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Green Art Gallery Contemporary Art Gallery in Dubai, UAE Green Art Gallery is a contemporary art gallery based in Dubai, UAE.

Representing a mutil-generational mix of artists, the Gallery’s program is focused on contemporary artists from the Middle East, North Africa, South Asia, Turkey and beyond, working across different media, traditional and new, who employ a research based approach. Artists represented include Turkish artist Hale Tenger, NY-based Iranian artist Kamrooz Aram and NY-based Palestinian artist Shadi Habib Allah. The Gallery has continued to grow and in 2012 added NY-based artist Seher Shah and Venezuelan artist Alessandro Balteo Yazbeck to the artist roster. Green Art Gallery represents artists and presents special collaborative projects. For further information please visit www.gagallery.com

Our Facebook and other social media accounts provide further information on our program and artists as well as behind the scenes at the Gallery, offsite exhibitions, studio visits, art fairs, etc

Twitter:
https://twitter.com/greenartgallery

Instagram
http://instagram.com/greenartgallerydubai

ON VIEW | Rossella Biscotti‘You Must Change Your Life’ 16th Gwangju Biennale5 September - 15 November 2026Rosella Biscot...
13/10/2026

ON VIEW | Rossella Biscotti

‘You Must Change Your Life’
16th Gwangju Biennale
5 September - 15 November 2026

Rosella Biscotti’s (Rossella Biscotti) works ‘Rubber Works’, ‘The Heads in Question’, ‘Lucy’, and ‘Alfabeto’ are a part of the 16th Gwangju Biennale (재단법인 광주비엔날레 Gwangju Biennale Foundation) ‘You Must Change Your Life’, led by Ho Tzu Nyen with curators Che Kyongfa, Park Gahee, and Brian Kuan Wood.

Taking its title from the closing line of Rainer Maria Rilke’s poem ‘Archaic Torso of Apollo’ (1908), the 16th edition of the Biennale focuses on intensity rather than accumulation, exploring the transformative power of art upon the human spirit. Bringing together the smallest number of artists in the Biennale’s history, this edition calls upon us to centre depth, development, and discipline in the artistic practices on view.

Rossella Biscotti’s practice engages with individual narratives and experiences in relation to society and institutional systems. Through a cross-media approach that ranges across filmmaking, performance, sculpture, and installation, she explores and reconstructs social and political moments from recent times.

Images:
Rossella Biscotti, The Heads in Question, 2015
Installation view at 16th Gwangju Biennale, “You Must Change Your Life”, Gwangju, South Korea, 2026. Photo: Byung Cheol Jeon, © Gwangju Biennale Foundation  

Rossella Biscotti, Rubber Works, 2019-2022
Installation view at 16th Gwangju Biennale, “You Must Change Your Life”, Gwangju, South Korea, 2026. Photo: Byung Cheol Jeon, © Gwangju Biennale Foundation  

Rossella Biscotti, Lucy, 2026
Installation view at 16th Gwangju Biennale, “You Must Change Your Life”, Gwangju, South Korea, 2026. Photo: Byung Cheol Jeon, © Gwangju Biennale Foundation

Rossella Biscotti, Alfabeto, 2020
Installation view at 16th Gwangju Biennale, “You Must Change Your Life”, Gwangju, South Korea, 2026. Photo: Byung Cheol Jeon, © Gwangju Biennale Foundation

For more information, please visit the link in bio.

We are pleased to announce our participation at Art Basel Paris (Art Basel) later this month with a solo booth presentat...
12/10/2026

We are pleased to announce our participation at Art Basel Paris (Art Basel) later this month with a solo booth presentation of new works for Emirati artist Asma Belhamar (أسماء بالحمَر), kindly supported by the UAE Ministry of Culture’s (وزارة الثقافة - الإمارات) National Grant Program for Culture and Creativity. 

Belhamar’s interdisciplinary practice explores the phenomenon of the megastructure in the UAE, and the wider Gulf in general, and its impact on the topographical memory of local landscapes. Through installation, sculpture and drawing, she synthesises the architectural and the organic to construct hybrid spaces that engage with notions of temporality and spatial memory. Her practice is driven by a desire to illustrate the effect that various architectural trends have had on perceptions of the region both locally and globally.

Our booth will be located on the Balconies of the Grand Palais (Aisle M), on level 1F.

We look forward to seeing you there!

Repost from American Academy in Rome EXHIBITION OPENINGGIORGIO GRIFFA/KAMROOZ ARAM: PAINTINGSOctober 206:00 – 9:00 pm Vi...
11/10/2026

Repost from American Academy in Rome

EXHIBITION OPENING
GIORGIO GRIFFA/KAMROOZ ARAM: PAINTINGS
October 20
6:00 – 9:00 pm
Via Angelo Masina, 5

The exhibition creates a dialogue between two painters whose work illustrates how abstract painting reverberates across time and space. The painters Giorgio Griffa (Fondazione Giorgio Griffa) and Kamrooz Aram (Kamrooz Aram) (2024 Carla Fendi Foundation Rome Prize Fellow) met in 2024 in Turin, and this exhibition extends a conversation they began about the place and purpose of cultural tradition, painting as a measure of time and rhythm, and how gesture is traced and captured.

The exhibition addresses this ongoing dialogue on abstraction, reflecting on different approaches to ornament and decoration, presence and loss, margins and intimacy. The show will be on display from October 23 to November 28, 2026, at the AAR Gallery, on Fridays and Saturdays from 4:00 – 7:00 pm.

For the opening, contemporary Italian poets Silvia Bre and Carmen Gallo will read a selection of poems chosen to reflect the themes of the exhibition. Both authors work with language in an organic way, crafting vivid images and evocative atmospheres while revealing a deep engagement with the truth-making power of language.

The American Academy is grateful to the exhibition lenders Alexander Gray Associates, New York and Galleria Lorcan O’Neill, Rome; and the Fondazione Giorgio Griffa, Turin.

The project is part of the cultural programming of the exhibition Giorgio Griffa: Paths in the Forest at the Clark Art Institute The Clark ; supported by the Directorate-General for Contemporary Creativity DG Creatività Contemporanea MiC of the Italian Ministry of Culture under the Italian Council program (2025).

We are pleased to announce Alessandro Balteo-Yazbeck (.balteo.yazbeck) and Rossella Biscotti’s (Rossella Biscotti) parti...
08/10/2026

We are pleased to announce Alessandro Balteo-Yazbeck (.balteo.yazbeck) and Rossella Biscotti’s (Rossella Biscotti) participation in “Black Sun: Petroleum and Contemporary Art” at the French Academy in Rome at Villa Medici.

Opening on 9 October 2026, the exhibition brings together contemporary artistic practices that examine the impact of oil on our societies, imaginaries, and global power structures, particularly in relation to extraction, modernity, and the postcolonial world.

“Black Sun: Petroleum and Contemporary Art” is curated by Morad Montazami and Madeleine de Colnet, with Caroline Courrioux as associate curator, and will be on view at Villa Medici through 18 January 2027.

Images:
Rossella Biscotti installing ‘Circulations’ (2024-2026) at Villa Medici
Alessandro Balteo-Yazbeck, In collaboration with Media Farzin
“Alexander Calder’s performing mobile Orange Fish (1946) at the Tehran Museum of Contemporary Art (detail)”, 2008. From the series “Cultural Diplomacy: An Art We Neglect, 2007-2009”

Photo by Ehsan Behmanesh

For more information, please visit the link in bio.

ON VIEW | Nazgol AnsariniaFor One Solid Time, Wet: The Swimming Pool in the Imagination.03 October 2026 - 21 February 20...
07/10/2026

ON VIEW | Nazgol Ansarinia

For One Solid Time, Wet: The Swimming Pool in the Imagination.
03 October 2026 - 21 February 2027
Musée des Beaux-Arts, Le Locle, Switzerland

Nazgol Ansarinia’s work ‘Connected Pools’ is a part of Musée des Beaux-Arts exhibition ‘For One Solid Time, Wet: The Swimming Pool’ this fall.

For One Solid Time, Wet: The Swimming Pool in the Imagination explores the swimming pool as a significant motif within the history of contemporary art. It unites international artists who have explored the complexity of the pool, using it as a symbol of both prosperity and catastrophe, joy and solitude: a metaphor for our search for order and serenity in the face of an increasingly uncertain future.

The exhibition is co-curated by Federica Chiocchetti, former MBAL director, writer and curator based in Paris, and Lou Stoppard, writer and curator based in London.

The selected works immerse visitors in the visual, symbolic and emotional world of the swimming pool. Far from being merely a recreational setting, the swimming pool becomes a space for aesthetic and social reflection, a mirror of our contemporary desires and anxieties. At once an architectural and sculptural object, a geometric space and a setting for physical experiences, the swimming pool embodies order, the control of nature, and also a form of collective dreaming linked to modernity, well-being and intimacy. It reveals itself as an ambivalent place, capable of evoking serenity as much as solitude, light as much as emptiness, luxury as much as ruin. Against a backdrop of climate crisis and dwindling resources, the exhibition also explores the paradoxes surrounding water management and inequalities in access to this vital resource. It offers a critical and poetic interpretation of the swimming pool as an icon of Western societies, whilst highlighting the alternative narratives it can convey: q***r, political, or linked to memory and the passage of time.

Artwork courtesy of Nazgol Ansarinia.

For more information, please visit the link in bio.

ARTWORK SPOTLIGHT | ‘Private Diaries’ 2026 | Khaled Jarada (Khaled Jarada Across a series of 23 ink-on-paper drawings, K...
06/10/2026

ARTWORK SPOTLIGHT | ‘Private Diaries’ 2026 | Khaled Jarada (Khaled Jarada

Across a series of 23 ink-on-paper drawings, Khaled Jarada offers a glimpse into his visual diary as a Palestinian in France. Created over the past year, this deeply personal body of work moves between intimate, private moments and witnessing violence, tracing the artist’s emotional and psychological landscape between Gaza and France. The drawings become a space of memory, displacement, and witnessing, documenting both the personal and the political as they unfold through the artist’s everyday life.

‘Private Diaries’ (2026) is on view at Green Art Gallery, Dubai, as a part of our exhibition ‘Private World’. On until 24 October.

ARTWORK SPOTLIGHT | ‘Private Diaries’ (2026) | Khaled JaradaAcross a series of 23 ink-on-paper drawings, Khaled Jarada o...
05/10/2026

ARTWORK SPOTLIGHT | ‘Private Diaries’ (2026) | Khaled Jarada

Across a series of 23 ink-on-paper drawings, Khaled Jarada offers a glimpse into his visual diary as a Palestinian refugee in France. Created over the past year, this deeply personal body of work moves between intimate, private moments and experiences of violence, tracing the artist’s emotional and psychological landscape between Gaza and France. The drawings become a space of memory, displacement, and witnessing, documenting both the personal and the political as they unfold through the artist’s everyday life.

‘Private Diaries’ (2026) is on view at Green Art Gallery, Dubai, as a part of our exhibition ‘Private World’. On until 24 October.

It was an honour to welcome Mrs. Anne-Claire Legendre, President of the Institut du Monde Arabe, to Green Art Gallery, D...
01/10/2026

It was an honour to welcome Mrs. Anne-Claire Legendre, President of the Institut du Monde Arabe, to Green Art Gallery, Dubai last week. Ekaterina Plastinina, our associate director, had the privilege of showing her around our exhibition space and library, and introducing her to our work within the region and internationally.

Many thanks to Abdelmonem Bin Eisa Alserkal, his delegation, and the Alserkal team, for organising this tour.

MEET THE ARTIST | Sohrab Hura (Ugly Dog)Sohrab Hura lives and works in New Delhi, India. Select solo and group exhibitio...
30/09/2026

MEET THE ARTIST | Sohrab Hura (Ugly Dog)

Sohrab Hura lives and works in New Delhi, India. Select solo and group exhibitions include 61st International Art Exhibition of La Biennale di Venezia, In Minor Keys, Venice, 16th Gwangju Biennale: You Must Change Your Life, Gwangju (2026), A Winter Summer, Experimenter – Colaba, Mumbai (2026), The Forest, Experimenter – Ballygunge Place, Kolkata (2025–2026), A Winter Summer, Alipore Museum, Kolkata, (2025–2026), Sohrab Hura: Mother, MoMA PS1, New York, (2024–25); Post Scriptum. A Museum Forgotten By Heart, MACRO, Rome (2024–25), Ghosts in My Sleep, Experimenter – Colaba, Mumbai (2024), Spill, Huis Marseille Museum of Photography, Amsterdam (2021) and The Levee, Cincinnati Art Museum, Cincinnati (2019), among others. Hura’s work has been widely shown in international film festivals such as UNDERDOX Film Festival; Vancouver International Film Festival; Image Forum, Tokyo; Arkipel Film Festival, Jakarta; Moscow International Experimental Film Festival; Oberhausen International Short Film Festival; FotoFest International, Houston.

His works are on view as a part of Green Art Gallery, Dubai’s exhibition ‘Private Worlds’, which is available to visit until 24 October.

You can also view his works at La Biennale Di Venezia’s 61st International Art Exhibition ‘In Minor Keys’ (La Biennale di Venezia). On view until 22 November.

Portrait image by Abner Fernandes.

28/09/2026

Inside our opening reception for ‘Private World’, which opened last Wednesday, featuring works by Lulua Alyahya (), Rami Farook (), Sohrab Hura (), and Khaled Jarada (.jarada).

‘Private World’ is on view at Green Art Gallery, Dubai until 24 October.

Address

Al Quoz 1, Street 8, Alserkal Avenue, Unit 28
Dubai
25711

Opening Hours

Monday 11:00 - 19:00
Tuesday 11:00 - 19:00
Wednesday 11:00 - 19:00
Thursday 11:00 - 19:00
Friday 11:00 - 19:00
Saturday 11:00 - 19:00

Telephone

+97143469305

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