in numerous Australian art prizes — including the Portia Geach Memorial Award, Doug Moran National Portrait Prize, Paddington Art Prize, Ravenswood Australian Women’s Art Prize and Lethbridge Small Scale Art Award — White’s work is held in the Cowra Regional Gallery Collection and private collections throughout Australia and internationally.

To view Naomi White’s introductory collection with Michael Reid Southern Highlands, press through to the link in bio:

CONTINUING: ERIN MURPHY | Top Floor Gallery | Until May 31Populated by birds, insects, moths and butterflies, Murphy’s p...
18/05/2026

CONTINUING: ERIN MURPHY | Top Floor Gallery | Until May 31

Populated by birds, insects, moths and butterflies, Murphy’s paintings draw viewers into a world that feels at once folkloric, theatrical and sharply observed. Working across linen and burlap canvas, and with a deliberately stylised hand, she renders her subjects with an eccentric clarity. Erin Murphy’s second collection with Michael Reid continues this week, and until May 31.

Murphy arrived at painting through an early love of drawing, and her work retains an illustration-like sensibility that underpins its charm. “I’ve always loved nature books and animals,” Erin told Belle Magazine in a profile of the artist last year. “My mum studied agricultural science and my dad vet science, so their knowledge of plants and animals rubbed off. I loved drawing from scientific illustrations and catalogues of native flora and fauna.”

In 2023, her work Dead Crane – After Jean-Baptiste Oudry was shortlisted for the National Emerging Art Prize and, following this success, Erin presented her first solo show at Michael Reid Northern Beaches, Where I Like to Stand, which drew on Rococo paintings of domestic animals. “I wanted to caricature how those artists depicted the natural world, without doing it a disservice, because they’re awesome paintings, even if we see them as kitsch,” she says. “The way animals are depicted in Rococo art reminds me of Looney Tunes, but if it were beautiful.”

For the series, Erin finished her canvases with an old-fashioned French tacking method – a labour-intensive technique she continues today. “It feels important to take care of every aspect of the work; not just the picture, but the whole painting as an object.”

Press through to the link in bio to view the collection.



Erin Murphy appears courtesy of Olsen Gallery.

Quotes sourced: Belle Magazine, ‘Curious Creatures’ by Harry Roberts – October 2025
Studio Images: Belle Magazine and Alana Landsberry

bellemagazine michaelreidnorthernbeaches michaelreidsouthernhighlands

ANNOUNCING: CLARE DUBINA | ‘The Gentle Wild’ | Mezzanine Gallery | Opening 21 MayMichael Reid Southern Highlands is deli...
17/05/2026

ANNOUNCING: CLARE DUBINA | ‘The Gentle Wild’ | Mezzanine Gallery | Opening 21 May

Michael Reid Southern Highlands is delighted to announce the return of Clare Dubina, whose latest collection, ‘The Gentle Wild’, opens next week in the Mezzanine Gallery.

Developed following the artist’s move to regional Victoria, ‘The Gentle Wild’ signals a change within Dubina’s practice. Removed from the frenetic pace of city life, the wide expanses and stillness of the countryside have begun to filter into the work in small ways. Cooler tones now move through the warm earth palette long associated with her paintings, drawing on what the artist describes as “the colours noticed on walks — feathers, lichen and fading light.”

Trained in printmaking at The University of the Arts in Philadelphia, and later shaped by a career spanning fashion photography and visual design, Dubina approaches painting with an assured sense of composition and an acute sensitivity to surface. Across this collection, curved and expressive forms shift between abstraction and figuration, briefly suggesting the body before dissolving back into shape.

To preview ‘The Gentle Wild’, tap the link in bio.

CONCLUDING WEEKEND: ‘Placeheld’ | Until 17 May | Michael Reid Southern HighlandsThis weekend marks the final opportunity...
15/05/2026

CONCLUDING WEEKEND: ‘Placeheld’ | Until 17 May | Michael Reid Southern Highlands

This weekend marks the final opportunity to experience ‘Placeheld’ - a group exhibition bringing together some of the most compelling voices in contemporary Australian landscape painting.

Now on view in our Downstairs Gallery and available to explore online, ‘Placeheld’ presents new bodies of work by Zoe Grey, Cate Maddy, Anh Nguyen, Tara Price, Suzie Riley, Anthea Stead, Kate Vella, Libby Wakefield, Meg Walters and Sam Wilkinson.

With distinct painterly sensibilities and deeply personal connections to the spaces they depict, the artists of ‘Placeheld’ turn their attention to landscapes that loom large in the creative imagination — local or far-flung sites that become vessels for memory and affinity, reflection and revelation.

Across the exhibition, place emerges as both anchor and invitation: somewhere to return to, to dwell within, or to momentarily escape.

Visit us in the Southern Highlands before the exhibition concludes on 17 May.

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YOU’RE INVITED | DREW TRUSLOVE | ‘After the Flood’ | Opening Reception Saturday, 30 May | Michael Reid Southern Highland...
13/05/2026

YOU’RE INVITED | DREW TRUSLOVE | ‘After the Flood’ | Opening Reception Saturday, 30 May | Michael Reid Southern Highlands

Please join DREW TRUSLOVE and the Michael Reid Southern Highlands team on Saturday, 30 May, to celebrate the opening of the artist’s new solo exhibition, ‘After the Flood’.

Rather than pursuing grand panoramic views, Truslove draws close to the terrain itself - tracing the tangled edges of creek beds, fallen limbs, flooded crossings, and dense undergrowth with extraordinary sensitivity and care.

Named Runner-Up in the 2024 National Emerging Art Prize, Truslove is an artist of growing acclaim, and ‘After the Flood’ marks an ambitious new chapter in his practice.

OPENING RECEPTION
Saturday, 30 May, 2–4pm
Michael Reid Southern Highlands
11b Old Hume Highway
Berrima NSW 2577

To register for the preview catalogue, please follow the link in bio.

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11b Old Hume Highway
Berrima, NSW
2577

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