Inga Pernes Contemporary Artist

17/10/2026

Relaxed moments together, elegant dining, and exquisite flavors. ✨

16/10/2026

My little team Ninja security, and good tea time with my lovely friend Maria Pavlova

Such an artwork delivery 📦, by the way there is the opportunity to own this artwork.

02/10/2026

ICDO Yunus Emre Enstitüsü - Avusturya “ exhibition 2026
Thank you for coming my dear friends and sharing this cross-boarding art connection 🌍🌎🌏 🩷

05/09/2026

07/08/2026

When I was a child, in the art classroom at my school, there was a reproduction of Karl Bryullov’s The Last Day of Pompeii — in its original size.

I still remember how our art teacher, Rima Vasikhovna Karimova, introduced us to the history of world art, and especially to the history of Russian art. That painting made a profound impression on me. At that time, Karl Bryullov was my favourite artist, and The Last Day of Pompeii became one of those images that stayed with me long after the lesson was over.

That is why visiting Pompeii myself felt deeply meaningful.

In 79 AD, the city was buried and thousands of lives were taken in an instant by the eruption of Mount Vesuvius. But I could never have imagined how powerful the experience of actually being there would be.

Three hours in Pompeii is nothing — just a tiny glimpse. You need at least several days to truly walk through this place, to absorb its silence, its streets, its houses, its traces of everyday life, and to begin to comprehend the scale of what happened here.

To stand in a city where around 10,000–20,000 people lived, and to realise that an entire world was suddenly destroyed by nature, is overwhelming.

For me, Pompeii was not simply a historical site. It was a journey back to one of the very first encounters that shaped my relationship with art. 🤎🏛️🏺

31/07/2026

⛲️💙🇮🇹

19/07/2026

Meeting a new fam member 🐶🤎

05/07/2026

A retrospective that lives not in one museum, but in memory — shaped over years between MoMA, the Albertina, and many other encounters with his work.

He became famous for his minimalist portraits — sharp, iconic, instantly recognisable. But what has always stayed with me are his landscapes. Quiet, luminous, almost breathing differently. That is where his work opens up for me in a more personal way.

An American artist, son of Russian emigrants, who will soon turn 100 and is still painting today. Alex Katz

And even now, it feels the same as it did then — and yet somehow always new.

Albertina

29/05/2026

Yesterday summer evening event with aka at Enjoying adorable design 🍓🍓 and historical strong Austrian art

08/05/2026

INNER CODE
120х 120х 4 cm
Mixed media

Started one year ago in one of the darkest periods of my life.

Bead by bead, I built this mandala like placing hope back into my own DNA.

A year later, here it is.

A painting about return, healing, and choosing life.