Por primera vez en la historia, más de 600 objetos originales se exponen en la primera exposición itinerante sobre Auschwitz coproducida por Musealia y el Museo Estatal de Auschwitz – Birkenau; un emotivo y riguroso recorrido por uno de los capítulos más oscuros de la historia de la humanidad que, sin duda, removerá la conciencia del mundo. A partir del 1 de diciembre, estreno mundial en Centro de Exposiciones Arte Canal de Madrid. ▪️For the first time in History, more than 600 original objects are shown in the first travelling exhibition about Auschwitz co-produced by Musealia and the Auschwitz-Birkenau State Museum, a moving and accurate tour through one of the darkest chapters of the History of Humankind that will certainly stir the world’s conscience. World premiere in Madrid. Opening December 1st, 2017.
Drawing on the wall declaring the need for hygiene in #Auschwitz. Access to the water was very limited. The barracks were frequently damp, and lice and rats were an enormous problem for the prisoners. Epidemics of contagious diseases erupted frequently.
To be able to wash, inmates usually had to undress in their barracks and, regardless of the weather, walk naked to the bathhouse. For many prisoners, this led to sickness and death.
In Dora-Mittelbau concentration camp, prisoners with access to coins would flatten them and create bracelet plaques.
Yugoslav-born David Pollak had a bracelet made for himself, with his name, where he was born, his birth date, his camp number (89896), and the first camp he was sent to, #Auschwitz, though the engraver misspelled it as ‘Auswitz.’
Turned upside down, the number reads 96868. With the ability to ‘change’ numbers, David was able to move around Dora-Mittelbau and to be a saboteur. Learn more about his story: http://ow.ly/QvDF50uTfVg
Collection of the Museum of Jewish Heritage - A Living Memorial to the Holocaust currently at Auschwitz Exhibition in #NewYork.
Since the formation of the first band in 1941in Auschwitz I, in the camp complex of Auschwitz there were up to six prisoner orchestras: men and women (from 1943) forcibly deported from different parts of Europe who, after arriving in the camp, managed to lengthen or, in the case of the luckiest, save their lives thanks to their extraordinary musical talent.
Learn more about the Auschwtiz orchestras in our latest post: http://auschwitz.net/playing-for-his-life-louis-bannet/
"Since Auschwitz we know what man is capable of".
Viktor E. Frankl (1905-1997), Austrian neurologist and psychiatrist as well as a Holocaust survivor.
#NotlongagoNotfaraway
📷 www.instagram.com/leemich/
Nazi ethnologists Bruno Kurt Schultz and Michael Hesch created this toolkit for racial fieldwork. It was based on the work in the 1920s of anthropologist Karl Felix Saller, who considered the racial science of his Nazi colleagues a sham. Saller concluded that there was only one race: the human race.
The Nazis silenced him, then appropriated his research and began a pilot project to study the Roma’s racial characteristics, with the aim of proving that criminality arose from racial degeneration.
Collection of the Museum of Jewish Heritage - A Living Memorial to the Holocaust, gift of Ian R. Lawson in honor of Lieut.Col. Robert C. Thomson, displayed in Auschwitz Exhibition.
Los prisioneros de Auschwitz vivían en barracones totalmente insalubres, sin apenas ventilación ni aislamiento de las temperaturas extremas habituales en Oświęcim, donde los inviernos son especialmente duros.
Estas edificaciones primitivas tampoco disponían de baño y apenas contaban con un único balde en su interior para los cientos de habitantes de cada bloque.
Today at the International Educational Conference "AUSCHWITZ - 'NEVER AGAIN!' - REALLY?” at the Auschwitz Memorial / Muzeum Auschwitz one of the topics to be discussed will be the effectiveness of different non-traditional methods that mean to educate and raise awareness about the Holocaust.
Luis Ferreiro, Director of Musealia and the Auschwitz Exhibition will bring the vision behind the initiative of creating the exhibition, in a panel with different experts in the field.
The Jewish artist David Olère was deported to #Auschwitz in February 1943.
He survived selection and was put to work in the Sonderkommando, the unit of prisoners forced to empty the gas chambers and burn the bodies.
Part of his graphic testimony is now displayed in Auschwitz Exhibition, open from Sunday to Friday in New York City's Museum of Jewish Heritage - A Living Memorial to the Holocaust
More info ➡ auschwitz.nyc
During the Holocaust, the creation of ghettos was a key step in the Nazi process of brutally separating, persecuting, and ultimately destroying Europe's Jews.
In the picture, view of a barbed-wire fence separating part of the ghetto in Krakow from the rest of the city.
In 1939, then eighteen-year-old Zdenka Fantlová met twenty-three-year-old Arnošt “Arno” Levit. It was love at first sight.
Their courtship survived their deportation to the Theresienstadt (Terezín) ghetto in January 1942. When later that year Arno heard that he would be included in a transport “to the east,” he slipped a tin ring he had made in the camp onto Zdenka’s finger as a engagement ring.
On October 16, 1944, Zdenka was deported to Auschwitz.
Two days later she stood in a line awaiting registration. Stripped naked, she had the tin ring engraved with Arno’s name still on her finger. She slipped it under her tongue, taking the risk of a beating or even death.
In the next six months in Auschwitz, at the death march, and in Bergen-Belsen, Zdenka clung to the ring, which indeed protected her. Arno, however, did not survive.
The Secretary-General of the United Nations, H.E. Antonio Guterres, on his remarks at the UNGA on combatting antisemitism, recommended yesterday the visit to
Auschwitz Exhibition now open at the
Museum of Jewish Heritage - A Living Memorial to the Holocaust
Thank you for remembering that hate speech is a real danger and, therefore, that fighting it must be a job for EVERYONE.
“It is an apt title”, said the UN chief, noting that the Holocaust was “indeed not long ago – only as far back as a single average human lifespan”, and certainly “not far away – it happened at the heart of Europe, and it remains at the centre of our awareness as we fight anti-Semitism and other forms of intolerance today”.
To see his entire speech ➡http://webtv.un.org/watch/player/6052519094001
Each Auschwitz victim's murder was part of a continent-wide genocide that required central planning and the machinery of an industrial society. But... where does responsibility begin and end?
Is it only those who ordered these crimes? What about the businesses, industries and farmers who used Jews as slave labour? Or the ordinary people who watched their neighbours deported and bought their possessions at public auction? Those who went to enjoy how his neighbors were tormented in the streets?
When it comes to humiliating or putting a human being down, there is never an unimportant act.
Every decision, event if it is to"not react", involves individual responsibility. Picture © Yad Vashem: World Holocaust Center, Jerusalem
In 1941, when the Germans forced Jews in the Ukrainian city of Lviv (Lwów) into a ghetto, Barbara and Isaac Gamzer searched for a hiding place for their eight-year-old daughter, Aurelia.
First the Catholic Szczygiel family and later the Ojak family offered a place for this little child. In hiding, Aurelia wore these socks, made by her mother, to keep her warm and muffle the sound of her footsteps.
The Szczygiel and Ojak families are recognized as Righteous Among the Nations.
Collection of the Museum of Jewish Heritage - A Living Memorial to the Holocaust displayed in Auschwitz Exhibition.
#NotlongagoNotfaraway
June, 1940 |
Jews Moving to the Kutno Ghetto, occupied Poland, with their Belongings. Kutno was home to some 6,700 Jews on the eve of World War II.
Just 213 Jews from Kutno survived the Holocaust.
Museum of Jewish Heritage - A Living Memorial to the Holocaust
The Museum is pleased to be part of the Night at the Museums event on June 25, where participants spend the evening visiting museums and historic sites in Lower Manhattan for free. This annual event takes place rain or shine. For more information, click the link below: http://bit.ly/2wUJd8F #MuseumNightLM
German-Nazi officials implemented Jewish badge as a prelude to deporting Jewish people to ghettos killing centers in German-occupied eastern Europe. The design of the badge varied from region to region.
In the picture, a yellow Star of David outlined with black with the Dutch words for "Jew", belonging to Chief Curator Robert Jan van Pelt personal collection, displayed in Auschwitz Exhibition, now open in New York City's Museum of Jewish Heritage - A Living Memorial to the Holocaust.
Jewish prisoners in Kanada sections were forced to collect goods the deported people brought with them to Auschwitz.
The possesions would then be sent to the Reich.
By the time the sorting was completed, most of owners were already dead.
During WWII food, clothing & fuel became scarce in Europe so rationing systems were stablished.
In German-ruled Europe, Jewish people only received the minimum amount of the most basics of food & no other goods.
Original Jewish ration card for milk displayed in Auschwitz Exhibition
More than 80 percent of those who arrived in Auschwitz-Birkenau were immediately murdered.
The majority of the remainder died as a result of overwork, mistreatment, disease or lack of food.
#NotlongagoNotfaraway
Some of the remaining 1,200 prisoners in Auschwitz broke into a SS warehouse when the SS guards left the camp.
They found a great supply of food including two pigs, bags of macaroni, cans of meat & condensed milk.
Despite the fact of unbarable hunger, they shared this supply with the 5,800 starving and sick prisoners.
In the picture, original artifacts from Auschwitz Memorial / Muzeum Auschwitz.
“I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.”
― Elie Wiesel, Auschwitz Survivor, writer and Nobel Peace Winner in 1986.
In the picture, a still from a Soviet film documenting the liberation of Auschwitz. United States Holocaust Memorial Museum
The catalogue of Auschwitz Exhibition is already available at the Pickman Museum Shop at the Museum of Jewish Heritage - A Living Memorial to the Holocaust.
More than 280 objects & images from Auschwitz Exhibition are illustrated herein, along with the history of the place where 1.1 million people lost their lives during the Holocaust.
An authoritative yet accesible text that weaves the stories behind these artifacts into an encompassing history of Auschwitz, from a Polish town at the crossroads of Europe, to the dark center of the Holocaust, to a powerful site of remembrance.
A essential volume for everyone who is interested in history and its lessons.
This handmade linen doll was found in the #Auschwitz area.
More than 70 years after the Holocaust, the trace of a face can still be appreciated on one side of its head.
Sometimes, no more words are needed.
Collection of the Auschwitz Memorial / Muzeum Auschwitz displayed in Auschwitz Exhibition
A Polish Jewish boy lifts the head of a deceased young man who collapsed from starvation and died along the tram lines in the Warsaw Ghetto.
Occupied Poland, 1942.
#NotlongagoNotfarAway
During the Holocaust, millions of Jews faced struggles in the context of their faith-based practices and beliefs.
Learn more about how these struggles show us a different way to frame and understand the persistence of Jewish resilience in Auschwitz, trough our website's new article: "Resilience and Hope in Auschwitz. Not Long Ago. Not far Away".
A moving article by Amud Aish Memorial Museum and Kleinman Holocaust Education Center, one of the loaning institutions that have lent part of their personal collections to be shown during the stay of the exhibition in New York City.
⬇
https://bit.ly/2HJ2TST
One of the moving items in Amud Aish Memorial Museum’s collection displayed in Auschwitz Exhibition a small tzitzit found in Congregation Anshei Chesed...
#NotlongagoNotfaraway
📷 https://www.instagram.com/asrian/
"Earlier this week I was asked to tour the new Auschwitz exhibit at the Jewish Heritage Museum with Roman Kent, a 90-year-old survivor of Auschwitz.
Roman and I spent the morning and afternoon together, slowly making our way through the exhibit, as Roman recognized the artifacts and recalled memories from his time in the camps.
There were many moments while making these pictures that I had to walk into the next exhibit, collect myself, and then continue on. Even as we made our way through with someone who had been there, my brain struggled to grasp the reality of the horrors. “It is unthinkable,” the writer said at one point.
Roman responded, “Yes, but the unthinkable happened.”".
You can read the whole article by Joseph Berguer and Michael George, who recently published this text and pictures in his social media, for the Nytimes here: https://nyti.ms/2VY7pAT
Anne Frank House is one of the more than 20 international museums that collaborate with Auschwitz Exhibition by loaning more than 10 objects from their collections for their exhibition until January 3, 2020, at Museum of Jewish Heritage - A Living Memorial to the Holocaust.
It is the first time that these objects from Anne Frank House (located in Amsterdam, Holland) related to the young Jewish writer Anne Frank are displayed in North America.
In the image, a series of portraits of his sister, Margot Betti Frank, made in the studio The Polyfoto when she was 13 years old; just like Anna would do before being forcibly hidden for more than 2 years during the Second World War in the “Secret Annex”, where she would write her famous diary.
Auschwitz did not start with the gas chambers.
During the sporadic wave of attacks on the Jewish-owned shops in Germany during 1938-1939, many Jews were accosted in the streets and subjected to public humiliation through forced labor.
One of the Nazi's favorite acts of forced labor was to compel Jews and other dissidents to sweep city streets and clean walls. In the picture, a Nazi forces a German Jew to take a broom and sweep the pavement.
#NotlongagoNotfaraway
The Museum of Jewish Heritage - A Living Memorial to the Holocaust is closed today, as its opens Sunday to Thursday from 10 am to 9 pm (last entry 7pm), and Fridays from 10 am to 5 pm (last entry 3 pm).
For more information about admission and tickets, visit auschwitz.nyc
In 1933, about 600,000 Jews lived in #Germany, less than 1% of the total population. Most were proud to be Germans.
More than 100,000 German Jews had served in the German army during #WorldWarI, and many were decorated for bravery.
However, this would not protect them during the Holocaust.
In the second picture, Iron Cross was given by Germany to the German Jewish tailor Salli Joseph (1889–1943) for acts of personal courage during battle. He and his wife, Martha Joseph (née Danziger), were deported to Auschwitz in March 1943. Both were murdered shortly after their arrival.
Collection of the United States Holocaust Memorial Museum, Margot Hamburger Family Collection displayed in Auschwitz Exhibition
The Nazis sought to unify Germans into a single community that shared their worldview without question.
One of the tools used to enforce this social transformation was the concentration camp system. Initially the targets were the Nazis’ political opponents— Communists, Social Democrats, pacifists, and a small number of religious leaders—who were sent for “reeducation.”
In the picture, we can see a hand-painted card sent from Dachau by 52 year-old metal worker Friedrich Hoyer to his wife for her fiftieth birthday (1934) displayed in Auschwitz Exhibition, now open in NYC's Museum of Jewish Heritage - A Living Memorial to the Holocaust.
May 15, 1944 | Beginning of massive deportation of around 420,000 Jewish people from Hungary to Auschwitz.
Ca. 330,000 of them would immediately be killed in gas chambers at Auschwitz II-Birkenau after arrival.
#NotlonagoNotfaraway
Picture ©Yad Vashem: World Holocaust Center, Jerusalem
Before World War II, Salonika (Thessaloniki) had the largest Jewish community in Greece. During the years 1941 to 1943, following the German occupation, the ancient and vibrant Jewish community of Salonika was destroyed.
Gain a deeper understanding of #NotlongagoNotfaraway exhibition on an expert-guided tour.
We offer a variety of tours that explore Auschwitz's history, its human and historical impact, and its continuing significance.
Visit www.auschwitz.nyc to learn more
‘People should know how it was and it should never happen again.’ — Here’s a look inside the largest exhibit on Auschwitz ever shown in the U.S., Auschwitz Exhibition.
‘People should know how it was and it should never happen again.’ — Here’s a look inside the largest exhibit on Auschwitz ever shown in the U.S.
Yakob Vizgordiski works at a machine in a ghetto factory. Kovno, Lithuania, between 1941 and 1943.
Picture of United States Holocaust Memorial Museum courtesy of George Kadish/Zvi Kadushin
Edmond J. Safra Plaza 36 Battery Place
New York, NY
10280
Subway 4/5 to Bowling Green. 1 to Rector Street. R to Whitehall Street or Rector Street. Bus M5, M15 to South Ferry. M20 to Battery Park City. M9 to West Thames. Downtown Connection Bus This free bus service connects Battery Park City with the South Street Seaport, making stops at many important destinations, including a stop right in front of the Museum. Service is provided seven days a week in 10-minute intervals from 10 am – 7:30 pm. City Bike A Citi Bike station is located at the intersection of West Street and 1st Place. Ferry Staten Island Ferry to South Ferry Terminal.
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| Tuesday | 10:00 - 21:00 |
| Wednesday | 10:00 - 21:00 |
| Thursday | 10:00 - 21:00 |
| Friday | 10:00 - 17:00 |
| Sunday | 09:00 - 17:00 |
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The Secretary-General of the United Nations, H.E. Antonio Guterres, on his remarks at the UNGA on combatting antisemitism, recommended yesterday the visit to Auschwitz Exhibition now open at the Museum of Jewish Heritage - A Living Memorial to the Holocaust Thank you for remembering that hate speech is a real danger and, therefore, that fighting it must be a job for EVERYONE. “It is an apt title”, said the UN chief, noting that the Holocaust was “indeed not long ago – only as far back as a single average human lifespan”, and certainly “not far away – it happened at the heart of Europe, and it remains at the centre of our awareness as we fight anti-Semitism and other forms of intolerance today”. To see his entire speech ➡http://webtv.un.org/watch/player/6052519094001
Important words by Auschwitz Memorial / Muzeum Auschwitz's Director, Dr. Piotr Cywinksi, about the upcoming opening of Auschwitz Exhibition in New York's Museum of Jewish Heritage - A Living Memorial to the Holocaust, on May 8th.
El judío austríaco Jacop Klipper partió hacia Palestina en 1939 con la intención de allanar el camino a su familia. Suponiendo que su esposa, Klara-Kayla Klipper, y sus hijos, Heinz y Gaby, lo seguirían en breve, llevó consigo la mayor parte de sus pertenencias, entre las que se incluía este vestido de Gaby. Sin embargo, el comienzo de la guerra impidió a Klara y a los niños salir de Viena. Los tres murieron asesinados en Auschwitz el 6 de septiembre de 1943. Imagen: Vestido de Gaby Klipper (finales de la década de 1930). Colección de Yad Vashem. Donado por Mensahe Kliper, Kibbutz Magen, (Jerusalem - Israel).
Durante su estancia en Auschwitz, los prisioneros solo recibían un único uniforme harapiento, un gorro y un par de zapatos o toscos e incómodos zuecos de madera que producían graves heridas a la mayoría de presos, haciéndolos enfermar. Esta ropa, con la que trabajaban durante el día y dormían por la noche, estaba a menudo infestada de piojos. El campamento para mujeres de Ravensbrück se encargaba de producir estos uniformes de material de lino a rayas. En Auschwitz, los prisioneros a menudo recibían uniformes usados de los presos que habían muerto, y cuando estos escaseaban, recibían ropas de civiles marcada con pintura e insignias. Imagen: Gorro de prisionero (1940-44), de la colección de Auschwitz Memorial / Muzeum Auschwitz, expuesto en Auschwitz Exhibition hasta el 3 de febrero.
Hasta finales de 1941, los prisioneros que se encontraban en Birkenau dormían en el mismo suelo de los barracones. Estos barracones hechos de madera, era inapropiados para la habitación humana, ya que no poseían un sistema de drenaje eficiente o aislamiento contra el frío cortante. Los barracones estaban originalmente preparados para 500 personas. Cuando posteriormente comenzaron a introducirse literas tripes, hechas en un principio para albergar cuatro prisioneros en cada una, los comandantes de la SS hicieron aumentar la capacidad a 800-1.000 prisioneros por barracón. A menudo, en cada litera se hacinaban de diez a doce personas en lugar de cuatro. En la imagen, litera del barracón de los prisioneros (1941-44) perteneciente a al Auschwitz Memorial / Muzeum Auschwitz y expuesta en Auschwitz Exhibition hasta el 3 de febrero.
Comercializado como un «juego para toda la familia extraordinariamente divertido y muy actual», el objetivo de este juego de mesa consistía en expulsar a los «judíos» de las murallas de la ciudad. Cada jugador debía mover un «policía alemán» por el tablero para caer en uno de los negocios «de propietarios judíos» que se mostraban en trece círculos rodeados en rojo. Aquel que lo lograba, capturaba a un «judío» (representado con un rostro feo y contorsionado en las piezas con forma de sombrero) para llevarlo extramuros. En el tablero puede leerse: «¡Tira bien los dados para apresar muchos judíos!», y: «¡Si consigues expulsar a seis judíos, serás el vencedor indiscutible!». La inscripción de la esquina inferior derecha dice: «¡A Palestina!». Aunque el juego utilizaba crudos estereotipos antisemitas y estaba muy de acuerdo con las ideas fascistas propagadas en ese momento, como el odio racial, la necesidad de deportación forzosa o la confiscación de propiedades, no fue ninguna invención de la cúpula nazi. Este juego de mesa fue desarrollado durante el Tercer Reich por la exitosa compañía alemana de juguetes Günther and Co. Imagen: Objeto perteneciente al The Wiener Library y expuesto en Auschwitz Exhibition.
Los miles de hombres, mujeres y niños deportados a Auschwitz apenas contaban con unas pocas pertenencias cuando llegaban al campo. A su llegada, los comandantes de la SS les arrebataban lo poco que les quedaba para, posteriormente, redistribuirlos entre la población de Alemania. Todos ellos, en general de escaso valor económico, eran conservados y clasificados en un sector conocido como “Kanada”, siempre a rebosar debido a la gran cantidad de deportados que llegaban diariamente al campo. La tarea de clasificar y organizar dichas posesiones para mandarlas al Reich correspondía a los propios prisioneros. Cuando acababa la clasificación la mayoría de los propietarios anteriores ya estarían muertos. Imagen: Posesiones personales sustraídas a deportados a #Auschwitz (1942-1945), expuestas hasta el 3 de febrero en @auschwitzexhibition.
Este vagón de mercancías es uno de los 120.000 que se construyeron entre 1910 y 1927, empleados por la Deutsche Reichsbahn (red ferroviaria nacional de Alemania) para transportar alimentos, ganado y otros artículos. En la II Guerra Mundial se emplearon también para trasladar soldados y prisioneros de guerra, así como para deportar judíos y romaníes a los guetos o los centros de exterminio de la Polonia ocupada y los campos de concentración repartidos por Europa. Durante las deportaciones a Auschwitz se llegaba a hacinar a 80 personas en cada vagón, en una superficie de apenas 20 m2. Los trenes regresaban sin seres humanos, pero cargados con sus posesiones. Ciudadanos polacos, rehenes y prisioneros de guerra soviéticos, romaníes y, sobre todo, judíos –descendientes de los sefardíes españoles– fueron trasladados, a la fuerza, a destinos que les eran desconocidos. El más común era un lugar ubicado en la Polonia anexionada: Auschwitz. #nohacemuchonomuylejos #notlongagonotfaraway #WeRemember #Madrid
Máscara de gas alemana de la II Guerra Mundial (1940-1945) mostrada en Auschwitz Memorial / Muzeum Auschwitz Tan solo el fin de un largo proceso de asesinato masivo cuyos antecedentes, inicios y terribles consecuencias podrás conocer en el Centro de Exposiciones Arte Canal hasta el 3 de febrero de 2019.
Tras recibir a más de 450.000 visitantes, Auschwitz Exhibition ha sido 𝐏𝐑𝐎𝐑𝐑𝐎𝐆𝐀𝐃𝐀 una última vez en el Centro de Exposiciones Arte Canal Madrid, único destino en España. Más de 600 objetos de Auschwitz te esperan en la primera muestra itinerante sobre el mayor de los campos nazis alemanes. Entradas a partir de 6 euros en 𝘄𝘄𝘄.𝗮𝘂𝘀𝗰𝗵𝘄𝗶𝘁𝘇.𝗻𝗲𝘁
Tras recibir a más de 450.000 visitantes desde su apertura, Auschwitz Exhibition ha sido 𝐏𝐑𝐎𝐑𝐑𝐎𝐆𝐀𝐃𝐀 una última vez en Madrid, antes de abandonar Europa. Como novedad, durante esta ampliación hasta el 3 de febrero de 2019 se incorporarán diversos objetos de Ana Frank, procedentes de Anne Frank House y nunca antes expuestos fuera de Ámsterdam. Y, de nuevo, 25.000 plazas gratuitas se han habilitado para escolares. Toda la información ▶ https://goo.gl/4Lajq8 ************** Gracias, Madrid, por convertir Auschwitz Exhibition en una de las exposiciones más visitadas del año en España y, con ello, ayudarnos a mantener viva la memoria de las víctimas de Auschwitz y el Holocausto y a estar alerta ante los peligros del odio, el racismo y la xenofobia.
Durante el fin de semana, Auschwitz Exhibition abre de 10 a 21:30 horas. Si has pensado acudir a la exposición este viernes, sábado o domingo, te recomendamos que, aunque la hora límite de acceso es las 20 h, acudas con tiempo para evitar posibles esperas o falta de aforo. #ÚltimassemanasenMadrid
El judío austríaco Jacop Klipper partió hacia Palestina en 1939 con la intención de allanar el camino a su familia. Suponiendo que su esposa, Klara-Kayla Klipper, y sus hijos, Heinz y Gaby, lo seguirían en breve, llevó consigo la mayor parte de sus pertenencias, entre las que se incluía este vestidito de Gaby. Sin embargo, nunca lo llevaría puesto. Klara y a los niños jamás lograron salir de Viena. Los tres murieron asesinados en Auschwitz el 6 de septiembre de 1943. Objeto original de Yad Vashem: World Holocaust Center, Jerusalem mostrado en Auschwitz Exhibition, solo hasta el 17 de junio.
Más de 600 objetos de Auschwitz te esperan en Auschwitz Exhibition, la primera exposición itinerante sobre el mayor de los campos nazis alemanes coproducida por el Auschwitz Memorial / Muzeum Auschwitz, Musealia y más de 20 museos internacionales. Solo hasta el 17 de junio en Centro de Exposiciones Arte Canal de Madrid. Único destino en España.
Lipper Internship for Holocaust Education
36 Battery PlYoung Friends of the Museum of Jewish Heritag
Museum of Jewish Heritage, 36 Battery PlMuseum of Jewish Heritage - A Living Memorial
36 Battery PlThe Statue of Liberty-Ellis Island Foundation
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1 Bowling GrnAlexander Hamilton U.S. Custom House
1 Bowling GreenStatue of Liberty & Ellis Island Events
New York Harbor
The American Museum of Natural History
200 Central Park West, New York
The Chancellor Robert R Livingston Masonic Li
71 W 23rd St, 14th Floor
Events at Museum of the City of New York
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South Street Seaport Museum de New-York
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