Annandale Galleries

Annandale Galleries Director’s Bill and Anne Gregory opened Annandale Galleries in 1991, in what was a converted Masonic Hall.

The large space that the Galleries provide, stem from the building’s initial function, having originally been a Methodist church.

NOW OPEN - WILLIAM KENTRIDGE and GUNYBI GANAMBARR Annandale is proud to bring two displays to Sydney Contemporary repre...
04/09/2026

NOW OPEN - WILLIAM KENTRIDGE and GUNYBI GANAMBARR

Annandale is proud to bring two displays to Sydney Contemporary representing three decades of collaboration.

William Kentridge began showing with Annnadale in the late 1990's with his graphic work consistently pushing the boundaries of traditional printmaking. In some cases single pieces require over 50 individually printed elements across dozens of techniques.

Of the many exhibitions we have hosted with Buku-Larrŋgay Mulka Centre (Yirrkala NT) dating back to 1995, Gunybi Ganambarr has heavily featured as both an exhibiting artist and a powerful influence. The work on display comes from this year's Biennale of Sydney and Sulman Prize Art Gallery NSW as well as a newly produced work from reclaimed steel representing sacred Ŋaymil spring designs.

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More Kentridge can be seen at the fair as part of Installation Contemporary, featuring major works Goat, Milk, and one of the newest bronzes from the studio, Sapling. Each act as an extension of Kentridge's iconic visual language, borrowing from history, theatre and memory. Despite their significant scale they effortlessly trace space like shadows in motion, slipping between the fixed the fleeting.

Find us at Booth A05 until 6 September at Carriageworks

All inquiries to [email protected] or DM

William Kentridge
Buku-Larrŋgay Mulka
Sydney Contemporary







Photos by DOCUMENT PHOTOGRAPHY

ART FAIR Gunybi Ganambarr Sydney ContemporaryOriginator of the Found movement, Gunybi Ganambarr has had six solos at Ann...
29/08/2026

ART FAIR Gunybi Ganambarr Sydney Contemporary
Originator of the Found movement, Gunybi Ganambarr has had six solos at Annandale Galleries spanning over two decades. The Yolŋu artist, working from his remote hometown of Gängän, has produced some of the most groundbreaking work of his generation. Under Ganambarr’s hand, the mass and rigidity of reclaimed metal seemingly melts away, often representing reservoirs and springs of the Ŋaymil/Datiwuy clans.

Ganambarr’s work now resides in every major institution in the country, as well as international collections such as the Metropolian Museum of Art, New York. His awards include the National Aboriginal and Torres Strait Islander Art Award (2018), the Western Australian Indigenous Art Award (2011), and the Xstrata Coal Emerging Indigenous Artist Award (2008). In 2026 he was notably featured in the Biennale of Sydney at White Bay Power Station, and was a finalist in both Wynne and Sulman Prizes, Art Gallery of New South Wales.

Ganambarr's work will be on display with us at Booth A05, Carriageworks 3-6 September

In association with Buku-Larrŋgay Mulka
Buku-Larrŋgay Mulka


Gunybi Ganambarr
1) Milŋurr Ŋamil font, 2026, steel, 132 x 112 x 118 cm
2) Garrapara, 2026, synthetic polymer paint on satellite dish, 137.2 x 122.5 x 11 cm
3) Milŋurr Ŋgamil font, 2024, etched aluminium, 244 x 244 cm

ART FAIR - WILLIAM KENTRIDGE Sydney ContemporaryLarge bronzes emerge like shadows in motion, tracing forms that shift in...
27/08/2026

ART FAIR - WILLIAM KENTRIDGE Sydney Contemporary

Large bronzes emerge like shadows in motion, tracing forms that shift in and out of coherence from each new vantage point. Elaborate prints seem to fall effortlessly into place, as leaves of the tree and leaves of the book combine to speak to us like prophets.

“He has given us sculpture that walks and falters, pauses and remembers. He has given us a landscape of metaphor, memory, and resonance”
- Clare Lilley, The Gravity of Form (for The Pull of Gravity, Yorkshire Sculpure Park)

The 10th Edition of Sydney Contemporary comes at the same time as Annandale celebrates our 35th Anniversary.

Find us at Booth A05, and also as part of Installation Contemporary

William Kentridge
1) Sapling 2026, bronze, 152 x 138.4 x 46.3cm Edition of 5
2) How to Explain Who I Was, 2024, photographer, photo Polymer, chine-collé and collage on hahnemuhle, 153 x 178 cm, Edition of 20
3) Oak Leaf, 2021, bronze, 88 x 110 x 30cm, Edition of 4
4) Four Songs for Autumn, 2024, lithograph collage and chine-collé of pages from l'Esposizione di Parigi del 1878 Illustrata printed on Kitakata and Somerset book
5) Goat, 2021, bronze, 120 x 80 x 150cm, Edition of 8

Final Days! If I Were a Cactus We'll soon be saying farewell to our collaborative exhibition with Studio A artists Emily...
19/08/2026

Final Days! If I Were a Cactus
We'll soon be saying farewell to our collaborative exhibition with Studio A artists Emily Crockford, Annette Galstaun, Daniel Kim, Meagan Pelham, Thom Roberts, Damian Showyin and Lex Tan.

Each artist has channelled an aspect of their daily lives, from suburban streets reimagined in heightened colour to birds painted like precious jewels. Finding beauty in the otherwise ordinary is more than visually captivating; it is an imperative for those who wish to authentically connect with the present.
Thanks to the entire studioA family for helping bring this joyful show to life, and for all the valuable work they do in Sydney and beyond.

'If I were a Cactus' will be open until Saturday 22 August 11am - 4pm.

Last Day to see Sara Oscar's The Mute & Counterfactual Departures"They imagine photographs that were never taken, This b...
01/08/2026

Last Day to see Sara Oscar's The Mute & Counterfactual Departures

"They imagine photographs that were never taken, This begins with my mother's own migration story of leaving Thailand in the 1970s and extends to an exodus of Thai women who migrated to Western countries after the Vietnam War.

[...] these images are placeholders. I mean this as a tension rather than a solution. A placeholder creates a space for someone never admitted to history, but it also occupies that space: it produces a subject rather than a person. That distinction matters and names the risk of this work, which is the tension. In making images about these women (and admittedly, myself), I risk repeating photography's tendency
to create types, trivialising history, and being co-opted by the very systems I set out to question. These are systems whose harms, from data centres to ghost work, I cannot ignore and cannot prompt my way out of. The choice usually on offer is to opt out of these systems or be complicit in them. "
- Sara Oscar, exhibition text excerpt

Thank you to all visitors those who joined us on opening night for this wonderfully sensitive and captivating exhibition

Sara Oscar
Photography by Raúl Ortiz de Lejarazu Machin | Photographer

OPENING: NEWCOMERS265 August 6:30pmCome celebrate the launch of our annual Newcomers exhibition, highlighting five recen...
31/07/2026

OPENING: NEWCOMERS26
5 August 6:30pm
Come celebrate the launch of our annual Newcomers exhibition, highlighting five recently graduated art students:

LUKAS KALOS
LUCA LEGGO
CHELSEA STEELE
KIARA STEELE
TAYLAH STEELE

From next week, we'll be featuring interviews and insights from each of these talented early-career artists throughout the length of the exhibition

OPENING Sara Oscar, The Mute & Counterfactual DeparturesOpening night: Wednesday 15th July 6:30pmSara Oscar's recent pho...
08/07/2026

OPENING Sara Oscar, The Mute & Counterfactual Departures
Opening night: Wednesday 15th July 6:30pm

Sara Oscar's recent photographic work uses machine learning to reclaim moments forever lost, notably the artist’s mother’s emigration story from Thailand in the 1970s. Oscar works within and against the visual language of documentary photography, with its familiar iconography and subjects shaped by a Western gaze.

Despite being artificially generated, it is telling that we read these photographs, the racial subjects depicted in them, the gestures of the feminine, as deeply embedded in the cosmology of photography as a way of seeing and being.

Images 1-5: Sara Oscar, Counterfactual Departures series, 2023-2024, AI generated photographs, inkjet prints on archival Illford Galerie paper, 41 x 39 cm

Sara Oscar

OPENING If I Were a Cactus, Studio AOpening Night 15 July 6:30 - 8pmAnnandale Galleries"I love colours so much, bright c...
08/07/2026

OPENING If I Were a Cactus, Studio A
Opening Night 15 July 6:30 - 8pm
Annandale Galleries

"I love colours so much, bright colours. I want people to feel colourful in their mind, in your body and in your dream"
- Emily Crockford, Studio A artist

Seven Studio A artists present everyday surroundings as a catalyst for constructing and communicating reality, in their own distinctive ways. Oscillating between the familiar and fantastical, landscapes become more than backdrops, domestic items become more than functional. We are invited to experience suburban streets reimagined in heightened colour, birds painted like precious jewels. In this way, finding beauty in the otherwise ordinary is more than visually captivating; it is an imperative for those who wish to authentically connect with the present.

'If I Were A Cactus' is made possible through collaboration with Studio A, a Sydney-based organisation dedicated to professionally empowering artists with intellectual disability and ensuring their voices are heard within contemporary Australian culture.

Exhibiting artists: Emily Crockford, Annette Galstaun, Daniel Kim, Meagan Pelham, Thom Roberts, Damian Showyin, Lex Tan

Exhibition dates 15 July - 15 August

Images:
1) Annette Galstaun, A Cactus in the Desert, 2025, gouache and posca on paper, 56 × 39 cm
2) Lex Tan, Las Vegas Nevada House, 2025, acrylic on canvas, 120 x 90 cm
3) Thom Roberts, Freddy Silver Train Carriage, 2025, acrylic on canvas, 67 x 98 cm
4) Meagan Pelham, Budgerigar Romantic in Love, 2026, watercolour, gouache, pen, and posca on paper, 42 x 31 cm
5) Daniel Kim, Red Flowers and Sofa, 2024, acrylic on canvas, 51 x 41 cm

INFINITE GROWTH - OPEN NOWExhibition dates 16 May - 20 JuneAn international array of Annandale artists, using motifs of ...
16/05/2026

INFINITE GROWTH - OPEN NOW
Exhibition dates 16 May - 20 June

An international array of Annandale artists, using motifs of nature to communicate notions of regeneration, impermanence, allegory, and navigation of place.
Featuring:
Richard Ballard (UK)
Fred Cress (AUS)
Maurice Cockrill (UK)
Julie Harris (AUS)
William Kentridge (SA)
Wulu Marawili (AUS)
Balang Nakurulk (John Mawurndjul) (AUS)
Michael Weston (UK)

- Infinite Growth Install
- Richard Ballard, Forest Interior, 1985, oil on canvas 230 x 172 cm
- William Kentridge, Flowers for Suzanne, 2019 mohair tapestry in collaboration with Marguerite Stephens 235 x 166 cm edition of 6
- Julie Harris, The Brillig, 2020, acrylic, ink, marble dust on canvas, 155 x 137 cm

Vale Anne Gregory 1952-2026Recently, Annandale Galleries announced the passing of our esteemed director, Anne Grant Greg...
15/04/2026

Vale Anne Gregory 1952-2026
Recently, Annandale Galleries announced the passing of our esteemed director, Anne Grant Gregory.

For forty years, Anne was a pioneering figure in the arts, initially opening Poster Palais (1986-87), followed by Galerie Anne Gregory (1987-89) and finally Annandale Galleries (1991-present). Leading with dedication and tenacity, she realised countless landmark exhibitions with a continually resonating influence.

Anne passed whilst on holiday in Fiji, surrounded by loved ones. 
We are all immensely indebted to Anne, for her kindness and passion — she will be sorely missed.

Despite slight changes to the gallery program, Annandale continues to operate within our regular exhibition hours. While Anne's family is in mourning, we ask that anyone who wishes to pay their respects, please visit or contact the gallery directly via [email protected]

Address

110 Trafalgar Street
Annandale, NSW
2038

Opening Hours

Wednesday 11am - 4pm
Thursday 11am - 4pm
Friday 11am - 4pm
Saturday 11pm - 4pm

Telephone

+61295521699

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