Hendrixology

Hendrixology Hendrixology - it's a science about Hendrix Jimi When I die, I want people to play my music, go wild and freak out and do anything they want to do.

Jimi Hendrix

02/10/2021
Gibson

Gibson

Jimi Hendrix Live in Maui: A Conversation with Eddie Kramer, Billy Cox, and John McDermott.
Moderated by Brad Tolinski

Jimi Hendrix
02/05/2021

Jimi Hendrix

Join us Tuesday, February 9 at 6pm (Central Time) as Gibson hosts JIMI HENDRIX LIVE IN MAUI featuring a conversation with Eddie Kramer, Billy Cox and John McDermott. This event will stream live on Facebook [Gibson] and Gibson TV on YouTube at https://www.youtube.com/user/GibsonGuitarCorp

#Gibson #JimiHendrix #EddieKramer #BillyCox #HendrixMaui #Live #Conversation

02/03/2021
SRF 1

SRF 1

Zum 50. Todestag von Jimi Hendrix: Hier begeistert er beim Monsterkonzert im Hallenstadion, seinem einzigen Auftritt in der Schweiz 🎸🎸(1968)! #heyjoe

01/28/2021
Don's Tunes

β€œI will never again see a performance by a guitarist-vocalist with that intensity, with that total emotional impact,” says promoter Bill Graham. β€œIt was like an adagio dance. The guitar was the snake, and he was the snake charmer.”
Hendrix was a little more modest about it when he spoke with journalist Al Aronowitz backstage after the show. β€œEarth, man, earth . . . .” he said. β€œI want to bring it down to earth. I want to get back to the #blues, because that’s what I am.”
His Fillmore East shows with the Band of Gypsys, featuring bassist Billy Cox and drummer Buddy Miles, captured Hendrix with his spirit of adventure still in overdrive but his feet planted once again on terra firma. Standing unusually still, his head bowed over his Fender Stratocaster in profound concentration, he had unleashed a rainbow barrage of firealarm feedback, knife-edge riffing, raw soulful melodicism and sunlight harmonies that arced over Cox and Miles’s roadhouse stomp with almost classical grace

β€œI will never again see a performance by a guitarist-vocalist with that intensity, with that total emotional impact,” says promoter Bill Graham. β€œIt was like an adagio dance. The guitar was the snake, and he was the snake charmer.”
Hendrix was a little more modest about it when he spoke with journalist Al Aronowitz backstage after the show. β€œEarth, man, earth . . . .” he said. β€œI want to bring it down to earth. I want to get back to the #blues, because that’s what I am.”
His Fillmore East shows with the Band of Gypsys, featuring bassist Billy Cox and drummer Buddy Miles, captured Hendrix with his spirit of adventure still in overdrive but his feet planted once again on terra firma. Standing unusually still, his head bowed over his Fender Stratocaster in profound concentration, he had unleashed a rainbow barrage of firealarm feedback, knife-edge riffing, raw soulful melodicism and sunlight harmonies that arced over Cox and Miles’s roadhouse stomp with almost classical grace.

www.donstunes.com

01/26/2021
Kurt's Classic Rock Video Collection

Kurt's Classic Rock Video Collection

Jimi Hendrix EXP 1967-10-12 Discorama, Paris REMASTERED
The Wind Cries Mary and The Burning of the Midnight Lamp

01/22/2021
Kurt's Classic Rock Video Collection

Kurt's Classic Rock Video Collection

Jimi Hendrix Experience-All Along the Watchtower with Brian Jones (piano) and missing guitar solo **Special RE_IMAGINED edit**

Rock'n'Roll, Nothing Else Matters
01/17/2021

Rock'n'Roll, Nothing Else Matters

January 11, 1967, The Jimi Hendrix Experience recorded 'Purple Haze' at De Lane Lea studios in London. Hendrix later stated 'The Purple Haze,' was about a dream he had and that he was walking under the sea." In concert, Hendrix sometimes substituted lyrics for comic effect; "'scuse me while I kiss the sky" was rendered "'scuse me while I kiss this guy" (while gesturing towards his drummer Mitch Mitchell)

Ultimate-Guitar.com
01/17/2021
Ultimate-Guitar.com

Ultimate-Guitar.com

Frontman Ian Anderson remembers what Jimi Hendrix thought of Jethro Tull, explains what Jimi didn't like at all 🎸 🎸 🎸

01/06/2021
Avant Garde Music

Avant Garde Music

John Wetton | Uli Jon Roth | Simon Phillips - All Along The Watchtower - Live in Germany 1991

12/19/2020
Colouring The Past

Colouring The Past

JIMI HENDRIX - WOODSTOCK 1969

Marking the 51st anniversary of the original Woodstock, held August 15–18, 1969, on Max Yasgur's dairy farm in Bethel, New York, 40 miles southwest of Woodstock.

To celebrate the anniversary the video here is JIMI HENDRIX performing several numbers from his Woodstock set: Voodoo Child (Slight Return)/The Star Spangled Banner/Purple Haze.

I've upscaled the original clip and improved the colour saturation.

On August 18th 1969, legendary guitarist Jimi Hendrix stepped onto the stage at the Woodstock, N.Y., Music Festival and embarked upon an uninterrupted set lasting nearly two hours - one of the longest performances of his career.

Technical and weather delays caused the festival to stretch into Monday morning. The organizers had given Hendrix the opportunity to go on at midnight, but he opted to be the closer.

However, he was not supposed to close Woodstock. Steeped in childhood memories of the song, Woodstock organizer Michael Lang wanted Roy Rogers to come on after Hendrix and play Happy Trails. The cowboy crooner declined, and Hendrix stepped in.

By the time he took to the stage at 9 a.m., the crowd, which once numbered 500,000, had dwindled to fewer than 200,000. With the demands of work and school weighing on them, many fans waited just long enough to see Hendrix begin his set, and then departed.

Hendrix performed with a temporary band. The Jimi Hendrix Experience, with which he had recorded three smash albums, had broken up. Hendrix assembled a group he called Gypsy Suns and Rainbows. One of his largest bands, it included two musicians he played with at the start of his career (bassist Billy Cox and guitarist Larry Lee), drummer Mitch Mitchell (who was part of the Experience), and two percussionists. The group performed just twice more before disbanding.

The band's set concluded with a long medley that included the solo performance of the Star Spangled Banner that would become emblematic not only of Woodstock, but of the 1960s themselves.

When most people think of Hendrix and Woodstock, it is that performance of the national anthem that comes to mind. However, The Star Spangled Banner was not played on its own.

It was part of a medley lasting over half an hour that included hits like Voodoo Child (Slight Return) and Purple Haze, and an unaccompanied improvisation lasting nearly five minutes.

-----------------------------------------

Hello, and a warm welcome to everyone who has joined COLOURING THE PAST.

The page is my attempt to add a little colour to the cheeks of the past. It's not intended to offer anything 'better' than the original black & white footage; just a different take.

Running the page is a one-man operation. I write and research the articles, and edit the videos which involves several hours of work - upscaling, colourising and tweaking in various software.

If you could see fit to make a small donation then I would be genuinely grateful.

Thank you and best wishes, Paul πŸ™‚

Just visit one of the links to donate (all secure connections):

PAYPAL: https://www.paypal.me/decade7787

JUSTGIVING: https://www.justgiving.com/crowdfunding/ctp

Address

56 Walker St
New York, NY
NY 10013

Alerts

Be the first to know and let us send you an email when Hendrixology posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

Category

I wanna kiss the Sky!!!

Π§Π°ΡΡ‚ΡŒ I

Π”ΠΆΠΈΠΌΠΈ - ΠΌΡƒΠ·Ρ‹ΠΊΠ°Π½Ρ‚ Π½ΠΎΠ²ΠΎΠ³ΠΎ Ρ‚ΠΈΠΏΠ°

Π‘ΡƒΠ΄ΡƒΡ‡ΠΈ инструмСнталистом ΠΎΠ½ ΠΏΠΎΠ½ΠΈΠΌΠ°Π», Ρ‡Ρ‚ΠΎ Π΅ΠΌΡƒ Π½Π΅ ΠΈΠ·Π±Π΅ΠΆΠ°Ρ‚ΡŒ Π²ΠΎΠΊΠ°Π»ΠΈΠ·Π°Ρ†ΠΈΠΈ ΠΈ Π²Ρ‹Π±ΠΎΡ€ Π΅Π³ΠΎ Π±Ρ‹Π» ΠΏΡ€Π°Π²ΠΈΠ»ΡŒΠ½Ρ‹ΠΌ - Π΅Π³ΠΎ голос стал Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡ‚Π΅Π»ΡŒΠ½Ρ‹ΠΌ инструмСнтом, Π° Π½Π΅ Π½Π°ΠΎΠ±ΠΎΡ€ΠΎΡ‚, ΠΊΠ°ΠΊ это Π±Ρ‹Π»ΠΎ принято. Вакая ΠΌΠ°Π½Π΅Ρ€Π° ΠΌΠΎΠ³Π»Π° Π±Ρ‹ ΡΡƒΡ‰Π΅ΡΡ‚Π²ΠΎΠ²Π°Ρ‚ΡŒ Π² Π΄ΠΆΠ°Π·Π΅, Π½ΠΎ Ρ‚Π°ΠΌ вокалисты исполняли скэт - Ρ‚Π°ΠΊ называСмая вокальная импровизация. Π˜Π½ΡΡ‚Ρ€ΡƒΠΌΠ΅Π½Ρ‚Π°Π»ΠΈΡΡ‚Ρ‹ ΠΆΠ΅ Π΅Ρ‰Ρ‘ Π½Π΅ Ρ€Π΅ΡˆΠ°Π»ΠΈΡΡŒ ΠΏΠ΅Ρ‚ΡŒ Π² Π΄ΠΆΠ°Π·Π΅ (Π·Π° ΠΈΡΠΊΠ»ΡŽΡ‡Π΅Π½ΠΈΠ΅ΠΌ Луиса Армстронга), ΠΊΡ€ΠΎΠΌΠ΅ блюзмэнов, ΠΊΠΎΡ‚ΠΎΡ€Ρ‹Ρ… ΠΌΡ‹ Π½Π΅ Π½Π°Π·ΠΎΠ²Ρ‘ΠΌ инструмСнталистами ΠΏΠΎΡ‚ΠΎΠΌΡƒ, Ρ‡Ρ‚ΠΎ блюз Π±Ρ‹Π» особым способом музицирования ΠΈ ΠΈΠΌΠ΅Π» свои ярковыраТСнныС ΠΏΡ€Π°Π²ΠΈΠ»Π°, ΠΊΠ°ΠΊ ΠΈ Π΄ΠΆΠ°Π·, Π²ΠΏΡ€ΠΎΡ‡Π΅ΠΌ, Π½Π° Ρ‚ΠΎΠΌ этапС. Вакая ΠΆΠ΅ Ρ„ΡƒΠ½ΠΊΡ†ΠΈΠΎΠ½Π°Π»ΡŒΠ½Π°Ρ вокализация присутствовала Ρƒ Π”ΠΆΠΈΠΌΠΈ ΠΈ Π² Π³ΠΈΡ‚Π°Ρ€Π½ΠΎΠΌ Π°ΠΊΠΊΠΎΠΌΠΏΠ°Π½Π΅ΠΌΠ΅Π½Ρ‚Π΅. Бпособ заполнСния ΠΏΠ°ΡƒΠ· для укрСплСния Ρ„ΡƒΠ½ΠΊΡ†ΠΈΠΉ Ρ€ΠΈΡ‚ΠΌΠΎ-гармоничСскими Ρ€Π΅ΠΏΡ€ΠΈΠ·Π°ΠΌΠΈ, ΠΊΠΎΡ‚ΠΎΡ€Ρ‹Π΅ всё врСмя Π²Π°Ρ€ΡŒΠΈΡ€ΠΎΠ²Π°Π»ΠΈΡΡŒ ΠΈ создавали свои микроструктуры, ΠΏΠΈΡ‚Π°Π²ΡˆΠΈΠ΅ Ρ€ΠΈΡ‚ΠΌ-ΡΠ΅ΠΊΡ†ΠΈΡŽ, которая Π΅Ρ‰Ρ‘ Π±ΠΎΠ»Π΅Π΅ услоТняла контСкст. Как ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡ‚ΠΎΡ€, Π”ΠΆΠΈΠΌΠΈ ΡƒΠΌΠ΅Π» ΡΠΎΡ‡ΠΈΠ½ΡΡ‚ΡŒ прСкрасныС солидныС Ρ€ΠΈΡ„Ρ‹ для баса. Басист становился ΠΏΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠ΅Π½ΠΈΠ΅ΠΌ Π³ΠΈΡ‚Π°Ρ€Ρ‹, ΠΊΠ°ΠΊ, Π²ΠΏΡ€ΠΎΡ‡Π΅ΠΌ, ΠΈ Π±Π°Ρ€Π°Π±Π°Π½Ρ‰ΠΈΠΊ. Π’Π°ΠΊΠΈΠΌ ΠΎΠ±Ρ€Π°Π·ΠΎΠΌ, ΡΠ»ΡƒΡˆΠ°Ρ‚Π΅Π»ΠΈ ΠΏΠΎΠ»ΡƒΡ‡ΠΈΠ»ΠΈ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡ‚ΡŒ ΡƒΡΠ»Ρ‹ΡˆΠ°Ρ‚ΡŒ Π³ΠΈΡ‚Π°Ρ€Ρƒ Π”ΠΆΠΈΠΌΠΈ Π² Ρ‚Ρ€ΠΎΠ΅ΠΊΡ€Π°Ρ‚Π½ΠΎΠΌ ΠΈΠ·Π»ΠΎΠΆΠ΅Π½ΠΈΠΈ - с усилСнными Π½ΠΈΠ·Π°ΠΌΠΈ, ΠΎΠΏΡƒΡ‰Π΅Π½Π½Ρ‹ΠΌΠΈ Π½Π° ΠΎΠΊΡ‚Π°Π²Ρƒ Π²Π½ΠΈΠ·, ΠΈ с ритмичСской окраской всСвозмоТных ΡƒΠ΄Π°Ρ€Π½Ρ‹Ρ… ΡƒΡ…ΠΈΡ‰Ρ€Π΅Π½ΠΈΠΉ со Π·Π²ΠΎΠ½Π°ΠΌΠΈ, ΠΌΠΎΡ‰Π½Ρ‹ΠΌΠΈ Π±Ρ€Π΅ΠΊΠ°ΠΌΠΈ ΠΈ ΡƒΠΏΠ»ΠΎΡ‚Π½Ρ‘Π½Π½Ρ‹ΠΌΠΈ Π³Ρ€ΡƒΠ²Π°ΠΌΠΈ.

JIMI HENDRIX EXPERIENCE - Π³Ρ€ΡƒΠΏΠΏΠ° Π½ΠΎΠ²ΠΎΠ³ΠΎ Ρ‚ΠΈΠΏΠ°

Nearby museums


Comments

2Late - Polish Rock Band