Lombardi—Kargl

Lombardi—Kargl —Kargl
Erwin Thorn
February 13 - March 28
Schleifmühlgasse 5/5a

We are pleased to invite you to the opening of our upcoming exhibition tomorrow.Erwin Thorn"Random Tunes and Fire Drawin...
11/02/2026

We are pleased to invite you to the opening of our upcoming exhibition tomorrow.

Erwin Thorn

"Random Tunes and Fire Drawings"

February 13 – March 28, 2026

Opening: February 12, 18.00 – 21.00

Image: Erwin Thorn, untitled, 1966

TOMORROW LAST DAY TO SEE"Rosen im Dezember"Daphne Ahlers, Rosa Rendl, Lilli Thiessenthrough February 7“Sculpture is froz...
06/02/2026

TOMORROW LAST DAY TO SEE

"Rosen im Dezember"

Daphne Ahlers, Rosa Rendl, Lilli Thiessen

through February 7

“Sculpture is frozen music: the observer is the pickup on the record player whose movement realises the temporal sequence.[1] Im Zweifelsfall keep dancing. We see more clearly when we are moving than when we stand still.[2] Bei welcher Auswahl soll ich bloß anläuten? Egal. Shoot blank. Have courage. Absolve the need to determine everything. Your selection will be custom-gift-wrapped to match your current mood.” – Signe Rose

[1]Philip Thiel, Processional Architecture, 1964.

[2]J.J. Gibson, The Ecological Approach to Visual Perception, 1979.

Photos:

Last day to visit our booth at Art Genève 2026 with a solo presentation by Erwin Thorn📍 Booth D31January 29 - February 1...
01/02/2026

Last day to visit our booth at Art Genève 2026 with a solo presentation by Erwin Thorn

📍 Booth D31

January 29 - February 1, 2026

Photo:

"The current show is not a collaboration as such, but there is something communal in the harmonious and productive disco...
30/01/2026

"
The current show is not a collaboration as such, but there is something communal in the harmonious and productive discord. Molecules have been resonating for years between Rendl, Ahlers and Thiessen.[1] A mutual celebration of the citational. Knowledge shared episodically through whatever each of them saw, heard, or read. By spontaneous telepathy resistant to capitalist technologies and patriarchal patterns.[2] Making things and offering them to the world, not for utility or future capital gains, but to cast memory in physical form.[3]” – Signe Rose

[1]Lonely Boys, Rosa Rendl & Daphne Ahlers, 2010-present; Hulfe, Daphne Ahlers & Lilli Thiessen, 2019-present; HHDM, various configurations involving Ahlers, Thiessen & Rendl, 2012-2016.

[2]Laura Edbrook about Catherine Clément’s philosophy of rapture. Laura Edbrook, ibid.

[3]Marcel Broodthaers, Ma Collection, 1974.

"Rosen im Dezember"

Daphne Ahlers, Rosa Rendl, Lilli Thiessen

through February 7

Photos:

We are thrilled to share the first impression of our solo presentation with Erwin Thron at Art Genève.Art Genève, 29.01....
28/01/2026

We are thrilled to share the first impression of our solo presentation with Erwin Thron at Art Genève.

Art Genève, 29.01.-01.02.

We are looking forward to welcoming you at our booth D31.



Photo: Choreo

Happy Birthday, Denisa!We celebrate this special day with Denisa Lehocká and the acquisition of her sculpture “Untitled”...
28/01/2026

Happy Birthday, Denisa!
We celebrate this special day with Denisa Lehocká and the acquisition of her sculpture “Untitled” by the Kontakt collection.

Untitled, 2025
plaster, textile, nylon stocking, Bralen, cotton, cotton threads, coins, beads, acrylic paint, metal ring
115 x 50 x 50 cm

Photo: kunst-dokumentation.com

27/01/2026

We are pleased to announce our participation at Art Genève 2026
with a solo presentation by Erwin Thorn.

📍 Booth D31

January 29 - February 1, 2026

Preview: January 28, 2026 (by invitation only)

"Geometric shapes and organic forms coexist in the conceptual works of Erwin Thorn (1930–2012), where they articulate the visual as a system of coordinates that redefines space and our conceptions of it. His works give an idea of Thorn’s radical rethinking of the canvas as a medium of artistic expression. His works from the late 1950s to the early 1970s restructure the perception of matter, space, and light. In line with the maxims of the ZERO movement, the artist pursued the purity of formal reduction and non-expression. More akin to reliefs than paintings, these works engage in a play of light and shadow, that depart from the conventional pictorial space to embrace biomorphic architecture." Vanessa Joan Müller

Photos:

"Sculpture emancipates itself from landscape and architecture to become nomadic,concentrating on its make-up, routine an...
15/01/2026

"Sculpture emancipates itself from landscape and architecture to become nomadic,
concentrating on its make-up, routine and performance within a set of cultural terms.[1] Artists emancipate themselves from their cocooned brains and let them go to seed to become porous bodies[2] that autotune to the environment,[3] dress to match the furniture.
Critics deprecate the mediocrity, naïvety, and soft-mindedness,[4] but one could as well seek roses in December – ice in June, as expect merit from a certain set.[5]" -Signe Rose

[1]Rosalind Krauss, Sculpture in the Expanded Field, 1979.
[2]Laura Edbrook, ‘You’re the Least Important Person in the Room and Don’t Forget It’: The Intimate Relations of Subjectivity and the Illegitimate Everyday, 2017.
[3]Efrosini Charalambous & Zakaria Djebbara, On natural attunement: Shared rhythms between the brain and the environment, 2023.
[4]Rosalind Krauss on Jane Gallop’s work, The Argonauts, 2015.
[5]Lord Byron, English Bards and Scotch Reviewers, 1809

"Rosen im Dezember"

Daphne Ahlers, Rosa Rendl, Lilli Thiessen

through February 7

Photos:

"Introversion and extroversion are equivalent distortions. Rocking gently. All is muted, dimmed..."Introversion and extr...
10/01/2026

"Introversion and extroversion are equivalent distortions.
Rocking gently.
All is muted, dimmed...
"Introversion and extroversion are equivalent distortions.
Rocking gently.
All is muted, dimmed.
Rosa Rendl, Daphne Ahlers and Lilli Thiessen offer a soft surface for the overstimulated. Numb but on high alert, nothing seems placid. Yet somehow, not all has gone flaccid. Ripped sixpacks, tight packages are still available on the dropdown menu, now with complimentary orthopedic care." -Signe Rose

"Rosen im Dezember"

Daphne Ahlers, Rosa Rendl, Lilli Thiessen

through January 31

Photos 1-3:

31/12/2025

Happy New Year!

The gallery will reopen on January 7, 2026 with our current exhibition:

Rosen im Dezember
Daphne Ahlers, Rosa Rendl, Lilli Thiessen
through February 14
Schleifmühlgasse 5/5a
Link in Bio

We are looking forward to seeing you!

Katrina Daschner, POMP, 2020 (film clip)

We wish you a peaceful holiday season!The gallery will be closed from December 22, 2025 through January 6, 2026.on viewt...
20/12/2025

We wish you a peaceful holiday season!

The gallery will be closed from December 22, 2025 through January 6, 2026.

on view
through February 14, 2026
Rosen im Dezember
Daphne Ahlers, Rosa Rendl, Lilli Thiessen

Image: Rosa Rendl, Hannah Diamond, 2015

Adresse

Schleifmühlgasse 5/5a
Wien
1040

Öffnungszeiten

Mittwoch 13:00 - 19:00
Donnerstag 13:00 - 19:00
Freitag 13:00 - 19:00
Samstag 11:00 - 16:00

Telefon

+4315854199

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Lombardi—Kargl erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Das Museum Kontaktieren

Nachricht an Lombardi—Kargl senden:

Teilen

Kategorie