Amos Eno Gallery

Amos Eno Gallery Amos Eno Gallery is an artist-run gallery offering a full schedule of exhibitions and related events.

Amos Eno provides a platform for emerging artists in all media, giving precedence to artistic expression freed from commercial restraints combined with professional education. By presenting a rich schedule of exhibits and outreach activities, we hope to help fertilize the cultural growth of our community. GOALS
• An affordable space in a burgeoning artistic community.
• An artistically diverse and

active group of member artists, creating high-quality work expressing many voices.
• A successful program series of exhibitions, professional development events for members and area artists, collaborative projects with other arts groups, and special events.
• A stable, diversified and sustainable funding base, encompassing dues-paying members, and individual and institutional donors. FAST FACTS
• Founded in 1974, Amos Eno Gallery is one of New York City’s longest operating co-operative gallery spaces
• Periodic events free and open to the public, including artist performances, spoken word and poetry readings
• Bi-annual juried exhibitions open to all metropolitan area artists

Join us for Residual Gestures, a co-creative, co-incidental event with artist Samantha Jones.🗓 Saturday, September 19🕑 2...
08/25/2026

Join us for Residual Gestures, a co-creative, co-incidental event with artist Samantha Jones.

🗓 Saturday, September 19
🕑 2–4 p.m.
📍 Amos Eno Gallery

Extending the ideas of Residual Worlds, her solo exhibition at Amos Eno opening September 10, Samantha Jones invites visitors into a collaborative art-making experience that explores shared worlds and the traces we leave behind.

A live projection of Jones drawing and painting from her Maine studio will be cast onto a gallery wall covered with paper, where visitors are invited to respond with their own marks. As gestures accumulate across distance and time, the work becomes a shared record of encounter—a living residue created collectively by artist and audience.

Free and open to the public. We hope you'll join us.

Last chance to experience 'Redwood Ripples' by  Grant Whipple's paintings invite us to reconsider how landscapes are for...
08/22/2026

Last chance to experience 'Redwood Ripples' by

Grant Whipple's paintings invite us to reconsider how landscapes are formed—not only through geological time, but through the physical behavior of paint itself. Created through repeated cycles of pouring, staining, soaking, and drying, these works remind us that change is continuous, material, and deeply interconnected.

🗓 On view through Sunday, August 23
📍Amos Eno Gallery
191 Henry St., New York
Open Saturday and Sunday: noon to 6 p.m.

Free and open to the public.

Grant Whipple"Fault Lines," 2026Tempera and Acrylic on Unstretched Canvas59 × 31 in Fracture can also be a form of conne...
08/21/2026

Grant Whipple
"Fault Lines," 2026
Tempera and Acrylic on Unstretched Canvas
59 × 31 in

Fracture can also be a form of connection.

In Grant Whipple's "Fault Lines," intersecting folds, washes, and mineral tones suggest shifting terrain shaped by immense forces over time. Rather than depicting a specific place, the painting evokes the constant movement that lies beneath every seemingly stable landscape.

Final two days to see Whipple's solo show, 'Redwood Ripples.' Open August 22 and 23 from noon to 6 p.m.

Susan Poirier manipulates paper, clawing and sanding the surface to create works that do not immediately read as paper. ...
08/20/2026

Susan Poirier manipulates paper, clawing and sanding the surface to create works that do not immediately read as paper. Her practice is a process of healing, layering paint to cleanse and transform material, offering viewers a moment to reflect.art

On view in "Under Negotiation"

Susan Poirier
In Conversation, 2026
Diptych: Acrylic on constructed paper panel
12 1/2 × 19 3/4 × 1 in

Curated by Zoë Elena Moldenhauer, "Under Negotiation" is on view at The Project Space from July 23 through August 23.


In August, the gallery will be open on Saturdays and Sundays only from noon to 6 p.m. through August 23. Please note there is a steep staircase to access this area.

Samantha Jones: Residual WorldsSept. 10 – Oct. 11, 2026Transforming both levels of Amos Eno Gallery into an immersive in...
08/18/2026

Samantha Jones: Residual Worlds
Sept. 10 – Oct. 11, 2026

Transforming both levels of Amos Eno Gallery into an immersive installation of hand-painted silk and velvet, materials-based installation artist Samantha Jones invites visitors into spheres of life that may not know one another, yet are so deeply embedded that they cannot be severed.

Within the installation, two color-drenched worlds emerge. One evokes a multivalent atmosphere of molecular movement, while the other forms a textured, cave-like terrain that envelops visitors in its folds and fantasies. Haunting one another in palette, intensity, and mark, these become Residual Worlds: distinct yet inseparable, much like the worlds we inhabit every day. Moving through them, viewers become aware not only of the spaces themselves, but of their own place within an ecology of relationships that is constantly unfolding.

Jones asks what it means to become more attentive to unseen connections at a moment when questions of ecological interdependence, collective care, and shared responsibility have become increasingly urgent. The exhibition grows from her ongoing research into "wild care"—an ethic that understands life not as isolated individuals, but as entangled systems of mutual influence, vulnerability, and persistence.

For Jones, residue is not simply what remains, but an active material: the traces that continue to shape the world after their maker has departed. Art, too, is residue. It escapes the body of its maker and continues on its own trajectory, taking on a life beyond intention or design.

Rather than illustrating philosophical ideas, Jones gives them material form. Silk and velvet become living surfaces whose color, translucency, and texture shift as visitors move through them, creating an environment completed through encounter.

Residual Worlds invites us to consider the invisible systems that bind us to one another—and how we might care for them, and for one another, with greater attention.

Sam Shaffer creates stories about color. Through quick brushstrokes and slow pours of watercolor, Shaffer captures a fle...
08/16/2026

Sam Shaffer creates stories about color. Through quick brushstrokes and slow pours of watercolor, Shaffer captures a fleeting moment of a memory or dream. Like looking at clouds that hold their shape for a moment, Shaffer’s work becomes a living, fantastical world.


On view in "Under Negotiation"

Sam Shaffer
The Definer, 2026
Watercolor and collage on paper
15 × 12 in

Sam Shaffer
The Place, 2026
Watercolor and collage on paper
14 × 10 in

Sam Shaffer
Cut and Joy, 2026
Watercolor and collage on paper
15 × 11 in

Sam Shaffer
Night Ghost, 2026
Watercolor and collage on paper
15 × 11 in

Curated by Zoë Elena Moldenhauer, "Under Negotiation" is on view at The Project Space from July 23 through August 23.


In August, the gallery will be open on Saturdays and Sundays only from noon to 6 p.m. through August 23. Please note there is a steep staircase to access this area.

Grant Whipple"Drenched River 1," 2026Tempera on Newsprint26 × 25 1/2 inWater is more than a subject in Grant Whipple's p...
08/15/2026

Grant Whipple
"Drenched River 1," 2026
Tempera on Newsprint
26 × 25 1/2 in

Water is more than a subject in Grant Whipple's paintings—it is part of the process itself.

In works like "Drenched River 1" translucent washes accumulate slowly, leaving behind stains, blooms, and subtle shifts in tone that couldn't be planned or replicated. The painting documents an ongoing collaboration between the artist and the material.

On view through August 23 in Whipple's solo show 'Redwood Ripples.'

Experiencing 'Redwood Ripples' in person reveals something photographs cannot.Freed from traditional stretcher bars, Gra...
08/14/2026

Experiencing 'Redwood Ripples' in person reveals something photographs cannot.

Freed from traditional stretcher bars, Grant Whipple's canvases hang directly from strips of redwood, allowing them to flex, curl, and respond to the surrounding space. Together, the paintings become an immersive environment where each work echoes the rhythms of the others.

On view through August 23. Open weekends noon to 6 p.m.

Grant Whipple"Trace," 2026Tempera, Acrylic, and Oil on Unstretched Canvas76 × 60 inHorizontal bands ripple across "Trace...
08/14/2026

Grant Whipple
"Trace," 2026
Tempera, Acrylic, and Oil on Unstretched Canvas
76 × 60 in

Horizontal bands ripple across "Trace," echoing reflections on water, tree rings, topographic lines, or shifting horizons.

Repeated gestures create rhythm without repetition, suggesting the ways nature continually remakes itself through cycles of growth, erosion, and renewal.

Lynn Basa’s ceramic sculptures are feral, yet soft vessels. Her Slip pieces evoke volcanic magma that fold into palm-siz...
08/12/2026

Lynn Basa’s ceramic sculptures are feral, yet soft vessels. Her Slip pieces evoke volcanic magma that fold into palm-sized stones. A closer look reveals the delicate and careful imprint of the artist's hand to create objects that appear to be an archaeological discovery.
Lynn Basa basa

On view in "Under Negotiation"

Lynn Basa
Slab #1 and Slab #2, 2025
Porcelain and glass
17 × 18 in

Curated by Zoë Elena Moldenhauer, "Under Negotiation" is on view at The Project Space from July 23 through August 23.


The gallery is open on Saturdays and Sundays only from noon to 6 p.m. through August 23. Please note there is a steep staircase to access this area.

Address

191 Henry Street
New York, NY
10002

Opening Hours

Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm
Sunday 12pm - 6pm

Telephone

+17182373001

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