Florian Kolhammer

Florian Kolhammer art since the turn of the 20th century

Another small preview of in London:One of these two majestic chairs by Joseph M. Olbrich has already arrived in London ...
18/06/2026

Another small preview of in London:

One of these two majestic chairs by Joseph M. Olbrich has already arrived in London and is waiting to take its place at our stand, no. 111. Its counterpart remains in Vienna for now — but both chairs are still available.

Alongside Olbrich, we will bring a carefully selected group of further highlights, including other remarkable chairs from the world of Vienna 1900.

We look forward to seeing you in London.

London, we’re almost on our way! Next week, we’ll be returning to the at the Royal Hospital Chelsea. Once again, we’re ...
17/06/2026

London, we’re almost on our way!

Next week, we’ll be returning to the at the Royal Hospital Chelsea. Once again, we’re bringing a carefully curated selection of exceptional works from Vienna — along with a few wonderful surprises.

One of them is Gustav Wertheimer’s mesmerizing „The Siren’s Kiss“ — a painting that captivates with its atmosphere, symbolism, and remarkable presence.

We can’t wait to share this and many other treasures with you, welcome familiar faces, meet new collectors, and spend a wonderful week celebrating great art.

📍 Treasure House Fair, London
🗓 24–30 June 2026
📍 Stand 111

We look forward to seeing you there!

Gustav Gurschner was one of the artists around 1900 who did not simply decorate functional objects, but reconsidered the...
11/06/2026

Gustav Gurschner was one of the artists around 1900 who did not simply decorate functional objects, but reconsidered their form altogether. This signed bronze bowl shows that very clearly: modest in size, yet carefully designed — from its sculptural modelling to its slightly irregular, almost organic outline.

Around 1900 in Vienna, many objects were created in which the boundary between applied art and sculpture became deliberately fluid. Gurschner’s work belongs precisely to this context. This bowl is not merely a vessel, but a fully designed object in which material, surface and form are closely connected.

Precisely because it is not monumental, it rewards a closer look.

Bronze Bowl
Gustav Gurschner
ca. 1900
signed

Here, time does not simply pass — it glows.In this remarkable mantel clock by A. J. Pohl, the dial becomes the sun, set ...
06/06/2026

Here, time does not simply pass — it glows.

In this remarkable mantel clock by A. J. Pohl, the dial becomes the sun, set within a radiant hammered copper surface. Beneath it, two kneeling female figures turn gently toward one another, absorbed in a quiet moment of warmth — sensual, yet innocent; tender, dreamlike, and entirely at peace.

PS: We had to add the leaves — purely to keep Facebook and Instagram from fainting 😉🤭

New in the gallery ✨A newly arrived vase by Johann Loetz Witwe, created around 1903 in the striking PG 3/430 decoration....
27/05/2026

New in the gallery ✨

A newly arrived vase by Johann Loetz Witwe, created around 1903 in the striking PG 3/430 decoration.

Its warm orange ground is enlivened by delicate, feather-like iridescent threads that seem to shift with every movement of light. The elongated silhouette, rising from a softly rounded base, gives the piece an elegant verticality — refined, vibrant, and unmistakably Loetz.

A beautiful example of Jugendstil glass, where color, surface, and form come together in a quietly spectacular way.

Vase
Johann Loetz Witwe
PG 3/430 decoration
ca. 1903

Some objects show us just how much the world has changed.A vase still feels familiar: it can hold flowers, shape a room ...
13/05/2026

Some objects show us just how much the world has changed.

A vase still feels familiar: it can hold flowers, shape a room — and in the case of Loetz, it is always an artwork in glass. But an inkwell and a pounce pot belong to a slower world of letters, ink, and carefully dried lines.

Today, this exceptional Loetz writing set and candlestick no longer need to serve their original purpose to be meaningful. Their iridescent surfaces, refined color transitions, and masterful ex*****on make them captivating works of art in glass — objects that let us dream, just for a moment, of a slower, more attentive world.

And yes, the candle can still be lit.

AustrianDesign DecorativeArts GlassArt FlorianKolhammer

12/05/2026

Whether you are in Vienna for the Eurovision Song Contest, for a few days of culture, or simply because you love beautiful things: we would be delighted to welcome you.

Visiting Vienna this week?Vienna around 1900 is in the air. While the city is celebrating music, design, and internation...
12/05/2026

Visiting Vienna this week?

Vienna around 1900 is in the air. While the city is celebrating music, design, and international guests, we invite you to discover the world of Josef Hoffmann, Koloman Moser, Loetz, the Wiener Werkstätte, the Vienna Secession, and Viennese Jugendstil in general.

With us, you can experience original objects in person, ask questions, take your time — and, of course, take them home. We ship fully insured worldwide.

Whether you are in Vienna for the Eurovision Song Contest, for a few days of culture, or simply because you love beautiful things: we would be delighted to welcome you.

Visit us at Plankengasse 5, in the heart of Vienna.

Visiting Vienna?Step inside and discover Vienna 1900 beyond the museums. We love welcoming visitors, talking about art, ...
08/05/2026

Visiting Vienna?

Step inside and discover Vienna 1900 beyond the museums. We love welcoming visitors, talking about art, and sharing the stories behind the objects we live with every day.

Whether you are a collector, an art lover, or simply curious — our door is open.

And the best part? With us, you don’t just look at art. You can take it home.

We look forward to seeing you at our gallery in the heart of Vienna.

An exceptional picture frame by Josef Urban, created around 1904, with original prints by Koloman Moser from Ver Sacrum ...
05/05/2026

An exceptional picture frame by Josef Urban, created around 1904, with original prints by Koloman Moser from Ver Sacrum of 1898.

The frame combines refined materials such as mahogany, rosewood, ebony, maple, mother-of-pearl and brass. Its clear structure, subtle contrasts and restrained decorative details reflect the elegant formal language of Viennese Jugendstil.

Josef Urban
Picture frame with original Koloman Moser prints from Ver Sacrum, 1898
Vienna, ca. 1904

Adresse

Plankengasse 5
Innere Stadt
1010

Öffnungszeiten

Montag 11:00 - 18:00
Dienstag 11:00 - 18:00
Mittwoch 11:00 - 18:00
Donnerstag 11:00 - 18:00
Freitag 11:00 - 18:00

Telefon

+4315133269

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