Angewandte Interdisciplinary Lab

Angewandte Interdisciplinary Lab Angewandte Interdisciplinary Lab is a platform for art, science and artistic research by Die Angewande AIL broadcasts the research landscape of die Angewandte.

Angewandte Interdisciplinary Lab is a space and a platform for projects at the intersection of art, science and artistic research. Founded in 2014 by the University of Applied Arts Vienna as an initiative by Gerald Bast, it was launched to enable exchange among different disciplines and to open up art and artistic research. AIL is dedicated to facilitating dialogue between all visitors and partici

pants as well as various fields of knowledge and connects partners from the fields of science, arts, design, research with the resources of the University of Applied Arts Vienna. The projects in AIL’s program investigate current societal issues and encourage the development of new ideas and concepts. Which tools can artistic practices develop to meet the challenges our society faces today? What can artists, designers, activists, teachers, farmers and everyone else offer to create a well-functioning present and a future worth living? Ever since it was founded, AIL has facilitated a wide range of formats, such as multidisciplinary exhibitions, curated talks and discussions, symposia, lectures, concerts and performances as well as public experiments and informal meetings like the weekly Kochmittwoch (currently on hold). The program, curated by the heads of AIL and the Executive Board, is based on research projects affiliated with Angewandte or on collaborations with external partners. As an important link between Angewandte and the general public sphere, AIL makes current projects at the university accessible to the public, connects them to other fields of knowledge and science and makes the university’s organizational and content-related resources available to all interested parties. In spring 2021, after seven years at Franz-Josefs-Kai 3, AIL moved to the former Postsparkasse in the heart of Vienna – a historic building designed by architect Otto Wagner – thus joining other departments of Angewandte and a newly emerging neighborhood comprising several research institutions from the field of art and science. The new location provides the opportunity to further expand and strengthen networks for interdisciplinary work and research on an area of about 300 square meters, divided into three rooms on the mezzanine floor, with Café Exchange (former Kassenhalle) as its centerpiece. With Café Exchange, AIL opens up not only the program but continues to consolidate the intersection between the University and the public. Following the spirit of Wiener Salon, this is a place to exchange thoughts, knowledge, visions and utopias – to meet and network, linger over great drinks from master coffeemaker Alexander Afrough while experiencing sound and artistic performances and installations or listening to talks and lectures from the curated program.

From its inception, modern computing has faced a series of hard problems, that is, some prize or domain that seems to el...
10/06/2026

From its inception, modern computing has faced a series of hard problems, that is, some prize or domain that seems to elude computation. These hard problems include meaning, quality, the real, continuity, and mind. Historically, digital computing has either been definitionally barred from claiming one or more of these prizes, or has thus far been unable to perform satisfactorily in obtaining them.
When tackling a hard problem, most of the work is performed by the integers, plus a series of attendant operations borrowed from arithmetic, logic, and linear algebra (namely, matrix manipulation). Meanwhile a ton of heavy lifting is performed elsewhere, by a series of "invisible" operations. While not typically labeled technologies per se, we must include these invisible operations as axioms.

For this lecture, Alexander R. Galloway will address five axioms of AI: the Turing Test, the Eliza Effect, float fusion, scale, and arbitrage.

Lecture followed by a moderated Q&A with researcher Mikkel Rørbo.

Alexander R. Galloway is a writer and computer programmer working on issues in philosophy, technology, and theories of mediation. Professor of Media, Culture, and Communication at New York University, he is author of several books on digital media and critical theory, including Uncomputable (Verso, 2021) and, most recently, Digital Theory (Minnesota/meson, 2026) written with M. Beatrice Fazi, Matthew Handelman, and Leif Weatherby. A new book on the digital and the analog, Alphanumerische Philosophie, is forthcoming in German from Suhrkamp Verlag.

Presented by the Weibel Institute for Digital Cultures
The Weibel Institute is a space for intervention, investigation, and experimentation within the expansive disciplines of arts, science, and technologies at the University of Applied Arts Vienna. In close cooperation with AIL, the Weibel Institute invites international lecturers to share their research in public lectures and exhibitions and symposia are initiated.

The AIL Residency Program continues and AIL invites alumni* of the University of Applied Arts Vienna to work on their in...
01/06/2026

The AIL Residency Program continues and AIL invites alumni* of the University of Applied Arts Vienna to work on their interdisciplinary projects with a strong focus on research. Deadline for Submissions: July 5, 2026!

This Open Call is aimed at artists, designers, researchers or collectives, to use one of the AIL spaces as a workplace for artistic work or experimental formats and are interested in presenting their insights and practice to the public.

The AIL Residency Program 2027 focuses on the main topic of knowledge production. Find all details via link in Bio.

RESIDENCY TIMESLOTS:

8 Feb–8 Mar 2027
(dates can be slightly adapted if necessary)

15 Mar–16 Apr 2027
(dates can be slightly adapted if necessary)

*Please note: The Open Call is addressed only to Alumni, who are currently not affiliated with the Angewandte via a Phd, teaching position or employment.

Memory is not a stable record of the past. Rather than functioning as a static archive, it unfolds as a dynamic process ...
28/05/2026

Memory is not a stable record of the past. Rather than functioning as a static archive, it unfolds as a dynamic process in which traces are continuously reshaped by perception, narration, and material conditions.

The exhibition "[REVERBERATED]. Following the Movement of Memory" explores notions of memory as the annual exhibition of the master’s program Art & Science. The exhibition approaches this process through the metaphor of reverberation. Reverberation describes the reflection of sound from multiple surfaces, producing many overlapping echoes at once. Just as sound continues to resonate within a space, memories reverberate through bodies, media, and environments long after the events that created them.

Taking this physical phenomenon as its conceptual point of departure, the exhibition explores how memories move across temporal, spatial, and technological contexts. Memory is never something fixed, but rather a living trace that unfolds over time. It continuously changes depending on context, interpretation, perception, and the ever-shifting present moment. Within this framework, the participating artworks investigate different modes of remembering: some address the role of images, storytelling, and artificial intelligence in shaping narratives of the past, while others engage with ecological and material traces: from disappearing species and botanical archives to residues embedded in landscapes and infrastructures.

With contributions by:
Agustina Belén Agüero, Lobna Awidat, Phin Anibal, Rimon Alyagon Darr, Ronnie Danaher, Tatiana Del Valle, Hasti Ghasedi, Leah Barbara Mukui Giertz, Hanna Hofmann, Tal Horesh, Mauritius Itzinger, Laura Isselhorst, Dina Karaman, Moritz Klarer, Anna Buchner, Leonard Otterbein, David Ristić, Rajarshi Sarkar, Agnes Schyberg, A***n Shahabian, Majedeh Shahvelayati, Mehrta Shirzadian, Pauline Simon, Laura Chalabi, People of Soil

OPENING PROGRAM, 9 Jun, 18:00
Welcome by Rector Ulrike Kuch,, Elisabeth Falkensteiner (AIL), Martin Reinhart (Art & Science) and participating artists
Performance Leah Giertz
Performance Laura Chalabi
Audio performance by Leonard Otterbein

P.IN.E.A stands for Photography, Intermedia Et Al. and focuses on contemporary artistic photography and related media. I...
25/05/2026

P.IN.E.A stands for Photography, Intermedia Et Al. and focuses on contemporary artistic photography and related media. Inspired by the pineal eye of primitive vertebrates, a centrally positioned third eye sensitive to light and serving as a kind of compass, P.IN.E.A Periodical provides orientation in the cosmos of photographic imagery.
With P.IN.E.A – Photography, Intermedia Et Al., a new international periodical is taking shape at the intersection of art and theory, dedicated to the many states and manifestations of photography. Following the launch of the online magazine in late 2025, the presentation of the first print issue, P.IN.E.A 001, marks another milestone and offers an opportunity to get to know P.IN.E.A more closely.

As a cooperation project by he University of Applied Arts Vienna, AIL is hosting the magazine launch of Issue Nr. 1!

P.IN.E.A Periodical particularly promotes young and emerging artists from German-speaking regions and offers a wide forum for exchange and networking among photo enthusiasts. As a hybrid format, the new art magazine will publish continuous online content starting December 2025, and from Spring 2026, it will also appear twice a year in print.
All texts are bilingual (German/English), making them accessible to a global audience.
In view of the intensified circulation of photographs, the growing omnipresence of video clips, and the increasing spread of AI-generated imagery, P.IN.E.A Periodical is especially committed to sharpening the perception, analysis, and critical reception of (post-)photographic images.

Come see the spatial installation Shaken Grounds: Gleaning from the Rifts (2026) byNikolaus Gansterer, Mariella Greil, V...
21/05/2026

Come see the spatial installation Shaken Grounds: Gleaning from the Rifts (2026) by
Nikolaus Gansterer, Mariella Greil, Victor Jaschke, Peter Kozek, Werner Moebius, Lucie Strecker – at AIL till 26 May 2026.

'Shaken Grounds: Gleaning from the Rifts’ ­unfolds as an open studio installation.
It brings together materials from the research in a continuous arrangement, making processes of working visible. Film fragments, interviews, filmstills, drawings, paintings, objects, costumes and performative actions appear alongside moments of editing, display and filming.
Elements from the three-channel film 'Shaken Grounds: Hell is Empty’ (to see at the second exhibition space of AIL) reappear here in altered form: as physical objects, as fragments, or from another point of view. What is seen in the film returns as material, and what is handled in the studio may reenter the moving image.
The title refers to gleaning, understood not as harvesting but as collecting what has fallen apart. Fragments, traces and residues are gathered and set into relation. The reference to Agnès Varda’s 'Les Glaneurs et la Glaneuse’ points to gleaning as a practice of attention and recomposition.

AIL, Otto Wagner-Postsparkasse / Georg-Coch-Platz 2, 1010 Vienna

Shaken Grounds. Seismography of Precarious Presences is a transdisciplinary artistic research project that explores the interconnections between geological, social, and psychological upheavals. Starting point is the observation that not only natural processes but also human interventions such as climate change and technological interventions influence seismic dynamics and alter the stability of our environment.

All photos: Lea Dörl

Currently at AIL: Bjarki Bragason’s ’Ten Thousand and One Years’ . Chrystals apparent in the basaltic core from a depth ...
19/05/2026

Currently at AIL: Bjarki Bragason’s ’Ten Thousand and One Years’ . Chrystals apparent in the basaltic core from a depth of 449.5 meters under the Hellisheiði heath in Iceland bear testament to the success of carbon mineralisation by the injection of CO₂ into the bedrock, turning it into solid form. The work shows a large photograph of a drill core from the carbon storage project Carbfix in Iceland.
The Carbfix process utilises a natural process which is part of the natural carbon cycle, where rain captures athmospheric CO₂ and brings it into the subsurface where it reacts with the bedrock and forms stable carbonate minerals. This is a process of mineralisation that the Carbfix method accelerates from thousunds of years in nature to about one year.

In his process, Bjarki was in dialogue with geologist Dr. Sandra Ósk Snæbjörnsdóttir, then geoscientist at Reykjavik Energy and later Carbfix Chief Scientist who through extended conversation facilitated the creation of the work and informed its process which lead to the realisation of a large scale photograph of one of the project‘s drill cores. The scale and form of the work reflects on the intersection of human and geological time in the Anthropocene, a time where these disperate measures of time on Earth interact in new ways.

Shaken Grounds. Seismography of Precarious Presences is a transdisciplinary artistic research project that explores the interconnections between geological, social, and psychological upheavals. Starting point is the observation that not only natural processes but also human interventions such as climate change and technological interventions influence seismic dynamics and alter the stability of our environment.

Ten Thousand and One Years, Bjarki Bragason
Installation, 2016 (Collection of Gerðarsafn – Kópavogur Art Museum, Iceland / Courtesy of Gerðarsafn), part of the exhibition Shaken Grounds. Seismography of Precarious Presences, to see till 26 May 2026.

AIL, Otto Wagner-Postsparkasse / Georg-Coch-Platz 2, 1010 Vienna

Photo: Lea Dörl

Come see  ’Shaken Grounds: Hell is Empty’ a three-channel film installation (2026) from Nikolaus Gansterer, Mariella Gre...
18/05/2026

Come see ’Shaken Grounds: Hell is Empty’ a three-channel film installation (2026) from Nikolaus Gansterer, Mariella Greil, Victor Jaschke, Peter Kozek, Werner Moebius, Lucie Strecker. Only till 26 May / Mon–Fri: 11:00–18:00

AIL, Otto Wagner-Postsparkasse / Georg-Coch-Platz 2, 1010 Vienna

’Shaken Grounds: Hell is Empty’ unfolds as a film in progress. The title refers to William Shakespeare’s The Tempest and the line “Hell is empty, all the devils are here,” shifting the idea of evil away from a distant hell towards human action and responsibility.
The work brings together footage from volcanic landscapes in southern Italy, the retreating Pasterze glacier in Austria, and research material from Iceland, alongside recordings from earthquake monitoring rooms and studio-based explorations, developed between 2024 and 2025. It works with a three-channel composition that moves between establishing shots and performative actions in the field. The film remains open, assembling sequences that are provisional and subject to change. Chance encounters and unexpected relations become part of the editing process. Sound unfolds both spatially in the installation and in close ­dialogue with the image.
The installation moves through geological, somatic and philosophical zones, understood as overlapping fields rather than fixed categories. It traces how seismic transformations in the environment register in perception and in the body.

Shaken Grounds. Seismography of Precarious Presences is a transdisciplinary artistic research project that explores the interconnections between geological, social, and psychological upheavals. Starting point is the observation that not only natural processes but also human interventions such as climate change and technological interventions influence seismic dynamics and alter the stability of our environment.

All photos: Lea Dörl

28/01/2026

Meet Conny Frischauf – our current Alumni in Residence! This Friday you can stop by for Open Studio Day (30 Jan, 14:00–19:00) and get insights into Conny‘s work and practice.

AIL, Otto Wagner-Postsparkasse / Georg-Coch-Platz 2, 1010 Vienna

During their residency Conny will work on the long term work Dwin City which deals with the Danube river and its environments between Vienna and Bratislava. This work is about collective memory, heritage, and the spaces that are inhabited in between scientific or (art) historical narratives. Driven by the question of how to gain, produce, and share the notions of knowing, not knowing, being, and acknowledging.

One of AIL’s aims is to foster connections beyond the University’s structure and therefore support alumni of the University of Applied Arts Vienna. With the new ‘AIL Residency Program’, starting in January 2025, the AIL promotes and makes visible the artistic work and interdisciplinary research of alumni of the University of Applied Arts. For 2026 all residency slots are taken. Next open call for 2027 will be announced in spring 2026.


Video: Evamaria Müller and Peter Paul Aufreiter

Concert: Sounds of the Living at AIL, 23 Jan 2026

beauty in ugliness, uncanny reality of human life.against the supposed order of the bodysomething closer to truth, rawne...
26/01/2026

beauty in ugliness, uncanny reality of human life.
against the supposed order of the body
something closer to truth, rawness and complexity.
silent performance of transformation.
nature seems synthetic
and art is instinctively honest.
reconstruct the inherited identity.
it makes you uncomfortable
thinking everything is a lie for a moment.
it’s also about humans,
everything we have done and can do and we have to live with.
Iconic drama – rage mode is on.

Together with Claudia Holzinger’s Photographic Narration in Publication Formats course AIL created a new series of DIN A6-format postcards. Following the principle of silent mail, students developed ideas and subjects through dialogue to create a ­coherent series together. Presented as an installation at Café Exchange in the former cashier’s hall of the Postsparkasse, postcards can be taken and sent. In this place of exchange, we ­encourage you to stay ­connected.

Photographies and text:
Pavle Banović
Amina Ben Hassen
Francis Grill
Yevheniia Kriuk
Yaroslava Melnychenko
Mihaly Mundruczo
Darryl Oswald
Almut Rist
Dunja Savić
Yuliia Sudarchykova
Zinaida Tsyhliuk
Daniel Wendt

Full disclosure: this edition is already out since last summer, but there are some postcards left, so come by and pick one (or two) up. Next edition is already in the making and will launch this spring.

.photography

Adresse

Georg-Coch-Platz 2
Wien
1010

Öffnungszeiten

Montag 11:00 - 18:00
Dienstag 11:00 - 18:00
Mittwoch 11:00 - 18:00
Donnerstag 11:00 - 18:00
Freitag 11:00 - 18:00

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+431711332007

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