Official FB page from the Auschwitz traveling exhibition ▪️ Página oficial de FB de la exposición itinerante Auschwitz
auschwitz.nyc Por primera vez en la historia, más de 600 objetos originales se exponen en la primera exposición itinerante sobre Auschwitz coproducida por Musealia y el Museo Estatal de Auschwitz – Birkenau; un emotivo y riguroso recorrido por uno de los capítulos más oscuros de la historia de la humanidad que, sin duda, removerá la conciencia del mundo.
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A partir del 1 de diciembre, estreno mundial en Centro de Exposiciones Arte Canal de Madrid. ▪️For the first time in History, more than 600 original objects are shown in the first travelling exhibition about Auschwitz co-produced by Musealia and the Auschwitz-Birkenau State Museum, a moving and accurate tour through one of the darkest chapters of the History of Humankind that will certainly stir the world’s conscience. World premiere in Madrid. Opening December 1st, 2017.
Operating as usual
October-November, 1939 |
Polish teachers moments before their execution by firing squad in the "Valley of Death" near Fordon.
The Nazis sought to destroy Polish culture and the Polish nation, and eliminate any resistance, by arresting and murdering Polish people.
In 1939, Jacob Klipper left Vienna for Palestine to prepare a foothold for his family. He expected that his wife, Klara-Kayla, and his children, Heinz and Gaby, would soon follow.
He took most of their belongings with him, including this dress.
The outbreak of war made it impossible for Klara-Kayla and the children to leave Vienna. On September 6, 1943, they were murdered in Auschwitz.
Collection of Yad Vashem Museum, gift of Menashe Klipper, currently displayed in Auschwitz Exhibition
This SS dagger (1933-1945) carries the SS motto: “Meine Ehre heist Treue” (My honor is loyalty).
In a state organized on the Führerprinzip (leader principle), the SS claimed preeminence because each member had sworn unconditional loyalty and obedience to Hitler.
Collection of the Museum of Jewish Heritage - A Living Memorial to the Holocaust , gift of Morris “Tiny” Weintraub, currently displayed in Auschwitz Exhibition
Elderly Jews and families being deported from Szydlowiec, occupied Poland, 1942.
#NotlongagoNotfaraway
Some of the objects displayed in the exhibition, shown to the public for the first time, may seem trivial at first glance. But when one realizes that these are the last remains, the only witnesses to the lives of some of the millions of people murdered by the Nazi Germany… your heart shrinks and your mind begins to search for answers to try to understand.
How could a culturally advanced country as Germany commit one of the greatest crimes in history? How did Auschwitz become the main site for these killings? And, above all, how could such a place come into existence?
Original objects from the Auschwitz Exhibition currently displayed at NYC's Museum of Jewish Heritage - A Living Memorial to the Holocaust.
“I stare directly ahead as I take off my clothes. I am afraid. By not looking at anyone I hope no one will see me. I hesitate before removing my bra. I decide to leave my bra on. Just then a shot rings out. The charge is ear-shattering. Some women begin to scream. Others weep. I quickly take my bra off. . . . A burden was lifted. The burden of individuality. Of associations. Of identity. Of the recent past.”
Auschwitz survivor Livia Bitton-Jackson (1997)
The building of the so-called Central Sauna at the former Auschwitz II-Birkenau camp.
📷 @deathcampsmemorial (shorturl.at/gyBE3)
October, 1935 |
The "Law for the Protection of the Hereditary Health of the German People" requires all prospective marriage partners to obtain from the public health authorities a certificate of fitness to marry.
Such certificates are refused to those suffering from "hereditary illnesses" and contagious diseases and those attempting to marry in violation of the Nuremberg Laws.
Just a month later, the first supplemental decree of the Nuremberg Laws extended the prohibition on marriage or sexual relations between people who could produce "racially suspect" offspring.
A week later, the minister of the interior interpreted this to mean relations between "those of German or related blood" and Roma (Gypsies), Black people, or their offspring.
On March 1936 Hitler would win the elections after a single-question referendum.
From then on, the segregation and persecution of the German Jews first and Jews across Europe intensified.
In June 2021, after our un at NYC's Museum of Jewish Heritage - A Living Memorial to the Holocaust the exhibition will open its doors at Kansas City's Union Station Kansas City Inc..
Click below for more information.
Auschwitz. Not long ago. Not far away. Opening at Union Station Kansas City in June 2021. Advance VIP tickets on sale now.
For the first time, 75 years after the liberation of Auschwitz, a touring exhibition dedicated to the historical significance of the camp is being presented to a U.S. audience.
This groundbreaking exhibition brings together more than 700 original objects and 400 photographs from over 20 institutions and museums around the world. Auschwitz. Not long ago. Not far away is the most comprehensive exhibition dedicated to the history of Auschwitz and its role in the Holocaust ever presented in North America, and an unparalleled opportunity to confront the singular face of human evil - one that arose not long ago and not far away.
Union Station Kansas City is honored to host this significant story and presentation of artifacts and - in addition to making advance tickets available - has opened opportunities for interested businesses, institutions and individuals to lend their support to help make this extraordinary exhibition possible.
The exhibition is presented by Bank of America. We thank them for their support.
Learn more at >> http://bit.ly/USKCNotLongAgo
For advance VIP tickets, visit >> http://bit.ly/June2021Tickets
Advance tickets are $25 (plus $1.25 Union Station preservation fee) and can be redeemed for your choice of date during the exhibition run. VIP ticket holders will also have early access to reservations, ahead of the general public, ensuring you can be among the very first to visit this profoundly important exhibition.
October, 1942 |
Beginning of the deportation to #Auschwitz of 46,000 Jewish people from the occupied Protectorate of Bohemia and Moravia.
By the end of 1942, only 15,530 Jews remained in the Protectorate, 13% of the 1939 population. In June 1943, 4,000 Jewish Council employees and their families were sent to Theresienstadt in the last large deportation. By the end of 1944, only 6,795 Jews lived in the Protectorate. Some of them were deported in early 1945 after the mixed marriage exception was cancelled.
The number of Jews who survived in hiding is unknown.
The Museum of Jewish Heritage - A Living Memorial to the Holocaust where Auschwitz Exhibition is now displayed, has reopened its doors .
New opening hours:
Sunday: 10:00 am to 5:00 pm.
Monday: closed
Tuesday: closed
Wednesday: 10:00 am to 5:00 pm.
Thursday: 10:00 am to 5:00 pm.
Friday: closed
Saturday: closed
In accordance with New York City's guidelines, timed tickets are required with each visit.
All tickets much be purchased in advance at our website.
October, 1939 | Nazi Germany orders the killing of thousands of Germans with physical or mental disabilities to killing centers such as Hartheim Castle.
False records were purposefully kept regarding the reason, date and place of death in order to mislead relatives and hamper investigations. Pulmonary tuberculosis was a popular reason of death, since it was a communicable disease that made it necessary to burn the corpse immediately. The system of exchanging files amongst the euthanasia centres contributed to the success of this cover-up action.
It is estimated that 250,000 people will die under this 'euthanasia' program.
The Hartheim Castle documentation centre is one of the the more than 20 international institutions that have lended part of their collections to Auschwitz Exhibition
Learn more at our website.
Prisoners constructed much of the camp and even its furniture. Master blacksmith Jan Liwacz was arrested in October 1939 for burning an effigy of Hitler.
In June 1940, he was sent to Auschwitz, where he worked in a detail that manufactured ironwork, including the ashtrays, ink blotters, and letter holders used by Commandant Rudolf Höss.
The woman in the photograph is Ala Gertner from Bedzin in Poland.
Gertner, along with other Jewish women prisoners, was at the heart of a conspiracy to destroy the gas chambers as part of an uprising planned by the Sonderkommando – the prisoners forced to operate the crematoria.
Róża Robotam worked in a nearby munitions factory —over a period of months they smuggled tiny amounts of gunpowder into Auschwitz each day and passed it to the Sonderkommando.
On October 7, 1944, the Sonderkommando was given the catalyst it needed for action: it discovered that many of its group were themselves destined for the gas chambers.
The men of Crematorium IV Sonderkommando began the revolt – they fought the SS with hammers, axes and stones and set fire to the building. The Crematoria II Sonderkommando saw the flames and joined in – killing a Kapo and a small number of SS guards.
None of those who organized the revolt survived. Four of the women who had smuggled the gunpowder were tortured, but refused to give the names of others involved. They were publically hanged.
Róża Robota’s last words on the gallows were “Nekama”, Hebrew for “revenge.”
The play Anne Frank premiered on Broadway at the Cort Theatre on October 5, 1955, and moved to the Ambassador Theatre in 1957, where it ran for another year—for over 700 performances. It won both a Tony Award and a Pulitzer Prize.
In Germany, the play could be seen on stages from October 1956 onward, and it opened in Amsterdam that November. The movie version, released in 1959, won Academy Awards.
This ticket from the Anne Frank House in Amsterdam is now on display for the first time in North America at Auschwitz Exhibition
October, 1943. Four hundred rabbis petition the US government to intervene on behalf of European Jews.
In the hope of a meeting with President Franklin D. Roosevelt, the rabbis walk to the White House, Washington DC, but the leader of the free world was not at home.
© The LIFE Picture Collection, Getty Images.
Prisoners constructed much of the camp and even its furniture. Master blacksmith Jan Liwacz was arrested in October 1939 for burning an effigy of Hitler.
In June 1940, he was sent to Auschwitz, where he worked in a detail that manufactured ironwork, including the ashtrays, ink blotters, and letter holders used by Commandant Rudolf Höss.
Union Station Kansas City Inc.
Auschwitz. Not long ago. Not far away. Opening at Union Station Kansas City in June 2021. Advance VIP tickets on sale now.
For the first time, 75 years after the liberation of Auschwitz, a touring exhibition dedicated to the historical significance of the camp is being presented to a U.S. audience.
This groundbreaking exhibition brings together more than 700 original objects and 400 photographs from over 20 institutions and museums around the world. Auschwitz. Not long ago. Not far away is the most comprehensive exhibition dedicated to the history of Auschwitz and its role in the Holocaust ever presented in North America, and an unparalleled opportunity to confront the singular face of human evil - one that arose not long ago and not far away.
Union Station Kansas City is honored to host this significant story and presentation of artifacts and - in addition to making advance tickets available - has opened opportunities for interested businesses, institutions and individuals to lend their support to help make this extraordinary exhibition possible.
The exhibition is presented by Bank of America. We thank them for their support.
Learn more at >> http://bit.ly/USKCNotLongAgo
For advance VIP tickets, visit >> http://bit.ly/June2021Tickets
Advance tickets are $25 (plus $1.25 Union Station preservation fee) and can be redeemed for your choice of date during the exhibition run. VIP ticket holders will also have early access to reservations, ahead of the general public, ensuring you can be among the very first to visit this profoundly important exhibition.
September 29, 1941 |
The Jewish population of Kiev is grouped and forced to march towards the Babi Yar ravine. They hand over their goods and clothes. In groups of 10, they walk towards a pit. The 4A mobile killing unit, German and Ukrainian police, slaughters them.
It is estimated that during the Nazi occupation between 100,000 and 150,000 people were executed in Babi Yar. Among the victims, in addition to Jews, there were Soviet prisoners of war, partisans, Ukrainian nationalists, gypsies and communists.
One of them was Mania Halef, this five-year-old Jewish little girl.
In Auschwitz, any breaking of the regime’s many and arbitrary rules was punished mercilessly – trying to get extra food, smoking at the wrong time, or being perceived to be not working hard enough – all could end in death.
Although the camp was overseen by the SS, much of the day-to-day supervision was entrusted to other prisoners known as Kapos.
They too were victims of the Nazis, but they could also be perpetrators.
Many were violent criminals, transferred from concentration camps in Germany; in exchange for privileges they kept control of the Polish prisoners with a cruelty that could equal their SS masters.
Contemporary picture of Auschwitz, titled “Thorns” by his author, Nicole Zullo.
A “shocking” number of American young adults lack a basic understanding of the Holocaust, according to a new survey. According to the first-ever, state-by-state survey of American Millennials and Gen Z (ages 18 to 39), 63% do not know that 6 million Jews were exterminated by Nazis, and 36% thought the number was “two million or fewer.” Nearly a quarter of those surveyed (23%) said they believed the Holocaust was a myth, had been exaggerated or weren’t sure. Commissioned by the Conference on Jewish Material Claims Against Germany, also known as the Claims Conference, the study found “particularly disquieting” that nearly 20% of young people in the state of New York thought Jews were responsible for the Holocaust. This view was held by 11% nationally. Our exhibition, extended in NYC's @museumjewishheritage until May 2021, fights against this shocking and saddening reality, because, as George Santayana said, "Those who do not remember their past are condemned to repeat it."
Union Station Kansas City Inc.
Auschwitz. Not long ago. Not far away. Opening at Union Station June 2021.
For the first time, 75 years after the liberation of Auschwitz, a touring exhibition dedicated to the historical significance of the camp is being presented to a U.S. audience.
This groundbreaking exhibition brings together more than 700 original objects and 400 photographs from over 20 institutions and museums around the world. Auschwitz. Not long ago. Not far away. is the most comprehensive exhibition dedicated to the history of Auschwitz and its role in the Holocaust ever presented in North America, and an unparalleled opportunity to confront the singular face of human evil - one that arose not long ago and not far away.
Union Station Kansas City is honored to host this significant story and presentation of artifacts and - in addition to making advance tickets available - has opened opportunities for interested businesses, institutions and individuals to lend their support to help make this extraordinary exhibition possible.
Learn more at >> https://www.unionstation.org/auschwitz-not-long-ago-not-far-away
For advance VIP tickets, visit >> http://bit.ly/June2021Tickets
Presented by Bank of America.
September 19, 1940 |
Witold Pilecki, Polish Resistance fighter, deliberately enters into a street roundup in Warsaw to get arrested and be sent to #Auschwitz in order to set up a secret military organisation in the camp and examine the possibilities of liberating the prisoners. He, literally, volunteered to be embedded in Auschwitz in order to help others.
He organized a resistance movement within the camp which eventually numbered in the hundreds, and secretly sent messages to the Western Allies detailing Nazi atrocities at the camp.
He lived 3 years there, escaped, took part in the Warsaw uprising in 1944 and survived the war, before being put to death by the Soviets in 1948.
He was arrested by the secret police on charges of working for "foreign imperialism", referring to his work for the Polish government-in-exile.
The original photographs included in the exhibition are extremely delicate objects that can be easily degraded.
That is why in addition to displaying them with a dim light level (lower than 50 lux) their exposure time is controlled by rotating or replacing them with another photograph.
For this reason, visitors who come to the exhibition soon will be able to see that a new page from the Hocker Album, on loan from Yad Vashem: World Holocaust Center, Jerusalem, which shows fragments of the daily life of those who worked in Auschwitz.
If this rotation is not carried out by our team of experts, irreversible damage such as color changes and even loss of inks could occur, affecting the appearance of the photographs.
Opening June 2021.
Big news this morning from our friends at Union Station. They just announced the June 2021 opening of Auschwitz. Not long ago. Not far away—the most comprehensive Holocaust exhibition about Auschwitz ever exhibited in North America. To date, it’s only the second and last U.S. programmed stop on ...
Edmond J. Safra Plaza 36 Battery Place
New York, NY
10280
Subway 4/5 to Bowling Green. 1 to Rector Street. R to Whitehall Street or Rector Street. Bus M5, M15 to South Ferry. M20 to Battery Park City. M9 to West Thames. Downtown Connection Bus This free bus service connects Battery Park City with the South Street Seaport, making stops at many important destinations, including a stop right in front of the Museum. Service is provided seven days a week in 10-minute intervals from 10 am – 7:30 pm. City Bike A Citi Bike station is located at the intersection of West Street and 1st Place. Ferry Staten Island Ferry to South Ferry Terminal.
| Monday | 10:00 - 21:00 |
| Tuesday | 10:00 - 21:00 |
| Wednesday | 10:00 - 21:00 |
| Thursday | 10:00 - 21:00 |
| Friday | 10:00 - 17:00 |
| Sunday | 09:00 - 17:00 |
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Prisoners constructed much of the camp and even its furniture. Master blacksmith Jan Liwacz was arrested in October 1939 for burning an effigy of Hitler. In June 1940, he was sent to Auschwitz, where he worked in a detail that manufactured ironwork, including the ashtrays, ink blotters, and letter holders used by Commandant Rudolf Höss.
Prisoners constructed much of the camp and even its furniture. Master blacksmith Jan Liwacz was arrested in October 1939 for burning an effigy of Hitler. In June 1940, he was sent to Auschwitz, where he worked in a detail that manufactured ironwork, including the ashtrays, ink blotters, and letter holders used by Commandant Rudolf Höss.
The possessions you see here were discovered in Kanada barracks after the liberation. When you look closer they seem very simple, basic even. But by the time people arrived at Auschwitz this is what they had been reduced to. They’re the last fragments of whole existences. #NotlongagoNotfaraway #NohacemuchoNomuylejos
Auschwitz was the largest Nazi concentration and death camp and the most lethal of all. More than 1,100,000 people were killed behind its barbed-wire fences. Today the remains and history of this unambiguous symbol of the horrors carried out by Nazi Germany serve as a universal warning of the dangers that stem from hatred, intolerance and antisemitism, and make us see human cruelty at its uttermost. Now, for the first time in History, more than 700 original objects are shown in the first travelling exhibition about Auschwitz co-produced by #Musealia and the @Auschwitz Memorial We will soon announce some information about our next destinations, after our current stay at the Museum of Jewish Heritage - A Living Memorial to the Holocaust in NYC.
"Time there was not like it is here on earth. Every fraction of a minute there passed on a different scale of time. And the inhabitants of this planet had no names, they had no parents nor did they have children. There they did not dress in the way we dress here; they were not born there and they did not give birth; they breathed according to different laws of nature; they did not live - nor did they die - according to the laws of this world. Their name was the number." Ka-Tzetnik (Yechiel Dinur), Auschwitz survivor, during the Trial of Adolf Eichmann, Session 68.
Hasta finales de 1941, los prisioneros de #Auschwitz dormían en el mismo suelo de los barracones. Posteriormente, cuando se aumentara la población de cada barracón a 800-1000 prisioneros, fueron introducidas estas literas triples, donde se hacinaban entre 10 y 12 personas en lugar de las 4 para las que estaban preparadas. Colección original del Auschwitz Memorial / Muzeum Auschwitz expuesta en Auschwitz Exhibition, abierta al público actualmente en el Museum of Jewish Heritage - A Living Memorial to the Holocaust de Nueva York.
The Secretary-General of the United Nations, H.E. Antonio Guterres, on his remarks at the UNGA on combatting antisemitism, recommended yesterday the visit to Auschwitz Exhibition now open at the Museum of Jewish Heritage - A Living Memorial to the Holocaust Thank you for remembering that hate speech is a real danger and, therefore, that fighting it must be a job for EVERYONE. “It is an apt title”, said the UN chief, noting that the Holocaust was “indeed not long ago – only as far back as a single average human lifespan”, and certainly “not far away – it happened at the heart of Europe, and it remains at the centre of our awareness as we fight anti-Semitism and other forms of intolerance today”. To see his entire speech ➡http://webtv.un.org/watch/player/6052519094001
Important words by Auschwitz Memorial / Muzeum Auschwitz's Director, Dr. Piotr Cywinksi, about the upcoming opening of Auschwitz Exhibition in New York's Museum of Jewish Heritage - A Living Memorial to the Holocaust, on May 8th.
El judío austríaco Jacop Klipper partió hacia Palestina en 1939 con la intención de allanar el camino a su familia. Suponiendo que su esposa, Klara-Kayla Klipper, y sus hijos, Heinz y Gaby, lo seguirían en breve, llevó consigo la mayor parte de sus pertenencias, entre las que se incluía este vestido de Gaby. Sin embargo, el comienzo de la guerra impidió a Klara y a los niños salir de Viena. Los tres murieron asesinados en Auschwitz el 6 de septiembre de 1943. Imagen: Vestido de Gaby Klipper (finales de la década de 1930). Colección de Yad Vashem. Donado por Mensahe Kliper, Kibbutz Magen, (Jerusalem - Israel).
Durante su estancia en Auschwitz, los prisioneros solo recibían un único uniforme harapiento, un gorro y un par de zapatos o toscos e incómodos zuecos de madera que producían graves heridas a la mayoría de presos, haciéndolos enfermar. Esta ropa, con la que trabajaban durante el día y dormían por la noche, estaba a menudo infestada de piojos. El campamento para mujeres de Ravensbrück se encargaba de producir estos uniformes de material de lino a rayas. En Auschwitz, los prisioneros a menudo recibían uniformes usados de los presos que habían muerto, y cuando estos escaseaban, recibían ropas de civiles marcada con pintura e insignias. Imagen: Gorro de prisionero (1940-44), de la colección de Auschwitz Memorial / Muzeum Auschwitz, expuesto en Auschwitz Exhibition hasta el 3 de febrero.
Hasta finales de 1941, los prisioneros que se encontraban en Birkenau dormían en el mismo suelo de los barracones. Estos barracones hechos de madera, era inapropiados para la habitación humana, ya que no poseían un sistema de drenaje eficiente o aislamiento contra el frío cortante. Los barracones estaban originalmente preparados para 500 personas. Cuando posteriormente comenzaron a introducirse literas tripes, hechas en un principio para albergar cuatro prisioneros en cada una, los comandantes de la SS hicieron aumentar la capacidad a 800-1.000 prisioneros por barracón. A menudo, en cada litera se hacinaban de diez a doce personas en lugar de cuatro. En la imagen, litera del barracón de los prisioneros (1941-44) perteneciente a al Auschwitz Memorial / Muzeum Auschwitz y expuesta en Auschwitz Exhibition hasta el 3 de febrero.
Comercializado como un «juego para toda la familia extraordinariamente divertido y muy actual», el objetivo de este juego de mesa consistía en expulsar a los «judíos» de las murallas de la ciudad. Cada jugador debía mover un «policía alemán» por el tablero para caer en uno de los negocios «de propietarios judíos» que se mostraban en trece círculos rodeados en rojo. Aquel que lo lograba, capturaba a un «judío» (representado con un rostro feo y contorsionado en las piezas con forma de sombrero) para llevarlo extramuros. En el tablero puede leerse: «¡Tira bien los dados para apresar muchos judíos!», y: «¡Si consigues expulsar a seis judíos, serás el vencedor indiscutible!». La inscripción de la esquina inferior derecha dice: «¡A Palestina!». Aunque el juego utilizaba crudos estereotipos antisemitas y estaba muy de acuerdo con las ideas fascistas propagadas en ese momento, como el odio racial, la necesidad de deportación forzosa o la confiscación de propiedades, no fue ninguna invención de la cúpula nazi. Este juego de mesa fue desarrollado durante el Tercer Reich por la exitosa compañía alemana de juguetes Günther and Co. Imagen: Objeto perteneciente al The Wiener Library y expuesto en Auschwitz Exhibition.
Los miles de hombres, mujeres y niños deportados a Auschwitz apenas contaban con unas pocas pertenencias cuando llegaban al campo. A su llegada, los comandantes de la SS les arrebataban lo poco que les quedaba para, posteriormente, redistribuirlos entre la población de Alemania. Todos ellos, en general de escaso valor económico, eran conservados y clasificados en un sector conocido como “Kanada”, siempre a rebosar debido a la gran cantidad de deportados que llegaban diariamente al campo. La tarea de clasificar y organizar dichas posesiones para mandarlas al Reich correspondía a los propios prisioneros. Cuando acababa la clasificación la mayoría de los propietarios anteriores ya estarían muertos. Imagen: Posesiones personales sustraídas a deportados a #Auschwitz (1942-1945), expuestas hasta el 3 de febrero en @auschwitzexhibition.
Este vagón de mercancías es uno de los 120.000 que se construyeron entre 1910 y 1927, empleados por la Deutsche Reichsbahn (red ferroviaria nacional de Alemania) para transportar alimentos, ganado y otros artículos. En la II Guerra Mundial se emplearon también para trasladar soldados y prisioneros de guerra, así como para deportar judíos y romaníes a los guetos o los centros de exterminio de la Polonia ocupada y los campos de concentración repartidos por Europa. Durante las deportaciones a Auschwitz se llegaba a hacinar a 80 personas en cada vagón, en una superficie de apenas 20 m2. Los trenes regresaban sin seres humanos, pero cargados con sus posesiones. Ciudadanos polacos, rehenes y prisioneros de guerra soviéticos, romaníes y, sobre todo, judíos –descendientes de los sefardíes españoles– fueron trasladados, a la fuerza, a destinos que les eran desconocidos. El más común era un lugar ubicado en la Polonia anexionada: Auschwitz. #nohacemuchonomuylejos #notlongagonotfaraway #WeRemember #Madrid
Máscara de gas alemana de la II Guerra Mundial (1940-1945) mostrada en Auschwitz Memorial / Muzeum Auschwitz Tan solo el fin de un largo proceso de asesinato masivo cuyos antecedentes, inicios y terribles consecuencias podrás conocer en el Centro de Exposiciones Arte Canal hasta el 3 de febrero de 2019.
Durante el fin de semana, Auschwitz Exhibition abre de 10 a 21:30 horas. Si has pensado acudir a la exposición este viernes, sábado o domingo, te recomendamos que, aunque la hora límite de acceso es las 20 h, acudas con tiempo para evitar posibles esperas o falta de aforo. #ÚltimassemanasenMadrid
El judío austríaco Jacop Klipper partió hacia Palestina en 1939 con la intención de allanar el camino a su familia. Suponiendo que su esposa, Klara-Kayla Klipper, y sus hijos, Heinz y Gaby, lo seguirían en breve, llevó consigo la mayor parte de sus pertenencias, entre las que se incluía este vestidito de Gaby. Sin embargo, nunca lo llevaría puesto. Klara y a los niños jamás lograron salir de Viena. Los tres murieron asesinados en Auschwitz el 6 de septiembre de 1943. Objeto original de Yad Vashem: World Holocaust Center, Jerusalem mostrado en Auschwitz Exhibition, solo hasta el 17 de junio.
For the first time in History, more than 700 original objects are shown in the first travelling exhibition about Auschwitz co-produced by Musealia and the Auschwitz-Birkenau State Museum, a moving and accurate tour through one of the darkest chapters of the History of Humankind that will certainly stir the world’s conscience.
Por primera vez en la historia, más de 700 objetos originales se exponen en la primera exposición itinerante sobre Auschwitz coproducida por Musealia y el Museo Estatal de Auschwitz – Birkenau; un emotivo y riguroso recorrido por uno de los capítulos más oscuros de la historia de la humanidad que, sin duda, removerá la conciencia del mundo.
Museum of Jewish Heritage - A Living Memorial
36 Battery PlYoung Friends of the Museum of Jewish Heritag
Museum of Jewish Heritage, 36 Battery Pl
Sons of the Revolution in the State of New Yo
54 Pearl St
The Museum of Public Relations
85 Broad Street
South Street Seaport Museum de New York
Quai 17 De L'East River
