Samstag Museum of Art

Samstag Museum of Art Bold, creative and responsive to developments in contemporary visual art.

TOM / Earlier this year, Samstag had the pleasure of running a creative workshop for students planning to participate in...
28/08/2026

TOM / Earlier this year, Samstag had the pleasure of running a creative workshop for students planning to participate in this yearโ€™s Tournament of Minds. We had a great time making masks, placards and chants for students to stage their own Jemima Wyman-inspired mini protests ๐ŸŽญ๐Ÿชง๐ŸŽถ

We were so impressed by what these students achieved in 2 hours and canโ€™t wait to see the presentations of their Long Term Challenges this weekend!

The TOM SA State Finals are being held at Adelaide University, Adelaide City Campus West, on Sunday 30 August. To celebrate, Samstag will be open from 11 am to 4.30 pm on Sunday.ย  Pop in to see the shows and make your own colourful collage to take home with you. See you on Sunday!

Adelaide University University Art Museums Australia (UAMA) TOM South Australia Jemima Wyman

FINALE / Join us as we prepare to farewell Ida Sophiaโ€™s epic durational performance of ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ ๐ŸŒนWe have ...
21/08/2026

FINALE / Join us as we prepare to farewell Ida Sophiaโ€™s epic durational performance of ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ ๐ŸŒน

We have watched the energy and intensity of this performance slowly build over the past two months and now it set to reach its ultimate crescendo.

The final performance will take place tomorrow: Saturday 22 August, 10 am to 5 pm.

Drop in during the day, turn up for the final moments, or stay the whole seven hours. Just make sure not to miss this powerful end to forty days of silent endurance.

Adelaide University University Art Museums Australia (UAMA) IDA SOPHIA Adelaide West End SALA Festival

๐Ÿ“ธSia Duff
Ida Sophia, โ€˜Patience and Penitentiaโ€™, 2026. Installation view at Samstag Museum of Art. Photograph by Sia Duff.

SOPHIA / Tomorrow, Ida Sophia will embark on the final week of her epic durational performance of ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ...
18/08/2026

SOPHIA / Tomorrow, Ida Sophia will embark on the final week of her epic durational performance of ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ. Totalling 40 days and 280 hours, this powerful contemplation on the way that silence can be weaponised in personal relationships will come to an end on Saturday.

If you have not yet experienced this work, or would like one more opportunity to see Ida in the gallery, please join us between 10 am and 5 pm on either Wednesday, Thursday, Friday or Saturday of this week (19th to the 22nd of August).

Adelaide University University Art Museums Australia (UAMA) IDA SOPHIA SALA Festival

๐Ÿ“ธBallOfLight
Ida Sophia, โ€˜Patience and Penitentiaโ€™, 2026. Installation view at Samstag Museum of Art. Photography by Denis Smith. Courtesy the artist.

WYMAN / In โ€˜Deepsurface fray rageโ€™ (2018), Jemima Wyman draws on the concept of the quarter-shelterโ€”a military textile d...
16/08/2026

WYMAN / In โ€˜Deepsurface fray rageโ€™ (2018), Jemima Wyman draws on the concept of the quarter-shelterโ€”a military textile design that functions as a convertible tent, cape, or blanketโ€”to explore the relationship between textiles, protest and collective resistance.

The quarter-shelter was one of the first military garments to feature camouflage-inspired designsโ€”both garment and pattern used to support the physical movement and protection of military personnel. Similar strategies have been employed by protesters for protection against surveillance and various forms of crowd control.

Wymanโ€™s large-scale textile installation explores the relationship between tools of warfare and tools of resistance. However, rather than camouflage patterns, her textiles are embellished with painted and spray-painted symbols of civil unrest: handprints, bullet holes, and protest slogans. In her essay for the ๐—๐—ฒ๐—บ๐—ถ๐—บ๐—ฎ ๐—ช๐˜†๐—บ๐—ฎ๐—ป: ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ monograph, Dr Hanna Rose Shell writes:

โ€œ๐˜ฝ๐™ฎ ๐™ง๐™š๐™ฅ๐™ช๐™ง๐™ฅ๐™ค๐™จ๐™ž๐™ฃ๐™œ ๐™ข๐™ž๐™ก๐™ž๐™ฉ๐™–๐™ง๐™ฎ ๐™ฉ๐™š๐™ญ๐™ฉ๐™ž๐™ก๐™š๐™จ ๐™–๐™ฃ๐™™ ๐™ฅ๐™ง๐™ค๐™ฉ๐™š๐™จ๐™ฉ ๐™š๐™ฅ๐™๐™š๐™ข๐™š๐™ง๐™–, ๐™ฉ๐™๐™š ๐™ฌ๐™ค๐™ง๐™  ๐™ค๐™ฅ๐™š๐™ง๐™–๐™ฉ๐™š๐™จ ๐™–๐™จ ๐™– ๐™ข๐™ช๐™ฉ๐™–๐™—๐™ก๐™š, ๐™ข๐™–๐™ ๐™š๐™จ๐™๐™ž๐™›๐™ฉ ๐™จ๐™ž๐™ฉ๐™š ๐™ค๐™› ๐™จ๐™ค๐™ก๐™ž๐™™๐™–๐™ง๐™ž๐™ฉ๐™ฎ. ๐™„๐™ฉ ๐™ฅ๐™ง๐™ค๐™ฅ๐™ค๐™จ๐™š๐™จ ๐™ฅ๐™–๐™ฉ๐™ฉ๐™š๐™ง๐™ฃ ๐™–๐™จ ๐™– ๐™›๐™ค๐™ง๐™ข ๐™ค๐™› ๐™–๐™™๐™–๐™ฅ๐™ฉ๐™–๐™—๐™ž๐™ก๐™ž๐™ฉ๐™ฎ ๐™–๐™ฃ๐™™ ๐™ง๐™š๐™จ๐™ž๐™ก๐™ž๐™š๐™ฃ๐™˜๐™š ๐™ช๐™ฃ๐™™๐™š๐™ง ๐™˜๐™ค๐™ฃ๐™™๐™ž๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™ค๐™› ๐™ž๐™ฃ๐™จ๐™ฉ๐™–๐™—๐™ž๐™ก๐™ž๐™ฉ๐™ฎ ๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™ง๐™š๐™–๐™ฉ.โ€

โ€˜Deep Surfaceโ€™ is a QUT Galleries and Museums travelling exhibition curated by Katherine Dionysius.

๐—๐—ฒ๐—บ๐—ถ๐—บ๐—ฎ ๐—ช๐˜†๐—บ๐—ฎ๐—ป: ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ is on show at Samstag Museum of Art until Friday 18 September, 2026.

Samstag is open Tuesday to Saturday, 10am - 5pm.

Adelaide University University Art Museums Australia (UAMA) Jemima Wyman QUT Art Museum Katherine Dionysius

๐Ÿ“ธ
1-7: Jemima Wyman, โ€˜Deepsurface fray rageโ€™ (details), 2018, custom sewn shelter-quarter spray-painted with original metal buttons, painted photographs, metal armature, painted moving blankets, various painted fabric, 297 x 399 x 91 cm. Courtesy the artist and Commonwealth and Council, Tovaangar/Los Angeles.
8-9: Jemima Wyman, โ€˜Deep Surfaceโ€™, 2026. Installation view at Samstag Museum of Art. Photography by Sia Duff.

WYMAN / In her โ€˜Aggregate iconโ€™ series, Jemima Wyman takes small fragments of photographs from her extensive archive of ...
07/08/2026

WYMAN / In her โ€˜Aggregate iconโ€™ series, Jemima Wyman takes small fragments of photographs from her extensive archive of found protest documentation (thousands of digital photographs, sourced online, that document protests from around the world) and creates intricately patterned kaleidoscopic and mandala-like circular collages. Cut by hand, each fragment is carefully arranged into fractals โ€” never-ending, repeat patterns โ€” that are, in turn, rotated and repeated across the composition.

Through this laborious physical process, Wyman enacts political theorist Hannah Arendtโ€™s concept of โ€˜going visitingโ€™. Arendt proposes that moral judgement requires us to step outside of our individual understanding of the world in order to โ€˜visitโ€™ the perspectives of others. By doing this, we come to a new, more informed, more expansive understanding. As curator Katherine Dionysius explains:

โ€œโ€ฆ๐™ž๐™ฉ ๐™ž๐™จ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™–๐™ง๐™ฉ๐™ž๐™จ๐™ฉ๐™จโ€™๐™จ ๐™–๐™˜๐™ฉ๐™จ ๐™ค๐™› ๐™ง๐™š๐™จ๐™š๐™–๐™ง๐™˜๐™๐™ž๐™ฃ๐™œ, ๐™–๐™ง๐™˜๐™๐™ž๐™ซ๐™ž๐™ฃ๐™œ,๐™˜๐™ช๐™ฉ๐™ฉ๐™ž๐™ฃ๐™œ ๐™–๐™ฃ๐™™ ๐™–๐™จ๐™จ๐™š๐™ข๐™—๐™ก๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™ž๐™จ ๐™ž๐™ข๐™–๐™œ๐™š๐™ง๐™ฎ ๐™ฉ๐™๐™–๐™ฉ ๐™ฌ๐™š ๐™ค๐™—๐™จ๐™š๐™ง๐™ซ๐™š ๐™’๐™ฎ๐™ข๐™–๐™ฃ โ€˜๐™œ๐™ค๐™ž๐™ฃ๐™œ ๐™ซ๐™ž๐™จ๐™ž๐™ฉ๐™ž๐™ฃ๐™œโ€™. ๐™๐™๐™ง๐™ค๐™ช๐™œ๐™ ๐™ฉ๐™๐™ž๐™จ ๐™ฅ๐™ง๐™ค๐™˜๐™š๐™จ๐™จ, ๐™จ๐™๐™š ๐™–๐™ฉ๐™ฉ๐™š๐™ข๐™ฅ๐™ฉ๐™จ ๐™ฉ๐™ค ๐™š๐™ฃ๐™ฉ๐™š๐™ง ๐™– ๐™จ๐™ฅ๐™–๐™˜๐™š ๐™ค๐™› ๐™š๐™ข๐™—๐™ค๐™™๐™ž๐™ข๐™š๐™ฃ๐™ฉ, ๐™ฉ๐™ค ๐™—๐™š๐™˜๐™ค๐™ข๐™š ๐™–๐™ฃ ๐™–๐™˜๐™ฉ๐™ž๐™ซ๐™š ๐™ซ๐™ž๐™š๐™ฌ๐™š๐™ง ๐™ฌ๐™๐™ค ๐™–๐™ฃ๐™–๐™ก๐™ฎ๐™จ๐™š๐™จ ๐™ž๐™ข๐™–๐™œ๐™š๐™จ, ๐™ก๐™ค๐™ค๐™ ๐™ž๐™ฃ๐™œ ๐™›๐™ค๐™ง ๐™จ๐™ž๐™ข๐™ž๐™ก๐™–๐™ง๐™ž๐™ฉ๐™ž๐™š๐™จ ๐™–๐™ฃ๐™™ ๐™จ๐™ช๐™—๐™ฉ๐™ก๐™š ๐™™๐™ž๐™›๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š๐™จ, ๐™ข๐™–๐™ ๐™ž๐™ฃ๐™œ ๐™ฃ๐™š๐™ฌ ๐™ฅ๐™–๐™ฉ๐™ฉ๐™š๐™ง๐™ฃ๐™จ ๐™ฉ๐™ค ๐™œ๐™–๐™ž๐™ฃ ๐™–๐™ฃ ๐™š๐™ญ๐™ฅ๐™–๐™ฃ๐™™๐™š๐™™ ๐™˜๐™ค๐™ฃ๐™จ๐™˜๐™ž๐™ค๐™ช๐™จ๐™ฃ๐™š๐™จ๐™จ.โ€
โ€จโ€˜Deep Surfaceโ€™ is a QUT Galleries and Museums travelling exhibition curated by Katherine Dionysius.โ€จโ€จ๐—๐—ฒ๐—บ๐—ถ๐—บ๐—ฎ ๐—ช๐˜†๐—บ๐—ฎ๐—ป: ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ is on show at Samstag Museum of Art until Friday 18 September 2026.โ€จโ€จAdelaide Universityย University Art Museums Australia (UAMA)ย Jemima Wymanย QUT Art Museumย Katherine Dionysiusโ€จโ€จ๐Ÿ“ธ
1. Jemima Wyman, โ€˜Deep Surfaceโ€™, 2026. Installation view at Samstag Museum of Art. Photography by Sia Duff.
2. Jemima Wyman, โ€˜Aggregate icon (Rosetta RBW)โ€™, 2017, hand-cut digital photographs, 200 cm diameter. Photograph by Jeff Mclane. Private collection.
3&4. Jemima Wyman, โ€˜Aggregate icon (Rosetta RBW), detail views, 2017.

ARTIST TALK / Join us as we hear from artist Ida Sophia ahead of her finale performance of โ€˜Patience and Penitentiaโ€™. So...
05/08/2026

ARTIST TALK / Join us as we hear from artist Ida Sophia ahead of her finale performance of โ€˜Patience and Penitentiaโ€™. Sophia will discuss the inspiration behind her latest work, the rigours of durational performance, and the development of her practice.

ARTIST TALK: IDA SOPHIA /
Tuesday 18 August, 1pm
Samstag Museum of Art
Registrations encouraged
๐Ÿ”— Link in bio.

PATIENCE AND PENITENTIA:
FINALE /
Saturday 22 August, 10am โ€“ 5pm
Samstag Museum of Art
Upstairs Gallery 2

Free entry. All welcome!

Adelaide University University Art Museums Australia (UAMA) IDA SOPHIA

๐Ÿ“ธ
Ida Sophia photographed in her studio by Joseph James Francis, 2024. Courtesy of the artist.

SOPHIA / Eliciting compassion through action, viewers of ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ may receive a string of seven beadsโ€”a s...
31/07/2026

SOPHIA / Eliciting compassion through action, viewers of ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ may receive a string of seven beadsโ€”a small gift, laden with symbolism:
๐ŸŒน7 is a number symbolically tied to forgiveness in Christian tradition.
๐ŸŒนThe beads are crafted from rose petals, representing the traditional rosaryโ€”a Catholic instrument of prayer and penance.
๐ŸŒนThese rose petals were donated from the gardens of Adelaidean women who all share an intimate knowledge of the silent treatmentโ€”including women representing three generations of the artistโ€™s own family.

Gardens, like families, require care and responsiveness, and the collaborative origins of this material foreground the small acts of reciprocity essential to release from weaponised silence.

๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ is on show until 18 September, 2026.
Performance dates vary. Visit the Samstag website for ongoing updates. ๐Ÿ”— Link in bio.

Adelaide University University Art Museums Australia (UAMA) IDA SOPHIA

๐Ÿ“ธ Sia Duff
ย Ida Sophia, โ€˜Patience and Penitentiaโ€™, 2026. Installation views at Samstag Museum if Art. Photographs by Sia Duff.

WYMAN / One of the earliest works in ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ is โ€˜Faceย body projectโ€™ (1997), which formed part of Wymanโ€™s final unde...
28/07/2026

WYMAN / One of the earliest works in ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ is โ€˜Faceย body projectโ€™ (1997), which formed part of Wymanโ€™s final undergraduate portfolio. Part of a larger series, this work is a photocopy of a black and white photograph of the artistโ€™s own face. Encircling Wymanโ€™s face is a series of curved black ink lines. With this early work, we already see two key facets of Wymanโ€™s practice emerge โ€” pattern and the interplay between interiority and exteriority.

โ€œ๐™„ ๐™ฉ๐™๐™ค๐™ช๐™œ๐™๐™ฉ ๐™–๐™—๐™ค๐™ช๐™ฉ ๐™˜๐™ค๐™ข๐™ฅ๐™ก๐™š๐™ญ ๐™›๐™ง๐™–๐™˜๐™ฉ๐™–๐™ก ๐™ฅ๐™–๐™ฉ๐™ฉ๐™š๐™ง๐™ฃ๐™จ ๐™ž๐™ฃ ๐™ฉ๐™š๐™ง๐™ข๐™จ ๐™ค๐™›๐™จ๐™˜๐™ž๐™š๐™ฃ๐™˜๐™š ๐™–๐™ฃ๐™™ ๐™ฅ๐™จ๐™ฎ๐™˜๐™๐™ค๐™ก๐™ค๐™œ๐™ฎ, ๐™–๐™ฃ๐™™ ๐™„ย  ๐™ง๐™š๐™ก๐™–๐™ฉ๐™š๐™™ ๐™ฉ๐™๐™š ๐™ž๐™ฃ๐™ฉ๐™š๐™ง๐™ฃ๐™–๐™ก๐™ข๐™ž๐™˜๐™ง๐™ค-๐™ฅ๐™–๐™ฉ๐™ฉ๐™š๐™ง๐™ฃ๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™—๐™ค๐™™๐™ฎ ๐™ฌ๐™ž๐™ฉ๐™ ๐™ข๐™–๐™˜๐™ง๐™ค-๐™ฅ๐™–๐™ฉ๐™ฉ๐™š๐™ง๐™ฃ๐™จ ๐™ž๐™ฃ๐™ฉ๐™๐™š ๐™ช๐™ฃ๐™ž๐™ซ๐™š๐™ง๐™จ๐™š. ๐™„ ๐™œ๐™ค๐™ฉ ๐™ž๐™ฃ๐™ฉ๐™š๐™ง๐™š๐™จ๐™ฉ๐™š๐™™ ๐™ž๐™ฃย  ๐™๐™ค๐™ฌ ๐™ฅ๐™–๐™ฉ๐™ฉ๐™š๐™ง๐™ฃ ๐™ง๐™š๐™ก๐™–๐™ฉ๐™š๐™จ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™—๐™ค๐™™๐™ฎ ๐™–๐™ฃ๐™™ ๐™ฉ๐™ค ๐™ค๐™ช๐™ง ๐™ง๐™š๐™ก๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™ฌ๐™ž๐™ฉ๐™ ๐™ฉ๐™๐™š ๐™ฌ๐™ค๐™ง๐™ก๐™™.โ€

โ€” Jemima Wyman, โ€˜Jemima Wyman: Psychedelic Protest,โ€™ interview by Robert Leonard, Town Hall, 1 April (2024): 20.

โ€˜Deep Surfaceโ€™ is a QUT Galleries and Museums travelling exhibition curated by Katherine Dionysius.

๐—๐—ฒ๐—บ๐—ถ๐—บ๐—ฎ ๐—ช๐˜†๐—บ๐—ฎ๐—ป: ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ is on at Samstag Museum of Art Friday 26 June โ€” Friday 18 September 2026

Adelaide University University Art Museums Australia (UAMA) Jemima Wyman QUT Art Museum Katherine Dionysius

๐Ÿ“ธ
Jemima Wyman, โ€˜Face body projectโ€™, 1997, ink on photocopy, 42 x 29.7 cm. Courtesy of the artist.

SOPHIA /  Today we reached the halfway point of Ida Sophiaโ€™s durational performance: ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ ๐Ÿฅ€Thank you ...
24/07/2026

SOPHIA / Today we reached the halfway point of Ida Sophiaโ€™s durational performance: ๐—ฃ๐—ฎ๐˜๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฒ๐—ป๐—ถ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ ๐Ÿฅ€

Thank you to everyone who has joined us over the past 20 performance days. Your connection to this work has made the endless laps of silence feel more of a gift than penance for the artist and her co-performersโ€”Sarah Neville, OAKEY, Ashton Malcolm and Isobel Stolinski.ย 

There are 20 more opportunities to experience this deeply moving work. Visit the Samstag website for weekly performance date updates. ๐Ÿ”—Link in bio.

Adelaide University IDA SOPHIA

๐Ÿ“ธ
Ida Sophia, Patience and Penitentia,โ€™ Samstag Museum of Art, 2026. Photograph by Sia Duff.

21/07/2026

LISTEN / ON ART Episode 41 | Jemima Wyman

Jemima Wyman (Palawa) is an LA-based artist and Samstag Scholar (2005). Over three decades, Wyman has explored collective organising, democracy and dissent through photographic collage, painting, performance, textiles and moving image. She joins Associate Curator Anna Zagala in the studio to discussย ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ, a major survey exhibition devoted to her work now on at Samstag Museum of Art.ย  They dive into the concepts, ethics and aesthetics that underpin and find expression through her practice. Jemima shares her encyclopaedic knowledge of global protest movements, what archiving processes work for her, and why even as a regular return visitor to Australia, LA suits her as a person and maker.

โ€˜Deep Surfaceโ€™ is a QUT Galleries and Museums travelling exhibition curated by Katherine Dionysius.

๐—๐—ฒ๐—บ๐—ถ๐—บ๐—ฎ ๐—ช๐˜†๐—บ๐—ฎ๐—ป: ๐——๐—ฒ๐—ฒ๐—ฝ ๐—ฆ๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ is on at Samstag Museum of Art Friday 26 June โ€” Friday 18 September 2026

๐ŸŽง Find the Samstag ON ART podcast wherever you get your podcasts or listen in on our website.
๐Ÿ”—Link in bio.

ON ART is supported by the Gordon Darling Foundation and Solstice Podcasting and produced by Tilly Balding in Tarntanya/Adelaide. The conversation was recorded in June 26, 2026.

Adelaide University University Art Museums Australia (UAMA) Jemima Wyman Anna Zagala

๐Ÿ“ธ
Jemima Wyman in her s tudio with โ€˜Haze (Purple)โ€™ and โ€˜Haze (Red),โ€™ 2023. Courtesy the artist.

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