Christine Koenig Galerie

Christine Koenig Galerie Christine König Galerie was founded in 1989 in Vienna. In the last decades art has become a dominant field of action and discourse.

The gallery represents a variety of internationally recognized artists and works simultaneously with a decidedly younger generation of upcoming artists. The gallery's program and its selection of the artists reflects the central concerns of Christine König: Politics and activism, feminism, literature, as well as post-conceptual approaches. Visual arts can help develop an understanding for socio-po

litical and cultural processes of change. In a highly stimulating and productive climate, galleries have assumed the role of intermediaries, making a preliminary selection and using their intellectual resources in a responsible way to back and promote certain positions and artists vis-à-vis collectors. An important focus of the gallery is entering into a dialogue with the public and engaging in art discourse: Until 2006 artists, curators, architects and philosophers talked about their work in weekly Lunch Lectures, since 2008 this tradition has been continued in the CONVERSATION series, taking place in irregular intervals. Together with three other galleries, Christine König changed its location to Schleifmühlgasse in 1999. Along with Eschenbachgasse and Seilerstätte, Schleifmühlgasse has become one of the central sites for contemporary art in Vienna. The gallery is located in the immediate vicinity of the Secession, Kunsthalle Karlsplatz, Wien Museum, Museumsquartier and Naschmarkt. KOENIG2 by_robbygreif opened in 2017 as the Christine König Galerie's project space just around the corner of the main space. It focuses on young and experimental positions. KOENIG2 follows the criterion of only inviting artists who have never before exhibited in Vienna or to whom it would like to provide a special platform to create a site-specific installation for its nearly cubical room. Ever since its founding, the gallery has participated in the leading international art fairs (e.g. ARCOmadrid, artgenève, Artissima, artmonte-carlo, Art Basel, art berlin, Art Brussels, ART COLOGNE, Art Dubai, Art Rotterdam, Code Art Fair, cosmoscow, Independent Brussels, PARALLEL VIENNA, SPARK Art Fair Vienna, The Armory Show, viennacontemporary). Artists of the gallery are regularly featured in exhibitions such as documenta, Manifesta or the Biennials in Venice, Berlin or Moscow. The gallery has placed works in the collections of the most important Austrian museums (mumok, Albertina, Belvedere, Wien Museum or Museum der Moderne Salzburg), the collections of prestigious international institutions (such as MoMA, Tate Modern, Reina Sofia, Centre Pompidou, Moderna Museet), as well as in numerous private collections all over the world.

Thomas Hartmann’s library Untitled (2023, oil on canvas, 130 x 150 cm) is still on view tomorrow from 11 am - 6 pm withi...
02/06/2026

Thomas Hartmann’s library Untitled (2023, oil on canvas, 130 x 150 cm) is still on view tomorrow from 11 am - 6 pm within the artist’s solo show ‚Die Republik der Bücher‘ 📚!

’s paintings revolve around books and archives. A “zoo of literacy.” A hymn to the transmission of narratives, reports, and texts. The colours he uses, the blurring effects, the painterly means themselves surpass the books as they are actually stored in libraries and repositories.
Again and again, new perspectives emerge. The world of books appears both as towering architecture and as a flattened, sprawling Tower of Babel. The deeper the viewer immerses themselves in HARTMANN’s collection of images, the more the books reveal a life of their own: “because books are sufficient unto themselves.” They do not grow lonely when they have no readers. (quoted from an as yet unpublished text on Thomas HARTMANN by Alexander KLUGE, 2021)




HEUTE - Samstag, 30. Mai, 13 UhrMusikperformance, Artist Talk und Gesang 🌸🫶🏼🧊Im Rahmen der Ausstellung Mojé ASSEFJAH | B...
30/05/2026

HEUTE - Samstag, 30. Mai, 13 Uhr
Musikperformance, Artist Talk und Gesang 🌸🫶🏼🧊

Im Rahmen der Ausstellung
Mojé ASSEFJAH | BLÜTE UND NACHTIGALL گل و بلبل

Lieder, die .assefjah seit ihrer Kindheit begleiten, bilden den Ausgangspunkt dieser musikalischen Darbietung. Texte, inspiriert von den Gedichten der persischen Dichter Vahshi Bafqi (16.Jhdt) und Omar Khayyam (11.Jhdt) und traditionelle Folklore Klänge.

Poetische Erzählungen - Helmut Geier an der Gitarre, Mojé ASSEFJAH Gesang - über die Geliebte, deren Anmut einer Blüte gleicht, über Weggefährten, über Hochmut und Fall sowie über mystische Orte innerer und äußerer Reisen.

Christine KÖNIG | CHAPTER III: DAS BILD UND SEIN BUCH
Schleifmühlgasse 1 | 1040 Wien
Ausstellungsansichten Mojé ASSEFJAH | BLÜTE UND NACHTIGALL, Christine KÖNIG | CHAPTER III, Fotos: .havranek





Join us this afternoon for the VIENNA PREMIERE of CORE DUMP by , taking place within  🎥CORE DUMP records the state of a ...
27/05/2026

Join us this afternoon for the VIENNA PREMIERE of CORE DUMP by , taking place within 🎥

CORE DUMP records the state of a computer’s working memory at the moment of a system crash. Alona Rodeh translates this digital act of revelation to a CGI desert where swarms of drones hunt for electronic waste. As part of her CITY DUMMIES series, she uses a game engine to stage a hyperreal climate fiction. Between e-waste politics and modern warfare, the work reflects on siege, ruins and a system that has already failed.

WEDNESDAY
27/5
17:30
METRO Historic Auditorium, Johannesgasse 4, 1010 Vienna
&
THURSDAY
28/5
14:00
mumok cinema
Alona RODEH
CORE DUMP
Germany 2025, 6 min
Animation: Rachid Moro Cinematography: Rachid Moro Other: Eagle Wu Production: Alona Rodeh Sound: Daphna Keenan





Donnerstag, 28. Mai, 18 Uhr 🥳Aus der Serie CONVERSATIONS:Johanna & Helmut KANDL, Maruša SAGADIN und Cornelia OFFERGELD i...
26/05/2026

Donnerstag, 28. Mai, 18 Uhr 🥳

Aus der Serie CONVERSATIONS:
Johanna & Helmut KANDL, Maruša SAGADIN und Cornelia OFFERGELD im Gespräch über Kunst im öffentlichen Raum

Im Gespräch widmen sich Johanna & Helmut KANDL, Maruša SAGADIN und Cornelia OFFERGELD den vielfältigen Möglichkeiten und Herausforderungen von Kunst im öffentlichen Raum. Ausgehend von ihren jeweiligen künstlerischen Praktiken diskutieren sie Fragen von Sichtbarkeit, gesellschaftlicher Teilhabe sowie dem Verhältnis von Architektur, Urbanität und künstlerischer Intervention.
Images:
Johanna KANDL, „Be a mensch“, 2024
Wandgestaltung für den 2024 fertiggestellten und nach Willi Resetarits benannten Gemeindebau in der Laxenburger Straße, 1100 Wien, Fotos: Michael Michlmayr, Hertha Hurnaus
&
Maruša SAGADIN, Speak More Truth, Eat More Fruit, 2025, Foto: /
&
Cornelia OFFERGELD, Foto: Thomas Kreuz





We are happy to welcome you at this year’s  💛🍐💙Villa RóżAleja Róż 100–556 Warsaw, PolandThursday, May 21: 4 - 7 pmFriday...
21/05/2026

We are happy to welcome you at this year’s 💛🍐💙

Villa Róż
Aleja Róż 1
00–556 Warsaw, Poland

Thursday, May 21: 4 - 7 pm
Friday, May 22 until Sunday, May 24: noon - 7 pm

Marion BARUCH | Olaf HOLZAPFEL | Tobias IZSÓ | Nikita KADAN | Radenko MILAK | Alona RODEH | Maruša SAGADIN
Views Christine König Galerie @ Art Warsaw Villa Róż, Photos: Joanna Wilk





kadan


Excited about the upcoming edition of .at and happy to announce our curator  🥳: 👏🏻 Max DAX, born in 1969, explores the c...
20/05/2026

Excited about the upcoming edition of .at and happy to announce our curator 🥳:

👏🏻 Max DAX, born in 1969, explores the complex relationship between art, music, and pop culture as a curator and writer. His group exhibitions, including HYPER! - A Journey into Art and Music (2019) at the Deichtorhallen Hamburg and Black Album / White Cube (2021) at the Kunsthal Rotterdam, as well as numerous solo exhibitions featuring artists such as Thomas Scheibitz, Radenko Milak, Bettina Scholz, Max Frintrop, Armin Linke, Alexander Kluge, Emil Schult, Caroline von Grone, and Lucia Margarita Bauer, are characterized by a deep-seated desire for understanding and reflection. Artist dialogue plays a central role in his work, serving as a dialogical tool for both research and communication.

Under the theme »LOVE« .at festival will open in Vienna on 11. - 13. September and continue until 17. October 2026.

Founded in 2009 as a platform for artistic exchange, funded by the city of Vienna and led by its galleries, curated by is a unique initiative celebrating artists while fostering international critical discourse. Rooted in collaboration among galleries and taking the form of a city-wide festival, curated by provides exceptional exhibitions and an encompassing experience of Vienna and its galleries, welcoming numerous visitors from around the world to the city.

Learn more about this year’s topic, the participating galleries, and curators on the official curatedby.at website.
fotocredit: © 2025 lucia margarita bauer und nicholas mockridge





Join us for  this afternoon along with our gallery colleagues across Vienna - our (current) 2 locations  and  are open f...
16/05/2026

Join us for this afternoon along with our gallery colleagues across Vienna - our (current) 2 locations and are open from 11 am - 6 pm!

Thomas HARTMANN | Die Republik der Bücher


Mojé ASSEFJAH | BLÜTE UND NACHTIGALL





.assefjah

See you next week  💙🍐🤍🍐🩵with   |  |  | .kadan |  |  |  Thursday, May 21: 4 - 7 pmFriday, May 22 until Sunday, May 24: no...
15/05/2026

See you next week 💙🍐🤍🍐🩵

with | | | .kadan | | |

Thursday, May 21: 4 - 7 pm
Friday, May 22 until Sunday, May 24: noon - 7 pm
Images:
Maruša SAGADIN
Schlechter Witz (II), 2026
acrylic resin, styrofoam, metal, pigments, varnish
190 x 50 x 50 cm
&
Olaf HOLZAPFEL
Kleines Knotenbild, 2023
hay, wood, h**p, metal wire
54 x 54 cm



So this is our  2026 recap in chronological order: 🔔 Florentina Holzinger 🐬 Mimmo the Dolphin of Venicereinhardt - our l...
12/05/2026

So this is our 2026 recap in chronological order:

🔔 Florentina Holzinger

🐬 Mimmo the Dolphin of Venice
reinhardt - our last .at curator in 2025 - opening the German Pavilion with and

🦌 Security Guarantees by

at Arsenale

People’s Desire, 2018 (2400 clay pieces) by Sawangwongse Yawnghwe at Arsenale

🪴Refugees (2023) by at Still Joy - From Ukraine into the World

🍃 Laurel Leaf in the Mouth, You Will Receive a Message (2026) by Pavlo Kovach at Still Joy - From Ukraine into the World

Dedicated to the Youth of the World II (2019) and III (2023) by at Still Joy - From Ukraine into the World
kadan, After All (2026)

Helmet of Remembrance (2026) by Iryna Prots at Still Joy - From Ukraine into the World
milazimi Hard Teeth

Arthur Jafa + Richard Prince. HELTER SKELTER

💡‚One and Eight - A Description’ (1965) by in THE-EXCHANGE-VALUE-OF-LANGUAGE-HAS-FALLEN-TO-ZERO, curated by and /

🪞‚One and Three Mirrors’ (1965) by in THE-EXCHANGE-VALUE-OF-LANGUAGE-HAS-FALLEN-TO-ZERO, curated by and /

Georg Baselitz Eroi d’Oro

Tintoretto at Chiesa di San Giorgio Maggiore

and .daniel Liquid Tongues, commissioned by (our .at curator back in 2023) / , Warsaw

🧸 Baby Amos is 13 months old - thank you for the official invite, Mr. President ✅

Nikita KADAN‘s After All (2026) is now on view at STILL JOY — FROM UKRAINE INTO THE WORLD   💔💛💙💔 … The exhibition closes...
08/05/2026

Nikita KADAN‘s After All (2026) is now on view at STILL JOY — FROM UKRAINE INTO THE WORLD 💔💛💙💔

… The exhibition closes much as it began: with a scene from the dark room during the rave, where bodies become a landscape carrying the weight of history. Across its layers, Still Joy emerges as a lived response to the world — fragile yet resilient, joy lasts. A dramatic scene created by .kadan engages in a tense dialogue with the tradition of European history painting.

A classical o**y scene, recognizable through its compositional logic and the sculptural treatment of bodies, is rendered in Kadan’s characteristic medium — charcoal on paper — with all its starkness, contrast, and uncompromising black-and-white intensity. Bodies intertwine, movements are at once passionate and aggressive, and the boundary between celebration and violence becomes almost imperceptible. The work is accompanied by club-style lighting, creating the atmosphere of a large rave.

Viewers are placed in a state of uncertainty: is this a scene of ecstatic celebration or of catastrophe? Or could it be both at once? Within the context of Still Joy, the work acts as a radical commentary on the very idea of joy — where ecstasy and destruction, pleasure and violence, become almost inseparable. Kadan raises questions about whether culture can distinguish celebration from tragedy, and what happens to the body — both individual and collective — in moments of historical rupture.

The Victor Pinchuk Foundation and the PinchukArtCentre present Still Joy — From Ukraine into the World as an official Collateral Event of the 61st International Art Exhibition — La Biennale di Venezia. It will be held at the Palazzo Contarini Polignac in Venice from May 9th until August 1st, 2026.

Adresse

Schleifmuehlgasse 1a
Wien
1040

Öffnungszeiten

Dienstag 11:00 - 18:00
Mittwoch 11:00 - 18:00
Donnerstag 11:00 - 18:00
Freitag 11:00 - 18:00
Samstag 11:00 - 16:00

Telefon

+43 1 585 74 74

Benachrichtigungen

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