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Donnerstag 14:30 - 18:00 Freitag 14:30 - 18:00 Samstag 11:30 - 16:00

Ermes-Ermes

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Österreich
Wien
Ermes-Ermes

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Ermes is a gallery founded in 2014, showing young Italian and international artists. www.ermes-ermes.com

10/10/2026

Artists’ news — current and upcoming.

Currently at the gallery

Lizzi Bougatsos
Spatial Concert

The exhibition is accompanied by a text by Bernadette Van-Huy

09/10/2026

The gallery is delighted to announce its first participation in Art Basel Paris directed by Karim Crippa with a solo presentation by Beatrice Bonino, Emergence section — Booth 1.M22

Beatrice Bonino ( b.1992, Torino) holds a PhD in Sanskrit at Université Sorbonne-Nouvelle.
The artistic practice of Beatrice Bonino investigates the existence of objects as combinations of the most minor materials, conceived as something that must first be noticed to be real. The selection of materials is an essential part of Bonino’s practice, described as a disjunctive enumeration of what is worth celebrating and what, on the other hand, she does not wish to espouse or elevate. Like words divorced from their meanings, the materials are used divergently from their original use—a use which, due to historical-economic contingency, was never actually fulfilled. Often presented as the ingredients list of a packaging, they can be defined as ‘virginal vintage,’ as they have history, but have remained untouched until this new usage.

Preview: 21–22 October, 2026
Public Days: 23–25 October, 2026

Image:

Beatrice Bonino
Tee, 2026
cardboard, felt-tip pen
34x32x1,5 cm (13.39 × 12.60 × 0.59”)

Courtesy of the artist and Ermes Ermes

Art Basel

09/10/2026

The gallery is delighted to announce its first participation in Art Basel Paris directed by Karim Crippa, with a solo presentation by Beatrice Bonino.

Emergence section — Booth 1.M22

Beatrice Bonino (b.1992, Torino) holds a PhD in Sanskrit at Université Sorbonne-Nouvelle.
The artistic practice of Beatrice Bonino investigates the existence of objects as combinations of the most minor materials, conceived as something that must first be noticed to be real. The selection of materials is an essential part of Bonino’s practice, described as a disjunctive enumeration of what is worth celebrating and what, on the other hand, she does not wish to espouse or elevate. Like words divorced from their meanings, the materials are used divergently from their original use—a use which, due to historical-economic contingency, was never actually fulfilled. Often presented as the ingredients list of a packaging, they can be defined as ‘virginal vintage,’ as they have history, but have remained untouched until this new usage.

Preview: 21–22 October, 2026
Public Days: 23–25 October, 2026

Image:
Beatrice Bonino
Tee, 2026
cardboard, felt-tip pen
34x32x1,5 cm (13.39 × 12.60 × 0.59”)

Courtesy of the artist and Ermes Ermes

Art Basel

03/10/2026

TOMORROW: screening of The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) a film by C.W.Winter & Anders Edström 20nine30 as part of nine_days_of_commons

Film screening at 13:00 film and feast

Christopher Winter

01/10/2026

Lizzi Bougatsos’ Spatial Concert is open!

Wed - Sat / 2.30 - 7.00PM

Lizzi Bougatsos

30/09/2026

TODAY: opening Lizzi Bougatsos’ solo exhibition Spatial Concert. 5-9PM

This is Bougatsos’ first solo exhibition in Italy.
The exhibition is accompanied by a text by Bernadette Van-Huy

Lizzi Bougatsos
Bernadette Van-Huy

Ly

23/09/2026

Mimmo Rotella (1918–2006) was an Italian artist known for his décollage technique, which involved tearing and reworking advertising posters found on the streets of Rome. In the 1960s, he became part of the Nouveau Réalismemovement and increasingly incorporated images from consumer culture into his work.

His art combined abstraction and representation, alongside artists such as Alberto Burri and Lucio Fontana. In the late 1960s, Rotella developed the Artypo series, using industrial printing processes that gave his works a distinctive mechanical appearance. During the same period, he met Andy Warhol and became immersed in New York’s contemporary art scene.

In the group show Motorcycle, Desiderio Di Colore, we present a work from the Artypo series from the late 1960s, in which Rotella appropriated industrial billboard-printing techniques, lending his compositions a distinctive mechanical aesthetic. It was also during the late 1960s that he met Andy Warhol and spent time in New York, immersing himself in the city’s contemporary art scene.

21/09/2026

SAVE THE DATE: the gallery is delighted to announce:

LIZZI BOUGATSOS’ SPATIAL CONCERT

Opening reception: 30 September, 2026 — 5 - 9 PM

Lizzi Bougatsos

19/09/2026

Concilium Cr is open until Sunday 20 September,2026

Ex Area Frazzi — Cremona

Image:

1. Andrea Salvino
L’Appolonide, 2021
Pastel on panel
31x20 cm (12.2x7.8’’)

2. Andrea Salvino
Pinocchio, 2024
Oil pastel on wood
59x48 cm (23,2x28,8”)

3. Andrea Salvino
La Spia, 2019
Pastel on paper
30x20cm (11,8x7,8”)

4. Darius Mykšys
I mailed the artwork in a Vespa brake disk box, 2025
26,6x20,7cm (10,4x8,1”)
Fine art print on baryta paper

5.Darius Mikšys
Beiga chair, Space blanket and NASA chair, 2025
Inkjet print on fine art baryta paper
26,5x20,6cm (10,4x8,1”)

Courtesy ©️artists and Ermes Ermes

Darius Mikšys
Andrea Salvino

17/09/2026

TODAY: in the 18th Lyon Biennale - Contemporary Art
“PASSER D’UN RÊVE À L’AUTRE” curated by Catherine Nichols

Opening reception:
Professional days: September 17-18, 2026
Preview / Opening: September 18, 2026

The Biennale will be on view until 13 December, 2026

Drawing on the “Principles of Poetic Economy” (1976) by French artist Robert Filliou, this edition explores the relationships between art and economy through the lenses of work, exchange, care, and notions of value.

Presented across several iconic venues in Lyon, the exhibition brings together contemporary and historical works as well as archives, inviting visitors to rethink our economic imaginaries and forms of cooperation: at the Museum of Contemporary Art of Lyon, Les Grandes Locos, the Museum of Textiles and Decorative Arts, the Confluences Museum, the Institute of Contemporary Art in Villeurbanne, and at various sites across the city, the metropolitan area, and the Auvergne-Rhône-Alpes region.

Brilant Milazimi (b.1994, Gjilan, Kosovo), translates his perception of the world that surrounds him into images that are bitter, funny, tender, and weird all at the same time. Driven by the machinery of the unconscious, and inspired by the imaginaries of fictional universes, he finds expressions both sinister and poetical for an approach to the society he lives in: the exaggerated physiognomies and the highlighted symbolism of the teeth or the features of the animals are visual manifestations that point to the present and its conflicts. Milazimi studied visual arts at the University of Prishtina.

CURRENTLY IN VENICE

Brilant Milazimi
HARD TEETH (DHËMBË TË FORTË)
Curated by José Esparza Chong Cuy
Pavilion of the Republic of Kosovo
61st International Art Exhibition
La Biennale di Venezia
Chiesa di Santa Maris del Pianto, Venezia
CHIESA DI SANTA MARIA DEL PIANTO, VENICE
The Biennale is on view until 22 November, 2026

Image:
Brilant Milazimi
Untitled, 2026
Oil on canvas
100x150 cm (39x59”)

Courtesy ©️artist, Ermes Ermes and Isabella Ritter, Paris

Brilant Milazimi

Biennale de Lyon — Art
iSABELLA RiTTER

Adresse

Linke Wienzeile 36/1C
Wien
1060

Öffnungszeiten

Donnerstag	14:30 - 18:00
Freitag	14:30 - 18:00
Samstag	11:30 - 16:00

Website

http://www.ermes-ermes.com/

Benachrichtigungen

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